UPC · Release
1976–1982
Genesis
Last verified:
094638805724 is the Universal Product Code (UPC barcode) for the release “1976–1982” by Genesis, released 2007-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 157 tracks, each with its own ISRC. Tracks include GBAAA0700001, GBAAA0700002, GBAAA0700003.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (157)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Dance on a Volcano | — | ||
| 2 | Entangled | — | ||
| 3 | Squonk | — | ||
| 4 | MAD MAN MOON 2007 REMASTER | GENESIS | T-900.015.908-0 | |
| 5 | Robbery, Assault and Battery | — | ||
| 6 | Ripples… | — | ||
| 7 | A Trick of the Tail | — | ||
| 8 | Los Endos | T-011.088.752-9 | ||
| 2-1 | Dance on a Volcano | — | ||
| 2-2 | Entangled | — | ||
| 2-3 | Squonk | — | ||
| 2-4 | MAD MAN MOON 2007 REMASTER | GENESIS | T-900.015.908-0 | |
| 2-5 | Robbery, Assault and Battery | — | ||
| 2-6 | Ripples… | — | ||
| 2-7 | A Trick of the Tail | — | ||
| 2-8 | Los Endos | T-011.088.752-9 | ||
| 4-1 | Eleventh Earl of Mar | Genesis | T-010.465.236-9 | |
| 4-2 | One for the Vine | Genesis | T-010.465.235-8 | |
| 4-3 | Your Own Special Way | Genesis | T-010.465.231-4 | |
| 4-4 | Wot Gorilla? | — | ||
| 4-5 | All in a Mouse’s Night | — | ||
| 4-6 | Blood on the Rooftops | Genesis | T-010.465.234-7 | |
| 4-7 | Unquiet Slumbers for the Sleepers… | — | ||
| 4-8 | ...IN THAT QUIET EARTH (2007 - REMASTER) | GENESIS | T-909.266.111-5 | |
| 4-9 | Afterglow | — | ||
| 5-1 | Eleventh Earl of Mar | Genesis | T-010.465.236-9 | |
| 5-2 | One for the Vine | Genesis | T-010.465.235-8 | |
| 5-3 | Your Own Special Way | Genesis | T-010.465.231-4 | |
| 5-4 | Wot Gorilla? | — | ||
| 5-5 | All in a Mouse’s Night | — | ||
| 5-6 | Blood on the Rooftops | Genesis | T-010.465.234-7 | |
| 5-7 | Unquiet Slumbers for the Sleepers… | — | ||
| 5-8 | ...IN THAT QUIET EARTH (2007 - REMASTER) | GENESIS | T-909.266.111-5 | |
| 5-9 | Afterglow | — | ||
| 7-1 | Down and Out | Genesis | T-011.602.097-3 | |
| 7-2 | Undertow | — | ||
| 7-3 | BALLAD OF BIG (2007 REMASTERED LP VERSION) | GENESIS | T-010.469.499-6 | |
| 7-4 | Snowbound | — | ||
| 7-5 | Burning Rope | — | ||
| 7-6 | Deep in the Motherlode | — | ||
| 7-7 | Many Too Many | — | ||
| 7-8 | Scenes From a Night’s Dream | — | ||
| 7-9 | Say It’s Alright Joe | — | ||
| 7-10 | The Lady Lies | — | ||
| 7-11 | Follow You Follow Me | — | ||
| 8-1 | Down and Out | Genesis | T-011.602.097-3 | |
| 8-2 | Undertow | — | ||
| 8-3 | BALLAD OF BIG (2007 REMASTERED LP VERSION) | GENESIS | T-010.469.499-6 | |
| 8-4 | Snowbound | — | ||
| 8-5 | Burning Rope | — | ||
| 8-6 | Deep in the Motherlode | — | ||
| 8-7 | Many Too Many | — | ||
| 8-8 | Scenes From a Night’s Dream | — | ||
| 8-9 | Say It’s Alright Joe | — | ||
| 8-10 | The Lady Lies | — | ||
| 8-11 | Follow You Follow Me | — | ||
| 10-1 | Behind the Lines | Genesis | T-010.182.186-6 | |
| 10-2 | Duchess | — | ||
| 10-3 | Guide Vocal | — | ||
| 10-4 | Man of Our Times | Genesis | — | |
| 10-5 | Misunderstanding | — | ||
| 10-6 | Heathaze | — | ||
| 10-7 | Turn It On Again | — | ||
| 10-8 | Alone Tonight | — | ||
| 10-9 | Cul‐de‐sac | Genesis | T-010.427.447-6 | |
| 10-10 | Please Don’t Ask | Genesis | — | |
| 10-11 | Duke’s Travels | Genesis | T-010.181.661-8 | |
| 10-12 | Duke’s End | — | ||
| 11-1 | Behind the Lines | Genesis | T-010.182.186-6 | |
| 11-2 | Duchess | — | ||
| 11-3 | Guide Vocal | — | ||
| 11-4 | Man of Our Times | Genesis | — | |
| 11-5 | Misunderstanding | — | ||
| 11-6 | Heathaze | — | ||
| 11-7 | Turn It On Again | — | ||
| 11-8 | Alone Tonight | — | ||
| 11-9 | Cul‐de‐sac | Genesis | T-010.427.447-6 | |
| 11-10 | Please Don’t Ask | Genesis | — | |
