UPC · Release
100 Best Relaxing Classics
Various Artists
094638903222
100 tracksReleased 2007-01-01Warner Classics
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094638903222 is the Universal Product Code (UPC barcode) for the release “100 Best Relaxing Classics” by Various Artists, released 2007-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC8300192, GBAYC2302025, GBAYC2302039.
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UPC100 Best Relaxing Classics
ISRC92 recordings
ISWC30 works
IPI16 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 4 | The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 5 | Serse, HWV 40: Atto I. “Ombra mai fu” (Serse) | Gérard Lesne, Il Seminario Musicale | T-308.021.303-8 | |
| 6 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano | Bath Festival Orchestra, Yehudi Menuhin | T-011.129.101-0 | |
| 7 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 8 | Keyboard Suite in D minor, HWV 437: Sarabande | Andrei Gavrilov | — | |
| 9 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 11 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — | |
| 12 | Lascia ch’io pianga (Rinaldo) | Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah | T-902.764.003-5 | |
| 13 | Orfeo ed Euridice: Dance of the Blessed Spirits | Academy of St Martin in the Fields, Sir Neville Marriner | T-925.964.499-0 | |
| 14 | Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 15 | Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | — | |
| 16 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 17 | Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening | Jordi Savall, Ton Koopman | — | |
| 18 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-1 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-2 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T-911.534.020-0 | |
| 2-3 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 2-4 | Piano Sonata K311 | Андрей Владимирович Гаврилов | — | |
| 2-5 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-6 | Piano Concerto no. 20 in D minor | Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult | — | |
| 2-7 | Le nozze di Figaro: "Canzonetta sull'aria" | Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-8 | Clarinet Quintet in A major, K. 581 "Stadler": II. Larghetto | Sabine Meyer, Wiener Streichsextett | T-926.819.124-8 | |
| 2-9 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 | |
| 2-10 | Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio | London Philharmonic Orchestra Wind Ensemble | — | |
| 2-11 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-12 | Minuet In G | Vrouwenkoor Malle Babbe | T-902.137.279-2 | |
| 2-13 | 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — | |
| 2-14 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-15 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 2-16 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 3-1 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-010.194.871-3 | |
| 3-2 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-3 | Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902.128.688-4 | |
| 3-4 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 3-5 | Stabat Mater | Robin Blaze, Lesley Garrett, The London Session Orchestra, Paul Daniel | T-003.016.535-5 | |
| 3-6 | String Quintet in C major, Op. 163, D. 956: II. Adagio | Laszlo Varga, Hungarian Quartet | — | |
| 3-7 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 3-8 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 3-9 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 3-10 | Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 3-11 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 3-12 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 3-13 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 3-14 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 3-15 | Gabriel's Oboe | — | ||
| 3-16 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 3-17 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 4-1 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 4-2 | Thaïs, Act 2: Méditation | Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T-050.242.010-1 | |
| 4-3 | Cantique de Jean Racine | Winchester Cathedral Choir, Stephen Farr, David Hill | T-300.950.284-1 | |
| 4-4 | Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — | |
| 4-5 | Requiem, op. 48: In Paradisum | John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks | T-924.489.944-3 | |
| 4-6 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 4-7 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 4-8 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 4-9 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 4-10 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 4-11 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 4-12 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 4-13 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 4-14 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 4-15 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 4-16 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 4-17 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 5-1 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 5-2 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 5-3 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 5-4 | Liebestraum no. 3 in A-flat | John Ogdon | — | |
| 5-5 | Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — | |
| 5-6 | Piano Concerto in A minor, op. 16: II. Adagio | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-927.972.087-5 | |
| 5-7 | Träumerei | — | ||
| 5-8 | Étude Op. 10 N. 3 | — | ||
| 5-9 | Waltz no. 15 in A‐flat major | Adolph Drescher, Dame Moura Lympany | T-306.229.926-3 | |
| 5-10 | Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 5-11 | La Fille aux cheveux de lin | Dame Moura Lympany | — | |
| 5-12 | Raindrop: Prelude | Dmitri Alexeev | — | |
| 5-13 | Caruso | — | ||
| 5-14 | Trois Gymnopédies: I. Lent et douloureux | Anne Queffélec, London Symphony Orchestra | T-321.302.283-0 | |
| 5-15 | Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 | |
| 5-16 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 5-17 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 6-1 | Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T-900.120.937-6 | |
| 6-2 | Carmina Burana: III. Cour d’amours: In trutina | Janice Watson, Bournemouth Symphony Orchestra, David Hill | — | |
| 6-3 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 6-4 | Chants d'Auvergne: Baïlèro | Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier | — | |
| 6-5 | The Ashokan Farewell | — | ||
| 6-6 | Pie Jesu | Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury | T-010.065.879-4 | |
