UPC · Release
Various Artists
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The UPC for “Zeit zum Entspannen II: Klassik zum Wohlfühlen von Holger Wemhoff” by Various Artists is 094637786024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. This release contains 48 tracks, each with its own ISRC. Tracks include DEC628400796, GBAYC8300191, GBAYC8704353.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mondscheinsonate: Adagio | — | ||
| 2 | Concerto No. 3 in G major for Violin, K. 216 "Strassburg": II. Adagio | Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | T-312.542.566-9 | |
| 3 | Klarinettenkonzert Nr. 2: II. Romanze | — | ||
| 4 | Menuett | — | ||
| 5 | Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 6 | Konzert für Laute, 2 Violinen & Streicher D-Dur: II. Largo | — | ||
| 7 | Les Barricades Mystérieuses | — | ||
| 8 | Ma mére l'oye: Le jardin féerique | — | ||
| 9 | Vier letzte Lieder: 3. Beim Schlafengehen | — | ||
| 10 | Orchestersuite Nr. 3: II. Air "Air auf der G-Saite" | — | ||
| 11 | Miserere A 9 (Ausschnitt) | — | ||
| 12 | Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 13 | Motette zu 40 Stimmen "Spem in alium" | — | ||
| 14 | Die Zauberflöte: Dies Bildnis ist bezaubernd schön | — | ||
| 2-1 | Klavierkonzert Nr. 2: II. Larghetto | — | ||
| 2-2 | Don Quichote: 5. Akt, Zwischenspiel | — | ||
| 2-3 | Fantasia on a Theme by Thomas Tallis | Sinfonia of London, Sir John Barbirolli | — | |
| 2-4 | Violin Concerto in B minor, op. 61: II. Andante | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 2-5 | Motette "Ave verum corpus" | — | ||
| 2-6 | Streichquintett C-Dur D.956: II. Adagio (Anfang) | — | ||
| 2-7 | La Sonnambula: Liebesduett "Prendi! L'anel ti dono" | — | ||
| 2-8 | Andante festivo | Oslo-Filharmonien, Mariss Jansons | — | |
| 2-9 | Oboenkonzert a-Moll: II. Largehetto | — | ||
| 2-10 | L'incoronazione di Poppea: Liebesduett "Pur ti miro" | Suzie LeBlanc, Derek Lee Ragin, Teatro Lirico, Stephen Stubbs | — | |
| 2-11 | Hänsel und Gretel: Traumpantomime | — | ||
| 3-1 | Klavierkonzert a-Moll: II. Adagio | — | ||
| 3-2 | Le dernier sommeil de la vierge | — | ||
| 3-3 | Two Pieces for Small Orchestra: No. 1. On Hearing the First Cuckoo in Spring | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3-4 | Kol Nidrei, op. 47 | Truls Mørk, Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 3-5 | Daphnis et Chloé: Lever du jour | — | ||
| 3-6 | Les pêcheurs de perles: Je crois entendre encore | — | ||
| 3-7 | Sinfonie Nr.1 "Winterträume": II. Adagio cantabile | — | ||
| 3-8 | Konzert für viola d'amore, Laute und Streicher d-Moll | — | ||
| 3-9 | Klavierkonzert G-Dur: II. Adagio assai | — | ||
| 3-10 | The Armed Man - A Mass for Peace: V. Sanctus | — | ||
| 3-11 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 4-1 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 4-2 | Schwanensee: 13. Tanz der Schwäne | — | ||
| 4-3 | Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T-314.638.300-4 | |
| 4-4 | Violinkonzert: II. Adagio | — | ||
| 4-5 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 4-6 | Spartacus: Adagio | — | ||
| 4-7 | Klavierkonzert Nr. 2: III. Adagio | — | ||
| 4-8 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 4-9 | Cendrillon: Walzer | — | ||
| 4-10 | Sospiri | — | ||
| 4-11 | Konzert für Gitarre und Orchester "Fantasia para un gentilhombre": II. Adagio | — | ||
| 4-12 | Adagio for Strings | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
094637786024 is a Universal Product Code (UPC) assigned to Zeit zum Entspannen II: Klassik zum Wohlfühlen von Holger Wemhoff by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 48 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
