UPC · Album
100 Meisterwerke der Filmmusik
Various Artists
094637825822
100 tracks
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094637825822 is the Universal Product Code (UPC barcode) for the release “100 Meisterwerke der Filmmusik” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEA340200001, DEA349000917, FRZ110800096.
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UPC100 Meisterwerke der Filmmusik
ISRC138 recordings
ISWC71 works
IPI7 songwriters
Track List (138)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | DEA340200001 |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | DEA349000917 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ110800096 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | FRZ117206295 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ118603476 |
| Mandolin Concerto in C major, RV 425: I. Allegro | André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe | FRZ118703195 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| DIvertimento for String Trio, K. 563: III Minuetto, allegretto | Augustin Dumay, Gérard Caussé, Gary Hoffman | FRZ119003104 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | FRZ201500215 |
| Gabriel's Oboe | Ennio Morricone | GBAAA8600074 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBAAA9300015 |
| Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0103697 |
| The Fellowship of the Ring-Lord of the Rings | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0203705 |
| Fawkes the Phoenix | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC0304224 |
| Love Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | GBAJC9600161 |
| You Only Live Twice | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC9700511 |
| Hymn To The Fallen (From "Saving Private Ryan") | The City of Prague Philharmonic Orchestra, Paul Bateman | GBAJC9902191 |
| Tosca: Atto II. “Vissi d’arte” (Tosca) | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | GBAYC0003463 |
| Any Other Name | Thomas Newman | GBAYC0102551 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC0201426 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202607 |
| Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | GBAYC0302414 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC0702145 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1103979 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC1105038 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC1600725 |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | GBAYC1900193 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302039 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC6000151 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300010 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7600103 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900141 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900189 |
| The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | GBAYC8000341 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100061 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100103 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8100313 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200350 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200607 |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | GBAYC8300121 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | GBAYC8400258 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500289 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500496 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500764 |
| Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | GBAYC8600262 |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | GBAYC8600596 |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600704 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee” | Leontyne Price, Berliner Philharmoniker, Herbert von Karajan | GBAYC8601351 |
| Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | GBAYC8601460 |
| Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601620 |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC8602668 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | GBAYC8700229 |
| Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina) | Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8700460 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | GBAYC8700951 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC8700999 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| Symphony no. 25, K. 183: I. Allegro con brio (excerpt) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8701909 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro) | Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink | GBAYC8704496 |
| Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | GBAYC8704529 |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | GBAYC8800393 |
| Gnossiennes: I. (Lent) | Anne Queffélec | GBAYC8800397 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy | James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti | GBAYC8800960 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYC8801306 |
| Piano Sonata K311 | Андрей Владимирович Гаврилов | GBAYC8802218 |
| Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Andrei Gavrilov | GBAYC8802220 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8802461 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8805736 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | GBAYC8805764 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Also sprach Zarathustra (Thus Spake Zarathustra) | David Bell, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8902007 |
| Concerto for Two Pianos, K. 365: III. Rondo, allegro | André Previn, Radu Lupu, London Symphony Orchestra | GBAYC9000356 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | GBAYC9002476 |
| Le nozze di Figaro (Overture) | Royal Philharmonic Orchestra, Sir Colin Davis | GBAYC9002519 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003016 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003017 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003019 |
| Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | GBAYC9003715 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC9100962 |
| Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | GBAYC9200663 |
| Hallelujah Chorus from “The Messiah” | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC9202354 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | GBAYC9302714 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | GBAYC9400647 |
| Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | GBAYC9600040 |
| Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | GBAYC9600959 |
| Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | GBAYC9602461 |
| Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening | Berliner Philharmoniker, Herbert von Karajan | GBAYC9603166 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9701116 |
| Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | GBAYC9701161 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | GBAYC9701419 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC9701432 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9702225 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702775 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702890 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702891 |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702893 |
| Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro | Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett | GBAYC9703169 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9705918 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | GBAYC9803843 |
| Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | GBAYC9900129 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| Waltz in D-flat major, op. 64 no. 1 | Dmitri Alexeev | GBAYD8400180 |
| Waltz in C-sharp minor, op. 64 no. 2 | Dmitri Alexeev | GBAYD8400181 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Raindrop: Prelude | Dmitri Alexeev | GBAYD8600048 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | GBAYD8700529 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYD8800169 |
| Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | GBAYD9600267 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBDVE0400038 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | GBDVE9300041 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | USAR20101069 |
| Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | USAR20500035 |
| Any Other Name | Thomas Newman | USDW10021620 |
| Any Other Name | Thomas Newman | USDW19921012 |
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
Goldberg Variations, BWV 988: Aria
Maria Tipo
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
Goldberg Variations, BWV 988: Aria
Maria Tipo
Mandolin Concerto in C major, RV 425: I. Allegro
André Saint-Clivier, Toulouse Chamber Orchestra, Louis Auriacombe
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
DIvertimento for String Trio, K. 563: III Minuetto, allegretto
Augustin Dumay, Gérard Caussé, Gary Hoffman
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Gabriel's Oboe
Ennio Morricone
The Heart Asks Pleasure First / The Promise
Michael Nyman
Gladiator Suite (Gladiator)
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
The Fellowship of the Ring-Lord of the Rings
The City of Prague Philharmonic Orchestra, Nic Raine
Fawkes the Phoenix
The City of Prague Philharmonic Orchestra, Nic Raine
Love Theme
The City of Prague Philharmonic Orchestra, Paul Bateman
You Only Live Twice
The City of Prague Philharmonic Orchestra, Nic Raine
Hymn To The Fallen (From "Saving Private Ryan")
The City of Prague Philharmonic Orchestra, Paul Bateman
Tosca: Atto II. “Vissi d’arte” (Tosca)
Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano
Any Other Name
Thomas Newman
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Stabat Mater
Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion)
Philharmonia Orchestra, Sir Simon Rattle
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia)
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
La Wally, Act I: "Ebben? ne andrò lontana"
Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour »
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Il trovatore: Atto IV, scena 1: “D’amor sull’ali rosee”
Leontyne Price, Berliner Philharmoniker, Herbert von Karajan
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt
Academy of St Martin in the Fields, Sir Neville Marriner
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Ave verum corpus in D major, K. 618
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Don Giovanni, K. 527: Atto I, Scena III. Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
Graziella Sciutti, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Symphony no. 25, K. 183: I. Allegro con brio (excerpt)
Academy of St Martin in the Fields, Sir Neville Marriner
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Le nozze di Figaro, K. 492: Act 1: Aria. "Non più andrai, farfallone amoroso" (Figaro)
Claudio Desderi, London Philharmonic Orchestra, Bernard Haitink
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
Trois Gymnopédies: I. Lent et douloureux
Anne Queffélec, London Symphony Orchestra
Gnossiennes: I. (Lent)
Anne Queffélec
Clair de lune (from Suite bergamasque)
Dame Moura Lympany
Symphony no. 9 in D minor, op. 125 “Choral”: Ode to Joy
James Morris, Westminster Choir, The Philadelphia Orchestra, Riccardo Muti
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Piano Sonata K311
Андрей Владимирович Гаврилов
Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Andrei Gavrilov
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
Swan Lake, op. 20: Act II: No. 10. Scène. Moderato
London Symphony Orchestra, André Previn
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Also sprach Zarathustra (Thus Spake Zarathustra)
David Bell, London Philharmonic Orchestra, Klaus Tennstedt
Concerto for Two Pianos, K. 365: III. Rondo, allegro
André Previn, Radu Lupu, London Symphony Orchestra
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Nessun Dorma from 'Turandot'
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Le nozze di Figaro (Overture)
Royal Philharmonic Orchestra, Sir Colin Davis
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Die Walküre: Act 3: Ride of the Valkyries
Oslo Philharmonic Orchestra, Mariss Jansons
Gloria, RV 589: I. Gloria in excelsis
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Hallelujah Chorus from “The Messiah”
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Ave verum corpus in D major, K. 618
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Schindler’s List Theme
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse
The Philadelphia Orchestra, Mariss Jansons
Keyboard Suite in D minor, HWV 437: Sarabande
Andrei Gavrilov
Rigoletto: “La Donna è mobile” (Duke of Mantua)
Alfredo Kraus, Philharmonia Orchestra, Julius Rudel
Symphony no. 8 in B minor, “Unfinished”: I. Allegro moderato opening
Berliner Philharmoniker, Herbert von Karajan
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Andrea Chénier: Atto III. “La mamma morta”
Maria Callas, Philharmonia Orchestra, Tullio Serafin
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
Polish Chamber Orchestra, Jerzy Maksymiuk, Rachel Beckett, Zbigniew Czapczynaki, Philip Pickett
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
My Heart Will Go On (From the Film Titanic)
Shearman Orchestra, David Abel
Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening)
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Bath Festival Orchestra, Yehudi Menuhin
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Waltz in D-flat major, op. 64 no. 1
Dmitri Alexeev
Waltz in C-sharp minor, op. 64 no. 2
Dmitri Alexeev
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Raindrop: Prelude
Dmitri Alexeev
Piano Concerto no. 21 in C major, K. 467: II. Andante
Stephen Hough, Hallé Orchestra, Bryden Thomson
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Zadok the Priest (Coronation Anthem)
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
The Heart Asks Pleasure First / The Promise
Michael Nyman
The Piano, film score : The heart asks pleasure first
Michael Nyman
Cavatina (From the Film Deerhunter)
Manuel Barrueco, Steve Morse
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
Any Other Name
Thomas Newman
Any Other Name
Thomas Newman
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