UPC · Release
Ludwig van Beethoven
Last verified:
The UPC for “The Collector's Edition” by Ludwig van Beethoven is 094638773924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI Classics. This release contains 535 tracks, each with its own ISRC. Tracks include GBDYG1701427, GBDYG1701428, GBDYG1701429.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, André Cluytens | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | Berliner Philharmoniker, André Cluytens | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, André Cluytens | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo (Allegro vivace) & Trio | Berliner Philharmoniker, André Cluytens | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale (Allegro molto – Poco andante – Presto) | Berliner Philharmoniker, André Cluytens | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio | Berliner Philharmoniker, André Cluytens | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Berliner Philharmoniker, André Cluytens | — | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) | Berliner Philharmoniker, André Cluytens | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Berliner Philharmoniker, André Cluytens | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, André Cluytens | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro – Presto | Berliner Philharmoniker, André Cluytens | — | |
| 3-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Berliner Philharmoniker, André Cluytens | — | |
| 3-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Berliner Philharmoniker, André Cluytens | T-314.638.300-4 | |
| 3-7 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | Berliner Philharmoniker, André Cluytens | T-915.710.750-1 | |
| 3-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 4-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro non troppo | Berliner Philharmoniker, André Cluytens | — | |
| 4-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | Berliner Philharmoniker, André Cluytens | — | |
| 4-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 4-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | Berliner Philharmoniker, André Cluytens | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Berliner Philharmoniker, André Cluytens | — | |
| 4-7 | Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, André Cluytens | T-312.439.209-8 | |
| 4-9 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, André Cluytens | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Berliner Philharmoniker, André Cluytens | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Berliner Philharmoniker, André Cluytens | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro | Gré Brouwenstijn, Chor der St. Hedwigs-Kathedrale Berlin, Nicolai Gedda, Frederick Guthrie, Kerstin Meyer, Berliner Philharmoniker, André Cluytens | — | |
| 6-1 | Ouvertüre Coriolan, op. 62: Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 6-2 | Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro | — | ||
| 6-3 | Die Geschöpfe des Prometheus, op. 43: Ouverture | — | ||
| 6-4 | Die Ruinen von Athen, op. 113: I. Overtüre | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 6-5 | Fidelio, op. 72: Overture | — | ||
| 6-6 | Overture "Leonore" no. 3 in C major, op. 72b | Berliner Philharmoniker, André Cluytens | — | |
| 6-7 | Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante | — | ||
| 6-8 | Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 7-1 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: I. Allegro con brio | — | ||
| 7-2 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: II. Largo | — | ||
| 7-3 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: III. Rondo. Allegro scherzando | — | ||
| 7-4 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: I. Allegro con brio | — | ||
| 7-5 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: II. Adagio | — | ||
| 7-6 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: III. Rondo. Molto allegro | — | ||
| 8-1 | Concerto pour piano No.3 en Ut Mineur Op 37 - I Allegro con brio (cadence Reinecke) | — | ||
| 8-2 | Concerto pour piano No.3 en Ut Mineur Op 37 - II Largo | — | ||
| 8-3 | Concerto pour piano No.3 en Ut Mineur Op 37 - III Rondo (Allegro) cadence: Beethoven | — | ||
| 8-4 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - I Allegro | — | ||
| 8-5 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - II Adagio un poco mosso | — | ||
| 8-6 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - III Rondo (Allegro) | — | ||
| 9-1 | Conc piano No.4 en sol majeur, op.58 - I. Allegro moderato | — | ||
| 9-2 | Conc piano No.4 en sol majeur, op.58 - II. Andante con moto | — | ||
| 9-3 | Conc piano No.4 en sol majeur, op.58 - III. Rondo. Vivace | — | ||
| 9-4 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": I. Allegro | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 9-5 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": II. Largo | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 9-6 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": III. Rondo alla Polacca | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 10-1 | Violin Concerto in D major, op. 61: I. Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-2 | Violin Concerto in D major, op. 61: II. Larghetto | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-4 | Fantaisie pour piano, choeur & orchestre en ut mineur op.80 | — | ||
| 11-1 | Piano Sonata No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 11-2 | Piano Sonata No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 11-3 | Piano Sonata No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 11-4 | Piano Sonata No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 11-5 | Piano Sonata No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 11-6 | Piano Sonata No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 11-7 | Piano Sonata No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 11-8 | Piano Sonata No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 11-9 | Piano Sonata No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 11-10 | Piano Sonata No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 11-11 | Piano Sonata No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 11-12 | Piano Sonata No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 12-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 12-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 12-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 12-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 12-5 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 12-6 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 12-7 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 12-8 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 12-9 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 12-10 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 12-11 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Allegro | — | ||
| 12-12 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 12-13 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 12-14 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 12-15 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 12-16 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 13-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Éric Heidsieck | — | |
| 13-2 | Sonate n°8 en ut mineur, op. 13 ''Pathétique'' : II Adagio cantabile | Éric Heidsieck | — | |
| 13-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Éric Heidsieck | T-330.120.761-0 | |
| 13-4 | Piano Sonata No. 9 in E major, Op. 14 No. 1: I. Allegro | — | ||
| 13-5 | Piano Sonata No. 9 in E major, Op. 14 No. 1: II. Allegretto | — | ||
| 13-6 | Piano Sonata No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo | — | ||
| 13-7 | Piano Sonata No. 10 in G major, Op. 14 No. 2: I. Allegro | — | ||
| 13-8 | Piano Sonata No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 13-9 | Piano Sonata No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 13-10 | Piano Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 13-11 | Piano Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 13-12 | Piano Sonata No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 13-13 | Piano Sonata No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 14-1 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 14-2 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 14-3 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 14-4 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 14-5 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: I. Andante - Allegro | — | ||
| 14-6 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 14-7 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 14-8 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace | — | ||
| 14-9 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 14-10 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 14-11 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 14-12 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": I. Allegro | — | ||
| 14-13 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": II. Andante | — | ||
| 14-14 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": III. Scherzo. Allegro vivace | — | ||
| 14-15 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | — | ||
| 15-1 | Piano Sonata No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 15-2 | Piano Sonata No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 15-3 | Piano Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 15-4 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": I. Largo - Allegro | — | ||
| 15-5 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": II. Adagio | — | ||
| 15-6 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": III. Allegretto | — | ||
| 15-7 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 15-8 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 15-9 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 15-10 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 15-11 | Piano Sonata No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 15-12 | Piano Sonata No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 16-1 | Piano Sonata No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 16-2 | Piano Sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 16-3 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 16-4 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 16-5 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato | — | ||
| 16-6 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 16-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 16-8 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo – Presto | — | ||
