UPC · Release
Various Artists
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The UPC for “The Best Classics … Ever!” by Various Artists is 094634892322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Pomaton EMI. This release contains 64 tracks, each with its own ISRC. Tracks include GBAYC8800393, GBAYC2302025, GBAYD8400149.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T-321.302.283-0 | |
| 2 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | T-914.248.874-2 | |
| 4 | Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — | |
| 5 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 6 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 7 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 8 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 9 | Pavane | — | ||
| 10 | Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 11 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 12 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 13 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 14 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 15 | Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T-900.120.937-6 | |
| 16 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 17 | Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T-306.229.926-3 | |
| 2-1 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-3 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 2-4 | Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": III. Presto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 2-5 | Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — | |
| 2-6 | Boléro (conclusion) | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 2-7 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 2-8 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 2-9 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 2-11 | Lascia ch’io pianga (Rinaldo) | Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah | T-902.764.003-5 | |
| 2-12 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 2-13 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2-14 | Canzonetta sull’aria (Le nozze di Figaro) | [unknown] | T-011.696.191-1 | |
| 2-15 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | T-901.222.501-3 | |
| 2-16 | Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — | |
| 2-17 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 3-1 | Mazurka in F‐sharp minor, op. 59 no. 3 | Piotr Anderszewski | T-918.063.801-1 | |
| 3-2 | The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee | Николай Андреевич Римский-Корсаков | T-902.799.920-8 | |
| 3-3 | Swan Lake ballet, Op.20 - Dance Of The Little Swans (London Symphony Orchestra: Andre Previn, 1985) | André Previn, London Symphony Orchestra | — | |
| 3-4 | Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | T-919.442.911-3 | |
| 3-5 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | — | |
| 3-6 | Le nozze di Figaro, K. 492: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | T-905.042.457-2 | |
| 3-7 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 3-8 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 3-9 | Jupiter, the Bringer of Jollity (The Planets) | — | ||
| 3-10 | Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | T-900.757.862-3 | |
| 3-11 | Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902.781.050-0 | |
| 3-12 | Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-902.574.141-7 | |
| 3-13 | Suo Gân | — | ||
| 3-14 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 3-15 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 3-16 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 4-1 | Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 4-2 | Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | — | |
| 4-3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 4-4 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 4-5 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 4-6 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": I. Allegro non molto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | — | |
| 4-7 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — | |
| 4-8 | Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) | Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti | — | |
| 4-9 | La forza del destino (Overture) | — | ||
| 4-10 | Roméo et Juliette : Acte I. Valse « Je veux vivre dans ce rêve » (Juliette) | Natalie Dessay, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 4-11 | Un bel dì, vedremo (Madama Butterfly) | [unknown] | — | |
| 4-12 | La traviata: Atto I. “Libiamo, ne' lieti calici” (Alfredo, Violetta, coro) | Roberto Alagna, Angela Gheorghiu, London Voices, Berliner Philharmoniker, Claudio Abbado | T-924.489.349-0 | |
| 4-13 | 1812 Overture (conclusion) | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 4-14 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 4-15 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 |
Identifier Graph
094634892322 is a Universal Product Code (UPC) assigned to The Best Classics … Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T-035.024.359-2 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | — |
| Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | T-011.792.441-0 |
| Rhapsody in Blue (jazzband version – opening) | [unknown] | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Best Classics … Ever!” by Various Artists is 094634892322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Pomaton EMI. This release contains 64 tracks, each with its own ISRC. Tracks include GBAYC8800393, GBAYC2302025, GBAYD8400149.
