UPC · Release
Various Artists
Last verified:
The UPC for “100 Best Baroque” by Various Artists is 094637090725. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC0102056, GBAYD8600523, GBAYC8701541.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Zadok the Priest | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-900.138.712-8 | |
| 2 | The Prince of Denmark’s March (Trumpet Voluntary) | Crispian Steele-Perkins, City of London Baroque Sinfonia, Richard Hickox | T-071.156.658-3 | |
| 3 | Lachrimae no. 1: Lachrimae Antiquae | Fretwork, Christopher Wilson | — | |
| 4 | Abdelazer, or The Moor's Revenge: Rondeau | Taverner Players, Andrew Parrott | — | |
| 5 | Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | T-906.288.103-2 | |
| 6 | W/ Lilies White | Gérard Lesne, Ensemble de violes Gibbons | — | |
| 7 | Dido and Aeneas: Overture | Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 8 | Your Counsel All - Great Minds - Thy Hand, Belinda - When I Am Laid Down in Earth - With Drooping Wings | Susan Graham, European Voices, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 9 | Come, Ye Sons Of Art - Symphony - Come, Ye Sons Of Art, Away- Sound The Trumpet - Come, Ye Sons of Art | Julia Gooding, Christopher Robson, James Bowman, Christopher Robson, David Wilson-Johnson, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Gustav Leonhardt | — | |
| 10 | O Solitude, Z. 406 | Nancy Argenta | — | |
| 11 | Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba | Taverner Players, Andrew Parrott | — | |
| 12 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 13 | Messiah: Part II: He Was Despised | Margaret Cable, Taverner Players, Andrew Parrott | — | |
| 14 | Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — | |
| 2-1 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 2-2 | Carmelite Vespers: Psalm I: Dixit Dominus: Dixit Dominus Domino meo | Taverner Choir, Taverner Players, Andrew Parrott | T-071.000.879-9 | |
| 2-3 | Giulio Cesare in Egitto: “Dall’ondoso periglio… Aure, deh, per pietà” | Stephanie Blythe, Orchestre de chambre de Paris, John Nelson | — | |
| 2-4 | Alcina: Verdi prati | Della Jones, City of London Baroque Sinfonia, Richard Hickox | — | |
| 2-5 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 2-6 | Altri canti d'amor, tenero arciero | The Consort of Musicke, Anthony Rooley | — | |
| 2-7 | Selva morale e spirituale: Beatus vir I a 6 [Psalm 111] | Andrew Parrott, The Taverner Choir, Consort & Players | T-071.000.879-9 | |
| 2-8 | L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | — | |
| 2-9 | Adagio for Strings and Organ in G minor | Scottish Ensemble, Jonathan Rees | T-916.008.010-4 | |
| 2-10 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 2-11 | Sonata [6] à 8 pian e forte | Gabrieli Players, Paul McCreesh | T-802.326.793-9 | |
| 2-12 | The Four Seasons: No. 2 "Summer": Allegro - Adagio - Presto | Monica Huggett, Raglan Baroque Players, Nicholas Kraemer | — | |
| 3-1 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 3-2 | Oboe Concerto in C minor: II. Adagio | Ray Still, Academy of London, Richard Stamp | — | |
| 3-3 | String Quintet in E, op. 13 no. 5: III. Minuetto | Europa Galante | — | |
| 3-4 | Keyboard Sonata in D minor, K. 9 | Mikhail Pletnev | — | |
| 3-5 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 3-6 | Concerto For 2 Mandolins In G Rv532 - 1. Allegro | Antonio Vivaldi | — | |
| 3-7 | Crucifixus a 6 | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 3-8 | Sonata In G Minor 'Devil's Trill' - 3. Allegro | Giuseppe Tartini | — | |
| 3-9 | The Four Seasons: Spring | Elizabeth Wallfisch, Taverner Players, Andrew Parrott | — | |
