UPC · Release
Johann Sebastian Bach
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The UPC for “Ses 100 chefs-d'œuvre” by Johann Sebastian Bach is 094637163429. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Erato. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8801785, GBAYC8806813, GBAYC8801797.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mass in B minor: Gloria in excelsis Deo | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2 | h-Moll-Messe, BWV 232: Laudamus te | Catherine Patriasz, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 3 | Mass in B minor: Et incarnatus est | Collegium Vocale Gent, Philippe Herreweghe | T-306.483.194-9 | |
| 4 | Mass in B minor, BWV 232: "Agnus Dei" | Charles Brett, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 5 | Mass in B minor: Osanna in excelsis | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 6 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 7 | Jauchzet Gott in allen Landen, BWV 51: I. Aria “Jauchzet Gott in allen Landen!” | Nancy Argenta, Sonnerie, Monica Huggett | — | |
| 8 | Cantata, BWV 82a "Ich habe genug": Aria "Ich habe genug" | Ian Bostridge, Europa Galante, Fabio Biondi | — | |
| 9 | Magnificat in D major, BWV 243: 1. Coro "Magnificat anima mea" | Nederlands Kamerkoor, La Petite Bande, Sigiswald Kuijken | — | |
| 10 | Magnificat in D major, BWV 243: 8. Aria (Tenore) "Deposuit potentes" | Christoph Prégardien, La Petite Bande, Sigiswald Kuijken | — | |
| 11 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 5. Choral "Wie soll ich dich empfangen" | Collegium Vocale Gent, Philippe Herreweghe | T-070.024.961-1 | |
| 12 | Weihnachts-Oratorium, Am Sonntage nach Neujahr: 47. Aria (Basso) "Erleucht auch meine finstre Sinnen" | Peter Kooij, Collegium Vocale Gent, Philippe Herreweghe | T-070.024.961-1 | |
| 13 | Passion according to St John, BWV 245: Chorale "Ach, großer König" | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 14 | Passion according to St John, BWV 245: Aria "Es is vollbracht" | Taverner Players, Andrew Parrott | T-915.681.108-4 | |
| 15 | St John Passion, BWV 245: Part II. No. 39 "Ruht wohl, ihr heiligen Gebeine" | Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott | T-915.682.948-0 | |
| 16 | Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | Edith Mathis, Sybil Michelow, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 17 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit": Sonatina "Molto adagio" | Consortium Musicum, Wolfgang Gönnenwein | T-007.186.645-9 | |
| 18 | Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit": Chorus "Gottes Zeit ist die allerbeste Zeit" | Consortium Musicum, Wolfgang Gönnenwein | T-007.186.645-9 | |
| 2-1 | Matthäus-Passion, BWV 244: Erbarme dich, mein Gott | Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 2-2 | Matthäus-Passion, BWV 244 (Zweiter Teil): Choral: O Haupt voll Blut und Wunden | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-3 | Matthäus-Passion, BWV 244 (Erster Teil): Arie mit Chor (T): Ich will bei meinem Jesu wachen | Nicolai Gedda, Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-4 | Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-5 | Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet" | Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players | — | |
| 2-6 | Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Aria: "Schafe können sicher weiden" | Barbara Hendricks, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier | — | |
| 2-7 | Cantata No. 140: I. Chorus "Wachet auf, ruft uns die Stimme" | Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-8 | Chorale, BWV 659: "Nun komm, der Heiden Heiland" | Lionel Rogg | — | |
| 2-9 | Toccata in D minor, BWV 565 | Lionel Rogg | — | |
| 2-10 | Toccata & Fugue in D minor, BWV 565 (attrib. Bach): Fugue | Lionel Rogg | — | |
| 2-11 | Concerto in A minor, BWV 593: Allegro | Lionel Rogg | — | |
| 2-12 | Concerto in A minor, BWV 593: Adagio | Lionel Rogg | — | |
| 2-13 | Concerto in A minor, BWV 593: Allegro | Lionel Rogg | — | |
| 2-14 | Passacaglia in C minor, BWV 582 | Lionel Rogg | — | |
