UPC · Album
The Best Classics … Ever!
Various Artists
094634892322
65 tracksReleased 2005-01-01Pomaton EMI
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094634892322 is the Universal Product Code (UPC barcode) for the release “The Best Classics … Ever!” by Various Artists, released 2005-01-01 on Pomaton EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include FRZ110100289, FRZ110800096, FRZ111300696.
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UPCThe Best Classics … Ever!
ISRC98 recordings
ISWC44 works
IPI4 songwriters
Track List (98)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | FRZ110100289 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ110800096 |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | FRZ111300696 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ118603476 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | FRZ119000170 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | FRZ119500220 |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | FRZ119702750 |
| Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | GBAAA0100474 |
| Lascia ch’io pianga (Rinaldo) | Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah | GBAAA0200446 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBAAA9300015 |
| Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202604 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202607 |
| Mazurka in F‐sharp minor, op. 59 no. 3 | Piotr Anderszewski | GBAYC0301841 |
| Roméo et Juliette : Acte I. Valse « Je veux vivre dans ce rêve » (Juliette) | Natalie Dessay, Orchestre national du Capitole de Toulouse, Michel Plasson | GBAYC0302310 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC0702145 |
| Swan Lake ballet, Op.20 - Dance Of The Little Swans (London Symphony Orchestra: Andre Previn, 1985) | André Previn, London Symphony Orchestra | GBAYC0802809 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1103979 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC1105038 |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | GBAYC1600615 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1600725 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC6000151 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7600103 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900141 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900189 |
| Le nozze di Figaro, K. 492: Overture | Academy of St. Martin-in-the-Fields, Neville Marriner | GBAYC8100212 |
| Montagues and Capulets | The Philadelphia Orchestra, Riccardo Muti | GBAYC8100501 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Carmen : Prélude | Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC8500344 |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | GBAYC8501495 |
| Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | GBAYC8600206 |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | GBAYC8600596 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC8602668 |
| 1812 Overture (conclusion) | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8700701 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC8700997 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC8700999 |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | GBAYC8701431 |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | GBAYC8800393 |
| Gnossiennes: I. (Lent) | Anne Queffélec | GBAYC8800397 |
| Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | GBAYC8800878 |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | GBAYC8802231 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8802461 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8805764 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | GBAYC8900868 |
| Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8902007 |
| Canzonetta sull’aria (Le nozze di Figaro) | [unknown] | GBAYC8904996 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC9002476 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003016 |
| The Nutcracker: Act II: Scene III: Waltz of the Flowers | London Symphony Orchestra, André Previn | GBAYC9004009 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC9100962 |
| Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | GBAYC9101082 |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | GBAYC9200418 |
| Boléro (conclusion) | London Symphony Orchestra, André Previn | GBAYC9200782 |
| Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) | Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti | GBAYC9200973 |
| Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | GBAYC9202904 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": III. Presto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | GBAYC9300635 |
| Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": I. Allegro non molto | Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | GBAYC9300641 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | GBAYC9400647 |
| The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee | Николай Андреевич Римский-Корсаков | GBAYC9402234 |
| Un bel dì, vedremo (Madama Butterfly) | [unknown] | GBAYC9502442 |
| Rhapsody in Blue (jazzband version – opening) | [unknown] | GBAYC9503498 |
| Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | GBAYC9602461 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9701116 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC9701432 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9702225 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702890 |
| Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703130 |
| Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703133 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | GBAYC9703169 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC9703282 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9705918 |
| La traviata: Atto I. “Libiamo, ne' lieti calici” (Alfredo, Violetta, coro) | Roberto Alagna, Angela Gheorghiu, London Voices, Berliner Philharmoniker, Claudio Abbado | GBAYC9800774 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | GBAYD8100171 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Air from Suite No.3 in D BWV 1068 | Hallé Orchestra, Owain Arwel Hughes | GBAYD8400149 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | GBAYD8400197 |
| Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro | Nigel Kennedy, English Chamber Orchestra | GBAYD8900145 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900646 |
| Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa | London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst | GBAYD8900809 |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | GBAYD9600267 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBDVE0400038 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | GBDVE9300041 |
Ave Maria, D. 839
Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson
Goldberg Variations, BWV 988: Aria
Maria Tipo
Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika)
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Goldberg Variations, BWV 988: Aria
Maria Tipo
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Ave Maria, D. 839
Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson
Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika)
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
Agnus Dei
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Lascia ch’io pianga (Rinaldo)
Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah
The Heart Asks Pleasure First / The Promise
Michael Nyman
Carmen : Prélude
Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Mazurka in F‐sharp minor, op. 59 no. 3
Piotr Anderszewski
Roméo et Juliette : Acte I. Valse « Je veux vivre dans ce rêve » (Juliette)
Natalie Dessay, Orchestre national du Capitole de Toulouse, Michel Plasson
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Swan Lake ballet, Op.20 - Dance Of The Little Swans (London Symphony Orchestra: Andre Previn, 1985)
André Previn, London Symphony Orchestra
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
Le nozze di Figaro, K. 492: Overture
Academy of St. Martin-in-the-Fields, Neville Marriner
Montagues and Capulets
The Philadelphia Orchestra, Riccardo Muti
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Carmen : Prélude
Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
On the Beautiful Blue Danube, Waltz, op. 314 (extract)
Berliner Philharmoniker, Herbert von Karajan
Summertime (Porgy and Bess)
Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn
Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour »
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
1812 Overture (conclusion)
Oslo Philharmonic Orchestra, Mariss Jansons
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
On the Beautiful Blue Danube, Waltz, op. 314 (extract)
Berliner Philharmoniker, Herbert von Karajan
Trois Gymnopédies: I. Lent et douloureux
Anne Queffélec, London Symphony Orchestra
Gnossiennes: I. (Lent)
Anne Queffélec
Waltz no. 15 in A‐flat major
Adolph Drescher, Dame Moura Lympany
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Also sprach Zarathustra (Thus Spake Zarathustra)
David Bell, London Philharmonic Orchestra, Klaus Tennstedt
Canzonetta sull’aria (Le nozze di Figaro)
[unknown]
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Nessun Dorma from 'Turandot'
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
The Nutcracker: Act II: Scene III: Waltz of the Flowers
London Symphony Orchestra, André Previn
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Die Walküre: Act 3: Ride of the Valkyries
Oslo Philharmonic Orchestra, Mariss Jansons
Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves)
Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini
Boléro (conclusion)
London Symphony Orchestra, André Previn
Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro)
Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti
Casse-Noisette : Valse des fleurs
London Symphony Orchestra, André Previn
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Violin Concerto in G minor, RV 315 "Le quattro stagioni", "L'estate": III. Presto
Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti
Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": I. Allegro non molto
Antonio Bocaterra, Giulio Franzetti, Robert Kettelson, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti
Schindler’s List Theme
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
The Tale of Tsar Saltan: Act III: The Flight of the Bumblebee
Николай Андреевич Римский-Корсаков
Un bel dì, vedremo (Madama Butterfly)
[unknown]
Rhapsody in Blue (jazzband version – opening)
[unknown]
Rigoletto: “La Donna è mobile” (Duke of Mantua)
Alfredo Kraus, Philharmonia Orchestra, Julius Rudel
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Cello Concerto in E minor: I. Adagio moderato (opening)
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Cello Concerto in E minor: I. Adagio moderato (opening)
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
La traviata: Atto I. “Libiamo, ne' lieti calici” (Alfredo, Violetta, coro)
Roberto Alagna, Angela Gheorghiu, London Voices, Berliner Philharmoniker, Claudio Abbado
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Rhapsody of a Theme of Paganini: Variation 18
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Air from Suite No.3 in D BWV 1068
Hallé Orchestra, Owain Arwel Hughes
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening)
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Concerto no. 1 in E, RV 269 “La primavera”: I. Allegro
Nigel Kennedy, English Chamber Orchestra
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Sequenz: Lacrimosa dies illa
London Philharmonic Choir, David Bell, London Philharmonic Orchestra, Franz Welser-Möst
Zadok the Priest (Coronation Anthem)
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
The Heart Asks Pleasure First / The Promise
Michael Nyman
The Piano, film score : The heart asks pleasure first
Michael Nyman
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What is UPC 094634892322?
094634892322 is a Universal Product Code (UPC) assigned to The Best Classics … Ever! by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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