UPC · Album
Essential 80s
Various Artists
Last verified:
094634974325 is the Universal Product Code (UPC barcode) for the release “Essential 80s” by Various Artists, released 2006-01-01 on EMI Gold. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include DEA340400238, DEAF71605514, DEC640000008.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (119)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Model | Kraftwerk | DEA340400238 |
| Kids in America | Kim Wilde | DEAF71605514 |
| Bette Davis Eyes | Kim Carnes | DEC640000008 |
| Enola Gay | Orchestral Manoeuvres in the Dark | GB0028029800 |
| Only You | Yazoo | GB5KW1800060 |
| It’s a Miracle | Culture Club | GBAAA0201012 |
| Enola Gay | Orchestral Manoeuvres in the Dark | GBAAA0300048 |
| Back to Life | Soul II Soul | GBAAA0300123 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300612 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300613 |
| (We Don’t Need This) Fascist Groove Thang | Heaven 17 | GBAAA0600326 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA0800243 |
| Enola Gay | Orchestral Manoeuvres in the Dark | GBAAA8000002 |
| (We Don’t Need This) Fascist Groove Thang | Heaven 17 | GBAAA8100008 |
| Love Action (I Believe in Love) | The Human League | GBAAA8100231 |
| One in Ten | UB40 | GBAAA8100344 |
| It’s a Miracle | Culture Club | GBAAA8300031 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400009 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400231 |
| (I Just) Died in Your Arms | Cutting Crew | GBAAA8600029 |
| (I Just) Died in Your Arms | Cutting Crew | GBAAA8600046 |
| (I Just) Died in Your Arms | Cutting Crew | GBAAA8600156 |
| Everything I Own | Boy George | GBAAA8700025 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA8700068 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA8800036 |
| Back to Life (However Do You Want Me) | Soul II Soul, Caron Wheeler | GBAAA8900012 |
| Back to Life | Soul II Soul | GBAAA8900036 |
| T’Aint What You Do (It’s the Way That You Do It) | The Fun Boy Three, Bananarama | GBAAP8200015 |
| Sometimes | Erasure | GBAJH0100079 |
| Only You | Yazoo | GBAJH0800092 |
| Sometimes | Erasure | GBAJH0801279 |
| Sometimes | Erasure | GBAJH1100066 |
| Only You | Yazoo | GBAJH9600224 |
| Sometimes | Erasure | GBAJH9900098 |
| Only You | Yazoo | GBAJH9900151 |
| Sometimes | Erasure | GBAJH9900201 |
| Geno | Dexys Midnight Runners | GBAYE0000114 |
| Some Like It Hot | The Power Station | GBAYE0400210 |
| She Blinded Me With Science | Thomas Dolby | GBAYE0900105 |
| Too Shy | Kajagoogoo | GBAYE0901454 |
| Girls on Film | Duran Duran | GBAYE1000023 |
| It Started With a Kiss | Hot Chocolate | GBAYE1001330 |
| To Cut a Long Story Short | Spandau Ballet | GBAYE8000026 |
| Geno | Dexys Midnight Runners | GBAYE8000030 |
| Morning Train (Nine to Five) | Sheena Easton | GBAYE8000046 |
| Morning Train (Nine to Five) | Sheena Easton | GBAYE8000048 |
| Girls on Film | Duran Duran | GBAYE8100039 |
| Kids in America | Kim Wilde | GBAYE8100054 |
| It Started With a Kiss | Hot Chocolate | GBAYE8200019 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200083 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200116 |
| Too Shy | Kajagoogoo | GBAYE8300069 |
| Too Shy | Kajagoogoo | GBAYE8300270 |
| It’s My Life | Talk Talk | GBAYE8400109 |
| It’s My Life | Talk Talk | GBAYE8400123 |
| Searchin’ (I Gotta Find a Man) | Hazell Dean | GBAYE8400227 |
| 19 | Paul Hardcastle | GBAYE8500071 |
| 19 | Paul Hardcastle | GBAYE8500076 |
| Imagination | Belouis Some | GBAYE8500080 |
| Some Like It Hot | The Power Station | GBAYE8500084 |
| Some Like It Hot | The Power Station | GBAYE8500118 |
| F.L.M. | Mel & Kim | GBAYE8700101 |
| When You Walk in the Room | Paul Carrack | GBAYE8700122 |
| Letter From America | The Proclaimers | GBAYE8700124 |
| The Harder I Try | Brother Beyond | GBAYE8800086 |
| Who’s Leaving Who | Hazell Dean | GBAYE8800115 |
| Something’s Gotten Hold of My Heart | Marc Almond, Gene Pitney | GBAYE8800141 |
| Something’s Gotten Hold of My Heart | Marc Almond, Gene Pitney | GBAYE8900069 |
| Morning Train (Nine to Five) | Sheena Easton | GBAYE9300751 |
| It’s My Life | Talk Talk | GBAYE9700491 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK1000002 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK2500071 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000013 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000068 |
| Ghost Town | The Specials | GBAYK8100051 |
| T’Aint What You Do (It’s the Way That You Do It) | The Fun Boy Three, Bananarama | GBAYK8200011 |
| T’Aint What You Do (It’s the Way That You Do It) | The Fun Boy Three, Bananarama | GBAYK8200024 |
| After a Fashion | Midge Ure, Mick Karn | GBAYK8300121 |
| 19 | Paul Hardcastle | GBAYK8500015 |
| Goodbye Girl | Go West | GBAYK8500061 |
| French Kissin’ in the USA | Deborah Harry | GBAYK8600035 |
| When You Walk in the Room | Paul Carrack | GBAYK8700052 |
| Letter From America | The Proclaimers | GBAYK8700101 |
| Respect | Adeva | GBAYK8900001 |
| Respect | Adeva | GBAYK8900028 |
| Kids in America | Kim Wilde | GBBLY2000187 |
| One in Ten | UB40 | GBDDH8100001 |
| Walking on Sunshine | Katrina and the Waves | GBDNM1010055 |
| Enola Gay | Orchestral Manoeuvres in the Dark | GBUM71902218 |
| Morning Train (Nine to Five) | Sheena Easton | QZF392100002 |
| 19 | Paul Hardcastle | UKKP22300456 |
| After a Fashion | Midge Ure, Mick Karn | UKKP28300004 |
| Rooms on Fire | Stevie Nicks | USAT20003000 |
| Rooms on Fire | Stevie Nicks | USAT22215149 |
| Love Is a Battlefield | Pat Benatar | USCA20500246 |
| The Model | Kraftwerk | USCA20903078 |
| The Tide Is High | Blondie | USCA28000082 |
| Bette Davis Eyes | Kim Carnes | USCA28100081 |
| Walking on Sunshine | Katrina and the Waves | USCA28500452 |
| Solid | Ashford & Simpson | USCA28700651 |
| The Model | Kraftwerk | USCA28800967 |
| Rebel Yell | Billy Idol | USCA28801041 |
| Solid | Ashford & Simpson | USCA29000329 |
| Bette Davis Eyes | Kim Carnes | USCA29701371 |
| The Tide Is High | Blondie | USCH30100019 |
| The Tide Is High | Blondie | USCH38000024 |
| Love Is a Battlefield | Pat Benatar | USCH38300002 |
| The Power of Love | Huey Lewis & the News | USCH38500008 |
| THE TIDE IS HIGH | VARIOUS ARTISTS | USCH38900009 |
| """THE TIDE IS HIGH (7\"""" EDIT)""" | BLONDIE | USCH39800019 |
| Solid | Ashford & Simpson | USEM38400037 |
| Bette Davis Eyes | Kim Carnes | USEM38900124 |
| Love Action (I Believe in Love) | The Human League | USGMP0800029 |
| Only You | Yazoo | USLS50481035 |
| Rooms on Fire | Stevie Nicks | USRH11900811 |
| Sometimes | Erasure | USRHD0900076 |
| Solid | Ashford & Simpson | USUM72208765 |
| Straight Up | Paula Abdul | USVI28800001 |
| Straight Up | Paula Abdul | USVI28800024 |
What other identifiers does this connect to?
Musical Works (ISWC)
+88 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
People also ask
Verified on
What is UPC 094634974325?
094634974325 is a Universal Product Code (UPC) assigned to Essential 80s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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