| 11-11 | Duke’s Travels | Genesis | T-010.181.661-8 | |
| 11-12 | Duke’s End | — | ||
| 13-1 | ABACAB 2007 REMASTER | GENESIS | T-010.182.725-1 | |
| 13-2 | No Reply at All | — | ||
| 13-3 | Me and Sarah Jane | — | ||
| 13-4 | Keep It Dark | — | ||
| 13-5 | Dodo/Lurker | — | ||
| 13-6 | Who Dunnit? | — | ||
| 13-7 | Man on the Corner | — | ||
| 13-8 | Like It or Not | Genesis | T-010.412.079-7 | |
| 13-9 | Another Record | Genesis | T-010.182.870-9 | |
| 14-1 | ABACAB 2007 REMASTER | GENESIS | T-010.182.725-1 | |
| 14-2 | No Reply at All | — | ||
| 14-3 | Me and Sarah Jane | — | ||
| 14-4 | Keep It Dark | — | ||
| 14-5 | Dodo/Lurker | — | ||
| 14-6 | Who Dunnit? | — | ||
| 14-7 | Man on the Corner | — | ||
| 14-8 | Like It or Not | Genesis | T-010.412.079-7 | |
| 14-9 | Another Record | Genesis | T-010.182.870-9 | |
| 16-1 | Paperlate | Genesis | T-010.183.351-5 | |
| 16-2 | Evidence of Autumn | — | ||
| 16-3 | Pigeons | Genesis | T-010.466.391-3 | |
| 16-4 | You Might Recall | — | ||
| 16-5 | Naminanu | — | ||
| 16-6 | Inside and Out | Genesis | T-010.572.511-8 | |
| 16-7 | Vancouver | — | ||
| 16-8 | Me and Virgil | — | ||
| 16-9 | It’s Yourself | — | ||
| 16-10 | Match of the Day | Genesis | T-010.762.663-0 | |
| 16-11 | Open Door | — | ||
| 16-12 | The Day the Light Went Out | — | ||
| 16-13 | Submarine | — | ||
| 17-1 | Paperlate | Genesis | T-010.183.351-5 | |
| 17-2 | Evidence of Autumn | — | ||
| 17-3 | Pigeons | Genesis | T-010.466.391-3 | |
| 17-4 | You Might Recall | — | ||
| 17-5 | Naminanu | — | ||
| 17-6 | Inside and Out | Genesis | T-010.572.511-8 | |
| 17-7 | Vancouver | — | ||
| 17-8 | Me and Virgil | — | ||
| 17-9 | It’s Yourself | — | ||
| 17-10 | Match of the Day | Genesis | T-010.762.663-0 | |
| 17-11 | Open Door | — | ||
| 17-12 | The Day the Light Went Out | — | ||
| 17-13 | Submarine | — | ||
| 19-9 | Robbery, Assault and Battery (video) | — | ||
| 19-10 | Ripples… (video) | — | ||
| 19-11 | A Trick of the Tail (video) | — | ||
| 19-12 | I Know What I Like (In Your Wardrobe) (In Concert 1976) | — | ||
| 19-13 | Fly on a Windshield (In Concert 1976) | — | ||
| 19-14 | Carpet Crawlers (In Concert 1976) | — | ||
| 19-15 | The Cinema Show (In Concert 1976) | — | ||
| 19-16 | Entangled (In Concert 1976) | — | ||
| 19-17 | Supper’s Ready (In Concert 1976) | — | ||
| 19-18 | Los Endos (In Concert 1976) | — | ||
| 20-10 | Your Own Special Way (U.S. television – bootleg video 1977) | — | ||
| 20-11 | Interview (U.S. television – bootleg video 1977) | — | ||
| 20-12 | Afterglow (U.S. television – bootleg video 1977) | — | ||
| 20-13 | Eleventh Earl of Mar (live Japanese Television) | — | ||
| 20-14 | One for the Vine (live Japanese Television) | — | ||
| 20-15 | Your Own Special Way (live Japanese Television) | — | ||
| 21-12 | Many Too Many (video) | — | ||
| 21-13 | Follow You Follow Me (video) | — | ||
| 22-13 | Duchess (video) | — | ||
| 22-14 | Misunderstanding (video) | — | ||
| 22-15 | Turn It On Again (video) | — | ||
| 22-16 | Behind the Lines | — | ||
| 22-17 | Duchess | — | ||
| 22-18 | Guide Vocal | — | ||
| 22-19 | In the Cage | — | ||
| 22-20 | Afterglow | — | ||
| 22-21 | Dance on a Volcano | — | ||
| 22-22 | Drum Duet | — | ||
| 22-23 | Los Endos | — | ||
| 23-10 | Abacab (video) | — | ||
| 23-11 | No Reply at All (video) | — | ||
| 23-12 | Keep it Dark (video) | — | ||
| 23-13 | Man on the Corner (video) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Verified on
Identifier Graph
People also ask
What is UPC 094638805724?
094638805724 is a Universal Product Code (UPC) assigned to 1976–1982 by Genesis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 157 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm