UPC · Release
Various Artists
Last verified:
The UPC for “Milestones: 30 Years of Chandos” by Various Artists is 095115003022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Chandos. This release contains 373 tracks, each with its own ISRC. Tracks include GBLWD9504301, GBLWD9504302, GBLWD9504303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2 | Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 3 | Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 4 | Concerto for Oboe in F major, op. 7 no. 9: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 5 | Concerto for Oboe in F major, op. 7 no. 9: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 6 | Concerto for Oboe in F major, op. 7 no. 9: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 7 | Concerto for Oboe in C major, op. 9 no. 5: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 8 | Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 9 | Concerto for Oboe in C major, op. 9 no. 5: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 10 | Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 11 | Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 12 | Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 13 | Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 14 | Concerto for Oboe in C major, op. 7 no. 12: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 15 | Concerto for Oboe in C major, op. 7 no. 12: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 16 | Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 17 | Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 18 | Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 19 | Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 20 | Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 21 | Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 22 | Concerto for Oboe in D major, op. 7 no. 6: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 23 | Concerto for Oboe in D major, op. 7 no. 6: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 24 | Concerto for Oboe in D major, op. 7 no. 6: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2-1 | Symphony No. 4: I. Allegro moderato | — | ||
| 2-2 | Symphony No. 4: II. Lento moderato | — | ||
| 2-3 | Symphony No. 4: III. Allegro - Tempo di marcia trionfale | — | ||
| 2-4 | Tintagel | — | ||
| 3-1 | Psaume 24 | — | ||
| 3-2 | Faust et Hélène | — | ||
| 3-3 | D’un soir triste | — | ||
| 3-4 | D’un matin de printemps | — | ||
| 3-5 | Psaume 130 “Du fond de l’abîme” | — | ||
| 4-1 | 12 Études Op. 10: No. 1 in C major | — | ||
| 4-2 | 12 Études Op. 10: No. 2 in A minor | — | ||
| 4-3 | 12 Études Op. 10: No. 3 in E major | — | ||
| 4-4 | 12 Études Op. 10: No. 4 in C-sharp minor | — | ||
| 4-5 | 12 Études Op. 10: No. 5 in G-flat major | — | ||
| 4-6 | 12 Études Op. 10: No. 6 in E-flat minor | — | ||
| 4-7 | 12 Études Op. 10: No. 7 in C major | — | ||
| 4-8 | 12 Études Op. 10: No. 8 in F major | — | ||
| 4-9 | 12 Études Op. 10: No. 9 in F minor | — | ||
| 4-10 | 12 Études Op. 10: No. 10 in A-flat major | — | ||
| 4-11 | 12 Études Op. 10: No. 11 in E-flat major | — | ||
| 4-12 | 12 Études Op. 10: No. 12 in C minor | — | ||
| 4-13 | 12 Études Op. 25: No. 1 in A-flat major | — | ||
| 4-14 | 12 Études Op. 25: No. 2 in F minor | — | ||
| 4-15 | 12 Études Op. 25: No. 3 in F major | — | ||
| 4-16 | 12 Études Op. 25: No. 4 in A minor | — | ||
| 4-17 | 12 Études Op. 25: No. 5 in E minor | — | ||
| 4-18 | 12 Études Op. 25: No. 6 in G-sharp minor | — | ||
| 4-19 | 12 Études Op. 25: No. 7 in C-sharp minor | — | ||
| 4-20 | 12 Études Op. 25: No. 8 in D-flat major | — | ||
| 4-21 | 12 Études Op. 25: No. 9 in G-flat major | — | ||
| 4-22 | 12 Études Op. 25: No. 10 in B minor | — | ||
| 4-23 | 12 Études Op. 25: No. 11 in A minor | — | ||
| 4-24 | 12 Études Op. 25: No. 12 in C minor | — | ||
| 4-25 | Trois nouvelles Études: No. 1 in F minor | — | ||
| 4-26 | Trois nouvelles Études: No. 2 in D-flat major | — | ||
| 4-27 | Trois nouvelles Études: No. 3 in A-flat major | — | ||
| 5-1 | Sea Drift | — | ||
| 5-2 | Songs of Farewell: I. Double Chorus “How sweet the silent backward tracings!” | — | ||
| 5-3 | Songs of Farewell: II. Chorus “Stand as on some mighty eagle’s beak” | — | ||
| 5-4 | Songs of Farewell: III. Chorus “Passage to you! O secret of the earth and sky!” | — | ||
| 5-5 | Songs of Farewell: IV. Double Chorus “Joy, shipmate, joy!” | — | ||
| 5-6 | Songs of Farewell: V. Chorus “Now finalè to the shore” | — | ||
| 5-7 | Songs of Sunset: Chorus “A song of the setting sun!” | — | ||
| 5-8 | Songs of Sunset: Soli “Cease smiling, Dear! a little while be sad” (Mezzo-soprano, Baritone) | — | ||
| 5-9 | Songs of Sunset: Chorus “Pale amber sunlight falls” | — | ||
| 5-10 | Songs of Sunset: Solo “Exceeding sorrow Consumeth my sad heart!” (Mezzo-soprano) | — | ||
| 5-11 | Songs of Sunset: Solo “By the sad waters of separation” (Baritone) | — | ||
| 5-12 | Songs of Sunset: Chorus “See how the trees and the oisers lithe” | — | ||
| 5-13 | Songs of Sunset: Solo “I was not sorrowful, I could not weep” (Baritone) | — | ||
| 5-14 | Songs of Sunset: Soli & Chorus “They are not long, the weeping and the laughter” (Mezzo-soprano, Baritone) | — | ||
| 6-1 | Salut d’Amour, Op. 12 “Liebesgrüß” (feat. cello: Steven Isserlis) | — | ||
| 6-2 | Mot d’Amour, Op. 13 No. 1 “Liebesahnung” | — | ||
| 6-3 | Canto Popolare, Op. 50 “In Moonlight” | — | ||
| 6-4 | Sospiri, Op. 70 | — | ||
| 6-5 | Chanson de Nuit, Op. 15 No. 1 | — | ||
| 6-6 | Chanson de Matin Op. 15 No. 2 | — | ||
| 6-7 | 6 Very Easy Pieces in the First Position, Op. 22 | — | ||
| 6-8 | Sonata for Violin and Piano in E minor, Op. 82: I. Allegro | — | ||
| 6-9 | Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante | — | ||
| 6-10 | Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo | — | ||
| 7-1 | The Duke of Marlborough Fanfare | BBC Philharmonic, Richard Hickox | — | |
| 7-2 | Colonial Song | BBC Philharmonic, Richard Hickox | — | |
| 7-3 | English Dance | BBC Philharmonic, Richard Hickox | — | |
| 7-4 | Shepherd’s Hey | BBC Philharmonic, Richard Hickox | — | |
| 7-5 | There Were Three Friends | BBC Philharmonic, Richard Hickox | — | |
| 7-6 | Fisher’s Boarding-House | BBC Philharmonic, Richard Hickox | — | |
| 7-7 | We Were Dreamers | BBC Philharmonic, Richard Hickox | — | |
| 7-8 | Harvest Hymn | BBC Philharmonic, Richard Hickox | — | |
| 7-9 | Blithe Bells | BBC Philharmonic, Richard Hickox | T-900.145.681-1 | |
| 7-10 | Walking Tune | BBC Philharmonic, Richard Hickox | — | |
| 7-11 | In a Nutshell Suite: I. Arrival at Platform Humlet | BBC Philharmonic, Richard Hickox | — | |
| 7-12 | In a Nutshell Suite: II. Gay But Wistful | BBC Philharmonic, Richard Hickox | — | |
| 7-13 | In a Nutshell Suite: III. Pastoral | BBC Philharmonic, Richard Hickox | — | |
| 7-14 | In a Nutshell Suite: IV. The Gum-Suckers March | BBC Philharmonic, Richard Hickox | — | |
| 7-15 | Green Bushes | BBC Philharmonic, Richard Hickox | T-900.091.226-5 | |
| 8-1 | Passion Week, Op. 58: Behold, the Bridegroom | — | ||
| 8-2 | Passion Week, Op. 58: I See Thy Bridal Chamber | — | ||
| 8-3 | Passion Week, Op. 58: In Thy Kingdom | — | ||
| 8-4 | Passion Week, Op. 58: Gladsome Light | — | ||
| 8-5 | Passion Week, Op. 58: Let My Prayer Be Set Forth | — | ||
| 8-6 | Passion Week, Op. 58: Now the Powers of Heaven | — | ||
| 8-7 | Passion Week, Op. 58: At Thy Mystical Supper | — | ||
| 8-8 | Passion Week, Op. 58: The Wise Thief | — | ||
| 8-9 | Passion Week, Op. 58: Thou, Who Clothest Thyself | — | ||
| 8-10 | Passion Week, Op. 58: The Lord Is God… The Noble Joseph | — | ||
| 8-11 | Passion Week, Op. 58: Weep for Me Not, O Mother | — | ||
| 8-12 | Passion Week, Op. 58: As Many of You… Arise, O God | — | ||
| 8-13 | Passion Week, Op. 58: Let All Mortal Flesh | — | ||
| 9-1 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Sonata | — | ||
| 9-2 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor) | — | ||
| 9-3 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Serve the Lord with gladness” | — | ||
| 9-4 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor) | — | ||
| 9-5 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “O go your way into his gates” | — | ||
| 9-6 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass) | — | ||
| 9-7 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Glory be to the Father” | — | ||
| 9-8 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “As it was in the beginning” | — | ||
| 9-9 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Sonata | — | ||
| 9-10 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!” | — | ||
| 9-11 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor) | — | ||
| 9-12 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow” | — | ||
| 9-13 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor) | — | ||
| 9-14 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone” | — | ||
| 9-15 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor) | — | ||
| 9-16 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song” | — | ||
| 9-17 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Sonata | — | ||
| 9-18 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Have mercy upon me, O God” | — | ||
| 9-19 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor) | — | ||
| 9-20 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor) | — | ||
| 9-21 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor) | — | ||
| 9-22 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Thou shalt make me hear of joy and gladness” | — | ||
| 9-23 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Make me a clean heart, O God” (soprano) | — | ||
| 9-24 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Then shall I teach Thy ways unto the wicked” | — | ||
| 10-1 | An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto | — | ||
| 10-2 | An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto | — | ||
| 10-3 | An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo | — | ||
| 10-4 | An Irish Symphony: IV. The Twelfth of July. Con molto brio | — | ||
| 10-5 | A Comedy Overture | — | ||
| 11-1 | The Planets, Op. 32: I. Mars, the Bringer of War | — | ||
| 11-2 | The Planets, Op. 32: II. Venus, The Bringer of Peace | — | ||
| 11-3 | The Planets, Op. 32: III. Mercury, The Winged Messenger | — | ||
| 11-4 | The Planets, Op. 32: IV. Jupiter, The Bringer of Jollity | — | ||
| 11-5 | The Planets, Op.32: V. Saturn, The Bringer of Old Age | — | ||
| 11-6 | The Planets, Op. 32: VI. Uranus, The Magician | — | ||
| 11-7 | The Planets, Op. 32: VII. Neptune, The Mystic | — | ||
| 12-1 | Piano Concerto in A minor, Op. 85: I. Allegro moderato | — | ||
| 12-2 | Piano Concerto in A minor, Op. 85: II. Larghetto | — | ||
| 12-3 | Piano Concerto in A minor, Op. 85: III. Rondo: Allegro moderato | — | ||
| 12-4 | Piano Concerto in B minor, Op. 89: I. Allegro moderato | — | ||
| 12-5 | Piano Concerto in B minor, Op. 89: II. Larghetto | — | ||
| 12-6 | Piano Concerto in B minor, Op. 89: III. Finale: Vivace | — | ||
| 13-1 | Mass in D major, Op. 111: Kyrie | — | ||
| 13-2 | Mass in D major, Op. 111: Gloria in excelsis Deo | — | ||
| 13-3 | Mass in D major, Op. 111: Qui tollis peccata mundi | — | ||
| 13-4 | Mass in D major, Op. 111: Quoniam tu solus sanctus | — | ||
| 13-5 | Mass in D major, Op. 111: Cum Sancto Spiritu | — | ||
| 13-6 | Mass in D major, Op. 111: Credo in unum Deum | — | ||
| 13-7 | Mass in D major, Op. 111: Et incarnatus est | — | ||
| 13-8 | Mass in D major, Op. 111: Et resurrexit | — | ||
| 13-9 | Mass in D major, Op. 111: Et vitam venturi | — | ||
| 13-10 | Mass in D major, Op. 111: Sanctus | — | ||
| 13-11 | Mass in D major, Op. 111: Benedictus | — | ||
| 13-12 | Mass in D major, Op. 111: Agnus Dei | — | ||
| 13-13 | Alma virgo: Offertory | — | ||
| 13-14 | Mass in B-flat major, Op. 77: Kyrie | — | ||
| 13-15 | Mass in B-flat major, Op. 77: Gloria in excelsis Deo | — | ||
| 13-16 | Mass in B-flat major, Op. 77: Qui tollis peccata mundi | — | ||
| 13-17 | Mass in B-flat major, Op. 77: Quoniam tu solus sanctus | — | ||
| 13-18 | Mass in B-flat major, Op. 77: Credo | — | ||
| 13-19 | Mass in B-flat major, Op. 77: Sanctus | — | ||
| 13-20 | Mass in B-flat major, Op. 77: Benedictus | — | ||
| 13-21 | Mass in B-flat major, Op. 77: Agnus Dei | — | ||
| 14-1 | Mša Glagolskaja: I. Intrada | — | ||
| 14-2 | Mša Glagolskaja: II. Úvod | — | ||
| 14-3 | Mša Glagolskaja: III. Gospodi pomiluj | — | ||
| 14-4 | Mša Glagolskaja: IV. Slava | — | ||
| 14-5 | Mša Glagolskaja: V. Věruju | — | ||
| 14-6 | Mša Glagolskaja: VI. Svet | — | ||
| 14-7 | Mša Glagolskaja: VII. Agneče Božij | — | ||
| 14-8 | Mša Glagolskaja: VIII. Varhany solo | — | ||
| 14-9 | Mša Glagolskaja: IX. Intrada | — | ||
| 14-10 | Psalmus hungaricus, Op. 13 | — | ||
| 15-1 | Symphony No. 6 in E-flat minor, Op. 111: I. Allegro moderato | — | ||
| 15-2 | Symphony No. 6 in E-flat minor, Op. 111: II. Largo | — | ||
| 15-3 | Symphony No. 6 in E-flat minor, Op. 111: III. Vivace | — | ||
| 15-4 | Waltz Suite Op. 110: II. In the Palace from “Cinderella” | — | ||
| 15-5 | Waltz Suite Op. 110: V. New Year’s Eve Ball from “War and Peace” | — | ||
| 15-6 | Waltz Suite Op. 110: VI. Happiness from “Cinderella” | — | ||
| 16-1 | Dido & Aeneas: Overture and Act I | — | ||
| 16-2 | Dido & Aeneas: Act II Scene 1 (The Cave) | — | ||
| 16-3 | Dido & Aeneas: Act II Scene 2 (The Grove) | — | ||
| 16-4 | Dido & Aeneas: Act III (The Ships) | — | ||
| 17-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 17-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato – Allegro moderato | — | ||
| 17-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 17-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 18-1 | Belkis, regina di Saba, P 177: I. Il sogno di Salomone | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-2 | Belkis, regina di Saba, P 177: II. Danza guerresca | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-3 | Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-4 | Belkis, regina di Saba, P 177: IV. Danza orgiastica | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-5 | Metamorphoseon modi XII, P 169: Tema. Andante moderato - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-6 | Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-7 | Metamorphoseon modi XII, P 169: Modus II. Allegretto - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-8 | Metamorphoseon modi XII, P 169: Modus III. Lento - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-9 | Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-10 | Metamorphoseon modi XII, P 169: Modus V. Molto vivace - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-11 | Metamorphoseon modi XII, P 169: Modus VI. Vivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-12 | Metamorphoseon modi XII, P 169: Modus VII. Cadenze - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-13 | Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-14 | Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-15 | Metamorphoseon modi XII, P 169: Modus X. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-16 | Metamorphoseon modi XII, P 169: Modus XI. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-17 | Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo | Philharmonia Orchestra, Geoffrey Simon | — | |
| 19-1 | Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne: Moderato | — | ||
| 19-2 | Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo: Allegro | — | ||
| 19-3 | Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia: Andante | — | ||
| 19-4 | Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesque: Allegro con brio | — | ||
| 19-5 | Violin Concerto No. 2 in C-sharp minor, Op. 129: I. Moderato | — | ||
| 19-6 | Violin Concerto No. 2 in C-sharp minor, Op. 129: II. Adagio | — | ||
| 19-7 | Violin Concerto No. 2 in C-sharp minor, Op. 129: III. Adagio - Allegro | — | ||
| 20-1 | Piano Concerto No. 1 in C minor, Op. 35: I. Allegro moderato | — | ||
| 20-2 | Piano Concerto No. 1 in C minor, Op. 35: II. Lento | — | ||
| 20-3 | Piano Concerto No. 1 in C minor, Op. 35: III. Moderato | — | ||
| 20-4 | Piano Concerto No. 1 in C minor, Op. 35: IV. Allegro con brio | — | ||
| 20-5 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): I. Largo | — | ||
| 20-6 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): II. Allegro molto | — | ||
| 20-7 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): III. Allegretto | — | ||
| 20-8 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): IV. Largo | — | ||
| 20-9 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): V. Largo | — | ||
| 21-1 | Songs of the Fleet, Op. 117: I. Sailing at Dawn | — | ||
| 21-2 | Songs of the Fleet, Op. 117: II. The Song of the Sou’Wester | — | ||
| 21-3 | Songs of the Fleet, Op. 117: III. The Middle-Watch | — | ||
| 21-4 | Songs of the Fleet, Op. 117: IV. The Little Admiral | — | ||
| 21-5 | Songs of the Fleet, Op. 117: V. Fare Well | — | ||
| 21-6 | The Revenge: A Ballad of the Fleet, Op. 24: “At Flores in the Azores” | — | ||
| 21-7 | The Revenge: A Ballad of the Fleet, Op. 24: “He had only a hundred seamen” | — | ||
| 21-8 | The Revenge: A Ballad of the Fleet, Op. 24: “Sir Richard spoke and he laugh'd” | — | ||
| 21-9 | The Revenge: A Ballad of the Fleet, Op. 24: “And the night went down” | — | ||
| 21-10 | The Revenge: A Ballad of the Fleet, Op. 24: “And the stately Spanish men” | — | ||
| 21-11 | The Revenge: A Ballad of the Fleet, Op. 24: “But they sank his body with honour down” | — | ||
| 21-12 | Songs of the Sea, Op. 91: I. Drake’s Drum | — | ||
| 21-13 | Songs of the Sea, Op. 91: II. Outward Bound | — | ||
| 21-14 | Songs of the Sea, Op. 91: III. Devon, O Devon, in Wind and Rain | — | ||
| 21-15 | Songs of the Sea, Op. 91: IV. Homeward Bound | — | ||
| 21-16 | Songs of the Sea, Op. 91: V. The Old Superb | — | ||
| 22-1 | Der Rosenkavalier: Act I. Introduction | — | ||
| 22-2 | Der Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin) | — | ||
| 22-3 | Der Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian) | — | ||
| 22-4 | Der Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian) | — | ||
| 22-5 | Der Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian) | — | ||
| 22-6 | Der Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian) | — | ||
| 22-7 | Der Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian) | — | ||
| 22-8 | Der Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo) | — | ||
| 22-9 | Der Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen) | — | ||
| 22-10 | Der Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie) | — | ||
| 22-11 | Der Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina) | — | ||
| 22-12 | Der Rosenkavalier: Act II. “Here” (Ochs, Annina) | — | ||
| 22-13 | Der Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots) | — | ||
| 22-14 | Der Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin) | — | ||
| 22-15 | Der Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian) | — | ||
| 22-16 | Der Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie) | — | ||
| 22-17 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin) | — | ||
| 22-18 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie) | — | ||
| 23-1 | Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima | — | ||
| 23-2 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 23-3 | Symphony No. 5 in E minor, Op. 64: III. Allegro moderato | — | ||
| 23-4 | Symphony No. 5 in E minor, Op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 24-1 | Symphony in G minor, B. g2: I. Allegro moderato | — | ||
| 24-2 | Symphony in G minor, B. g2: II. Adagio | — | ||
| 24-3 | Symphony in G minor, B. g2: III. Menuetto & Trio. Moderato | — | ||
| 24-4 | Symphony in G minor, B. g2: IV. Finale. Allegro | — | ||
| 24-5 | Symphony in D major, B. D4: I. Allegro moderato | — | ||
| 24-6 | Symphony in D major, B. D4: II. Andante | — | ||
| 24-7 | Symphony in D major, B. D4: III. Allegro | — | ||
| 24-8 | Symphony in D major, B. D4: IV. Menuetto & Trio | — | ||
| 24-9 | Symphony in C minor, B. c2: I. Allegro moderato | — | ||
| 24-10 | Symphony in C minor, B. c2: II. Andante | — | ||
| 24-11 | Symphony in C minor, B. c2: III. Menuetto & Trio. Moderato | — | ||
| 24-12 | Symphony in C minor, B. c2: IV. Finale. Allegro | — | ||
| 25-1 | The Banks of Green Willow: Idyll | — | ||
| 25-2 | Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto | — | ||
| 25-3 | Symphony No. 2 in G major "A London Symphony": II. Lento | — | ||
| 25-4 | Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino | — | ||
| 25-5 | Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento | — | ||
| 26-1 | Scott of the Antarctic Suite: I. Main Titles | — | ||
| 26-2 | Scott of the Antarctic Suite: II. Prologue (Orch. By S. Hogger) | — | ||
| 26-3 | Scott of the Antarctic Suite: III. Doom | — | ||
| 26-4 | Scott of the Antarctic Suite: IV. Sculpture Scene | — | ||
| 26-5 | Scott of the Antarctic Suite: V. Ship's Departure | — | ||
| 26-6 | Scott of the Antarctic Suite: VI. Ice Floes | — | ||
| 26-7 | Scott of the Antarctic Suite: VII. Penguin Dance | — | ||
| 26-8 | Scott of the Antarctic Suite: VIII. Aurora | — | ||
| 26-9 | Scott of the Antarctic Suite: IX. Pony March | — | ||
| 26-10 | Scott of the Antarctic Suite: X. Blizzard | — | ||
| 26-11 | Scott of the Antarctic Suite: XI. Distant Glacier | — | ||
| 26-12 | Scott of the Antarctic Suite: XII. Climbing the Glacier | — | ||
| 26-13 | Scott of the Antarctic Suite: XIII. Scott on the Glacier | — | ||
| 26-14 | Scott of the Antarctic Suite: XIV. Snow Plain | — | ||
| 26-15 | Scott of the Antarctic Suite: XV. The Return | — | ||
| 26-16 | Scott of the Antarctic Suite: XVI. Descending the Glacier | — | ||
| 26-17 | Scott of the Antarctic Suite: XVII. The Deaths of Evans and Oates | — | ||
| 26-18 | Scott of the Antarctic Suite: XVIII. End Titles | — | ||
| 26-19 | Coastal Command Suite: I. Prelude | — | ||
| 26-20 | Coastal Command Suite: II. The Hebrides | — | ||
| 26-21 | Coastal Command Suite: III. U-Boat Alert | — | ||
| 26-22 | Coastal Command Suite: IV. Taking-Off at Night | — | ||
| 26-23 | Coastal Command Suite: V. The Hudsons Take-Off From Iceland | — | ||
| 26-24 | Coastal Command Suite: VI. Dawn Patrol [Quiet Determination] | — | ||
| 26-25 | Coastal Command Suite: VII. Battle of the Beauforts | — | ||
| 26-26 | Coastal Command Suite: VIII. Finale | — | ||
| 26-27 | The People's Land: The People's Land | — | ||
| 27-1 | Henry V (arr. Christopher Palmer): I. Prologue | — | ||
| 27-2 | Henry V (arr. Christopher Palmer): II. Interlude. At the Boar's Head | — | ||
| 27-3 | Henry V (arr. Christopher Palmer): III. Embarkation | — | ||
| 27-4 | Henry V (arr. Christopher Palmer): IV. Interlude "Touch her Soft Lips and Part" | — | ||
| 27-5 | Henry V (arr. Christopher Palmer): Va. Harfleur | — | ||
| 27-6 | Henry V (arr. Christopher Palmer): Vb. The Night Watch | — | ||
| 27-7 | Henry V (arr. Christopher Palmer): Vb. "Upon the King" | — | ||
| 27-8 | Henry V (arr. Christopher Palmer): VI. Agincourt | — | ||
| 27-9 | Henry V (arr. Christopher Palmer): VII. Interlude. At the French Court | — | ||
| 27-10 | Henry V (arr. Christopher Palmer): VIII. Epilogue | — | ||
| 27-11 | The Fitzwilliam Virginal Book: Rosa Solis | — | ||
| 27-12 | The Fitzwilliam Virginal Book: Watkin's Ale | — | ||
| 27-13 | Chants d'Auvergne, Series 5 No. 1: Obal, dinlou Limouzi | — | ||
| 28-1 | Contest Music: I. Allegro | — | ||
| 28-2 | Contest Music: II. Molto adagio | — | ||
| 28-3 | Contest Music: III. Vivo | — | ||
| 28-4 | Royal Parks: I. Dawn Flight | — | ||
| 28-5 | Royal Parks: II. In Memoriam | — | ||
| 28-6 | Royal Parks: III. Holidays | — | ||
| 28-7 | Salute to Youth: I. Resilience | — | ||
| 28-8 | Salute to Youth: II. Romance | — | ||
| 28-9 | Salute to Youth: III. Relaxation | — | ||
| 28-10 | Cloudcatcher Fells | — | ||
| 29-1 | The Peanut Vendor | — | ||
| 29-2 | Shenandoah | — | ||
| 29-3 | Cherry Ripe | — | ||
| 29-4 | Summertime | — | ||
| 29-5 | Time Was | — | ||
| 29-6 | Scarborough Fair | — | ||
| 29-7 | None but the Lonely Heart | — | ||
| 29-8 | Linstead Market | — | ||
| 29-9 | The Oak and the Ash | — | ||
| 29-10 | Wives and Lovers | — | ||
| 29-11 | Blow Away the Morning Dew | — | ||
| 29-12 | The Green Leaves of Summer | — | ||
| 29-13 | What Kind of Things | — | ||
| 30-1 | Concerto in C major, RV 425: I. Allegro | — | ||
| 30-2 | Concerto in C major, RV 425: II. Largo | — | ||
| 30-3 | Concerto in C major, RV 425: III. (Allegro) | — | ||
| 30-4 | Concerto for Mandolin in G major: II. Andante con variazioni | — | ||
| 30-5 | Grand duo concertant, Op. 85 | — | ||
| 30-6 | Polcha variata | — | ||
| 30-7 | Amor si culla, Op. 133 | — | ||
| 30-8 | Petite Bolero | — | ||
| 30-9 | El colibrí | — | ||
| 30-10 | Choros No. 1 | — | ||
| 30-11 | Prélude No. 1 | — | ||
| 30-12 | Four Venezuelan Waltzes: I. Allegro | — | ||
| 30-13 | Four Venezuelan Waltzes: II. Allegro | — | ||
| 30-14 | Four Venezuelan Waltzes: III. Allegro ritmico | — | ||
| 30-15 | Four Venezuelan Waltzes: IV. (Allegro) | — | ||
| 30-16 | Choro da Saudade | — | ||
| 30-17 | Las abejas | — | ||
| 30-18 | El Noi del la Mare | — | ||
| 30-19 | El Testament d’Amelia | — | ||
| 30-20 | El Mestre | — | ||
| 30-21 | Mis dolencias | — | ||
| 30-22 | Suite andaluza: I. Soleares | — | ||
| 30-23 | Homenaje a Tárrega: II. Soleares | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
095115003022 is a Universal Product Code (UPC) assigned to Milestones: 30 Years of Chandos by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 373 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Milestones: 30 Years of Chandos” by Various Artists is 095115003022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Chandos. This release contains 373 tracks, each with its own ISRC. Tracks include GBLWD9504301, GBLWD9504302, GBLWD9504303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2 | Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 3 | Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 4 | Concerto for Oboe in F major, op. 7 no. 9: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 5 | Concerto for Oboe in F major, op. 7 no. 9: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 6 | Concerto for Oboe in F major, op. 7 no. 9: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 7 | Concerto for Oboe in C major, op. 9 no. 5: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 8 | Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 9 | Concerto for Oboe in C major, op. 9 no. 5: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 10 | Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 11 | Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 12 | Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 13 | Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 14 | Concerto for Oboe in C major, op. 7 no. 12: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 15 | Concerto for Oboe in C major, op. 7 no. 12: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 16 | Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 17 | Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 18 | Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 19 | Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 20 | Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 21 | Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 22 | Concerto for Oboe in D major, op. 7 no. 6: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 23 | Concerto for Oboe in D major, op. 7 no. 6: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 24 | Concerto for Oboe in D major, op. 7 no. 6: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2-1 | Symphony No. 4: I. Allegro moderato | — | ||
| 2-2 | Symphony No. 4: II. Lento moderato | — | ||
| 2-3 | Symphony No. 4: III. Allegro - Tempo di marcia trionfale | — | ||
| 2-4 | Tintagel | — | ||
| 3-1 | Psaume 24 | — | ||
| 3-2 | Faust et Hélène | — | ||
| 3-3 | D’un soir triste | — | ||
| 3-4 | D’un matin de printemps | — | ||
| 3-5 | Psaume 130 “Du fond de l’abîme” | — | ||
| 4-1 | 12 Études Op. 10: No. 1 in C major | — | ||
| 4-2 | 12 Études Op. 10: No. 2 in A minor | — | ||
| 4-3 | 12 Études Op. 10: No. 3 in E major | — | ||
| 4-4 | 12 Études Op. 10: No. 4 in C-sharp minor | — | ||
| 4-5 | 12 Études Op. 10: No. 5 in G-flat major | — | ||
| 4-6 | 12 Études Op. 10: No. 6 in E-flat minor | — | ||
