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Various Artists
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094637090022 is the Universal Product Code (UPC barcode) for the release “100 Best Film Classics” by Various Artists, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8902007, GBAYC9100962, GBAYC9801147.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 3 | Requiem (Amadeus) | — | ||
| 4 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 5 | You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 | |
| 6 | Main Theme (Star Wars) | — | ||
| 7 | Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-800.790.219-5 | |
| 8 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 9 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 10 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073.093.054-7 | |
| 11 | Fawkes the Phoenix | The City of Prague Philharmonic Orchestra, Nic Raine | T-072.911.600-0 | |
| 12 | Hymn To The Fallen (From "Saving Private Ryan") | The City of Prague Philharmonic Orchestra, Paul Bateman | T-911.707.025-4 | |
| 13 | DIvertimento for String Trio, K. 563: III Minuetto, allegretto | Augustin Dumay, Gérard Caussé, Gary Hoffman | — | |
| 14 | The Sorcerer's Apprentice (Fantasia) | — | ||
| 15 | End Titles (Braveheart) | — | ||
| 2-1 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-2 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 2-3 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 2-4 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-6 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 2-7 | Main Theme (E.T.) | — | ||
| 2-8 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 2-9 | Gabriel's Oboe | Ennio Morricone | T-005.002.184-5 | |
| 2-10 | Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-11 | Main Theme (Jean de Florette) | — | ||
| 2-12 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-13 | Love Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | T-005.018.789-7 | |
| 2-14 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 2-15 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 3-1 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 3-3 | Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — | |
| 3-4 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 3-5 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 3-6 | Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | T-003.016.535-5 | |
| 3-7 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 3-8 | Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — | |
| 3-10 | Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902.359.447-0 | |
| 3-11 | Cello Concerto (Hilary and Jackie) | — | ||
| 3-12 | Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-13 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 3-14 | Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-15 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-16 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 3-17 | The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T-300.816.249-6 | |
| 4-1 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 4-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 4-3 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 4-4 | Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-5 | Waltz in C-sharp minor, op. 64 no. 2 | Dmitri Alexeev | T-922.054.556-2 | |
| 4-6 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 4-7 | Piano Concerto No. 25 (The Associate) | — | ||
| 4-8 | Piano Sonata K311 | Андрей Владимирович Гаврилов | — | |
| 4-9 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 4-10 | Nocturne in C-sharp minor (The Pianist) | — | ||
| 4-11 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 4-12 | Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T-321.302.283-0 | |
| 4-13 | Waltz in D-flat major, op. 64 no. 1 | Dmitri Alexeev | T-900.010.694-5 | |
| 4-14 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 4-15 | Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 4-16 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 4-17 | Polonaise No. 6 in A flat (Shine) | — | ||
| 5-1 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 5-2 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 5-3 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 5-4 | Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee” | Leontyne Price, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-6 | Tosca: Atto II. “Vissi d’arte” (Tosca) | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | — | |
| 5-7 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-8 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 5-9 | Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-10 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 5-11 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-12 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 5-13 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 5-14 | Che gelida manina (Moonstruck) | — | ||
| 5-15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 5-16 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 5-17 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 5-18 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 6-1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 6-2 | Fugue in D minor (The Aviator) | — | ||
| 6-3 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 6-4 | Double Violin Concerto (Children of a Lesser God) | — | ||
| 6-5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 6-6 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 6-7 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Mandolin Concerto in C major, RV 425: I. Allegro | André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe | — | |
| 6-9 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 6-10 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | T-011.129.101-0 | |
| 6-11 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 6-12 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 6-14 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 6-15 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 6-16 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-17 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | — | |
| 6-18 | Hallelujah Chorus from “The Messiah” | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-070.196.107-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
094637090022 is a Universal Product Code (UPC) assigned to 100 Best Film Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
