UPC · Release
Ludwig van Beethoven
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The UPC for “Best Beethoven 100” by Ludwig van Beethoven is 094639730728. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI Classics. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYD8100171, GBAYC8702014, GBAYC9601243.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony Nº 1 in C op. 21, IV Adagio, Allegro Molto Vivace | — | ||
| 2 | Symphony Nº 2 in D op. 36, III Scherzo | — | ||
| 3 | Symphony Nº 3 in E Flat "Eroica" op. 55, I Allegro Con Brio | — | ||
| 4 | Symphony Nº 3 in E Flat "Eroica" op. 55, III Scherzo | — | ||
| 5 | Symphony Nº 4 in B Flat op. 60, III Menuetto | — | ||
| 6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 7 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Egmont Overture op. 84 | — | ||
| 9 | Symphony Nº 7 in A op. 92, I Vivace | — | ||
| 10 | Symphony Nº 7 in A op. 92, II Allegretto | — | ||
| 11 | Symphony Nº 7 in A op. 92, IV Allegro Con Brio | — | ||
| 12 | Symphony Nº 8 in F op. 93, II Allegretto | — | ||
| 13 | Symphony Nº 8 in F op. 93, IV Allegro Vivace | — | ||
| 14 | The Ruins of Athens, Incidental Music op. 113, Turkish March | — | ||
| 15 | Symphony Nº 9 in D minor op. 125 "Choral", IV Ode to Joy | — | ||
| 2-1 | Violin Concerto in D op. 61, I Allegro Ma Non Tropo | — | ||
| 2-2 | Violin Concerto in D op. 61, II Larghetto | — | ||
| 2-3 | Violin Concerto in D op. 61, III Rondo | — | ||
| 2-4 | Piano Concerto Nº 1 in C op. 15, I Allegro Con Brio | — | ||
| 2-5 | Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture) | Herbert von Karajan | — | |
| 2-6 | Piano Concerto Nº 2 in B Flat op. 19, III Rondo | — | ||
| 2-7 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Yehudi Menuhin, Philharmonia Orchestra, Sir John Pritchard | T-801.768.565-4 | |
| 2-8 | Piano Concerto Nº 3 in C minor op. 37, I Allegro Con Brio | — | ||
| 2-9 | Romance Nº 2 in F op. 50 | — | ||
| 2-10 | Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — | |
| 2-11 | Piano Concerto Nº 4 in G op. 58, II Andante Con Moto | — | ||
| 2-12 | Piano Concerto Nº 4 in G op. 58, III Rondo | — | ||
| 2-13 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", I Allegro | — | ||
| 2-14 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", II Adagio | — | ||
| 2-15 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", III Rondo | — | ||
| 2-16 | Choral Fantasia in C minor op. 80 | — | ||
| 3-1 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, I Grave | — | ||
| 3-2 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, II Adagio | — | ||
| 3-3 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, III Rondo | — | ||
| 3-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 3-5 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 3-6 | Piano Sonata Nº 15 in D op. 28 "Pastoral", IV Rondo | — | ||
| 3-7 | Piano Sonata Nº 17 in D minor op. 31 Nº 2 "The Tempest", III Allegretto | — | ||
| 3-8 | Minuet In G | Vrouwenkoor Malle Babbe | T-902.137.279-2 | |
| 3-9 | Piano Sonata Nº 21 in C op. 53 "Waldstein", I Allegro Con Brio | — | ||
| 3-10 | Variations On An Original Theme (Turkish March) op. 76 | — | ||
| 3-11 | Piano Sonata Nº 23 in F minor op. M57 "Appassionata", I Allegro Assai | — | ||
| 3-12 | Piano Sonata Nº 26 in E Flat op. 81a "Les Adieux" | — | ||
| 3-13 | Diabelli Variations op. 120, Theme | — | ||
| 3-14 | Diabelli Variations op. 120, Variation I | — | ||
| 3-15 | Piano Sonata No. 29 op. 106 "Hammerklavier", II Scherzo | — | ||
| 3-16 | Bagatela in G op. 126 Nº 5 | — | ||
| 3-17 | Rondo A Capriccio in G op. 129 | — | ||
| 4-1 | Violin Sonata Nº 5 in F op. 24 "Spring", I Allegro | — | ||
| 4-2 | Violin Sonata Nº 5 in F op. 24 "Spring", II Adagio | — | ||
| 4-3 | Violin Sonata Nº 5 in F op. 24 "Spring", III Scherzo | — | ||
| 4-4 | Violin Sonata Nº 5 in F op. 24 "Spring", IV Rondo | — | ||
| 4-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo - | Éric Heidsieck, Paul Tortelier | — | |
| 4-6 | Violin Sonata Nº 2 in A op. 12 Nº 2, I Allegro Vivace | — | ||
| 4-7 | Violin Sonata Nº 3 in E Flat op. 12 Nº 3, II Adagio | — | ||
| 4-8 | Violin Sonata Nº 4 in A minor op. 23, III Allegro Molto | — | ||
| 4-9 | Flute Sonata in B Flat, II Polonaise | — | ||
| 4-10 | Violin Sonata Nº8 in G op. 30, III Allegro Vivace | — | ||
| 4-11 | Violin Sonata Nº 9 in A op. 47 "Kreutzer", II Andante Con Variazioni | — | ||
| 4-12 | Violin Sonata Nº 9 in A op. 47 "Kreutzer", III Finale | — | ||
| 4-13 | 12 Variations On "Ein Mädchen Oder Weibchen" | — | ||
| 4-14 | Cello Sonata Nº 3 in A op. 69 - I Allegro Ma Non Tanto | — | ||
| 4-15 | I Bin A Tiroler Bua, Austrian Folksong op. 107 Nº 1 | — | ||
| 4-16 | Cello Sonata Nº 5 in D op. 102 Nº 2, III Allegro Fugato | — | ||
| 5-1 | Quintet For Piano, Oboe, Clarinet, Horn & Basson in E Flat op.16, III Rondo (Allegro Non Troppo) | — | ||
| 5-2 | String Quartet Nº1 in F op.18 Nº 1, II Adagio | — | ||
| 5-3 | String Quartet No. 4 in C minor op. 18 Nº 4, III Menuetto | — | ||
| 5-4 | Clarinet Trio in B Flat op. 11, II Adagio | — | ||
| 5-5 | Duo For Clarinet & Bassoon in C Woo 27, I Allegro | — | ||
| 5-6 | Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — | |
| 5-7 | Trio For Flute, Violin & Viola in D op. 25, I Entrata (Allegro) | — | ||
| 5-8 | Trio For Flute, Violin & Viola in D op. 25, II Tempo Ordinario D'un Menuette | — | ||
| 5-9 | Trio For Flute, Violin & Viola in D op. 25, III Allegro Molto | — | ||
| 5-10 | String Quartet No.7 in F op. 59 Nº 1 "Rasumovsky", I Allegro | — | ||
| 5-11 | March For 2 Clarinets, 2 Bassons & 2 Horns in B Flat WoO29 | — | ||
| 5-12 | Piano Trio Nº 5 in D op. 70 Nº 1 "Ghost", II Largo Assai Ed Espressivo | — | ||
| 5-13 | String Quartet Nº 10 in E Flat op. M74 "Harp", I Poco Adagio Allegro | — | ||
| 5-14 | Sextet For 3 Violins, 2 Horns & Cello in E Flat op. 81b, III Rondo Allegro | — | ||
| 5-15 | Piano Trio Nº 7 in B Flat op. 97 "Archduke", I Allegro Moderato | — | ||
| 5-16 | Octet in E Flat op. 103 - IV Finale Presto | — | ||
| 6-1 | Ich Liebe Dich, Herrosse | — | ||
| 6-2 | Wonne Der Wehmut | — | ||
| 6-3 | Der Kuss op. 128 | — | ||
| 6-4 | Der Floh op. 75 Nº 3 | — | ||
| 6-5 | Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-6 | Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-7 | Adelaïde | — | ||
| 6-8 | Marmotte | — | ||
| 6-9 | Die Ehre Gottes Aus Der Natur | — | ||
| 6-10 | Mass in C op. 86 | — | ||
| 6-11 | Missa Solemnis in D op. 123, Gloria in Excelsis Deo | — | ||
| 6-12 | Missa Solemnis in D op. 123, Et Resurrexit Tertia Die | — | ||
| 6-13 | Fidelio Overture - Ludwig van Beethoven | — | ||
| 6-14 | Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-15 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-16 | Fidelio Ha! Welch Ein Augenblick! | — | ||
| 6-17 | Fidelio Abscheulicher! Wo Eilst Du Hin?...Komm, Hoffnung | — | ||
| 6-18 | Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” | Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-19 | Fidelio O Namenlose Freude! | — | ||
| 6-20 | Fidelio Wer Ein Holdes Weib Errungen | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
094639730728 is a Universal Product Code (UPC) assigned to Best Beethoven 100 by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Minuet in G major, WoO 10 no. 2 | Dame Moura Lympany | — |
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
The UPC for “Best Beethoven 100” by Ludwig van Beethoven is 094639730728. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI Classics. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYD8100171, GBAYC8702014, GBAYC9601243.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony Nº 1 in C op. 21, IV Adagio, Allegro Molto Vivace | — | ||
| 2 | Symphony Nº 2 in D op. 36, III Scherzo | — | ||
| 3 | Symphony Nº 3 in E Flat "Eroica" op. 55, I Allegro Con Brio | — | ||
| 4 | Symphony Nº 3 in E Flat "Eroica" op. 55, III Scherzo | — | ||
| 5 | Symphony Nº 4 in B Flat op. 60, III Menuetto | — | ||
| 6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — | |
| 7 | Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — | |
| 8 | Egmont Overture op. 84 | — | ||
| 9 | Symphony Nº 7 in A op. 92, I Vivace | — | ||
| 10 | Symphony Nº 7 in A op. 92, II Allegretto | — | ||
| 11 | Symphony Nº 7 in A op. 92, IV Allegro Con Brio | — | ||
| 12 | Symphony Nº 8 in F op. 93, II Allegretto | — | ||
| 13 | Symphony Nº 8 in F op. 93, IV Allegro Vivace | — | ||
| 14 | The Ruins of Athens, Incidental Music op. 113, Turkish March | — | ||
| 15 | Symphony Nº 9 in D minor op. 125 "Choral", IV Ode to Joy | — | ||
| 2-1 | Violin Concerto in D op. 61, I Allegro Ma Non Tropo | — | ||
| 2-2 | Violin Concerto in D op. 61, II Larghetto | — | ||
| 2-3 | Violin Concerto in D op. 61, III Rondo | — | ||
| 2-4 | Piano Concerto Nº 1 in C op. 15, I Allegro Con Brio | — | ||
| 2-5 | Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture) | Herbert von Karajan | — | |
| 2-6 | Piano Concerto Nº 2 in B Flat op. 19, III Rondo | — | ||
| 2-7 | Romance for Violin and Orchestra no. 1 in G major, op. 40 | Yehudi Menuhin, Philharmonia Orchestra, Sir John Pritchard | T-801.768.565-4 | |
| 2-8 | Piano Concerto Nº 3 in C minor op. 37, I Allegro Con Brio | — | ||
| 2-9 | Romance Nº 2 in F op. 50 | — | ||
| 2-10 | Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — | |
| 2-11 | Piano Concerto Nº 4 in G op. 58, II Andante Con Moto | — | ||
| 2-12 | Piano Concerto Nº 4 in G op. 58, III Rondo | — | ||
| 2-13 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", I Allegro | — | ||
| 2-14 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", II Adagio | — | ||
| 2-15 | Piano Concerto Nº 5 in E Flat op. 73 "Emperor", III Rondo | — | ||
| 2-16 | Choral Fantasia in C minor op. 80 | — | ||
| 3-1 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, I Grave | — | ||
| 3-2 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, II Adagio | — | ||
| 3-3 | Piano Sonata Nº 8 in C minor "Pathétique" op. 13, III Rondo | — | ||
| 3-4 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 3-5 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 3-6 | Piano Sonata Nº 15 in D op. 28 "Pastoral", IV Rondo | — | ||
| 3-7 | Piano Sonata Nº 17 in D minor op. 31 Nº 2 "The Tempest", III Allegretto | — | ||
| 3-8 | Minuet In G | Vrouwenkoor Malle Babbe | T-902.137.279-2 | |
| 3-9 | Piano Sonata Nº 21 in C op. 53 "Waldstein", I Allegro Con Brio | — | ||
| 3-10 | Variations On An Original Theme (Turkish March) op. 76 | — | ||
| 3-11 | Piano Sonata Nº 23 in F minor op. M57 "Appassionata", I Allegro Assai | — | ||
| 3-12 | Piano Sonata Nº 26 in E Flat op. 81a "Les Adieux" | — | ||
| 3-13 | Diabelli Variations op. 120, Theme | — | ||
| 3-14 | Diabelli Variations op. 120, Variation I | — | ||
| 3-15 | Piano Sonata No. 29 op. 106 "Hammerklavier", II Scherzo | — | ||
| 3-16 | Bagatela in G op. 126 Nº 5 | — | ||
| 3-17 | Rondo A Capriccio in G op. 129 | — | ||