| 3-10 | Recorder Concerto in C, RV 444: 1. Allegro | Michel Sanvoisin, Orchestre de Chambre de Toulouse, Louis Auriacombe | — | |
| 3-11 | Fandango | Maggie Cole | T-041.489.087-1 | |
| 3-12 | Officium Hebdomadae Sanctae: O vos omnes | The Sixteen, Harry Christophers | — | |
| 3-13 | Diferencias sobre las Folias | Antonio Martín y Coll | — | |
| 3-14 | Ay luna que reluzes (villancico) | [anonymous] | — | |
| 3-15 | Pavan & Galliard D'alexandra | [unknown] | T-010.142.579-9 | |
| 3-16 | Messe De Requiem Consacree a Luis De Camoes: Sanctus | Chorus of the Gulbenkian Foundation, Orchestra of the Gulbenkian Foundation, Michel Corboz | — | |
| 4-1 | Marche de triomphe avec des trompettes et des timbales | La Simphonie du Marais, Hugo Reyne | — | |
| 4-2 | Marche des mousquetaires | La Simphonie du Marais, Hugo Reyne | — | |
| 4-3 | Symphonies pour le Festin Royal du Comte d'Artois: Contredanse | La Simphonie du Marais, Hugo Reyne | — | |
| 4-4 | Marche de triomphe | Marc-Antoine Charpentier | — | |
| 4-5 | Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts | Maurice André, Thierry Caens, Jean-Pierre Leroy, Bernard Soustrot, Guy Touvron, Ensemble Orchestral de Paris, Jean-Pierre Wallez | — | |
| 4-6 | Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne | Concerto Köln | — | |
| 4-7 | Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — | |
| 4-8 | Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux | Jean-Patrice Brosse | — | |
| 4-9 | Regina coeli H32 | Les Demoiselles de Saint-Cyr, Emmanuel Mandrin | — | |
| 4-10 | Panis angelicus, motet du Saint Sacrement, C. 131 | Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale | — | |
| 4-11 | Requiem: Introit | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Les Pages de la Chapelle | — | |
| 4-12 | In convertendo: Tunc repletum est gaudio nostrum | Le Concert Spirituel, Hervé Niquet | — | |
| 4-13 | Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur | Pascal Monteilhet | — | |
| 4-14 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 4-15 | Troisième Concert: III. Tambourins I et II | Trio Sonnerie | — | |
| 4-16 | Suite en Sol mineur du Troisième livre : IV. Plainte (lentement) | Jérôme Hantaï, Pierre Hantaï, Alix Verzier | — | |
| 4-17 | Le Canal de Versailles: Ouverture | La Simphonie du Marais, Hugo Reyne | — | |
| 4-18 | Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler” | Bernard Deletré, Isabelle Desrochers, La Simphonie du Marais, Hugo Reyne | — | |
| 4-19 | Les Indes Galantes: Chaconne | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 4-20 | Les Indes Galantes: "Régnez, plaisirs et jeux" | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 5-1 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 5-2 | Canzonetta in A minor, BuxWv 225 | Nicholas Danby | — | |
| 5-3 | Cello Concerto in G minor: III. Allegro non tanto | Bálasz Máté, Lajós Rovátkay, Capella Agostino Steffani | — | |
| 5-4 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 5-5 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 5-6 | Concerto a-moll BWV 1065: I. [without tempo marking] | Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | T-801.411.105-9 | |
| 5-7 | Toccata & Fugue in D minor, BWV 565: I. Toccata | Werner Jacob | — | |
| 5-8 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Werner Jacob | — | |
| 5-9 | Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!” | Nancy Argenta, Sonnerie, Monica Huggett | — | |
| 5-10 | Suite in A minor: Les Plaisirs | David Munrow, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | Oboe Concerto in F minor: II. Largo | Han de Vries, Alma Musica Amsterdam, Lucy van Dael | — | |
| 5-12 | Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia | Taverner Players, Andrew Parrott | — | |
