Best Beethoven 100

UPC · Release

Best Beethoven 100

Ludwig van Beethoven

094639730728
20 tracksReleased 2007-01-01EMI Classics

Last verified:

094639730728 is the Universal Product Code (UPC barcode) for the release Best Beethoven 100 by Ludwig van Beethoven, released 2007-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBAYC9302881, GBAYC9302882, GBAYC8801951.

Format

0Number system
94639Manufacturer
73072Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCBest Beethoven 100
ISRC5 recordings
ISWC4 works
IPI1 songwriter

Track List (20)

Ich Liebe Dich, Herrosse
Ich Liebe Dich, Herrosse
Wonne Der Wehmut
Wonne Der Wehmut
Der Kuss op. 128
Der Kuss op. 128
Der Floh op. 75 Nº 3
Der Floh op. 75 Nº 3
Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth)
Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth)
Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen
Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth)
Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth)
Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen
Adelaïde
Adelaïde
Marmotte
Marmotte
Die Ehre Gottes Aus Der Natur
Die Ehre Gottes Aus Der Natur
Mass in C op. 86
Mass in C op. 86
Missa Solemnis in D op. 123, Gloria in Excelsis Deo
Missa Solemnis in D op. 123, Gloria in Excelsis Deo
Missa Solemnis in D op. 123, Et Resurrexit Tertia Die
Missa Solemnis in D op. 123, Et Resurrexit Tertia Die
Fidelio Overture - Ludwig van Beethoven
Fidelio Overture - Ludwig van Beethoven
Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
Helen Donath, Berliner Philharmoniker, Herbert von Karajan
Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan
Fidelio Ha! Welch Ein Augenblick!
Fidelio Ha! Welch Ein Augenblick!
Fidelio Abscheulicher! Wo Eilst Du Hin?...Komm, Hoffnung
Fidelio Abscheulicher! Wo Eilst Du Hin?...Komm, Hoffnung
Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust”
Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust”
Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
Fidelio O Namenlose Freude!
Fidelio O Namenlose Freude!
Fidelio Wer Ein Holdes Weib Errungen
Fidelio Wer Ein Holdes Weib Errungen

Additional database matches (16)

Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo -
Éric Heidsieck, Paul Tortelier
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio
Melos Ensemble of London
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
Vrouwenkoor Malle Babbe
Minuet in G major, WoO 10 no. 2
Dame Moura Lympany
Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
Yehudi Menuhin, Philharmonia Orchestra, Sir John Pritchard
Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture)
Herbert von Karajan
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling

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People also ask

What is UPC 094639730728?
UPC 094639730728 is the Universal Product Code (barcode) for "Best Beethoven 100" by Ludwig van Beethoven, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 094639730728?
UPC 094639730728 contains 20 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 094639730728?

094639730728 is a Universal Product Code (UPC) assigned to Best Beethoven 100 by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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