| 16-9 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 16-10 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 16-11 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 16-12 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": I. Adagio – Allegro "Les Adieux" | — | ||
| 16-13 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": II. Andante espressivo "L'Absence" | — | ||
| 16-14 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": III. Vivacissimamente "Le Retour" | — | ||
| 17-1 | Piano Sonata No. 27 in E minor, Op. 90: I. Con vivacita e sempre con sentimento ed espressione | — | ||
| 17-2 | Piano Sonata No. 27 in E minor, Op. 90: II. Non troppo vivo e cantabile | — | ||
| 17-3 | Piano Sonata No. 28 in A major, Op. 101: I. Allegretto ma non troppo | — | ||
| 17-4 | Piano Sonata No. 28 in A major, Op. 101: II. Vivace alla marcia | — | ||
| 17-5 | Piano Sonata No. 28 in A major, Op. 101: III. Adagio, ma non troppo | — | ||
| 17-6 | Piano Sonata No. 28 in A major, Op. 101: IV. Allegro | — | ||
| 17-7 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": I. Allegro | — | ||
| 17-8 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 17-9 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 17-10 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": IV. Largo – Allegro risoluto | — | ||
| 18-1 | Piano Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 18-2 | Piano Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace | — | ||
| 18-3 | Piano Sonata No. 30 in E major, Op. 109: I. Vivace ma non troppo - Adagio espressivo | — | ||
| 18-4 | Piano Sonata No. 30 in E major, Op. 109: II. Prestissimo | — | ||
| 18-5 | Piano Sonata No. 30 in E major, Op. 109: III. Andante molto cantabile ed espressivo | — | ||
| 18-6 | Piano Sonata No. 31 in A-flat major, Op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 18-7 | Piano Sonata No. 31 in A-flat major, Op. 110: II. Allegro molto | — | ||
| 18-8 | Piano Sonata No. 31 in A-flat major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | — | ||
| 18-9 | Piano Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 18-10 | Piano Sonata No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 19-1 | Pour Elise | — | ||
| 19-2 | Rono a capriccio | — | ||
| 19-3 | Variations en ut majeur 'Go save the King' | — | ||
| 19-4 | I Variations en mi bemil majeur 'Eroica' | — | ||
| 19-5 | II Variations en mi bemil majeur 'Eroica' | — | ||
| 19-6 | III Variations en mi bemil majeur 'Eroica' | — | ||
| 19-7 | Variations en fa majeur | — | ||
| 19-8 | Variations en re majeur | — | ||
| 19-9 | Variations en fa majeur "Tandeln und scherzen" Sussmayr | — | ||
| 20-1 | Tema (Georges Solchany, piano) [1970] | — | ||
| 20-2 | Var.1: Alla Marcia maestoso | — | ||
| 20-3 | Var.2: Poco allegro | — | ||
| 20-4 | Var. 3. L'istesso tempo | — | ||
| 20-5 | Var 4, Un poco più vivace | — | ||
| 20-6 | Var.5: Allegro vivace | — | ||
| 20-7 | Var.6: Allegro ma non troppo e serioso | — | ||
| 20-8 | Var 7, Un poco più allegro | — | ||
| 20-9 | Var.8: Poco vivace | — | ||
| 20-10 | Var.9: Allegro pesante e risoluto | — | ||
| 20-11 | Var.10: Presto | — | ||
| 20-12 | Var.11: Allegretto | — | ||
| 20-13 | Var 12 Un poco più mosso | — | ||
| 20-14 | Var.13: Vivace | — | ||
| 20-15 | Var.14: Grave e maestoso | — | ||
| 20-16 | Var.15: Presto scherzando | — | ||
| 20-17 | Var.16: Allegro | — | ||
| 20-18 | Var.17 ([Allegro]) | — | ||
| 20-19 | Var. 18: Moderato | — | ||
| 20-20 | Var.19: Presto | — | ||
| 20-21 | Var.20: Andante | — | ||
| 20-22 | Var.21: Allegro con brio | — | ||
| 20-23 | Var 22 Molto allegro (alla ''Notte e giorno fatica'' di Mozart) | — | ||
| 20-24 | Var. 23: Assai allegro | — | ||
| 20-25 | Var. 24 (Fughetta: Andante) | — | ||
| 20-26 | Var.25: Allegro | — | ||
| 20-27 | Var 26, Allegro | — | ||
| 20-28 | Var.27: Vivace | — | ||
| 20-29 | Var.28: Allegro | — | ||
| 20-30 | Var.29: Adagio ma non troppo | — | ||
| 20-31 | Var 30 - Andante. sempre cantabile | — | ||
| 20-32 | Var.31: Largo, molto espressivo | — | ||
| 20-33 | Var 32 - fuga - allegro | — | ||
| 20-34 | Var. 33 (Tempo di Minuetto moderato) | — | ||
| 21-1 | Bagatelle ut mineur (1797) | — | ||
| 21-2 | Bagatelles Op.33 - I. Andante grazioso | — | ||
| 21-3 | Bagatelles Op.33 - II. Scherzo allegro | — | ||
| 21-4 | Bagatelles Op.33 - III. Allegretto | — | ||
| 21-5 | Bagatelles Op.33 - IV. Andante | — | ||
| 21-6 | Bagatelles Op.33 - V. Allegro, ma non troppo | — | ||
| 21-7 | Bagatelles Op.33 - VI. Allegretto quasi andante | — | ||
| 21-8 | Bagatelles Op.33 - VII. Presto | — | ||
| 21-9 | Bagatelle ut majeur (1804) | — | ||
| 21-10 | Bagatelles Op.119 - I. Allegretto - II. Andante con moto - III. À l'allemande | — | ||
| 21-11 | Bagatelles Op.119 - IV. Andante cantabilte - V. Risoluto | — | ||
| 21-12 | Bagatelles Op.119 - VI. Andante - Allegretto - VII. Allegro ma non troppo | — | ||
| 21-13 | Bagatelles Op.119 - VIII. Moderato cantabile - IX. Vivace | — | ||
| 21-14 | Bagatelles Op.119 - X. Allegramente - XI. Andante ma non troppo | — | ||
| 21-15 | Bagatelles Op.126 - I. Andante con moto | — | ||
| 21-16 | Bagatelles Op.126 - II. Allegro | — | ||
| 21-17 | Bagatelles Op.126 - III. Andante | — | ||
| 21-18 | Bagatelles Op.126 - IV. Presto | — | ||
| 21-19 | Bagatelles Op.126 - V. Quasi allegretto | — | ||
| 21-20 | Bagatelles Op.126 - VI. Presto - Andante cantabile | — | ||
| 22-1 | Sonate n°1 en ré majeur, Op. 12 n°1: I. Allegro con brio | — | ||
| 22-2 | Sonate n°1 en ré majeur, Op. 12 n°1: II. Tema con variazioni (andante con moto) | — | ||
| 22-3 | Sonate n°1 en ré majeur, Op. 12 n°1: III. Rondo (Allegro) | — | ||
| 22-4 | Sonate n°2 en la majeur, Op. 12 n°2: I. Allegro vivace | — | ||
| 22-5 | Sonate n°2 en la majeur, Op. 12 n°2: II. Andante, più tosto allegretto | — | ||
| 22-6 | Sonate n°2 en la majeur, Op. 12 n°2: III. Allegro piacevole | — | ||
| 22-7 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: I. Allegro con spirito | — | ||
| 22-8 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: II. Adagio con molt'espressione | — | ||
| 22-9 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: III. Rondo (Allegro molto) | — | ||
| 22-10 | Sonate n°4 en la mineur, Op. 23: I. Presto | — | ||
| 22-11 | Sonate n°4 en la mineur, Op. 23: II. Andante scherzoso | — | ||
| 22-12 | Sonate n°4 en la mineur, Op. 23: III. Allegro molto | — | ||
| 23-1 | Sonate n°5 en fa majeur, Op. 24 ''Le Printemps'': I. Allegro | — | ||
| 23-2 | Sonate n°5 en fa majeur, Op. 24 ''Le Printemps'': II. Adagio molto espressivo | — | ||
| 23-3 | Violin Sonata no. 5 in F 'Spring', op. 24: III. Scherzo: Allegro molto | Pierre Barbizet, Christian Ferras | — | |
| 23-4 | Violin Sonata no. 5 in F 'Spring', op. 24: IV. Rondo: Allegro ma non troppo | Pierre Barbizet, Christian Ferras | T-909.573.283-5 | |
| 23-5 | Sonate n°6 en la majeur, Op. 30 n°1: I. Allegro | — | ||
| 23-6 | Sonate n°6 en la majeur, Op. 30 n°1: II. Adagio molto espressivo | — | ||
| 23-7 | Sonate n°6 en la majeur, Op. 30 n°1: III. Allegretto con variazioni | — | ||
| 23-8 | Sonate n°7 en ut mineur, Op. 30 n°2: I. Allegro con brio | — | ||
| 23-9 | Sonate n°7 en ut mineur, Op. 30 n°2: II. Adagio cantabile | — | ||
| 23-10 | Sonate n°7 en ut mineur, Op. 30 n°2: III. Scherzo (allegro) | — | ||
| 23-11 | Sonate n°7 en ut mineur, Op. 30 n°2: IV. Finale (allegro) | — | ||
| 24-1 | Sonate n°8 en sol majeur, Op. 30 n°3: I. Allegro assai | — | ||
| 24-2 | Sonate n°8 en sol majeur, Op. 30 n°3: II. Tempo di minuetto | — | ||
| 24-3 | Sonate n°8 en sol majeur, Op. 30 n°3: III. Allegro vivace | — | ||
| 24-4 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': I. Adagio sostenuto-Presto | — | ||
| 24-5 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': II. Andante con variazioni | — | ||
| 24-6 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': III. Finale (Presto) | — | ||
| 24-7 | Sonate n°10 en sol majeur, Op. 96: I. Allegro moderato | — | ||
| 24-8 | Sonate n°10 en sol majeur, Op. 96: II. Adagio espressivo | — | ||
| 24-9 | Sonate n°10 en sol majeur, Op. 96: III. Scherzo (Allegro) | — | ||
| 24-10 | Sonate n°10 en sol majeur, Op. 96: IV. Poco allegretto | — | ||
| 25-1 | Sonate No.1 en fa majeur Op.5 No.1 - I. Adagio sostenuto - Allegro | — | ||
| 25-2 | Sonate No.1 en fa majeur Op.5 No.1 - II. Allegro vivace | — | ||
| 25-3 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo - | Éric Heidsieck, Paul Tortelier | — | |
| 25-4 | Sonate No.2 en sol mineur Op.5 No.2 - II. Allegro molto più tosto presto | — | ||
| 25-5 | Sonate No.2 en sol mineur Op.5 No.2 - III. Rondo (allegro) | — | ||
| 25-6 | Sonate No.3 en la majeur Op.69 - I. Allegro, ma non tanto | — | ||
| 25-7 | Sonate No.3 en la majeur Op.69 - II. Scherzo (allegro molto) | — | ||
| 25-8 | Sonate No.3 en la majeur Op.69 - III. Adagio cantabile - Allegro vivace | — | ||
| 26-1 | Sonate No.4 en ut majeur Op 102 No.1 - I. Andante - Allegro vivace | — | ||
| 26-2 | Sonate No.4 en ut majeur Op 102 No.1 - II. Adagio-Tempo andante-Allegro | — | ||
| 26-3 | Sonate No.5 en ré majeur Op.102 No.2 - I. Allegro con brio | — | ||
| 26-4 | Sonate No.5 en ré majeur Op.102 No.2 - II. Adagio con molto sentimento | — | ||
| 26-5 | Sonate No.5 en ré majeur Op.102 No.2 - III. Allegro fugato | — | ||
| 26-6 | 12 Variations sur un thème de Judas Macchabée de Haendel WoO 45 | — | ||
| 26-7 | 07 Variations ''Bei Männern'' (La Flûte enchantée de Mozart) WoO 46 | — | ||
| 26-8 | 12 Variations ''Ein Mädchen oder Weibchen'' (La Flûte ench.) Op.66 | — | ||
| 27-1 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - I Allegro | — | ||
| 27-2 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - II Adagio cantabile | — | ||
| 27-3 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - III Scherzo: Allegro assai | — | ||
| 27-4 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - IV Finale - Presto | — | ||
| 27-5 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - I Adagio - Allegro vivace | — | ||
| 27-6 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - II Largo can esprissione | — | ||
| 27-7 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - III Scherzo. Allegro | — | ||
| 27-8 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - Finale. Presto | — | ||
| 28-1 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - I. Allegro con brio | — | ||
| 28-2 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - II. Andante cantabile con viriazioni | — | ||
| 28-3 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - III. Menuetto. Quasi allegro | — | ||
| 28-4 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - I. Finale. Prestissimo | — | ||
