UPC · Album
100 Best Relaxing Classics
Various Artists
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094638903222 is the Universal Product Code (UPC barcode) for the release “100 Best Relaxing Classics” by Various Artists, released 2007-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include DEA340200001, DEA349000917, DEA349502258.
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Track List (143)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | DEA340200001 |
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | DEA349000917 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502258 |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | DEA349502268 |
| Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | DEC628700413 |
| Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | DEC628800405 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ110800096 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | FRZ117206295 |
| Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | FRZ118200890 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | FRZ118603476 |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118701170 |
| Serse, HWV 40: Atto I. “Ombra mai fu” (Serse) | Gérard Lesne, Il Seminario Musicale | FRZ119502240 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | FRZ201500215 |
| Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | GBAAA0100474 |
| Lascia ch’io pianga (Rinaldo) | Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah | GBAAA0200446 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBAAA9300015 |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | GBAYC0002613 |
| Any Other Name | Thomas Newman | GBAYC0102551 |
| Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | GBAYC0103447 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | GBAYC0302414 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC0400719 |
| Pie Jesu (Requiem) | Jane Gilchrist | GBAYC0401552 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC1105038 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC2000143 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC2001066 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302039 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC6000151 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC6200050 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC7000104 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300004 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300010 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900141 |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | GBAYC7900189 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200044 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8200240 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200350 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200607 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | GBAYC8300004 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | GBAYC8300177 |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8300192 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYC8300202 |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | GBAYC8400392 |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | GBAYC8400866 |
| Orfeo ed Euridice: Dance of the Blessed Spirits | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8401232 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500289 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500496 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | GBAYC8500764 |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | GBAYC8600596 |
| Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600704 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8601138 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC8601142 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | GBAYC8601460 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC8700211 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | GBAYC8700229 |
| Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | GBAYC8700261 |
| The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | GBAYC8700828 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | GBAYC8700951 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC8700999 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8701817 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | GBAYC8702014 |
| Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | GBAYC8702250 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC8703086 |
| Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | GBAYC8704529 |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | GBAYC8800393 |
| Gnossiennes: I. (Lent) | Anne Queffélec | GBAYC8800397 |
| Minuet In G | Vrouwenkoor Malle Babbe | GBAYC8800743 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | GBAYC8800857 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | GBAYC8800875 |
| Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | GBAYC8800878 |
| Liebestraum no. 3 in A-flat | John Ogdon | GBAYC8800881 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYC8801306 |
| Piano Sonata K311 | Андрей Владимирович Гаврилов | GBAYC8802218 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC8803402 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | GBAYC8805327 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8900862 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901105 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | GBAYC8901893 |
| Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | GBAYC8904366 |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | GBAYC9000967 |
| Concierto de Aranjuez: II. Adagio | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9001101 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | GBAYC9001591 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003017 |
| Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | GBAYC9003326 |
| Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | GBAYC9003715 |
| La Fille aux cheveux de lin | Dame Moura Lympany | GBAYC9004357 |
| La Fille aux cheveux de lin | Dame Moura Lympany | GBAYC9004537 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYC9100157 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYC9101134 |
| Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | GBAYC9200517 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | GBAYC9302714 |
| Carmina Burana: III. Cour d’amours: In trutina | Janice Watson, Bournemouth Symphony Orchestra, David Hill | GBAYC9400090 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | GBAYC9400241 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9500783 |
| Cantique de Jean Racine | Winchester Cathedral Choir, Stephen Farr, David Hill | GBAYC9600119 |
| Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | GBAYC9600959 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | GBAYC9700043 |
| Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | GBAYC9700715 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | GBAYC9701014 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9701116 |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | GBAYC9701764 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9702225 |
| Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702775 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702891 |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | GBAYC9703129 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703142 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | GBAYC9705918 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | GBAYC9801147 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | GBAYC9803843 |
| Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | GBAYC9900129 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | GBAYC9902424 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300162 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | GBAYD8300335 |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | GBAYD8300383 |
| Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio | London Philharmonic Orchestra Wind Ensemble | GBAYD8400053 |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400086 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | GBAYD8400195 |
| Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | GBAYD8400214 |
| Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | GBAYD8500391 |
| Raindrop: Prelude | Dmitri Alexeev | GBAYD8600048 |
| The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | GBAYD8700032 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | GBAYD8700529 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYD8800169 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | GBAYD9100155 |
| Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | GBAYD9200246 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | GBAYD9300145 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | GBAYD9700078 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | GBAYD9700264 |
| 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | GBAYE0300936 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | GBDVE0400038 |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | GBDVE9300041 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | USAR20101069 |
| Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | USAR20500035 |
| Any Other Name | Thomas Newman | USDW10021620 |
| Any Other Name | Thomas Newman | USDW19921012 |
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What is UPC 094638903222?
094638903222 is a Universal Product Code (UPC) assigned to 100 Best Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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