094637090022 is the Universal Product Code (UPC barcode) for the release “100 Best Film Classics” by Various Artists, released 2006-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8902007, GBAYC9100962, GBAYC9801147.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 3 | Requiem (Amadeus) | — | ||
| 4 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 5 | You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | T-071.017.492-7 | |
| 6 | Main Theme (Star Wars) | — | ||
| 7 | Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-800.790.219-5 | |
| 8 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 9 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 10 | The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | T-073.093.054-7 | |
| 11 | Fawkes the Phoenix | The City of Prague Philharmonic Orchestra, Nic Raine | T-072.911.600-0 | |
| 12 | Hymn To The Fallen (From "Saving Private Ryan") | The City of Prague Philharmonic Orchestra, Paul Bateman | T-911.707.025-4 | |
| 13 | DIvertimento for String Trio, K. 563: III Minuetto, allegretto | Augustin Dumay, Gérard Caussé, Gary Hoffman | — | |
| 14 | The Sorcerer's Apprentice (Fantasia) | — | ||
| 15 | End Titles (Braveheart) | — | ||
| 2-1 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 2-2 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 2-3 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 2-4 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 2-5 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-6 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 2-7 | Main Theme (E.T.) | — | ||
| 2-8 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 2-9 | Gabriel's Oboe | Ennio Morricone | T-005.002.184-5 | |
| 2-10 | Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-11 | Main Theme (Jean de Florette) | — | ||
| 2-12 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-13 | Love Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | T-005.018.789-7 | |
| 2-14 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 2-15 | Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | — | |
| 3-1 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-2 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 3-3 | Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — | |
| 3-4 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 3-5 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 3-6 | Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | T-003.016.535-5 | |
| 3-7 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 3-8 | Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — | |
| 3-10 | Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | T-902.359.447-0 | |
| 3-11 | Cello Concerto (Hilary and Jackie) | — | ||
| 3-12 | Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-13 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 3-14 | Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening | Berliner Philharmoniker, Herbert von Karajan | — | |
| 3-15 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-16 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 3-17 | The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T-300.816.249-6 | |
| 4-1 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 4-2 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 4-3 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 4-4 | Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 4-5 | Waltz in C-sharp minor, op. 64 no. 2 | Dmitri Alexeev | T-922.054.556-2 | |
| 4-6 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | — | |
| 4-7 | Piano Concerto No. 25 (The Associate) | — | ||
| 4-8 | Piano Sonata K311 | Андрей Владимирович Гаврилов | — | |
| 4-9 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 4-10 | Nocturne in C-sharp minor (The Pianist) | — | ||
| 4-11 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 4-12 | Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T-321.302.283-0 | |
| 4-13 | Waltz in D-flat major, op. 64 no. 1 | Dmitri Alexeev | T-900.010.694-5 | |
| 4-14 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 4-15 | Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 4-16 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 4-17 | Polonaise No. 6 in A flat (Shine) | — | ||
| 5-1 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 5-2 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 5-3 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 5-4 | Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee” | Leontyne Price, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-5 | Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-6 | Tosca: Atto II. “Vissi d’arte” (Tosca) | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | — | |
| 5-7 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-8 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 5-9 | Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — | |
| 5-10 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 5-11 | Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 5-12 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 5-13 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 5-14 | Che gelida manina (Moonstruck) | — | ||
| 5-15 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 5-16 | La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — | |
| 5-17 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 5-18 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 6-1 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 6-2 | Fugue in D minor (The Aviator) | — | ||
| 6-3 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 6-4 | Double Violin Concerto (Children of a Lesser God) | — | ||
| 6-5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 6-6 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 6-7 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | Mandolin Concerto in C major, RV 425: I. Allegro | André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe | — | |
| 6-9 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 6-10 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | T-011.129.101-0 | |
| 6-11 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 6-12 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-13 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 6-14 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 6-15 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 6-16 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-17 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | — | |
| 6-18 | Hallelujah Chorus from “The Messiah” | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-070.196.107-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
