UPC · Release
100 Best Film Classics
Various Artists
094637090022
18 tracksReleased 2006-01-01EMI Classics
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094637090022 is the Universal Product Code (UPC barcode) for the release “100 Best Film Classics” by Various Artists, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC1105038, GBAYC9602461, GBAYC8200350.
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Credit Chain
UPC100 Best Film Classics
ISRC17 recordings
ISWC71 works
IPI7 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 5-2 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001455377-5 | |
| 5-3 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T9025256488 | |
| 5-4 | Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee” | Leontyne Price, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-6 | Tosca: Atto II. “Vissi d’arte” (Tosca) | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | — | |
| 5-7 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-8 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T9182451178 | |
| 5-9 | Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-10 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T9007986176 | |
| 5-11 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-12 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 5-13 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 | |
| 5-14 | Che gelida manina (Moonstruck) | — | ||
| 5-15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 | |
| 5-16 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 5-17 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 | |
| 5-18 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Alfredo Kraus, Philharmonia Orchestra, Julius Rudel
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee”
Leontyne Price, Berliner Philharmoniker, Herbert von Karajan
—
Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro)
Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink
—
Tosca: Atto II. “Vissi d’arte” (Tosca)
Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
—
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
—
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
—
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Che gelida manina (Moonstruck)
—
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
La Wally, Act I: "Ebben? ne andrò lontana"
Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Additional database matches (119)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T9021286884 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — |
| Mandolin Concerto in C major, RV 425: I. Allegro | André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe | — |
| DIvertimento for String Trio, K. 563: III Minuetto, allegretto | Augustin Dumay, Gérard Caussé, Gary Hoffman | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Gabriel's Oboe | Ennio Morricone | T-005002184-5 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T8007902195 |
| The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073093054-7 |
| Fawkes the Phoenix | The City of Prague Philharmonic Orchestra, Nic Raine | T-072.911.600-0 |
| Love Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | T-005.018.789-7 |
| You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 |
| Hymn To The Fallen (From "Saving Private Ryan") | The City of Prague Philharmonic Orchestra, Paul Bateman | T9117070254 |
| Any Other Name | Thomas Newman | T-700232760-0 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | T0030165355 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T3008162496 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071522859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011777630-3 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011552099-4 |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T3213022830 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003010023-2 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031590855-4 |
| Piano Sonata K311 | Андрей Владимирович Гаврилов | — |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T9001603174 |
| Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | — |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900798623-4 |
| Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902359447-0 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T0702578877 |
| Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T9054521798 |
| Hallelujah Chorus from “The Messiah” | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T0701961070 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323252117-0 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — |
| Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — |
| Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — |
| Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening | Berliner Philharmoniker, Herbert von Karajan | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308381369-4 |
| Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | T0111291010 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Waltz in D-flat major, op. 64 no. 1 | Dmitri Alexeev | T9000106945 |
| Waltz in C-sharp minor, op. 64 no. 2 | Dmitri Alexeev | T9220545562 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Raindrop: Prelude | Dmitri Alexeev | — |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T0101948713 |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9001387128 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010203179-7 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 |
| Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — |
| Any Other Name | Thomas Newman | T-071009265-1 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T9021286884 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Any Other Name | Thomas Newman | T7002327600 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T0315908554 |
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
—
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
—
Mandolin Concerto in C major, RV 425: I. Allegro
André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe
—
DIvertimento for String Trio, K. 563: III Minuetto, allegretto
Augustin Dumay, Gérard Caussé, Gary Hoffman
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Ennio Morricone
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Paul Bateman
The City of Prague Philharmonic Orchestra, Nic Raine
The City of Prague Philharmonic Orchestra, Paul Bateman
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
Philharmonia Orchestra, Sir Simon Rattle
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt
Academy of St Martin in the Fields, Sir Neville Marriner
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Philharmonia Orchestra, Riccardo Muti
Symphony no. 25, K. 183: I. Allegro con brio (excerpt)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Anne Queffélec, London Symphony Orchestra
Anne Queffélec
Dame Moura Lympany
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
—
Dame Moura Lympany
Piano Sonata K311
Андрей Владимирович Гаврилов
—
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Andrei Gavrilov
—
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
London Symphony Orchestra, André Previn
Also sprach Zarathustra (Thus Spake Zarathustra)
David Bell, London Philharmonic Orchestra, Klaus Tennstedt
—
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Royal Philharmonic Orchestra, Sir Colin Davis
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Oslo Philharmonic Orchestra, Mariss Jansons
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
—
Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse
The Philadelphia Orchestra, Mariss Jansons
—
Keyboard Suite in D minor, HWV 437: Sarabande
Andrei Gavrilov
—
Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening
Berliner Philharmoniker, Herbert von Karajan
—
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Shearman Orchestra, David Abel
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Bath Festival Orchestra, Yehudi Menuhin
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dmitri Alexeev
Dmitri Alexeev
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Raindrop: Prelude
Dmitri Alexeev
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Manuel Barrueco, Steve Morse
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
—
Thomas Newman
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
London Symphony Orchestra, Sir Adrian Boult
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Academy of St Martin in the Fields, Sir Neville Marriner
Philharmonia Orchestra, Riccardo Muti
Dame Moura Lympany
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.010.023-2T-005.002.184-5T-005.018.789-7T-005002184-5T-005018789-7T-010.115.427-1T-010115427-1T-011.221.528-7T-011221528-7T-042.107.751-1
+61 more
T-042107751-1T-042107756-6T-070.000.199-5T-070000199-5T-070249713-9T-071.017.492-7T-071017492-7T-072.911.600-0T-072911600-0T-900017894-9T-901134571-4T-902091036-5T-905.387.081-8T-905387081-8T-909207175-5T-914.248.874-2T-914248874-2T-915711225-9T0014553775T0030165355T0050011976T0101948713T0102031797T0111291010T0115520994T0117776303T0315908554T0701961070T0702488865T0702578877T0710092651T0711534994T0714220628T0715228593T0715417643T0717254255T0730930547T3008162496T3042528434T3056256481T3083813694T3213022830T3232521170T7002327600T8007902195T9000106945T9001387128T9001603174T9007986176T9007986234T9021286884T9023594470T9025256488T9054521798T9115340200T9117070254T9182451178T9214184573T9220545562T9226102018T9312801857
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055129945000000005514342100000000551744630000000055175298000000005517724200000000551790290000000055192274000000005928437900000000594735910000000059512917
+40 more
000000006097350X00000000630867030000000078393861000000007974757X000000008045090900000000811255850000000081692432000000008169715300000000817730050000000081818787000000008181927X000000008182481000000000832522460000000083668540000000008411814500000000841631220000000090819132000000010748489400000001078863400000000108606603000000010861735300000001086751070000000108694084000000010887443X0000000109064295000000010911085300000001091274790000000109144113000000010920127X0000000109223786000000010930050X00000001093501360000000109370671000000010937376800000001094067770000000109435228000000010943724X000000010945021700000001096241410000000109878520
Identifier Graph
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What is UPC 094637090022?
094637090022 is a Universal Product Code (UPC) assigned to 100 Best Film Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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