| 28-5 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - I. Allegro con brio | — | ||
| 28-6 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - II. Adagio | — | ||
| 28-7 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - III. Terna 'Pria ch'io impregno' con variazioni | — | ||
| 28-8 | Trio pour Piano, V & V, en si bémol majeur WoO 39 - Allegretto | — | ||
| 28-9 | Variations pour Piano, V & V, sur 'Ich bin des Schneider Kakadu' extr. de l'Opéra de Wenzel Müller Op.121a | — | ||
| 29-1 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - I Allegro vivace con brio | — | ||
| 29-2 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - II Largo assai ed espressione | — | ||
| 29-3 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - III Presto | — | ||
| 29-4 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - I Poco sostenuto - Allegro ma non troppo | — | ||
| 29-5 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - II Allegretto | — | ||
| 29-6 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - III Allegretto ma non troppo | — | ||
| 29-7 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - IV Finale. Allegro | — | ||
| 29-8 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - I Allegro moderato | — | ||
| 29-9 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - II Scherzo: Allegro | — | ||
| 29-10 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - III Rondo: allegretto | — | ||
| 30-1 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - I Allegro Moderato | — | ||
| 30-2 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - II Scherzo (Allegro) | — | ||
| 30-3 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - III Andante cantabile | — | ||
| 30-4 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - IV Allegro moderato - Presto | — | ||
| 30-5 | Variations pour piano, violon et violoncelle sur un thème original en mi bémol majeur Op.44 | — | ||
| 31-1 | Trio en sol majeur Op.9 No.1 - I. Adagia - Allegro con brio | — | ||
| 31-2 | Trio en sol majeur Op.9 No.1 - II. Adagio ma non troppo | — | ||
| 31-3 | Trio en sol majeur Op.9 No.1 - III. Scherzo - Allegro | — | ||
| 31-4 | Trio en sol majeur Op.9 No.1 - IV. Finale | — | ||
| 31-5 | Trio en ré majeur Op.9 No.2 - I. Allegretto | — | ||
| 31-6 | Trio en ré majeur Op.9 No.2 - II. Andante quasi allegretto | — | ||
| 31-7 | Trio en ré majeur Op.9 No.2 - III. Menuetto - Allegro | — | ||
| 31-8 | Trio en ré majeur Op.9 No.2 - IV. Rondo - Allegro | — | ||
| 31-9 | Trio en ut mineur Op.9 No.3 - I. Allegro con spirito | — | ||
| 31-10 | Trio en ut mineur Op.9 No.3 - II. Adagio con espressione | — | ||
| 31-11 | Trio en ut mineur Op.9 No.3 - III. Scherzo. Allegro molto e vivace | — | ||
| 31-12 | Trio en ut mineur Op.9 No.3 - IV. Finale. Presto | — | ||
| 32-1 | Trio en mi bémol majeur Op.3 - I. Allegro con brio [1970] | — | ||
| 32-2 | Trio en mi bémol majeur Op.3 - II. Andante | — | ||
| 32-3 | Trio en mi bémol majeur Op.3 - III. Menuetto - Allegretto | — | ||
| 32-4 | Trio en mi bémol majeur Op.3 - IV. Adagio | — | ||
| 32-5 | Trio en mi bémol majeur Op.3 - V. Menuetto - Moderato | — | ||
| 32-6 | Trio en mi bémol majeur Op.3 - VI. Finale - Allegro | — | ||
| 32-7 | Sérénade en ré majeur Op.8 - I. Marcia [1964] | — | ||
| 32-8 | Sérénade en ré majeur Op.8 - II. Menuetto | — | ||
| 32-9 | Sérénade en ré majeur Op.8 - III. Adagio - Scherzo | — | ||
| 32-10 | Sérénade en ré majeur Op.8 - IV. Allegretto alla polacca | — | ||
| 32-11 | Sérénade en ré majeur Op.8 - V. Andante quasi allegretto - Marcia | — | ||
| 33-1 | Sonatina for mandolin & piano in C major, WoO 44/1 Siciliano | — | ||
| 33-2 | Sonatina for mandolin & piano in C minor, WoO 43/1 Allegro | — | ||
| 33-3 | Adagio for piano & mandolin in E flat major, WoO 43/2 | — | ||
| 33-4 | Andante and variations for mandolin & piano in D major, WoO 44/2 | — | ||
| 33-5 | Serenade for flute, violin & viola in D major, Op. 25 1. Entrata - Allegro | — | ||
| 33-6 | Serenade for flute, violin & viola in D major, Op. 25 2. Tempo ordinario d'un minuetto | — | ||
| 33-7 | Serenade for flute, violin & viola in D major, Op. 25 3. Allegro molto | — | ||
| 33-8 | Serenade for flute, violin & viola in D major, Op. 25 4. Andante con variazioni | — | ||
| 33-9 | Serenade for flute, violin & viola in D major, Op. 25 5. Allegro scherzando e vivace | — | ||
| 33-10 | Serenade for flute, violin & viola in D major, Op. 25 6. Adagio - Allegro vivace disinvolto | — | ||
| 33-11 | Trio for piano, flute & bassoon in G major, WoO 37 1. Allegro | — | ||
| 33-12 | Trio for piano, flute & bassoon in G major, WoO 37 2. Adagio | — | ||
| 33-13 | Trio for piano, flute & bassoon in G major, WoO 37 3. Tema andante con variazioni | — | ||
| 34-1 | Sonate pour Flûte & Piano en si bémol majeur - I. Allegro | — | ||
| 34-2 | Sonate pour Flûte & Piano en si bémol majeur - II. Polonaise | — | ||
| 34-3 | Sonate pour Flûte & Piano en si bémol majeur - III. Largo | — | ||
| 34-4 | Sonate pour Flûte & Piano en si bémol majeur - IV. Tema Con Variazioni | — | ||
| 34-5 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2 | — | ||
| 34-6 | Airs variés pour Flûte & Piano - Air russe, Op.107 No.7 | — | ||
| 34-7 | Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9 | — | ||
| 34-8 | Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5 | — | ||
| 34-9 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6 | — | ||
| 34-10 | Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3 | — | ||
| 34-11 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4 | — | ||
| 34-12 | Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3 | — | ||
| 34-13 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1 | — | ||
| 34-14 | Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1 | — | ||
| 35-1 | Quartet 1, op. 18 no.1 in F major: 1. Allegro con brio | — | ||
| 35-2 | Quartet 1, op. 18 no.1 in F major: 2. Adagio affettuoso appassionato | — | ||
| 35-3 | Quartet 1, op. 18 no.1 in F major: 3. Scherzo (Allegro molto) | — | ||
| 35-4 | Quartet 1, op. 18 no.1 in F major: 4. Allegro | — | ||
| 35-5 | Quartet 2, op. 18 no.2 in G major: 1. Allegro | — | ||
| 35-6 | Quartet 2, op. 18 no.2 in G major: 2. Adagio cantabile - Allegro | — | ||
| 35-7 | Quartet 2, op. 18 no.2 in G major: 3. Scherzo (Allegro) | — | ||
| 35-8 | Quartet 2, op. 18 no.2 in G major: 4. Allegro molto quasi presto | — | ||
| 35-9 | Quartet 3, op. 18 no.3 in D major: 1. Allegro | — | ||
| 35-10 | Quartet 3, op. 18 no.3 in D major: 2. Andante con moto | — | ||
| 35-11 | Quartet 3, op. 18 no.3 in D major: 3. Allegro | — | ||
| 35-12 | Quartet 3, op. 18 no.3 in D major: 4. Presto | — | ||
| 36-1 | Quartet 4, Op 18, No.4 In C Minor: 1. Allegro Ma Non Tanto | — | ||
| 36-2 | Quartet 4, Op 18, No.4 In C Minor: 2. Andante Scherzo Quasi Allegretto | — | ||
| 36-3 | Quartet 4, Op 18, No.4 In C Minor: 3. Minuetto (Allegretto) | — | ||
| 36-4 | Quartet 4, Op 18, No.4 In C Minor: 4. Allegro | — | ||
| 36-5 | Quartet 5, Op 18, No.5 In A Major: 1. Allegro | — | ||
| 36-6 | Quartet 5, Op 18, No.5 In A Major: 2. Minuetto | — | ||
| 36-7 | Quartet 5, Op 18, No.5 In A Major: 3. Andante Cantabile | — | ||
| 36-8 | Quartet 5, Op 18, No.5 In A Major: 4. Allegro | — | ||
| 36-9 | Quartet 6, Op 18, No.6 In B Flat Major: 1. Allegro Con Brio | — | ||
| 36-10 | Quartet 6, Op 18, No.6 In B Flat Major: 2. Adagio Ma Non Troppo | — | ||
| 36-11 | Quartet 6, Op 18, No.6 In B Flat Major: 3. Scherzo (Allegro) | — | ||
| 36-12 | Quartet 6, Op 18, No.6 In B Flat Major: 4. Adagio (La Melancolica) - Allegretto | — | ||
| 37-1 | Quartet 7, Op. 59, No.1 In F Major: 1. Allegro | — | ||
| 37-2 | Quartet 7, Op. 59, No.1 In F Major: 2. Allegretto Vivace E Sempre Scherzando | — | ||
| 37-3 | Quartet 7, Op. 59, No.1 In F Major: 3. Adagio Molto E Mesto | — | ||
| 37-4 | Quartet 7, Op. 59, No.1 In F Major: 4. Allegro (Theme Russe) | — | ||
| 37-5 | Quartet 8, Op. 59, No.2 In E Minor: 1. Allegro | — | ||
| 37-6 | Quartet 8, Op. 59, No.2 In E Minor: 2. Molto Adagio | — | ||
| 37-7 | Quartet 8, Op. 59, No.2 In E Minor: 3. Allegretto | — | ||
| 37-8 | Quartet 8, Op. 59, No.2 In E Minor: 4. Finale (Presto) | — | ||
| 38-1 | Quartet 9, Op. 59, No.3 In C Major: 1. Andante Con Moto - Allegro Vivace | — | ||
| 38-2 | Quartet 9, Op. 59, No.3 In C Major: 2. Andante Con Moto Quasi Allegretto | — | ||
| 38-3 | Quartet 9, Op. 59, No.3 In C Major: 3. Minuetto | — | ||
| 38-4 | Quartet 9, Op. 59, No.3 In C Major: 4. Allegro Molto | — | ||
| 38-5 | Quartet 10, Op. 74, In E Flat Major: 1. Poco Adagio - Allegro | — | ||
| 38-6 | Quartet 10, Op. 74, In E Flat Major: 2. Adagio Ma Non Troppo | — | ||
| 38-7 | Quartet 10, Op. 74, In E Flat Major: 3. Presto | — | ||
| 38-8 | Quartet 10, Op. 74, In E Flat Major: 4. Allegretto Con Variazioni | — | ||
| 39-1 | Quartet 11, Op. 95, In F Minor: 1. Allegro Con Brio | — | ||
| 39-2 | Quartet 11, Op. 95, In F Minor: 2. Allegretto Ma Non Troppo | — | ||
| 39-3 | Quartet 11, Op. 95, In F Minor: 3. Allegro Assai Vivace, Ma Serioso | — | ||
| 39-4 | Quartet 11, Op. 95, In F Minor: 4. Larghetto Espressivo - Allegro Agitato - Allegro | — | ||
| 39-5 | Quartet 12, Op. 127, In E Flat Major: 1. Maestoso - Allegro | — | ||
| 39-6 | Quartet 12, Op. 127, In E Flat Major: 2. Adagio Ma Non Troppo E Molto Cantabile | — | ||
| 39-7 | Quartet 12, Op. 127, In E Flat Major: 3. Scherzando Vivace | — | ||
| 39-8 | Quartet 12, Op. 127, In E Flat Major: 4. Finale | — | ||
| 40-1 | Quartet 13, Op. 130, In B Flat Major: 1. Adagio Ma Non Troppo - Allegro | — | ||
| 40-2 | Quartet 13, Op. 130, In B Flat Major: 2. Presto | — | ||
| 40-3 | Quartet 13, Op. 130, In B Flat Major: 3. Andante Con Moto Ma Non Troppo | — | ||
| 40-4 | Quartet 13, Op. 130, In B Flat Major: 4. Alla Danza Tedesca (Allegro Assai) | — | ||
| 40-5 | Quartet 13, Op. 130, In B Flat Major: 5. Cavatine (Adagio Molto Espressivo) | — | ||
| 40-6 | Quartet 17, Op. 133, In B Flat Major: Grande Fugue | — | ||
| 40-7 | Quartet 13, Op. 130, In B Flat Major: 6. Finale (Allegro) | — | ||
| 41-1 | String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 41-2 | String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 41-3 | String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 41-4 | String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile | — | ||
| 41-5 | String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 41-6 | String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 41-7 | String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 41-8 | String Quartet No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 41-9 | String Quartet No. 16 in F major, Op. 135: II. Vivace | — | ||
