UPC · Release
100 Best Relaxing Classics
Various Artists
094638903222
18 tracksReleased 2007-01-01Warner Classics
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094638903222 is the Universal Product Code (UPC barcode) for the release “100 Best Relaxing Classics” by Various Artists, released 2007-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC8300192, GBAYC2302025, GBAYC2302039.
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UPC100 Best Relaxing Classics
ISRC18 recordings
ISWC78 works
IPI12 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 4 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 5 | Serse, HWV 40: Atto I. “Ombra mai fu” (Serse) | Gérard Lesne, Il Seminario Musicale | T3080213038 | |
| 6 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | T0111291010 | |
| 7 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 | |
| 8 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 9 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 11 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 12 | Lascia ch’io pianga (Rinaldo) | Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah | T9027640035 | |
| 13 | Orfeo ed Euridice: Dance of the Blessed Spirits | Academy of St Martin in the Fields, Sir Neville Marriner | T9259644990 | |
| 14 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 15 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 16 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 17 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 18 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
Bath Festival Orchestra, Yehudi Menuhin
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Keyboard Suite in D minor, HWV 437: Sarabande
Andrei Gavrilov
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for 2 Mandolins in G Major, RV 532 II. Andante
Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi
—
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble
—
Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah
Academy of St Martin in the Fields, Sir Neville Marriner
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
—
Guitar Concerto in D: II. Largo (arr. Pujol)
Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster
—
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Additional database matches (120)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — |
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T0502420101 |
| Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926819124-8 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T9021286884 |
| String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — |
| Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — |
| Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T3056256710 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T9001209376 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317671333-6 |
| Any Other Name | Thomas Newman | T-700232760-0 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | T0030165355 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Pie Jesu (Requiem) | Jane Gilchrist | T-010.065.879-4 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T9025256488 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T9023004651 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | T-306036936-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011552099-4 |
| Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — |
| The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
| Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | — |
| Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — |
| Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T3213022830 |
| Gnossiennes: I. (Lent) | Anne Queffélec | T-003010023-2 |
| Minuet In G | Vrouwenkoor Malle Babbe | T9021372792 |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T3062299263 |
| Liebestraum no. 3 in A-flat | John Ogdon | — |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031590855-4 |
| Piano Sonata K311 | Андрей Владимирович Гаврилов | — |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Concierto de Aranjuez: II. Adagio | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316578060-5 |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323252117-0 |
| Carmina Burana: III. Cour d’amours: In trutina | Janice Watson, Bournemouth Symphony Orchestra, David Hill | — |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 |
| Cantique de Jean Racine | Winchester Cathedral Choir, Stephen Farr, David Hill | T3009502841 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T0100658794 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308381369-4 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio | London Philharmonic Orchestra Wind Ensemble | — |
| Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927972087-5 |
| Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Raindrop: Prelude | Dmitri Alexeev | — |
| The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T0101948713 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T9093402187 |
| 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010203179-7 |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 |
| Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — |
| Any Other Name | Thomas Newman | T-071009265-1 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T9021286884 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 |
| The Heart Asks Pleasure First / The Promise | Michael Nyman | T0102031797 |
| Any Other Name | Thomas Newman | T7002327600 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T0315908554 |
| Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 |
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Sabine Meyer, Wiener Streichsextett
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
—
Dolly, op. 56. I. Berceuse
Jean-Philippe Collard, Bruno Rigutto
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jane Gilchrist
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Orchestre national de France, Seiji Ozawa
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Ein Sommernachtstraum: Nocturne
Orchestra of the Age of Enlightenment, Charles Mackerras
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Chants d'Auvergne: Baïlèro
Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier
—
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
—
Anne Queffélec, London Symphony Orchestra
Anne Queffélec
Vrouwenkoor Malle Babbe
Dame Moura Lympany
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Adolph Drescher, Dame Moura Lympany
Liebestraum no. 3 in A-flat
John Ogdon
—
Dame Moura Lympany
Piano Sonata K311
Андрей Владимирович Гаврилов
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
—
La Fille aux cheveux de lin
Dame Moura Lympany
—
La Fille aux cheveux de lin
Dame Moura Lympany
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Carmina Burana: III. Cour d’amours: In trutina
Janice Watson, Bournemouth Symphony Orchestra, David Hill
—
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Winchester Cathedral Choir, Stephen Farr, David Hill
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Stephen Kovacevich
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Shearman Orchestra, David Abel
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio
London Philharmonic Orchestra Wind Ensemble
—
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Fantasia on a Theme by Thomas Tallis (opening)
London Philharmonic Orchestra, Sir Adrian Boult
—
Raindrop: Prelude
Dmitri Alexeev
—
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Berceuse for piano in D-flat major, op. 57
Peter Donohoe
—
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
—
Manuel Barrueco, Steve Morse
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
—
Thomas Newman
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Thomas Newman
London Symphony Orchestra, Sir Adrian Boult
London Symphony Orchestra, Sir Adrian Boult
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Academy of St Martin in the Fields, Sir Neville Marriner
Philharmonia Orchestra, Riccardo Muti
Dame Moura Lympany
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.010.023-2T-003010023-2T-005002184-5T-010.065.879-4T-010.115.155-6T-010.115.427-1T-010065879-4T-010115155-6T-010115427-1T-010162984-8
+68 more
T-011.221.528-7T-011221528-7T-042.107.751-1T-042107751-1T-042107756-6T-070.000.199-5T-070000199-5T-070249713-9T-900017894-9T-900110583-5T-900302877-1T-900302879-3T-900302881-7T-901134571-4T-902.858.745-3T-902091036-5T-902858745-3T-905.387.081-8T-905387081-8T-914.248.874-2T-914248874-2T-915711225-9T-924.489.944-3T-924489944-3T0030165355T0050011976T0100658794T0101948713T0102031797T0111291010T0115520994T0315908554T0414890611T0502420101T0614093650T0702488865T0710092651T0711534994T0714220628T0715417643T3009502841T3042528434T3056256710T3060369366T3062299263T3080213038T3083813694T3125425669T3165780605T3176713336T3213022830T3232521170T7002327600T8024454103T9001209376T9021286884T9021372792T9023004651T9025256488T9027640035T9093402187T9115340200T9214184573T9226102018T9259644990T9268191248T9279720875T9312801857
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000052959900000000005512994500000000551305240000000055143421000000005516761800000000551744630000000055175298000000005517902900000000551804170000000055192274
+40 more
00000000592843790000000059512917000000006308670300000000630905930000000063103841000000006310386800000000631116220000000080005864000000008108546400000000811255850000000081161594000000008161053X00000000816971530000000081773005000000008188053X000000008325224600000000838358630000000084118145000000008416312200000000857012950000000090819132000000010668233800000001072137010000000107886340000000010880217X0000000109064295000000010911085300000001091274790000000109144113000000010930050X000000010935013600000001094067770000000109435228000000010943724X000000010962414100000001100624810000000110142625000000011016475200000001102350470000000110275014
Identifier Graph
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What is UPC 094638903222?
094638903222 is a Universal Product Code (UPC) assigned to 100 Best Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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