| 6-7 | Concierto de Aranjuez: II. Adagio | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 6-8 | Pie Jesu (Requiem) | Jane Gilchrist | T-010.065.879-4 | |
| 6-9 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 6-10 | Love Theme | — | ||
| 6-11 | Brezairola | — | ||
| 6-12 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 6-13 | Michelle | — | ||
| 6-14 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 6-15 | The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — |
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"
Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
—
Bath Festival Orchestra, Yehudi Menuhin
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Keyboard Suite in D minor, HWV 437: Sarabande
Andrei Gavrilov
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for 2 Mandolins in G Major, RV 532 II. Andante
Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi
—
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble
—
Izzy, Julia Thornton, Fábio Zanon, Nationaal Radio Orkest, National Radio Orchestra of the Netherlands, Ernö Olah
Academy of St Martin in the Fields, Sir Neville Marriner
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Water Music Suite No. 1 in F major, HWV 348: IV. Air
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
—
Guitar Concerto in D: II. Largo (arr. Pujol)
Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster
—
Viola da Gamba Sonata in G minor, BWV 1029: II. Adagio, opening
Jordi Savall, Ton Koopman
—
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Piano Sonata K311
Андрей Владимирович Гаврилов
—
Così fan tutte: Atto I, scena 3. “Un’aura amorosa”
John Aler, London Philharmonic Orchestra, Bernard Haitink
—
Piano Concerto no. 20 in D minor
Annie Fischer, Philharmonia Orchestra, Sir Adrian Boult
—
Le nozze di Figaro: "Canzonetta sull'aria"
Gianna Rolandi, Felicity Lott, London Philharmonic Orchestra, Bernard Haitink
—
Sabine Meyer, Wiener Streichsextett
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Serenade in B-flat major, K. 361/370a “Gran partita”: III. Adagio
London Philharmonic Orchestra Wind Ensemble
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon)
Julia Thornton
—
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Stephen Kovacevich
—
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Stephen Hough, Hallé Orchestra, Bryden Thomson
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
String Quintet in C major, Op. 163, D. 956: II. Adagio
Laszlo Varga, Hungarian Quartet
—
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Gabriel's Oboe
—
Memories of the Alhambra (Recuerdos de la Alhambra)
Christopher Parkening
—
Hans Kalafusz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Ein Sommernachtstraum: Nocturne
Orchestra of the Age of Enlightenment, Charles Mackerras
—
John Carol Case, Robert Chilcott, Choir of King’s College, Cambridge, John Wells, New Philharmonia Orchestra, David Willcocks
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Academy of St Martin in the Fields, Sir Neville Marriner
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
London Symphony Orchestra, Sir Adrian Boult
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Dolly, op. 56. I. Berceuse
Jean-Philippe Collard, Bruno Rigutto
—
Liebestraum no. 3 in A-flat
John Ogdon
—
Berceuse for piano in D-flat major, op. 57
Peter Donohoe
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Träumerei
—
Étude Op. 10 N. 3
—
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
La Fille aux cheveux de lin
Dame Moura Lympany
—
Raindrop: Prelude
Dmitri Alexeev
—
Caruso
—
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Carmina Burana: III. Cour d’amours: In trutina
Janice Watson, Bournemouth Symphony Orchestra, David Hill
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Chants d'Auvergne: Baïlèro
Arleen Augér, English Chamber Orchestra, Yan Pascal Tortelier
—
The Ashokan Farewell
—
Edward Saklatvala, Choir of King’s College, Cambridge, City of London Sinfonia, Stephen Cleobury
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Love Theme
—
Brezairola
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
Michelle
—
Fantasia on a Theme by Thomas Tallis (opening)
London Philharmonic Orchestra, Sir Adrian Boult
—
The Planets: Venus, the Bringer of Peace (conclusion)
London Philharmonic Orchestra, Sir Adrian Boult
—
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sleepers, Wake! from Cantata 140 | South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo | Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Water Music Suite No. 1 in F major, HWV 348: IV. Air | Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti | T-306.036.936-6 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| La Fille aux cheveux de lin | Dame Moura Lympany | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323.252.117-0 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Sleepers, Wake! from Cantata 140
South German Madrigal Choir, Consortium Musicum, Wolfgang Gönnenwein
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
The Four Seasons: Concerto no. 4 in F minor “Winter”, RV 297: II. Largo
Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
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Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
—
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Hans Wolfgang Dünschede, Lothar Koch, Berlin Philharmonic Orchestra, Riccardo Muti
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
La Fille aux cheveux de lin
Dame Moura Lympany
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.010.023-2T-003.010.023-2T-005.002.184-5T-010.065.879-4T-010.115.155-6T-010.115.427-1T-010.065.879-4T-010.115.155-6T-010.115.427-1T-010.162.984-8
+20 more
T-010.203.179-7T-011.221.528-7T-011.221.528-7T-011.552.099-4T-031.590.855-4T-041.489.061-1T-042.107.751-1T-042.107.751-1T-042.107.756-6T-070.000.199-5T-070.000.199-5T-070.248.886-5T-070.249.713-9T-071.009.265-1T-071.422.062-8T-071.541.764-3T-304.252.843-4T-305.625.671-0T-306.036.936-6T-308.381.369-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000052959900000000005512994500000000551305240000000055143421000000005516761800000000551744630000000055175298000000005517902900000000551804170000000055192274
+20 more
000000005928437900000000595129170000000063086703000000006309059300000000631038410000000063103868000000006311162200000000799088040000000080005864000000008108546400000000811255850000000081161594000000008161053X00000000816971530000000081773005000000008188053X0000000083252246000000008383586300000000841181450000000084163122
Identifier Graph
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What is UPC 094638903222?
094638903222 is a Universal Product Code (UPC) assigned to 100 Best Relaxing Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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