| 41-10 | String Quartet No. 16 in F major, Op. 135: III. Lento assai, cantate e tranquillo | — | ||
| 41-11 | String Quartet No. 16 in F major, Op. 135: IV. Grave, ma non troppo tratto - Allegro | — | ||
| 42-1 | String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro | — | ||
| 42-2 | String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 42-3 | String Quartet No. 15 in A minor, Op. 132: III. Molto adagio. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart | — | ||
| 42-4 | String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 42-5 | String Quartet No. 15 in A minor, Op. 132: V. Allegro appassionato | — | ||
| 43-1 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - I. Grave-Allegro ma non troppo | — | ||
| 43-2 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - II. Andante cantabile | — | ||
| 43-3 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - III. Rondo (Allegro non troppo) | — | ||
| 43-4 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - I. Allegro con brio | — | ||
| 43-5 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - II. adagio | — | ||
| 43-6 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - III. Rondo (Allegro) | — | ||
| 43-7 | Marche pour 2 Clarinettes, 2 Bassons & 2 Cors en si bémol majeur WoO 29 | — | ||
| 43-8 | Rodino pour 2 Haubois, 2 Clarinettes, 2 Corps & 2 Bassons WoO 25 | — | ||
| 43-9 | Duo pour Clarinette & Basson en ut majeur WoO 27 - I. Allegro | — | ||
| 43-10 | Duo pour Clarinette & Basson en ut majeur WoO 27 - II. Larghetto sostenuto | — | ||
| 43-11 | Duo pour Clarinette & Basson en ut majeur WoO 27 - III. Rondo (Allegro) | — | ||
| 44-1 | Septet in E-flat major, op. 20: I. Adagio - Allegro con brio | Melos Ensemble of London | — | |
| 44-2 | Septet in E-flat major, op. 20: II. Adagio cantabile | Melos Ensemble of London | — | |
| 44-3 | Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — | |
| 44-4 | Septet in E-flat major, op. 20: IV. Tema con Variazioni (Andante) | Melos Ensemble of London | — | |
| 44-5 | Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace & Trio | Melos Ensemble of London | — | |
| 44-6 | Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto | Melos Ensemble of London | — | |
| 44-7 | Octet in E‐flat major, op. 103: I. Allegro | Melos Ensemble of London | — | |
| 44-8 | Octet in E‐flat major, op. 103: II. Andante | Melos Ensemble of London | — | |
| 44-9 | Octet in E‐flat major, op. 103: III. Menuetto: Allegro | Melos Ensemble of London | — | |
| 44-10 | Octet in E‐flat major, op. 103: IV. Finale: Presto | Melos Ensemble of London | T-003.055.867-8 | |
| 45-1 | Introduction (Grave-Adagio) | — | ||
| 45-2 | Recit: My Father, O my Father! | — | ||
| 45-3 | Aria: All my soul within me shudders | — | ||
| 45-4 | Recit: Now tremble, Nature, for this is God's own Son! | — | ||
| 45-5 | Aria: Praise the Redeemer's goodness | — | ||
| 45-6 | Chorus & Solo: Oh triumph, all ye ransom'd | — | ||
| 45-7 | But woe to those desprising | — | ||
| 45-8 | Recit: Canst thou, O Seraph, now declare the mercy | — | ||
| 45-9 | Duet: On me, then, fall Thy heavenly judgement | — | ||
| 45-10 | Recit: Then welcome, Death! | — | ||
| 45-11 | Chorus: We surely shall find him here | — | ||
| 45-12 | Recit: They who have been sent here to take me | — | ||
| 45-13 | Chorus: Behold him, the deceiver | — | ||
| 45-14 | Recit: Not unchastised shall be this audacious band | — | ||
| 45-15 | Trio: My immost heart is burning with righteous wrath and zeal | — | ||
| 45-16 | Chorus & Solo: Haste! and seize the traitor | — | ||
| 45-17 | Chorus: Hallelujah.. Praise the Lord, ye angelic choirs | — | ||
| 46-1 | Kyrie | — | ||
| 46-2 | Gloria in excelsis Deo | — | ||
| 46-3 | Qui tollis | — | ||
| 46-4 | Quoniam tu solus sanctus | — | ||
| 46-5 | Credo in unum Deum | — | ||
| 46-6 | Et incarnatus est | — | ||
| 46-7 | Et resurrexit | — | ||
| 46-8 | Sanctus | — | ||
| 47-1 | Missa solemnis - Agnus Dei | — | ||
| 47-2 | Missa solemnis - Dona nobis pacem | — | ||
| 47-3 | Messe en ut majeur Op.86 - Kyrie | — | ||
| 47-4 | Messe en ut majeur Op.86 - Gloria | — | ||
| 47-5 | Messe en ut majeur Op.86 - Credo | — | ||
| 47-6 | Messe en ut majeur Op.86 - Sanctus | — | ||
| 47-7 | Messe en ut majeur Op.86 - Agnus Dei | — | ||
| 48-1 | Fidelio, op. 72: Overture | Berliner Philharmoniker, Herbert von Karajan | T-909.574.378-5 | |
| 48-2 | Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Horst Laubenthal, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-3 | Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-4 | Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-5 | Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) | José van Dam, Helen Donath, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-6 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-7 | Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) | José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-8 | Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-9 | Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) | Helga Dernesch, José van Dam, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-10 | Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | José van Dam, Helga Dernesch, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-11 | Fidelio, op. 72: Act I, no. 6. March | Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-12 | Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-13 | Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | Karl Ridderbusch, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-14 | Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-15 | Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-16 | Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-17 | Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) | Helga Dernesch, Helen Donath, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-18 | Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” | Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-19 | Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-20 | Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | Helen Donath, José van Dam, Horst Laubenthal, Helga Dernesch, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-1 | Fidelio, op. 72: Act II, no. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) | Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-2 | Fidelio, op. 72: Act II, no. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco) | Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-3 | Fidelio, op. 72: Act II, no. 12. Duet "Nur hurtig fort" (Rocco, Leonore) | José van Dam, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-4 | Fidelio, op. 72: Act II, no. 12. "Er erwacht" (Leonore, Rocco, Florestan) | Helga Dernesch, José van Dam, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-5 | Fidelio, op. 72: Act II, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Jon Vickers, José van Dam, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-6 | Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) | Helga Dernesch, Karl Ridderbusch, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-7 | Fidelio, op. 72: Act II, no. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Karl Ridderbusch, Jon Vickers, Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-8 | Fidelio, op. 72: Act II, no. 14. "Vater Rocco! Vater Rocco!" (Jaquino, Rocco) | Horst Laubenthal, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-9 | Fidelio, op. 72: Act II, no. 14. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) | Helga Dernesch, Jon Vickers, Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-10 | Fidelio, op. 72: Act II, no. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | Helga Dernesch, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-11 | Fidelio, op. 72: Act II, no. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline) | Chor der Deutschen Oper Berlin, José van Dam, Karl Ridderbusch, Zoltán Kelemen, Helga Dernesch, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-12 | Fidelio, op. 72: Act II, no. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino) | José van Dam, Helga Dernesch, Jon Vickers, Helen Donath, José van Dam, Chor der Deutschen Oper Berlin, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 50-1 | Ah perfido!, Op. 65 | — | ||
| 50-2 | An die ferne Geliebte, Op.98 | — | ||
| 50-3 | 7 Goethe-Lieder: Mailied op.52 No.4 | — | ||
| 50-4 | 7 Goethe-Lieder: Marmotte op. 52 No.7 | — | ||
| 50-5 | 7 Goethe-Lieder: Neue Liebe, neues Leben op. 75 No.2 | — | ||
| 50-6 | 7 Goethe-Lieder: Aus Goethes Faust op. 75 No.3 | — | ||
| 50-7 | 7 Goethe-Lieder: Wonne der Wehmut op.83 No.1 | — | ||
| 50-8 | 7 Goethe-Lieder: Sehnsucht op. 83 No.2 | — | ||
| 50-9 | 7 Goethe-Lieder: Mit einem gemalten Bende op. 84 No.3 | — | ||
| 50-10 | Adelaide | — | ||
| 50-11 | 6 Gellert-Lieder op. 48: Bitten | — | ||
| 50-12 | 6 Gellert-Lieder op. 48: Die Liebe des Nächsten | — | ||
| 50-13 | 6 Gellert-Lieder op. 48: Vom Tode | — | ||
| 50-14 | 6 Gellert-Lieder op. 48: Die Ehre Gottes aus der Natur | — | ||
| 50-15 | 6 Gellert-Lieder op. 48: Gottes Macht und Vorsehung | — | ||
| 50-16 | 6 Gellert-Lieder op. 48: Bußlied | — |
Identifier Graph
094638773924 is a Universal Product Code (UPC) assigned to The Collector's Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 535 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": II. Largo | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — |
| Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Collector's Edition” by Ludwig van Beethoven is 094638773924. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI Classics. This release contains 535 tracks, each with its own ISRC. Tracks include GBDYG1701427, GBDYG1701428, GBDYG1701429.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Berliner Philharmoniker, André Cluytens | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace) | Berliner Philharmoniker, André Cluytens | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Berliner Philharmoniker, André Cluytens | — | |
| 5 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 6 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 7 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo (Allegro vivace) & Trio | Berliner Philharmoniker, André Cluytens | — | |
| 8 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale (Allegro molto – Poco andante – Presto) | Berliner Philharmoniker, André Cluytens | — | |
| 2-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 2-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Berliner Philharmoniker, André Cluytens | — | |
| 2-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro – Trio | Berliner Philharmoniker, André Cluytens | — | |
| 2-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro molto | Berliner Philharmoniker, André Cluytens | — | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Berliner Philharmoniker, André Cluytens | — | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) | Berliner Philharmoniker, André Cluytens | T-001.444.317-4 | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Berliner Philharmoniker, André Cluytens | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Berliner Philharmoniker, André Cluytens | — | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro – Presto | Berliner Philharmoniker, André Cluytens | — | |
| 3-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Berliner Philharmoniker, André Cluytens | — | |
| 3-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Berliner Philharmoniker, André Cluytens | T-314.638.300-4 | |
| 3-7 | Symphony no. 7 in A major, op. 92: III. Presto – Assai meno presto – Presto | Berliner Philharmoniker, André Cluytens | T-915.710.750-1 | |
| 3-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 4-1 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro non troppo | Berliner Philharmoniker, André Cluytens | — | |
| 4-2 | Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso | Berliner Philharmoniker, André Cluytens | — | |
| 4-3 | Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 4-4 | Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro | Berliner Philharmoniker, André Cluytens | — | |
| 4-5 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto | Berliner Philharmoniker, André Cluytens | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Berliner Philharmoniker, André Cluytens | — | |
| 4-7 | Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | — | |
| 4-8 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Berliner Philharmoniker, André Cluytens | T-312.439.209-8 | |
| 4-9 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | Berliner Philharmoniker, André Cluytens | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace | Berliner Philharmoniker, André Cluytens | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile | Berliner Philharmoniker, André Cluytens | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro | Gré Brouwenstijn, Chor der St. Hedwigs-Kathedrale Berlin, Nicolai Gedda, Frederick Guthrie, Kerstin Meyer, Berliner Philharmoniker, André Cluytens | — | |
| 6-1 | Ouvertüre Coriolan, op. 62: Allegro con brio | Berliner Philharmoniker, André Cluytens | — | |
| 6-2 | Egmont, op. 84: Overture. Sostenuto, ma non troppo – Allegro | — | ||
| 6-3 | Die Geschöpfe des Prometheus, op. 43: Ouverture | — | ||
| 6-4 | Die Ruinen von Athen, op. 113: I. Overtüre | Berliner Philharmoniker, André Cluytens | T-901.164.507-1 | |
| 6-5 | Fidelio, op. 72: Overture | — | ||
| 6-6 | Overture "Leonore" no. 3 in C major, op. 72b | Berliner Philharmoniker, André Cluytens | — | |
| 6-7 | Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante | — | ||
| 6-8 | Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile | — | ||
| 7-1 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: I. Allegro con brio | — | ||
| 7-2 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: II. Largo | — | ||
| 7-3 | Concerto pour piano et orchestre no. 1 en ut majeur, op. 15: III. Rondo. Allegro scherzando | — | ||
| 7-4 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: I. Allegro con brio | — | ||
| 7-5 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: II. Adagio | — | ||
| 7-6 | Concerto pour piano et orchestre no. 2 en si bémol majeur, op. 19: III. Rondo. Molto allegro | — | ||
| 8-1 | Concerto pour piano No.3 en Ut Mineur Op 37 - I Allegro con brio (cadence Reinecke) | — | ||
| 8-2 | Concerto pour piano No.3 en Ut Mineur Op 37 - II Largo | — | ||
| 8-3 | Concerto pour piano No.3 en Ut Mineur Op 37 - III Rondo (Allegro) cadence: Beethoven | — | ||
| 8-4 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - I Allegro | — | ||
| 8-5 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - II Adagio un poco mosso | — | ||
| 8-6 | Concerto No.5 en Mi bémol Majeur Op.73 "L'empereur" - III Rondo (Allegro) | — | ||
| 9-1 | Conc piano No.4 en sol majeur, op.58 - I. Allegro moderato | — | ||
| 9-2 | Conc piano No.4 en sol majeur, op.58 - II. Andante con moto | — | ||
| 9-3 | Conc piano No.4 en sol majeur, op.58 - III. Rondo. Vivace | — | ||
| 9-4 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": I. Allegro | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 9-5 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": II. Largo | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 9-6 | Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": III. Rondo alla Polacca | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — | |
| 10-1 | Violin Concerto in D major, op. 61: I. Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-2 | Violin Concerto in D major, op. 61: II. Larghetto | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-3 | Violin Concerto in D major, op. 61: III. Rondo: Allegro | David Oistrakh, Orchestre national de la Radiodiffusion française, André Cluytens | — | |
| 10-4 | Fantaisie pour piano, choeur & orchestre en ut mineur op.80 | — | ||
| 11-1 | Piano Sonata No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | — | ||
| 11-2 | Piano Sonata No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | — | ||
| 11-3 | Piano Sonata No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | — | ||
| 11-4 | Piano Sonata No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | — | ||
| 11-5 | Piano Sonata No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | — | ||
| 11-6 | Piano Sonata No. 3 in C major, Op. 2 No. 3: II. Adagio | — | ||
| 11-7 | Piano Sonata No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | — | ||
| 11-8 | Piano Sonata No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | — | ||
| 11-9 | Piano Sonata No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | — | ||
| 11-10 | Piano Sonata No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | — | ||
| 11-11 | Piano Sonata No. 4 in E-flat major, Op. 7: III. Allegro | — | ||
| 11-12 | Piano Sonata No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | — | ||
| 12-1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | — | ||
| 12-2 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | — | ||
| 12-3 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | — | ||
| 12-4 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | — | ||
| 12-5 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | — | ||
| 12-6 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | — | ||
| 12-7 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | — | ||
| 12-8 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | — | ||
| 12-9 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | — | ||
| 12-10 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | — | ||
| 12-11 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Allegro | — | ||
| 12-12 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | — | ||
| 12-13 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | — | ||
| 12-14 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | — | ||
| 12-15 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | — | ||
| 12-16 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | — | ||
| 13-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio | Éric Heidsieck | — | |
| 13-2 | Sonate n°8 en ut mineur, op. 13 ''Pathétique'' : II Adagio cantabile | Éric Heidsieck | — | |
| 13-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Éric Heidsieck | T-330.120.761-0 | |
| 13-4 | Piano Sonata No. 9 in E major, Op. 14 No. 1: I. Allegro | — | ||
| 13-5 | Piano Sonata No. 9 in E major, Op. 14 No. 1: II. Allegretto | — | ||
| 13-6 | Piano Sonata No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo | — | ||
| 13-7 | Piano Sonata No. 10 in G major, Op. 14 No. 2: I. Allegro | — | ||
| 13-8 | Piano Sonata No. 10 in G major, Op. 14 No. 2: II. Andante | — | ||
| 13-9 | Piano Sonata No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | — | ||
| 13-10 | Piano Sonata No. 11 in B-flat major, Op. 22: I. Allegro con brio | — | ||
| 13-11 | Piano Sonata No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | — | ||
| 13-12 | Piano Sonata No. 11 in B-flat major, Op. 22: III. Menuetto | — | ||
| 13-13 | Piano Sonata No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | — | ||
| 14-1 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | — | ||
| 14-2 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | — | ||
| 14-3 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | — | ||
| 14-4 | Piano Sonata No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | — | ||
| 14-5 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: I. Andante - Allegro | — | ||
| 14-6 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace | — | ||
| 14-7 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione | — | ||
| 14-8 | Piano Sonata No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace | — | ||
| 14-9 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 14-10 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | — | ||
| 14-11 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | — | ||
| 14-12 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": I. Allegro | — | ||
| 14-13 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": II. Andante | — | ||
| 14-14 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": III. Scherzo. Allegro vivace | — | ||
| 14-15 | Piano Sonata No. 15 in D major, Op. 28 "Pastoral": IV. Rondo. Allegro ma non troppo | — | ||
| 15-1 | Piano Sonata No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | — | ||
| 15-2 | Piano Sonata No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | — | ||
| 15-3 | Piano Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | — | ||
| 15-4 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": I. Largo - Allegro | — | ||
| 15-5 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": II. Adagio | — | ||
| 15-6 | Piano Sonata No. 17 in D minor, Op. 31 No. 2 "The Tempest": III. Allegretto | — | ||
| 15-7 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | — | ||
| 15-8 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | — | ||
| 15-9 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | — | ||
| 15-10 | Piano Sonata No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | — | ||
| 15-11 | Piano Sonata No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | — | ||
| 15-12 | Piano Sonata No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | — | ||
| 16-1 | Piano Sonata No. 19 in G minor, Op. 49 No. 1: I. Andante | — | ||
| 16-2 | Piano Sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | — | ||
| 16-3 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | — | ||
| 16-4 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto | — | ||
| 16-5 | Piano Sonata No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato | — | ||
| 16-6 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | — | ||
| 16-7 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | — | ||
| 16-8 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo – Presto | — | ||
| 16-9 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | — | ||
| 16-10 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | — | ||
| 16-11 | Piano Sonata No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | — | ||
| 16-12 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": I. Adagio – Allegro "Les Adieux" | — | ||
| 16-13 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": II. Andante espressivo "L'Absence" | — | ||
| 16-14 | Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux": III. Vivacissimamente "Le Retour" | — | ||
| 17-1 | Piano Sonata No. 27 in E minor, Op. 90: I. Con vivacita e sempre con sentimento ed espressione | — | ||
| 17-2 | Piano Sonata No. 27 in E minor, Op. 90: II. Non troppo vivo e cantabile | — | ||
| 17-3 | Piano Sonata No. 28 in A major, Op. 101: I. Allegretto ma non troppo | — | ||
| 17-4 | Piano Sonata No. 28 in A major, Op. 101: II. Vivace alla marcia | — | ||
| 17-5 | Piano Sonata No. 28 in A major, Op. 101: III. Adagio, ma non troppo | — | ||
| 17-6 | Piano Sonata No. 28 in A major, Op. 101: IV. Allegro | — | ||
| 17-7 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": I. Allegro | — | ||
| 17-8 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": II. Scherzo. Assai vivace | — | ||
| 17-9 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": III. Adagio sostenuto | — | ||
| 17-10 | Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier": IV. Largo – Allegro risoluto | — | ||
| 18-1 | Piano Sonata No. 24 in F-sharp major, Op. 78: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 18-2 | Piano Sonata No. 24 in F-sharp major, Op. 78: II. Allegro vivace | — | ||
| 18-3 | Piano Sonata No. 30 in E major, Op. 109: I. Vivace ma non troppo - Adagio espressivo | — | ||
| 18-4 | Piano Sonata No. 30 in E major, Op. 109: II. Prestissimo | — | ||
| 18-5 | Piano Sonata No. 30 in E major, Op. 109: III. Andante molto cantabile ed espressivo | — | ||
| 18-6 | Piano Sonata No. 31 in A-flat major, Op. 110: I. Moderato cantabile, molto espressivo | — | ||
| 18-7 | Piano Sonata No. 31 in A-flat major, Op. 110: II. Allegro molto | — | ||
| 18-8 | Piano Sonata No. 31 in A-flat major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo | — | ||
| 18-9 | Piano Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 18-10 | Piano Sonata No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | — | ||
| 19-1 | Pour Elise | — | ||
| 19-2 | Rono a capriccio | — | ||
| 19-3 | Variations en ut majeur 'Go save the King' | — | ||
| 19-4 | I Variations en mi bemil majeur 'Eroica' | — | ||
| 19-5 | II Variations en mi bemil majeur 'Eroica' | — | ||
| 19-6 | III Variations en mi bemil majeur 'Eroica' | — | ||
| 19-7 | Variations en fa majeur | — | ||
| 19-8 | Variations en re majeur | — | ||
| 19-9 | Variations en fa majeur "Tandeln und scherzen" Sussmayr | — | ||
| 20-1 | Tema (Georges Solchany, piano) [1970] | — | ||
| 20-2 | Var.1: Alla Marcia maestoso | — | ||
| 20-3 | Var.2: Poco allegro | — | ||
| 20-4 | Var. 3. L'istesso tempo | — | ||
| 20-5 | Var 4, Un poco più vivace | — | ||
| 20-6 | Var.5: Allegro vivace | — | ||
| 20-7 | Var.6: Allegro ma non troppo e serioso | — | ||
| 20-8 | Var 7, Un poco più allegro | — | ||
| 20-9 | Var.8: Poco vivace | — | ||
| 20-10 | Var.9: Allegro pesante e risoluto | — | ||
| 20-11 | Var.10: Presto | — | ||
| 20-12 | Var.11: Allegretto | — | ||
| 20-13 | Var 12 Un poco più mosso | — | ||
| 20-14 | Var.13: Vivace | — | ||
| 20-15 | Var.14: Grave e maestoso | — | ||
| 20-16 | Var.15: Presto scherzando | — | ||
| 20-17 | Var.16: Allegro | — | ||
| 20-18 | Var.17 ([Allegro]) | — | ||
| 20-19 | Var. 18: Moderato | — | ||
| 20-20 | Var.19: Presto | — | ||
| 20-21 | Var.20: Andante | — | ||
| 20-22 | Var.21: Allegro con brio | — | ||
| 20-23 | Var 22 Molto allegro (alla ''Notte e giorno fatica'' di Mozart) | — | ||
| 20-24 | Var. 23: Assai allegro | — | ||
| 20-25 | Var. 24 (Fughetta: Andante) | — | ||
| 20-26 | Var.25: Allegro | — | ||
| 20-27 | Var 26, Allegro | — | ||
| 20-28 | Var.27: Vivace | — | ||
| 20-29 | Var.28: Allegro | — | ||
| 20-30 | Var.29: Adagio ma non troppo | — | ||
| 20-31 | Var 30 - Andante. sempre cantabile | — | ||
| 20-32 | Var.31: Largo, molto espressivo | — | ||
| 20-33 | Var 32 - fuga - allegro | — | ||
| 20-34 | Var. 33 (Tempo di Minuetto moderato) | — | ||
| 21-1 | Bagatelle ut mineur (1797) | — | ||
| 21-2 | Bagatelles Op.33 - I. Andante grazioso | — | ||
| 21-3 | Bagatelles Op.33 - II. Scherzo allegro | — | ||
| 21-4 | Bagatelles Op.33 - III. Allegretto | — | ||
| 21-5 | Bagatelles Op.33 - IV. Andante | — | ||
| 21-6 | Bagatelles Op.33 - V. Allegro, ma non troppo | — | ||
| 21-7 | Bagatelles Op.33 - VI. Allegretto quasi andante | — | ||
| 21-8 | Bagatelles Op.33 - VII. Presto | — | ||
| 21-9 | Bagatelle ut majeur (1804) | — | ||
| 21-10 | Bagatelles Op.119 - I. Allegretto - II. Andante con moto - III. À l'allemande | — | ||
| 21-11 | Bagatelles Op.119 - IV. Andante cantabilte - V. Risoluto | — | ||
| 21-12 | Bagatelles Op.119 - VI. Andante - Allegretto - VII. Allegro ma non troppo | — | ||
| 21-13 | Bagatelles Op.119 - VIII. Moderato cantabile - IX. Vivace | — | ||
| 21-14 | Bagatelles Op.119 - X. Allegramente - XI. Andante ma non troppo | — | ||
| 21-15 | Bagatelles Op.126 - I. Andante con moto | — | ||
| 21-16 | Bagatelles Op.126 - II. Allegro | — | ||
| 21-17 | Bagatelles Op.126 - III. Andante | — | ||
| 21-18 | Bagatelles Op.126 - IV. Presto | — | ||
| 21-19 | Bagatelles Op.126 - V. Quasi allegretto | — | ||
| 21-20 | Bagatelles Op.126 - VI. Presto - Andante cantabile | — | ||
| 22-1 | Sonate n°1 en ré majeur, Op. 12 n°1: I. Allegro con brio | — | ||
| 22-2 | Sonate n°1 en ré majeur, Op. 12 n°1: II. Tema con variazioni (andante con moto) | — | ||
| 22-3 | Sonate n°1 en ré majeur, Op. 12 n°1: III. Rondo (Allegro) | — | ||
| 22-4 | Sonate n°2 en la majeur, Op. 12 n°2: I. Allegro vivace | — | ||
| 22-5 | Sonate n°2 en la majeur, Op. 12 n°2: II. Andante, più tosto allegretto | — | ||
| 22-6 | Sonate n°2 en la majeur, Op. 12 n°2: III. Allegro piacevole | — | ||
| 22-7 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: I. Allegro con spirito | — | ||
| 22-8 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: II. Adagio con molt'espressione | — | ||
| 22-9 | Sonate n°3 en mi bémol majeur, Op. 12 n°3: III. Rondo (Allegro molto) | — | ||
| 22-10 | Sonate n°4 en la mineur, Op. 23: I. Presto | — | ||
| 22-11 | Sonate n°4 en la mineur, Op. 23: II. Andante scherzoso | — | ||
| 22-12 | Sonate n°4 en la mineur, Op. 23: III. Allegro molto | — | ||
| 23-1 | Sonate n°5 en fa majeur, Op. 24 ''Le Printemps'': I. Allegro | — | ||
| 23-2 | Sonate n°5 en fa majeur, Op. 24 ''Le Printemps'': II. Adagio molto espressivo | — | ||
| 23-3 | Violin Sonata no. 5 in F 'Spring', op. 24: III. Scherzo: Allegro molto | Pierre Barbizet, Christian Ferras | — | |
| 23-4 | Violin Sonata no. 5 in F 'Spring', op. 24: IV. Rondo: Allegro ma non troppo | Pierre Barbizet, Christian Ferras | T-909.573.283-5 | |
| 23-5 | Sonate n°6 en la majeur, Op. 30 n°1: I. Allegro | — | ||
| 23-6 | Sonate n°6 en la majeur, Op. 30 n°1: II. Adagio molto espressivo | — | ||
| 23-7 | Sonate n°6 en la majeur, Op. 30 n°1: III. Allegretto con variazioni | — | ||
| 23-8 | Sonate n°7 en ut mineur, Op. 30 n°2: I. Allegro con brio | — | ||
| 23-9 | Sonate n°7 en ut mineur, Op. 30 n°2: II. Adagio cantabile | — | ||
| 23-10 | Sonate n°7 en ut mineur, Op. 30 n°2: III. Scherzo (allegro) | — | ||
| 23-11 | Sonate n°7 en ut mineur, Op. 30 n°2: IV. Finale (allegro) | — | ||
| 24-1 | Sonate n°8 en sol majeur, Op. 30 n°3: I. Allegro assai | — | ||
| 24-2 | Sonate n°8 en sol majeur, Op. 30 n°3: II. Tempo di minuetto | — | ||
| 24-3 | Sonate n°8 en sol majeur, Op. 30 n°3: III. Allegro vivace | — | ||
| 24-4 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': I. Adagio sostenuto-Presto | — | ||
| 24-5 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': II. Andante con variazioni | — | ||
| 24-6 | Sonate n°9 en la majeur, Op. 47 ''À Kreutzer'': III. Finale (Presto) | — | ||
| 24-7 | Sonate n°10 en sol majeur, Op. 96: I. Allegro moderato | — | ||
| 24-8 | Sonate n°10 en sol majeur, Op. 96: II. Adagio espressivo | — | ||
| 24-9 | Sonate n°10 en sol majeur, Op. 96: III. Scherzo (Allegro) | — | ||
| 24-10 | Sonate n°10 en sol majeur, Op. 96: IV. Poco allegretto | — | ||
| 25-1 | Sonate No.1 en fa majeur Op.5 No.1 - I. Adagio sostenuto - Allegro | — | ||
| 25-2 | Sonate No.1 en fa majeur Op.5 No.1 - II. Allegro vivace | — | ||
| 25-3 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo - | Éric Heidsieck, Paul Tortelier | — | |
| 25-4 | Sonate No.2 en sol mineur Op.5 No.2 - II. Allegro molto più tosto presto | — | ||
| 25-5 | Sonate No.2 en sol mineur Op.5 No.2 - III. Rondo (allegro) | — | ||
| 25-6 | Sonate No.3 en la majeur Op.69 - I. Allegro, ma non tanto | — | ||
| 25-7 | Sonate No.3 en la majeur Op.69 - II. Scherzo (allegro molto) | — | ||
| 25-8 | Sonate No.3 en la majeur Op.69 - III. Adagio cantabile - Allegro vivace | — | ||
| 26-1 | Sonate No.4 en ut majeur Op 102 No.1 - I. Andante - Allegro vivace | — | ||
| 26-2 | Sonate No.4 en ut majeur Op 102 No.1 - II. Adagio-Tempo andante-Allegro | — | ||
| 26-3 | Sonate No.5 en ré majeur Op.102 No.2 - I. Allegro con brio | — | ||
| 26-4 | Sonate No.5 en ré majeur Op.102 No.2 - II. Adagio con molto sentimento | — | ||
| 26-5 | Sonate No.5 en ré majeur Op.102 No.2 - III. Allegro fugato | — | ||
| 26-6 | 12 Variations sur un thème de Judas Macchabée de Haendel WoO 45 | — | ||
| 26-7 | 07 Variations ''Bei Männern'' (La Flûte enchantée de Mozart) WoO 46 | — | ||
| 26-8 | 12 Variations ''Ein Mädchen oder Weibchen'' (La Flûte ench.) Op.66 | — | ||
| 27-1 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - I Allegro | — | ||
| 27-2 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - II Adagio cantabile | — | ||
| 27-3 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - III Scherzo: Allegro assai | — | ||
| 27-4 | Trio pour piano, violon et violoncelle N 1 en mi bemol majeur Op.1 - IV Finale - Presto | — | ||
| 27-5 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - I Adagio - Allegro vivace | — | ||