Creative Contributors (ISNI)
The UPC for “Zeit zum Entspannen II: Klassik zum Wohlfühlen von Holger Wemhoff” by Various Artists is 094637786024. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. This release contains 48 tracks, each with its own ISRC. Tracks include DEC628400796, GBAYC8300191, GBAYC8704353.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mondscheinsonate: Adagio | — | ||
| 2 | Concerto No. 3 in G major for Violin, K. 216 "Strassburg": II. Adagio | Frank Peter Zimmermann, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | T-312.542.566-9 | |
| 3 | Klarinettenkonzert Nr. 2: II. Romanze | — | ||
| 4 | Menuett | — | ||
| 5 | Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) | Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | T-905.387.081-8 | |
| 6 | Konzert für Laute, 2 Violinen & Streicher D-Dur: II. Largo | — | ||
| 7 | Les Barricades Mystérieuses | — | ||
| 8 | Ma mére l'oye: Le jardin féerique | — | ||
| 9 | Vier letzte Lieder: 3. Beim Schlafengehen | — | ||
| 10 | Orchestersuite Nr. 3: II. Air "Air auf der G-Saite" | — | ||
| 11 | Miserere A 9 (Ausschnitt) | — | ||
| 12 | Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 13 | Motette zu 40 Stimmen "Spem in alium" | — | ||
| 14 | Die Zauberflöte: Dies Bildnis ist bezaubernd schön | — | ||
| 2-1 | Klavierkonzert Nr. 2: II. Larghetto | — | ||
| 2-2 | Don Quichote: 5. Akt, Zwischenspiel | — | ||
| 2-3 | Fantasia on a Theme by Thomas Tallis | Sinfonia of London, Sir John Barbirolli | — | |
| 2-4 | Violin Concerto in B minor, op. 61: II. Andante | Nigel Kennedy, London Philharmonic Orchestra, Vernon Handley | — | |
| 2-5 | Motette "Ave verum corpus" | — | ||
| 2-6 | Streichquintett C-Dur D.956: II. Adagio (Anfang) | — | ||
| 2-7 | La Sonnambula: Liebesduett "Prendi! L'anel ti dono" | — | ||
| 2-8 | Andante festivo | Oslo-Filharmonien, Mariss Jansons | — | |
| 2-9 | Oboenkonzert a-Moll: II. Largehetto | — | ||
| 2-10 | L'incoronazione di Poppea: Liebesduett "Pur ti miro" | Suzie LeBlanc, Derek Lee Ragin, Teatro Lirico, Stephen Stubbs | — | |
| 2-11 | Hänsel und Gretel: Traumpantomime | — | ||
| 3-1 | Klavierkonzert a-Moll: II. Adagio | — | ||
| 3-2 | Le dernier sommeil de la vierge | — | ||
| 3-3 | Two Pieces for Small Orchestra: No. 1. On Hearing the First Cuckoo in Spring | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3-4 | Kol Nidrei, op. 47 | Truls Mørk, Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 3-5 | Daphnis et Chloé: Lever du jour | — | ||
| 3-6 | Les pêcheurs de perles: Je crois entendre encore | — | ||
| 3-7 | Sinfonie Nr.1 "Winterträume": II. Adagio cantabile | — | ||
| 3-8 | Konzert für viola d'amore, Laute und Streicher d-Moll | — | ||
| 3-9 | Klavierkonzert G-Dur: II. Adagio assai | — | ||
| 3-10 | The Armed Man - A Mass for Peace: V. Sanctus | — | ||
| 3-11 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 4-1 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 4-2 | Schwanensee: 13. Tanz der Schwäne | — | ||
| 4-3 | Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T-314.638.300-4 | |
| 4-4 | Violinkonzert: II. Adagio | — | ||
| 4-5 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 4-6 | Spartacus: Adagio | — | ||
| 4-7 | Klavierkonzert Nr. 2: III. Adagio | — | ||
| 4-8 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 4-9 | Cendrillon: Walzer | — | ||
| 4-10 | Sospiri | — | ||
| 4-11 | Konzert für Gitarre und Orchester "Fantasia para un gentilhombre": II. Adagio | — | ||
| 4-12 | Adagio for Strings | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
