UPC · Album
More Complete Eighties
Various Artists
Last verified:
094635724523 is the Universal Product Code (UPC barcode) for the release “More Complete Eighties” by Various Artists, released 2006-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 89 tracks, each with its own ISRC. Tracks include AUEI10700010, AUEM08100005, AUEM08300001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (168)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| The Unguarded Moment | The Church | AUEI10700010 |
| Things Don’t Seem | Australian Crawl | AUEM08100005 |
| No Tragedy | The Radiators | AUEM08300001 |
| Listening | Pseudo Echo | AUEM08400006 |
| Cry in Shame | Johnny Diesel & the Injectors | AUEM08900001 |
| Bittersweet | Hoodoo Gurus | AUHD00500015 |
| Bittersweet | Hoodoo Gurus | AUHG00000070 |
| Boys (Summer Time Love) | Sabrina | AUXN22486582 |
| We Got the Beat | Go-Go’s | DEKF21300657 |
| Boys (Summer Time Love) | Sabrina | FR02X1700250 |
| Boys (Summer Time Love) | Sabrina | FRR848722401 |
| Do You Really Want to Hurt Me | Culture Club | GB0028230700 |
| Wild Wild Life | Talking Heads | GB01A0500096 |
| She Makes My Day | Robert Palmer | GB01A8800014 |
| Don't Go | Yazoo | GB5KW1800054 |
| Don’t You (Forget About Me) | Simple Minds | GBAAA0100587 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA0201000 |
| Don’t You (Forget About Me) | Simple Minds | GBAAA0201298 |
| The War Song | Culture Club | GBAAA0300593 |
| (Keep Feeling) Fascination | The Human League | GBAAA0300609 |
| Human | The Human League | GBAAA0300615 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA0800243 |
| This Is Not a Love Song | Public Image Ltd. | GBAAA1100121 |
| This Is Not a Love Song | Public Image Ltd. | GBAAA1100162 |
| Generals and Majors | XTC | GBAAA8000057 |
| Generals and Majors | XTC | GBAAA8000295 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200005 |
| Do You Really Want to Hurt Me | Culture Club | GBAAA8200048 |
| Temptation | Heaven 17 | GBAAA8300022 |
| (Keep Feeling) Fascination | The Human League | GBAAA8300027 |
| Don’t You (Forget About Me) | Simple Minds | GBAAA8300214 |
| The War Song | Culture Club | GBAAA8400047 |
| This Is Not a Love Song | Public Image Ltd. | GBAAA8400200 |
| Don’t You (Forget About Me) | Simple Minds | GBAAA8500001 |
| Don’t You (Forget About Me) | Simple Minds | GBAAA8500039 |
| Human | The Human League | GBAAA8600003 |
| (Forever) Live and Die (7″ mix) | Orchestral Manoeuvres in the Dark | GBAAA8600028 |
| Human | The Human League | GBAAA8600331 |
| Human | The Human League | GBAAA8600340 |
| Human | The Human League | GBAAA8700047 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA8700068 |
| Shattered Dreams | Johnny Hates Jazz | GBAAA8800036 |
| Living on the Ceiling | Blancmange | GBAAP0100383 |
| True | Spandau Ballet | GBAHT1303706 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE0609113 |
| Everybody’s Got to Learn Sometime | The Korgis | GBAJE8000325 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE8200004 |
| The Message | Grandmaster Flash & The Furious Five | GBAJE8200116 |
| Jeopardy | Greg Kihn Band | GBAJE8300038 |
| Sometimes | Erasure | GBAJH0100079 |
| Don't Go | Yazoo | GBAJH0100174 |
| Don't Go | Yazoo | GBAJH0400476 |
| Don't Go | Yazoo | GBAJH0600166 |
| Don’t Go (2008 remaster) | Yazoo | GBAJH0800097 |
| Sometimes | Erasure | GBAJH0801279 |
| Sometimes | Erasure | GBAJH1100066 |
| Don't Go | Yazoo | GBAJH9600227 |
| Sometimes | Erasure | GBAJH9900098 |
| Don't Go | Yazoo | GBAJH9900157 |
| Sometimes | Erasure | GBAJH9900201 |
| GET IT ON (BANG A GONG) (2005 REMASTER) | THE POWER STATION | GBAYE0400211 |
| The Wild Boys | Duran Duran | GBAYE0400612 |
| She Blinded Me With Science | Thomas Dolby | GBAYE0900105 |
| It Started With a Kiss | Hot Chocolate | GBAYE1001330 |
| What’s Love Got to Do With It | Tina Turner | GBAYE1401507 |
| To Cut a Long Story Short | Spandau Ballet | GBAYE8000026 |
| Chequered Love | Kim Wilde | GBAYE8100010 |
| It Started With a Kiss | Hot Chocolate | GBAYE8200019 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200051 |
| Hungry Like the Wolf | Duran Duran | GBAYE8200056 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200083 |
| She Blinded Me With Science | Thomas Dolby | GBAYE8200116 |
| View From a Bridge | Kim Wilde | GBAYE8200218 |
| True | Spandau Ballet | GBAYE8300100 |
| The Politics of Dancing | Re-Flex | GBAYE8300273 |
| The Wild Boys | Duran Duran | GBAYE8400060 |
| The Wild Boys | Duran Duran | GBAYE8400114 |
| Strut | Sheena Easton | GBAYE8400117 |
| Searchin’ (I Gotta Find a Man) | Hazell Dean | GBAYE8400227 |
| That’s the Way It Is (7″ version) | Mel & Kim | GBAYE8800224 |
| Strut | Sheena Easton | GBAYE9300752 |