| 3-1 | Orchestral Suite no. 3 in D, BWV 1068: Ouverture | English Chamber Orchestra, Sir Philip Ledger | — | |
| 3-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 3-3 | Orchestral Suite no. 3 in D, BWV 1068: Gavotte | English Chamber Orchestra, Sir Philip Ledger | — | |
| 3-4 | Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 3-5 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 3-6 | Concerto for two violins & strings in D minor, BWV 1043: III. Allegro | Jane Murdoch, Jonathan Rees, Scottish Ensemble | T-700.095.171-5 | |
| 3-7 | Orchestral Suite No. 2 in B minor, BWV 1067: I. Rondeau - II. Sarabande - III. Bourrées I & II | English Chamber Orchestra, Sir Philip Ledger | — | |
| 3-8 | Orchestral Suite No. 2 in B minor, BWV 1067: IV. Polonaise - V. Menuete - VI. Badinerie | English Chamber Orchestra, Sir Philip Ledger | — | |
| 3-9 | Concerto no. 4 in G major, BWV1049: I. Allegro | Scottish Ensemble, Jonathan Rees | — | |
| 3-10 | Concerto no. 4 in G major, BWV1049: II. Andante | Scottish Ensemble, Jonathan Rees | — | |
| 3-11 | Concerto no. 4 in G major, BWV1049: III. Presto | Scottish Ensemble, Jonathan Rees | — | |
| 3-12 | Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro | Bob van Asperen, Melante Amsterdam | — | |
| 3-13 | Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — | |
| 3-14 | Concerto for keyboard & strings in F minor, BWV 1056: III. Presto | Bob van Asperen, Melante Amsterdam | — | |
| 3-15 | The Musical Offering: III. Ricercar a 6 | Ensemble Sonnerie | — | |
| 4-1 | Concerto brandebourgeois no.2 en fa majeur, BWV1047 : Allegro (extr.) | Orchestra of the Age of Enlightenment | — | |
| 4-2 | Concerto no. 2 in F major, BWV 1047: II. Andante | Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | T-318.849.254-4 | |
| 4-3 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | — | |
| 4-4 | Concerto for violin, oboe & strings in C minor, BWV 1060: I. Allegro | Alfredo Bernardini, Fabio Biondi, Europa Galante | T-914.323.771-2 | |
| 4-5 | Concerto for violin, oboe & strings in C minor, BWV 1060: II. Adagio | Alfredo Bernardini, Fabio Biondi, Europa Galante | T-917.755.866-6 | |
| 4-6 | Concerto for violin, oboe & strings in C minor, BWV 1060: III. Allegro | Alfredo Bernardini, Fabio Biondi, Europa Galante | T-312.958.407-8 | |
| 4-7 | Concerto a-moll BWV 1065: I. [without tempo marking] | Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | T-801.411.105-9 | |
| 4-8 | Concerto a-moll BWV 1065: II. Largo | Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | — | |
| 4-9 | Concerto a-moll BWV 1065: III. Allegro | Bob Van Asperen, Gustav Leonhardt, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam | — | |
| 4-10 | Brandenburg Concerto No. 3 in G, BWV 1048: I. Allegro | Alison Bury | — | |
| 4-11 | Concerto no. 3 in G major, BWV 1048: II. Adagio - Allegro | Alison Bury, Orchestra of the Age of Enlightenment | — | |
| 4-12 | Violin Concerto in A minor, BWV 1041: I. Allegro | Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | — | |
| 4-13 | Violin Concerto in A minor, BWV 1041: II. Andante | Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | — | |
| 4-14 | Concerto for violin & strings in A minor, BWV 1041: III. Allegro assai | Elizabeth Wallfisch | — | |
| 4-15 | Concerto No. 5 in D major, BWV 1050: I. Allegro | Taverner Players, Andrew Parrott | — | |
| 4-16 | Concerto No. 5 in D major, BWV 1050: II. Affettuoso | Taverner Players, Andrew Parrott | — | |
| 4-17 | Concerto No. 5 in D major, BWV 1050: III. Allegro | Taverner Players, Andrew Parrott | — | |
| 5-1 | Partita for solo flute in A minor, BWV 1013: I. Allemande | Marc Hantaï | — | |
| 5-2 | Sonate for viola da gamba & harpsichord, BWV 1029: I. Vivace | Jordi Savall, Ton Koopman | — | |
| 5-3 | Sonate for viola da gamba & harpsichord, BWV 1029: II. Adagio | Jordi Savall, Ton Koopman | T-917.755.866-6 | |
| 5-4 | Sonate for viola da gamba & harpsichord, BWV 1029: III. Allegro | Jordi Savall, Ton Koopman | — | |
| 5-5 | Italian Concerto, BWV 971: I. Allegro (Davitt Moroney) | Davitt Moroney | — | |
| 5-6 | Italian Concerto, BWV 971: II. Andante (Davitt Moroney) | Davitt Moroney | — | |