| 5-13 | Goldberg-Variationen, BWV 988: Aria | Maggie Cole | T-902.128.688-4 | |
| 5-14 | St. John Passion, BWV 245: Es ist vollbracht! | Stephanie Blythe, Jérôme Hantaï, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | T-915.681.108-4 | |
| 5-15 | Brandenburg Concerto no. 4 in G, BWV 1049: III. Presto | Monica Huggett, Marion Scott, Rachel Beckett, Orchestra of the Age of Enlightenment | — | |
| 5-16 | Suite no. 1 in G major, BWV 1007: I. Prélude | Ralph Kirshbaum | — | |
| 5-17 | Magnificat in D major, BWV 243: 1. Coro "Magnificat anima mea" | Nederlands Kamerkoor, La Petite Bande, Sigiswald Kuijken | — | |
| 5-18 | Keyboard Concerto in F minor, BWV 1056: I. Allegro - II. Largo - III. Presto | Bob van Asperen, Melante Amsterdam | — | |
| 5-19 | Sonata for flute & keyboard in E flat, BWV 1031: II. Siciliano | Michel Debost, Lionel Rogg | T-329.516.968-1 | |
| 5-20 | Suite no. 4 in D major, BWV 1069: V. Réjouissance | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 6-1 | Partita no. 3 in E major, BWV 1006: I. Preludio | Christian Tetzlaff | — | |
| 6-2 | St John Passion, BWV 245: Part II. No. 39 "Ruht wohl, ihr heiligen Gebeine" | Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott | T-915.682.948-0 | |
| 6-3 | Concerto brandebourgeois no.2 en fa majeur, BWV1047 : Allegro (extr.) | Orchestra of the Age of Enlightenment | — | |
| 6-4 | Concerto no. 2 in F major, BWV 1047: II. Andante | Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | T-318.849.254-4 | |
| 6-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | — | |
| 6-6 | Mass in B minor: Gloria in excelsis Deo | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 6-7 | The Well-Tempered Clavier, Book 1: Prelude & Fugue in C, BWV 846 | Bob van Asperen | — | |
| 6-8 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Alison Bury, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | — | |
| 6-9 | Suite in E minor, BWV 996: V. Bourrée | Sharon Isbin | T-310.805.502-9 | |
| 6-10 | Suite in E minor, BWV 996: VI. Gigue | Sharon Isbin | T-310.805.995-2 | |
| 6-11 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture - VI. Menuet - VII. Badinerie | English Chamber Orchestra, Philip Ledger | — | |
| 6-12 | Keyboard Partita no. 1 in B-flat major, BWV 825: I. Praeludium | Piotr Anderszewski | T-928.012.883-8 | |
| 6-13 | Keyboard Partita no. 1 in B-flat major, BWV 825: VII. Gigue | Piotr Anderszewski | — | |
| 6-14 | Magnificat in D major, BWV 243: 8. Aria (Tenore) "Deposuit potentes" | Christoph Prégardien, La Petite Bande, Sigiswald Kuijken | — | |
| 6-15 | Mass in B minor, BWV 232: "Agnus Dei" | Charles Brett, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 6-16 | Keyboard Sonata in E-flat: II. Largo - III. Presto | Christophe Rousset | — | |
| 6-17 | Cello Concerto in A major, Wq 172 (H 432): III. Allegro assai | Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | — | |
| 6-18 | Die Auferstehung und Himmelfahrt Jesu, Wq. 240: Part 2. Chorus "Triumph! Der Fürst des Lebens sieget!" | Collegium Vocale Gent, Orchestra of the Age of Enlightenment, Philippe Herreweghe | — |
Identifier Graph
094637090725 is a Universal Product Code (UPC) assigned to 100 Best Baroque by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | — |
| Suite no. 4 in D major, BWV 1069: V. Réjouissance | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “100 Best Baroque” by Various Artists is 094637090725. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC0102056, GBAYD8600523, GBAYC8701541.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Spem in alium, P. 299 | Taverner Choir, Andrew Parrott | — |
| Suite no. 4 in D major, BWV 1069: V. Réjouissance | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