| 4-1 | Violin Sonata Nº 5 in F op. 24 "Spring", I Allegro | — | ||
| 4-2 | Violin Sonata Nº 5 in F op. 24 "Spring", II Adagio | — | ||
| 4-3 | Violin Sonata Nº 5 in F op. 24 "Spring", III Scherzo | — | ||
| 4-4 | Violin Sonata Nº 5 in F op. 24 "Spring", IV Rondo | — | ||
| 4-5 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo - | Éric Heidsieck, Paul Tortelier | — | |
| 4-6 | Violin Sonata Nº 2 in A op. 12 Nº 2, I Allegro Vivace | — | ||
| 4-7 | Violin Sonata Nº 3 in E Flat op. 12 Nº 3, II Adagio | — | ||
| 4-8 | Violin Sonata Nº 4 in A minor op. 23, III Allegro Molto | — | ||
| 4-9 | Flute Sonata in B Flat, II Polonaise | — | ||
| 4-10 | Violin Sonata Nº8 in G op. 30, III Allegro Vivace | — | ||
| 4-11 | Violin Sonata Nº 9 in A op. 47 "Kreutzer", II Andante Con Variazioni | — | ||
| 4-12 | Violin Sonata Nº 9 in A op. 47 "Kreutzer", III Finale | — | ||
| 4-13 | 12 Variations On "Ein Mädchen Oder Weibchen" | — | ||
| 4-14 | Cello Sonata Nº 3 in A op. 69 - I Allegro Ma Non Tanto | — | ||
| 4-15 | I Bin A Tiroler Bua, Austrian Folksong op. 107 Nº 1 | — | ||
| 4-16 | Cello Sonata Nº 5 in D op. 102 Nº 2, III Allegro Fugato | — | ||
| 5-1 | Quintet For Piano, Oboe, Clarinet, Horn & Basson in E Flat op.16, III Rondo (Allegro Non Troppo) | — | ||
| 5-2 | String Quartet Nº1 in F op.18 Nº 1, II Adagio | — | ||
| 5-3 | String Quartet No. 4 in C minor op. 18 Nº 4, III Menuetto | — | ||
| 5-4 | Clarinet Trio in B Flat op. 11, II Adagio | — | ||
| 5-5 | Duo For Clarinet & Bassoon in C Woo 27, I Allegro | — | ||
| 5-6 | Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — | |
| 5-7 | Trio For Flute, Violin & Viola in D op. 25, I Entrata (Allegro) | — | ||
| 5-8 | Trio For Flute, Violin & Viola in D op. 25, II Tempo Ordinario D'un Menuette | — | ||
| 5-9 | Trio For Flute, Violin & Viola in D op. 25, III Allegro Molto | — | ||
| 5-10 | String Quartet No.7 in F op. 59 Nº 1 "Rasumovsky", I Allegro | — | ||
| 5-11 | March For 2 Clarinets, 2 Bassons & 2 Horns in B Flat WoO29 | — | ||
| 5-12 | Piano Trio Nº 5 in D op. 70 Nº 1 "Ghost", II Largo Assai Ed Espressivo | — | ||
| 5-13 | String Quartet Nº 10 in E Flat op. M74 "Harp", I Poco Adagio Allegro | — | ||
| 5-14 | Sextet For 3 Violins, 2 Horns & Cello in E Flat op. 81b, III Rondo Allegro | — | ||
| 5-15 | Piano Trio Nº 7 in B Flat op. 97 "Archduke", I Allegro Moderato | — | ||
| 5-16 | Octet in E Flat op. 103 - IV Finale Presto | — | ||
| 6-1 | Ich Liebe Dich, Herrosse | — | ||
| 6-2 | Wonne Der Wehmut | — | ||
| 6-3 | Der Kuss op. 128 | — | ||
| 6-4 | Der Floh op. 75 Nº 3 | — | ||
| 6-5 | Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-6 | Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-7 | Adelaïde | — | ||
| 6-8 | Marmotte | — | ||
| 6-9 | Die Ehre Gottes Aus Der Natur | — | ||
| 6-10 | Mass in C op. 86 | — | ||
| 6-11 | Missa Solemnis in D op. 123, Gloria in Excelsis Deo | — | ||
| 6-12 | Missa Solemnis in D op. 123, Et Resurrexit Tertia Die | — | ||
| 6-13 | Fidelio Overture - Ludwig van Beethoven | — | ||
| 6-14 | Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-15 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-16 | Fidelio Ha! Welch Ein Augenblick! | — | ||
| 6-17 | Fidelio Abscheulicher! Wo Eilst Du Hin?...Komm, Hoffnung | — | ||
| 6-18 | Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” | Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-19 | Fidelio O Namenlose Freude! | — | ||
| 6-20 | Fidelio Wer Ein Holdes Weib Errungen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Minuet in G major, WoO 10 no. 2 | Dame Moura Lympany | — |
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
