UPC · Album

100 Best Relaxing Classics

Various Artists

094638903222
100 tracksReleased 2007-01-01Warner Classics

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094638903222 is the Universal Product Code (UPC barcode) for the release 100 Best Relaxing Classics by Various Artists, released 2007-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEA340200001, DEA349000917, DEA349502258.

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Credit Chain

UPC100 Best Relaxing Classics
ISRC143 recordings
ISWC78 works
IPI12 songwriters

Track List (143)

Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
Thaïs, Act 2: Méditation
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto
Sabine Meyer, Wiener Streichsextett
Goldberg Variations, BWV 988: Aria
Maria Tipo
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
Dolly, op. 56. I. Berceuse
Jean-Philippe Collard, Bruno Rigutto
Goldberg Variations, BWV 988: Aria
Maria Tipo
Lakmé : « Dôme épais … » (Flower Duet)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Serse, HWV 40: Atto I. “Ombra mai fu” (Serse)
Gérard Lesne, Il Seminario Musicale
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Agnus Dei
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Lascia ch’io pianga (Rinaldo)
Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah
The Heart Asks Pleasure First / The Promise
Michael Nyman
Le Carnaval des animaux: XIII. "Le cygne"
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Any Other Name
Thomas Newman
Concerto for 2 Mandolins in G Major, RV 532 II. Andante
Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Stabat Mater
Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Pie Jesu (Requiem)
Jane Gilchrist
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Orfeo ed Euridice: Dance of the Blessed Spirits
Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour »
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
Ave verum corpus in D major, K. 618
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Ein Sommernachtstraum: Nocturne
Orchestra of the Age of Enlightenment, Charles Mackerras
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
Rusalka: Song to the Moon
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
Chants d'Auvergne: Baïlèro
Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
Trois Gymnopédies: I. Lent et douloureux
Anne Queffélec, London Symphony Orchestra
Gnossiennes: I. (Lent)
Anne Queffélec
Minuet In G
Vrouwenkoor Malle Babbe
Clair de lune (from Suite bergamasque)
Dame Moura Lympany
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
Waltz no. 15 in A‐flat major
Adolph Drescher, Dame Moura Lympany
Liebestraum no. 3 in A-flat
John Ogdon
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Piano Sonata K311
Андрей Владимирович Гаврилов
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude"
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Guitar Concerto in D: II. Largo (arr. Pujol)
Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Concierto de Aranjuez: II. Adagio
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
La Fille aux cheveux de lin
Dame Moura Lympany
La Fille aux cheveux de lin
Dame Moura Lympany
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109
John Ogdon
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Ave verum corpus in D major, K. 618
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Carmina Burana: III. Cour d’amours: In trutina
Janice Watson, Bournemouth Symphony Orchestra, David Hill
Schindler’s List Theme
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Cantique de Jean Racine
Winchester Cathedral Choir, Stephen Farr, David Hill
Keyboard Suite in D minor, HWV 437: Sarabande
Andrei Gavrilov
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
Pie Jesu
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Stephen Kovacevich
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening)
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Suite for Orchestra No. 3 in D major: Air on the G string
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
My Heart Will Go On (From the Film Titanic)
Shearman Orchestra, David Abel
Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening)
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Bath Festival Orchestra, Yehudi Menuhin
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio
London Philharmonic Orchestra Wind Ensemble
Rhapsody of a Theme of Paganini: Variation 18
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto in A minor, op. 16: II. Adagio
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Fantasia on a Theme by Thomas Tallis (opening)
London Philharmonic Orchestra, Sir Adrian Boult
Raindrop: Prelude
Dmitri Alexeev
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
Piano Concerto no. 21 in C major, K. 467: II. Andante
Stephen Hough, Hallé Orchestra, Bryden Thomson
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
Berceuse for piano in D-flat major, op. 57
Peter Donohoe
Requiem, op. 48: In Paradisum
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Pavane in F-sharp minor, op. 50
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Requiem, op. 48: In Paradisum
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
The Heart Asks Pleasure First / The Promise
Michael Nyman
The Piano, film score : The heart asks pleasure first
Michael Nyman
Cavatina (From the Film Deerhunter)
Manuel Barrueco, Steve Morse
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
Any Other Name
Thomas Newman
Any Other Name
Thomas Newman

People also ask

What is UPC 094638903222?
UPC 094638903222 is the Universal Product Code (barcode) for "100 Best Relaxing Classics" by Various Artists, released on Warner Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 094638903222?
UPC 094638903222 contains 100 tracks, each with its own ISRC.
SourcesMusicBrainzNotesDiscogs3 sources

What is UPC 094638903222?

094638903222 is a Universal Product Code (UPC) assigned to 100 Best Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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