| 5-7 | Italian Concerto, BWV 971: III. Presto (Davitt Moroney) | Davitt Moroney | — | |
| 5-8 | Partita no. 2 in D minor, BWV 1004: V. Chaconne | Christian Tetzlaff | — | |
| 5-9 | Suite no. 1 in G major, BWV 1007: I. Prélude | Ralph Kirshbaum | — | |
| 5-10 | Suite No. 3 in C major, BWV 1009: V. Bourrée I & II | Ralph Kirshbaum | — | |
| 5-11 | Suite No. 3 in C major, BWV 1009: VI. Gigue | Ralph Kirshbaum | — | |
| 5-12 | Suite for "Lautenwerk" in E minor, BWV 996: IV. Sarabande | Pierre Hantaï | T-310.805.996-3 | |
| 5-13 | Suite for "Lautenwerk" in E minor, BWV 996: V. Bourrée | Pierre Hantaï | T-310.805.502-9 | |
| 5-14 | Suite for "Lautenwerk" in E minor, BWV 996: VI. Gigue | Pierre Hantaï | T-310.805.995-2 | |
| 5-15 | Partita No. 1 for keyboard in B flat, BWV 825: I. Praeludium | Gustav Leonhardt | T-928.012.883-8 | |
| 5-16 | Partita No. 1 in B flat major BWV 825 II. Allemande | Gustav Leonhardt | — | |
| 5-17 | Partita No. 1 in B flat major BWV 825 III. Courante | Gustav Leonhardt | — | |
| 5-18 | Partita No. 1 in B flat major BWV 825 IV. Sarabande | Gustav Leonhardt | — | |
| 5-19 | Partita No. 1 in B flat major BWV 825 V. Menuets I & II | Gustav Leonhardt | — | |
| 5-20 | Partita No. 1 in B flat major BWV 825 VI. Gigue | Gustav Leonhardt | — | |
| 6-1 | Partita no. 3 in E major, BWV 1006: I. Preludio | Monica Huggett | — | |
| 6-2 | Partita No. 3 for solo violin in E, BWV 1006: II. Gavotte en rondeaux - III. Menuets I & II - IV. Bourrée | Monica Huggett | — | |
| 6-3 | The Well-Tempered Clavier, Book I: Prelude & Fugue No. 3 in D-sharp, BWV 848 | Bob van Asperen | — | |
| 6-4 | The Well-Tempered Clavier, Book II: Prelude & Fugue No. 14 in F-sharp minor, BWV 883 | Bob van Asperen | — | |
| 6-5 | Chromatic Fantasia & Fugue in D minor, BWV 903: Fantasia | Maggie Cole | — | |
| 6-6 | Chromatic Fantasia & Fugue in D minor, BWV 903: Fugue | Maggie Cole | — | |
| 6-7 | Sonata for flute & keyboard in E flat, BWV 1031: I. Allegro moderato | Michel Debost, Lionel Rogg | — | |
| 6-8 | Sonata for flute & keyboard in E flat, BWV 1031: II. Siciliano | Michel Debost, Lionel Rogg | T-329.516.968-1 | |
| 6-9 | Sonata for flute & keyboard in E flat, BWV 1031: III. Allegro | Michel Debost, Lionel Rogg | — | |
| 6-10 | Goldberg-Variationen, BWV 988: Aria | Maggie Cole | T-902.128.688-4 | |
| 6-11 | Sonata for violin & basso continuo, BWV 1023: I. Prelude: Adagio ma non tanto | John Holloway, Davitt Moroney, Susan Sheppard | — | |
| 6-12 | Sonata for violin & basso continuo, BWV 1023: II. Allemande | John Holloway, Davitt Moroney, Susan Sheppard | — | |
| 6-13 | Sonata for violin & basso continuo, BWV 1023: III. Gigue | John Holloway, Davitt Moroney, Susan Sheppard | — | |
| 6-14 | Toccata, Adagio & Fugue in C, BWV 564: Toccata | Lionel Rogg | — | |
| 6-15 | Toccata, Adagio & Fugue in C, BWV 564: Adagio | Lionel Rogg | T-902.757.483-0 | |
| 6-16 | Toccata, Adagio & Fugue in C, BWV 564: Fugue | Lionel Rogg | T-902.757.483-0 |
Identifier Graph
094637163429 is a Universal Product Code (UPC) assigned to Ses 100 chefs-d'œuvre by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata in D minor, BWV 565 | Lionel Rogg | T-922.052.362-6 |
| Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro | Bob van Asperen, Melante Amsterdam | — |
| Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — |
| Concerto for keyboard & strings in F minor, BWV 1056: III. Presto | Bob van Asperen, Melante Amsterdam | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Ses 100 chefs-d'œuvre” by Johann Sebastian Bach is 094637163429. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Erato. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8801785, GBAYC8806813, GBAYC8801797.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Toccata in D minor, BWV 565 | Lionel Rogg | T-922.052.362-6 |
| Concerto for keyboard & strings in F minor, BWV 1056: I. Allegro | Bob van Asperen, Melante Amsterdam | — |
| Concerto for Keyboard & Strings in F minor, BWV 1056: II. Largo | Bob van Asperen, Melante Amsterdam | — |
| Concerto for keyboard & strings in F minor, BWV 1056: III. Presto | Bob van Asperen, Melante Amsterdam | — |