| 27-6 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - II Largo can esprissione | — | ||
| 27-7 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - III Scherzo. Allegro | — | ||
| 27-8 | Trio pour piano, violon et violoncelle N 2 en sol majeur Op.1 - Finale. Presto | — | ||
| 28-1 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - I. Allegro con brio | — | ||
| 28-2 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - II. Andante cantabile con viriazioni | — | ||
| 28-3 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - III. Menuetto. Quasi allegro | — | ||
| 28-4 | Trio pour Piano, V & V, en ut mineur Op.1 No.3 - I. Finale. Prestissimo | — | ||
| 28-5 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - I. Allegro con brio | — | ||
| 28-6 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - II. Adagio | — | ||
| 28-7 | Trio pour Piano, Clarinette & Violoncelle, en si bémol majeur Op.11 - III. Terna 'Pria ch'io impregno' con variazioni | — | ||
| 28-8 | Trio pour Piano, V & V, en si bémol majeur WoO 39 - Allegretto | — | ||
| 28-9 | Variations pour Piano, V & V, sur 'Ich bin des Schneider Kakadu' extr. de l'Opéra de Wenzel Müller Op.121a | — | ||
| 29-1 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - I Allegro vivace con brio | — | ||
| 29-2 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - II Largo assai ed espressione | — | ||
| 29-3 | Trio pour piano, violon et violoncelle en ré majeur Op.70 No.1 - III Presto | — | ||
| 29-4 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - I Poco sostenuto - Allegro ma non troppo | — | ||
| 29-5 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - II Allegretto | — | ||
| 29-6 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - III Allegretto ma non troppo | — | ||
| 29-7 | Trio pour piano, violon et violoncelle en Mi bémol majeur Op.70 No.2 - IV Finale. Allegro | — | ||
| 29-8 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - I Allegro moderato | — | ||
| 29-9 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - II Scherzo: Allegro | — | ||
| 29-10 | Trio pour piano, violon et violoncelle en Mi bémol majeur WoO 38 - III Rondo: allegretto | — | ||
| 30-1 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - I Allegro Moderato | — | ||
| 30-2 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - II Scherzo (Allegro) | — | ||
| 30-3 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - III Andante cantabile | — | ||
| 30-4 | Trio pour piano, violon et violoncelle en si bémol majeur Op.97 " A L'Archiduc" - IV Allegro moderato - Presto | — | ||
| 30-5 | Variations pour piano, violon et violoncelle sur un thème original en mi bémol majeur Op.44 | — | ||
| 31-1 | Trio en sol majeur Op.9 No.1 - I. Adagia - Allegro con brio | — | ||
| 31-2 | Trio en sol majeur Op.9 No.1 - II. Adagio ma non troppo | — | ||
| 31-3 | Trio en sol majeur Op.9 No.1 - III. Scherzo - Allegro | — | ||
| 31-4 | Trio en sol majeur Op.9 No.1 - IV. Finale | — | ||
| 31-5 | Trio en ré majeur Op.9 No.2 - I. Allegretto | — | ||
| 31-6 | Trio en ré majeur Op.9 No.2 - II. Andante quasi allegretto | — | ||
| 31-7 | Trio en ré majeur Op.9 No.2 - III. Menuetto - Allegro | — | ||
| 31-8 | Trio en ré majeur Op.9 No.2 - IV. Rondo - Allegro | — | ||
| 31-9 | Trio en ut mineur Op.9 No.3 - I. Allegro con spirito | — | ||
| 31-10 | Trio en ut mineur Op.9 No.3 - II. Adagio con espressione | — | ||
| 31-11 | Trio en ut mineur Op.9 No.3 - III. Scherzo. Allegro molto e vivace | — | ||
| 31-12 | Trio en ut mineur Op.9 No.3 - IV. Finale. Presto | — | ||
| 32-1 | Trio en mi bémol majeur Op.3 - I. Allegro con brio [1970] | — | ||
| 32-2 | Trio en mi bémol majeur Op.3 - II. Andante | — | ||
| 32-3 | Trio en mi bémol majeur Op.3 - III. Menuetto - Allegretto | — | ||
| 32-4 | Trio en mi bémol majeur Op.3 - IV. Adagio | — | ||
| 32-5 | Trio en mi bémol majeur Op.3 - V. Menuetto - Moderato | — | ||
| 32-6 | Trio en mi bémol majeur Op.3 - VI. Finale - Allegro | — | ||
| 32-7 | Sérénade en ré majeur Op.8 - I. Marcia [1964] | — | ||
| 32-8 | Sérénade en ré majeur Op.8 - II. Menuetto | — | ||
| 32-9 | Sérénade en ré majeur Op.8 - III. Adagio - Scherzo | — | ||
| 32-10 | Sérénade en ré majeur Op.8 - IV. Allegretto alla polacca | — | ||
| 32-11 | Sérénade en ré majeur Op.8 - V. Andante quasi allegretto - Marcia | — | ||
| 33-1 | Sonatina for mandolin & piano in C major, WoO 44/1 Siciliano | — | ||
| 33-2 | Sonatina for mandolin & piano in C minor, WoO 43/1 Allegro | — | ||
| 33-3 | Adagio for piano & mandolin in E flat major, WoO 43/2 | — | ||
| 33-4 | Andante and variations for mandolin & piano in D major, WoO 44/2 | — | ||
| 33-5 | Serenade for flute, violin & viola in D major, Op. 25 1. Entrata - Allegro | — | ||
| 33-6 | Serenade for flute, violin & viola in D major, Op. 25 2. Tempo ordinario d'un minuetto | — | ||
| 33-7 | Serenade for flute, violin & viola in D major, Op. 25 3. Allegro molto | — | ||
| 33-8 | Serenade for flute, violin & viola in D major, Op. 25 4. Andante con variazioni | — | ||
| 33-9 | Serenade for flute, violin & viola in D major, Op. 25 5. Allegro scherzando e vivace | — | ||
| 33-10 | Serenade for flute, violin & viola in D major, Op. 25 6. Adagio - Allegro vivace disinvolto | — | ||
| 33-11 | Trio for piano, flute & bassoon in G major, WoO 37 1. Allegro | — | ||
| 33-12 | Trio for piano, flute & bassoon in G major, WoO 37 2. Adagio | — | ||
| 33-13 | Trio for piano, flute & bassoon in G major, WoO 37 3. Tema andante con variazioni | — | ||
| 34-1 | Sonate pour Flûte & Piano en si bémol majeur - I. Allegro | — | ||
| 34-2 | Sonate pour Flûte & Piano en si bémol majeur - II. Polonaise | — | ||
| 34-3 | Sonate pour Flûte & Piano en si bémol majeur - III. Largo | — | ||
| 34-4 | Sonate pour Flûte & Piano en si bémol majeur - IV. Tema Con Variazioni | — | ||
| 34-5 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.2 | — | ||
| 34-6 | Airs variés pour Flûte & Piano - Air russe, Op.107 No.7 | — | ||
| 34-7 | Airs variés pour Flûte & Piano - Air écossais, Op.107 No.9 | — | ||
| 34-8 | Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.5 | — | ||
| 34-9 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.6 | — | ||
| 34-10 | Airs variés pour Flûte & Piano - Air de la petite Russie, Op.107 No.3 | — | ||
| 34-11 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.4 | — | ||
| 34-12 | Airs variés pour Flûte & Piano - Air autrichien, Op.105 No.3 | — | ||
| 34-13 | Airs variés pour Flûte & Piano - Air écossais, Op.105 No.1 | — | ||
| 34-14 | Airs variés pour Flûte & Piano - Air tyrolien, Op.107 No.1 | — | ||
| 35-1 | Quartet 1, op. 18 no.1 in F major: 1. Allegro con brio | — | ||
| 35-2 | Quartet 1, op. 18 no.1 in F major: 2. Adagio affettuoso appassionato | — | ||
| 35-3 | Quartet 1, op. 18 no.1 in F major: 3. Scherzo (Allegro molto) | — | ||
| 35-4 | Quartet 1, op. 18 no.1 in F major: 4. Allegro | — | ||
| 35-5 | Quartet 2, op. 18 no.2 in G major: 1. Allegro | — | ||
| 35-6 | Quartet 2, op. 18 no.2 in G major: 2. Adagio cantabile - Allegro | — | ||
| 35-7 | Quartet 2, op. 18 no.2 in G major: 3. Scherzo (Allegro) | — | ||
| 35-8 | Quartet 2, op. 18 no.2 in G major: 4. Allegro molto quasi presto | — | ||
| 35-9 | Quartet 3, op. 18 no.3 in D major: 1. Allegro | — | ||
| 35-10 | Quartet 3, op. 18 no.3 in D major: 2. Andante con moto | — | ||
| 35-11 | Quartet 3, op. 18 no.3 in D major: 3. Allegro | — | ||
| 35-12 | Quartet 3, op. 18 no.3 in D major: 4. Presto | — | ||
| 36-1 | Quartet 4, Op 18, No.4 In C Minor: 1. Allegro Ma Non Tanto | — | ||
| 36-2 | Quartet 4, Op 18, No.4 In C Minor: 2. Andante Scherzo Quasi Allegretto | — | ||
| 36-3 | Quartet 4, Op 18, No.4 In C Minor: 3. Minuetto (Allegretto) | — | ||
| 36-4 | Quartet 4, Op 18, No.4 In C Minor: 4. Allegro | — | ||
| 36-5 | Quartet 5, Op 18, No.5 In A Major: 1. Allegro | — | ||
| 36-6 | Quartet 5, Op 18, No.5 In A Major: 2. Minuetto | — | ||
| 36-7 | Quartet 5, Op 18, No.5 In A Major: 3. Andante Cantabile | — | ||
| 36-8 | Quartet 5, Op 18, No.5 In A Major: 4. Allegro | — | ||
| 36-9 | Quartet 6, Op 18, No.6 In B Flat Major: 1. Allegro Con Brio | — | ||
| 36-10 | Quartet 6, Op 18, No.6 In B Flat Major: 2. Adagio Ma Non Troppo | — | ||
| 36-11 | Quartet 6, Op 18, No.6 In B Flat Major: 3. Scherzo (Allegro) | — | ||
| 36-12 | Quartet 6, Op 18, No.6 In B Flat Major: 4. Adagio (La Melancolica) - Allegretto | — | ||
| 37-1 | Quartet 7, Op. 59, No.1 In F Major: 1. Allegro | — | ||
| 37-2 | Quartet 7, Op. 59, No.1 In F Major: 2. Allegretto Vivace E Sempre Scherzando | — | ||
| 37-3 | Quartet 7, Op. 59, No.1 In F Major: 3. Adagio Molto E Mesto | — | ||
| 37-4 | Quartet 7, Op. 59, No.1 In F Major: 4. Allegro (Theme Russe) | — | ||
| 37-5 | Quartet 8, Op. 59, No.2 In E Minor: 1. Allegro | — | ||
| 37-6 | Quartet 8, Op. 59, No.2 In E Minor: 2. Molto Adagio | — | ||
| 37-7 | Quartet 8, Op. 59, No.2 In E Minor: 3. Allegretto | — | ||
| 37-8 | Quartet 8, Op. 59, No.2 In E Minor: 4. Finale (Presto) | — | ||
| 38-1 | Quartet 9, Op. 59, No.3 In C Major: 1. Andante Con Moto - Allegro Vivace | — | ||
| 38-2 | Quartet 9, Op. 59, No.3 In C Major: 2. Andante Con Moto Quasi Allegretto | — | ||
| 38-3 | Quartet 9, Op. 59, No.3 In C Major: 3. Minuetto | — | ||
| 38-4 | Quartet 9, Op. 59, No.3 In C Major: 4. Allegro Molto | — | ||
| 38-5 | Quartet 10, Op. 74, In E Flat Major: 1. Poco Adagio - Allegro | — | ||
| 38-6 | Quartet 10, Op. 74, In E Flat Major: 2. Adagio Ma Non Troppo | — | ||
| 38-7 | Quartet 10, Op. 74, In E Flat Major: 3. Presto | — | ||
| 38-8 | Quartet 10, Op. 74, In E Flat Major: 4. Allegretto Con Variazioni | — | ||
| 39-1 | Quartet 11, Op. 95, In F Minor: 1. Allegro Con Brio | — | ||
| 39-2 | Quartet 11, Op. 95, In F Minor: 2. Allegretto Ma Non Troppo | — | ||
| 39-3 | Quartet 11, Op. 95, In F Minor: 3. Allegro Assai Vivace, Ma Serioso | — | ||
| 39-4 | Quartet 11, Op. 95, In F Minor: 4. Larghetto Espressivo - Allegro Agitato - Allegro | — | ||
| 39-5 | Quartet 12, Op. 127, In E Flat Major: 1. Maestoso - Allegro | — | ||
| 39-6 | Quartet 12, Op. 127, In E Flat Major: 2. Adagio Ma Non Troppo E Molto Cantabile | — | ||
| 39-7 | Quartet 12, Op. 127, In E Flat Major: 3. Scherzando Vivace | — | ||
| 39-8 | Quartet 12, Op. 127, In E Flat Major: 4. Finale | — | ||
| 40-1 | Quartet 13, Op. 130, In B Flat Major: 1. Adagio Ma Non Troppo - Allegro | — | ||
| 40-2 | Quartet 13, Op. 130, In B Flat Major: 2. Presto | — | ||
| 40-3 | Quartet 13, Op. 130, In B Flat Major: 3. Andante Con Moto Ma Non Troppo | — | ||
| 40-4 | Quartet 13, Op. 130, In B Flat Major: 4. Alla Danza Tedesca (Allegro Assai) | — | ||
| 40-5 | Quartet 13, Op. 130, In B Flat Major: 5. Cavatine (Adagio Molto Espressivo) | — | ||