| The Whole of the Moon | The Waterboys | GBAYK0400026 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK1000002 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK2500071 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000013 |
| To Cut a Long Story Short | Spandau Ballet | GBAYK8000068 |
| True | Spandau Ballet | GBAYK8300001 |
| True | Spandau Ballet | GBAYK8300004 |
| True | Spandau Ballet | GBAYK8400047 |
| The Whole of the Moon | The Waterboys | GBAYK8500003 |
| The Whole of the Moon | The Waterboys | GBAYK8500089 |
| I’m on My Way | The Proclaimers | GBAYK8800056 |
| That’s the Way It Is (7″ version) | Mel & Kim | GBBLY1903535 |
| Chequered Love | Kim Wilde | GBBLY2000188 |
| View From a Bridge | Kim Wilde | GBBLY2000212 |
| Do You Really Want to Hurt Me | Culture Club | GBC780800053 |
| Everybody’s Got to Learn Sometime | The Korgis | GBHMX0220402 |
| Boys (Summer Time Love) | Sabrina | GBJUT1300481 |
| True | Spandau Ballet | GBUM70911469 |
| (Forever) Live and Die (7″ mix) | Orchestral Manoeuvres in the Dark | GBUM71902234 |
| Boys (Summer Time Love) | Sabrina | ITB210400046 |
| Alone | Heart | USCA20000459 |
| The Other Guy | Little River Band | USCA20200591 |
| All Fired Up | Pat Benatar | USCA20500250 |
| Nothin’ but a Good Time | Poison | USCA20501298 |
| Do You Believe in Love | Huey Lewis and the News | USCA20600524 |
| Fall of Rome | James Reyne | USCA20701397 |
| Far Side of Crazy | Wall of Voodoo | USCA20704231 |
| We Got the Beat | Go-Go’s | USCA21100772 |
| Alone | Heart | USCA21102652 |
| Science Fiction | Divinyls | USCA28300136 |
| What’s Love Got to Do With It | Tina Turner | USCA28400002 |
| Alone | Heart | USCA28600002 |
| Solid | Ashford & Simpson | USCA28700651 |
| Alone | Heart | USCA28700690 |
| Nothin’ but a Good Time | Poison | USCA28800138 |
| Take the L | The Motels | USCA28900463 |
| Do You Believe in Love | Huey Lewis and the News | USCA29101941 |
| What’s Love Got to Do With It | Tina Turner | USCA29401293 |
| What’s Love Got to Do With It | Tina Turner | USCA29700644 |
| Alone | Heart | USCA29700927 |
| The Other Guy | Little River Band | USCA29900985 |
| Sweet Sixteen | Billy Idol | USCH30100011 |
| Call Me | Blondie | USCH30100031 |
| We Belong | Pat Benatar | USCH30200007 |
| CALL ME - REMASTERED | BLONDIE | USCH30200013 |
| RAPTURE (2002 REMASTER) | BLONDIE | USCH30200014 |
| Call Me | Blondie | USCH37900008 |
| We Belong | Pat Benatar | USCH38400001 |
| Rebel Yell | Billy Idol | USCH38400024 |
| Sweet Sixteen | Billy Idol | USCH38600002 |
| All Fired Up | Pat Benatar | USCH38800009 |
| Hey Little Boy | Divinyls | USCH38800043 |
| CALL ME | GIORGIO MORODER | USCH38900008 |
| RAPTURE (SPECIAL MIX) | BLONDIE | USCH39100014 |
| Do You Believe in Love | Huey Lewis and the News | USCH39200022 |
| CALL ME | VARIOUS ARTISTS | USCH39800016 |
| We Belong | Pat Benatar | USCH39900026 |
| Rebel Yell | Billy Idol | USCH39900054 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN10200088 |
| Lady | Kenny Rogers | USCN10500371 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN10500375 |
| Lady | Kenny Rogers | USCN18000041 |
| Queen of Hearts | Juice Newton | USCN18100033 |
| We’ve Got Tonight | Kenny Rogers, Sheena Easton | USCN18300009 |
| Lady | Kenny Rogers | USCN19100046 |
| Do You Believe in Love | Huey Lewis and the News | USEE10100755 |
| Crazy in the Night (Barking at Airplanes) | Kim Carnes | USEM39000182 |
| Body Rock | Maria Vidal | USEM39300080 |
| The Wild Boys | Duran Duran | USGMP0800023 |
| Mad About You | Belinda Carlisle | USIR38600039 |
| Mad About You | Belinda Carlisle | USIR38600050 |
| We Got the Beat | Go-Go’s | USIR39000040 |
| We Got the Beat | Go-Go’s | USIR39400016 |
| Call Me | Blondie | USLIC0500092 |
| True | Spandau Ballet | USLIC0601220 |
| RAPTURE (ALBUM VERSION) | BLONDIE | USLIC0602380 |
| Nothin’ but a Good Time | Poison | USLS50582702 |
| Do You Really Want to Hurt Me | Culture Club | USMV28200001 |
| Wild Wild Life | Talking Heads | USNO11800611 |
| What’s Love Got to Do With It | Tina Turner | USRHD0532195 |
| Get It On (Bang a Gong) | The Power Station | USRHD0532377 |
| Sometimes | Erasure | USRHD0900076 |
| I’m on My Way | The Proclaimers | USUG10914156 |
| CALL ME | BLONDIE | USUM72100711 |
| Wild Wild Life | Talking Heads | USWB10302453 |
| Wild Wild Life | Talking Heads | USWB19900877 |
| We Got the Beat | Go-Go’s | USWWW0128900 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 094635724523?
094635724523 is a Universal Product Code (UPC) assigned to More Complete Eighties by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 89 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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