| 40-6 | Quartet 17, Op. 133, In B Flat Major: Grande Fugue | — | ||
| 40-7 | Quartet 13, Op. 130, In B Flat Major: 6. Finale (Allegro) | — | ||
| 41-1 | String Quartet No. 14 in C-sharp minor, Op. 131: I. Adagio ma non troppo e molto espressivo | — | ||
| 41-2 | String Quartet No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | — | ||
| 41-3 | String Quartet No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | — | ||
| 41-4 | String Quartet No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile | — | ||
| 41-5 | String Quartet No. 14 in C-sharp minor, Op. 131: V. Presto | — | ||
| 41-6 | String Quartet No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | — | ||
| 41-7 | String Quartet No. 14 in C-sharp minor, Op. 131: VII. Allegro | — | ||
| 41-8 | String Quartet No. 16 in F major, Op. 135: I. Allegretto | — | ||
| 41-9 | String Quartet No. 16 in F major, Op. 135: II. Vivace | — | ||
| 41-10 | String Quartet No. 16 in F major, Op. 135: III. Lento assai, cantate e tranquillo | — | ||
| 41-11 | String Quartet No. 16 in F major, Op. 135: IV. Grave, ma non troppo tratto - Allegro | — | ||
| 42-1 | String Quartet No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro | — | ||
| 42-2 | String Quartet No. 15 in A minor, Op. 132: II. Allegro ma non tanto | — | ||
| 42-3 | String Quartet No. 15 in A minor, Op. 132: III. Molto adagio. Heiliger Dankgesang eines Genesenen an die Gottheit, in der lydischen Tonart | — | ||
| 42-4 | String Quartet No. 15 in A minor, Op. 132: IV. Alla marcia, assai vivace | — | ||
| 42-5 | String Quartet No. 15 in A minor, Op. 132: V. Allegro appassionato | — | ||
| 43-1 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - I. Grave-Allegro ma non troppo | — | ||
| 43-2 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - II. Andante cantabile | — | ||
| 43-3 | Quintette pour Piano, Hautbois, Clarinette, Cor & Basson Op.16 - III. Rondo (Allegro non troppo) | — | ||
| 43-4 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - I. Allegro con brio | — | ||
| 43-5 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - II. adagio | — | ||
| 43-6 | Sextuor pour 3 Violons, 2 Cors & Violoncelle en mi bémol majeur Op.81b - III. Rondo (Allegro) | — | ||
| 43-7 | Marche pour 2 Clarinettes, 2 Bassons & 2 Cors en si bémol majeur WoO 29 | — | ||
| 43-8 | Rodino pour 2 Haubois, 2 Clarinettes, 2 Corps & 2 Bassons WoO 25 | — | ||
| 43-9 | Duo pour Clarinette & Basson en ut majeur WoO 27 - I. Allegro | — | ||
| 43-10 | Duo pour Clarinette & Basson en ut majeur WoO 27 - II. Larghetto sostenuto | — | ||
| 43-11 | Duo pour Clarinette & Basson en ut majeur WoO 27 - III. Rondo (Allegro) | — | ||
| 44-1 | Septet in E-flat major, op. 20: I. Adagio - Allegro con brio | Melos Ensemble of London | — | |
| 44-2 | Septet in E-flat major, op. 20: II. Adagio cantabile | Melos Ensemble of London | — | |
| 44-3 | Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — | |
| 44-4 | Septet in E-flat major, op. 20: IV. Tema con Variazioni (Andante) | Melos Ensemble of London | — | |
| 44-5 | Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace & Trio | Melos Ensemble of London | — | |
| 44-6 | Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto | Melos Ensemble of London | — | |
| 44-7 | Octet in E‐flat major, op. 103: I. Allegro | Melos Ensemble of London | — | |
| 44-8 | Octet in E‐flat major, op. 103: II. Andante | Melos Ensemble of London | — | |
| 44-9 | Octet in E‐flat major, op. 103: III. Menuetto: Allegro | Melos Ensemble of London | — | |
| 44-10 | Octet in E‐flat major, op. 103: IV. Finale: Presto | Melos Ensemble of London | T-003.055.867-8 | |
| 45-1 | Introduction (Grave-Adagio) | — | ||
| 45-2 | Recit: My Father, O my Father! | — | ||
| 45-3 | Aria: All my soul within me shudders | — | ||
| 45-4 | Recit: Now tremble, Nature, for this is God's own Son! | — | ||
| 45-5 | Aria: Praise the Redeemer's goodness | — | ||
| 45-6 | Chorus & Solo: Oh triumph, all ye ransom'd | — | ||
| 45-7 | But woe to those desprising | — | ||
| 45-8 | Recit: Canst thou, O Seraph, now declare the mercy | — | ||
| 45-9 | Duet: On me, then, fall Thy heavenly judgement | — | ||
| 45-10 | Recit: Then welcome, Death! | — | ||
| 45-11 | Chorus: We surely shall find him here | — | ||
| 45-12 | Recit: They who have been sent here to take me | — | ||
| 45-13 | Chorus: Behold him, the deceiver | — | ||
| 45-14 | Recit: Not unchastised shall be this audacious band | — | ||
| 45-15 | Trio: My immost heart is burning with righteous wrath and zeal | — | ||
| 45-16 | Chorus & Solo: Haste! and seize the traitor | — | ||
| 45-17 | Chorus: Hallelujah.. Praise the Lord, ye angelic choirs | — | ||
| 46-1 | Kyrie | — | ||
| 46-2 | Gloria in excelsis Deo | — | ||
| 46-3 | Qui tollis | — | ||
| 46-4 | Quoniam tu solus sanctus | — | ||
| 46-5 | Credo in unum Deum | — | ||
| 46-6 | Et incarnatus est | — | ||
| 46-7 | Et resurrexit | — | ||
| 46-8 | Sanctus | — | ||
| 47-1 | Missa solemnis - Agnus Dei | — | ||
| 47-2 | Missa solemnis - Dona nobis pacem | — | ||
| 47-3 | Messe en ut majeur Op.86 - Kyrie | — | ||
| 47-4 | Messe en ut majeur Op.86 - Gloria | — | ||
| 47-5 | Messe en ut majeur Op.86 - Credo | — | ||
| 47-6 | Messe en ut majeur Op.86 - Sanctus | — | ||
| 47-7 | Messe en ut majeur Op.86 - Agnus Dei | — | ||
| 48-1 | Fidelio, op. 72: Overture | Berliner Philharmoniker, Herbert von Karajan | T-909.574.378-5 | |
| 48-2 | Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Horst Laubenthal, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-3 | Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-4 | Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-5 | Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) | José van Dam, Helen Donath, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-6 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-7 | Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) | José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-8 | Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-9 | Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) | Helga Dernesch, José van Dam, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-10 | Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | José van Dam, Helga Dernesch, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-11 | Fidelio, op. 72: Act I, no. 6. March | Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-12 | Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-13 | Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | Karl Ridderbusch, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-14 | Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-15 | Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-16 | Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-17 | Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) | Helga Dernesch, Helen Donath, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-18 | Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” | Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-19 | Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 48-20 | Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | Helen Donath, José van Dam, Horst Laubenthal, Helga Dernesch, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-1 | Fidelio, op. 72: Act II, no. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) | Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-2 | Fidelio, op. 72: Act II, no. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco) | Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-3 | Fidelio, op. 72: Act II, no. 12. Duet "Nur hurtig fort" (Rocco, Leonore) | José van Dam, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-4 | Fidelio, op. 72: Act II, no. 12. "Er erwacht" (Leonore, Rocco, Florestan) | Helga Dernesch, José van Dam, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-5 | Fidelio, op. 72: Act II, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Jon Vickers, José van Dam, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-6 | Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) | Helga Dernesch, Karl Ridderbusch, Jon Vickers, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-7 | Fidelio, op. 72: Act II, no. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Karl Ridderbusch, Jon Vickers, Helga Dernesch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-8 | Fidelio, op. 72: Act II, no. 14. "Vater Rocco! Vater Rocco!" (Jaquino, Rocco) | Horst Laubenthal, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-9 | Fidelio, op. 72: Act II, no. 14. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) | Helga Dernesch, Jon Vickers, Karl Ridderbusch, José van Dam, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-10 | Fidelio, op. 72: Act II, no. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | Helga Dernesch, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-11 | Fidelio, op. 72: Act II, no. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline) | Chor der Deutschen Oper Berlin, José van Dam, Karl Ridderbusch, Zoltán Kelemen, Helga Dernesch, Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 49-12 | Fidelio, op. 72: Act II, no. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino) | José van Dam, Helga Dernesch, Jon Vickers, Helen Donath, José van Dam, Chor der Deutschen Oper Berlin, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 50-1 | Ah perfido!, Op. 65 | — | ||
| 50-2 | An die ferne Geliebte, Op.98 | — | ||
| 50-3 | 7 Goethe-Lieder: Mailied op.52 No.4 | — | ||
| 50-4 | 7 Goethe-Lieder: Marmotte op. 52 No.7 | — | ||
| 50-5 | 7 Goethe-Lieder: Neue Liebe, neues Leben op. 75 No.2 | — | ||
| 50-6 | 7 Goethe-Lieder: Aus Goethes Faust op. 75 No.3 | — | ||
| 50-7 | 7 Goethe-Lieder: Wonne der Wehmut op.83 No.1 | — | ||
| 50-8 | 7 Goethe-Lieder: Sehnsucht op. 83 No.2 | — | ||
| 50-9 | 7 Goethe-Lieder: Mit einem gemalten Bende op. 84 No.3 | — | ||
| 50-10 | Adelaide | — | ||
| 50-11 | 6 Gellert-Lieder op. 48: Bitten | — | ||
| 50-12 | 6 Gellert-Lieder op. 48: Die Liebe des Nächsten | — | ||
| 50-13 | 6 Gellert-Lieder op. 48: Vom Tode | — | ||
| 50-14 | 6 Gellert-Lieder op. 48: Die Ehre Gottes aus der Natur | — | ||
| 50-15 | 6 Gellert-Lieder op. 48: Gottes Macht und Vorsehung | — | ||
| 50-16 | 6 Gellert-Lieder op. 48: Bußlied | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto pour piano, violon & violoncelle en ut majeur, op. 56 "Triple Concerto": II. Largo | Sviatoslav Knushevitsky, Lev Oborin, David Oistrakh, Philharmonia Orchestra, Sir Malcolm Sargent | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Berliner Philharmoniker, André Cluytens | — |
| Symphony no. 8 in F major, op. 93: II. Allegro scherzando | Berliner Philharmoniker, André Cluytens | T-909.821.799-3 |