| 4-7 | 12 Études Op. 10: No. 7 in C major | — | ||
| 4-8 | 12 Études Op. 10: No. 8 in F major | — | ||
| 4-9 | 12 Études Op. 10: No. 9 in F minor | — | ||
| 4-10 | 12 Études Op. 10: No. 10 in A-flat major | — | ||
| 4-11 | 12 Études Op. 10: No. 11 in E-flat major | — | ||
| 4-12 | 12 Études Op. 10: No. 12 in C minor | — | ||
| 4-13 | 12 Études Op. 25: No. 1 in A-flat major | — | ||
| 4-14 | 12 Études Op. 25: No. 2 in F minor | — | ||
| 4-15 | 12 Études Op. 25: No. 3 in F major | — | ||
| 4-16 | 12 Études Op. 25: No. 4 in A minor | — | ||
| 4-17 | 12 Études Op. 25: No. 5 in E minor | — | ||
| 4-18 | 12 Études Op. 25: No. 6 in G-sharp minor | — | ||
| 4-19 | 12 Études Op. 25: No. 7 in C-sharp minor | — | ||
| 4-20 | 12 Études Op. 25: No. 8 in D-flat major | — | ||
| 4-21 | 12 Études Op. 25: No. 9 in G-flat major | — | ||
| 4-22 | 12 Études Op. 25: No. 10 in B minor | — | ||
| 4-23 | 12 Études Op. 25: No. 11 in A minor | — | ||
| 4-24 | 12 Études Op. 25: No. 12 in C minor | — | ||
| 4-25 | Trois nouvelles Études: No. 1 in F minor | — | ||
| 4-26 | Trois nouvelles Études: No. 2 in D-flat major | — | ||
| 4-27 | Trois nouvelles Études: No. 3 in A-flat major | — | ||
| 5-1 | Sea Drift | — | ||
| 5-2 | Songs of Farewell: I. Double Chorus “How sweet the silent backward tracings!” | — | ||
| 5-3 | Songs of Farewell: II. Chorus “Stand as on some mighty eagle’s beak” | — | ||
| 5-4 | Songs of Farewell: III. Chorus “Passage to you! O secret of the earth and sky!” | — | ||
| 5-5 | Songs of Farewell: IV. Double Chorus “Joy, shipmate, joy!” | — | ||
| 5-6 | Songs of Farewell: V. Chorus “Now finalè to the shore” | — | ||
| 5-7 | Songs of Sunset: Chorus “A song of the setting sun!” | — | ||
| 5-8 | Songs of Sunset: Soli “Cease smiling, Dear! a little while be sad” (Mezzo-soprano, Baritone) | — | ||
| 5-9 | Songs of Sunset: Chorus “Pale amber sunlight falls” | — | ||
| 5-10 | Songs of Sunset: Solo “Exceeding sorrow Consumeth my sad heart!” (Mezzo-soprano) | — | ||
| 5-11 | Songs of Sunset: Solo “By the sad waters of separation” (Baritone) | — | ||
| 5-12 | Songs of Sunset: Chorus “See how the trees and the oisers lithe” | — | ||
| 5-13 | Songs of Sunset: Solo “I was not sorrowful, I could not weep” (Baritone) | — | ||
| 5-14 | Songs of Sunset: Soli & Chorus “They are not long, the weeping and the laughter” (Mezzo-soprano, Baritone) | — | ||
| 6-1 | Salut d’Amour, Op. 12 “Liebesgrüß” (feat. cello: Steven Isserlis) | — | ||
| 6-2 | Mot d’Amour, Op. 13 No. 1 “Liebesahnung” | — | ||
| 6-3 | Canto Popolare, Op. 50 “In Moonlight” | — | ||
| 6-4 | Sospiri, Op. 70 | — | ||
| 6-5 | Chanson de Nuit, Op. 15 No. 1 | — | ||
| 6-6 | Chanson de Matin Op. 15 No. 2 | — | ||
| 6-7 | 6 Very Easy Pieces in the First Position, Op. 22 | — | ||
| 6-8 | Sonata for Violin and Piano in E minor, Op. 82: I. Allegro | — | ||
| 6-9 | Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante | — | ||
| 6-10 | Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo | — | ||
| 7-1 | The Duke of Marlborough Fanfare | BBC Philharmonic, Richard Hickox | — | |
| 7-2 | Colonial Song | BBC Philharmonic, Richard Hickox | — | |
| 7-3 | English Dance | BBC Philharmonic, Richard Hickox | — | |
| 7-4 | Shepherd’s Hey | BBC Philharmonic, Richard Hickox | — | |
| 7-5 | There Were Three Friends | BBC Philharmonic, Richard Hickox | — | |
| 7-6 | Fisher’s Boarding-House | BBC Philharmonic, Richard Hickox | — | |
| 7-7 | We Were Dreamers | BBC Philharmonic, Richard Hickox | — | |
| 7-8 | Harvest Hymn | BBC Philharmonic, Richard Hickox | — | |
| 7-9 | Blithe Bells | BBC Philharmonic, Richard Hickox | T-900.145.681-1 | |
| 7-10 | Walking Tune | BBC Philharmonic, Richard Hickox | — | |
| 7-11 | In a Nutshell Suite: I. Arrival at Platform Humlet | BBC Philharmonic, Richard Hickox | — | |
| 7-12 | In a Nutshell Suite: II. Gay But Wistful | BBC Philharmonic, Richard Hickox | — | |
| 7-13 | In a Nutshell Suite: III. Pastoral | BBC Philharmonic, Richard Hickox | — | |
| 7-14 | In a Nutshell Suite: IV. The Gum-Suckers March | BBC Philharmonic, Richard Hickox | — | |
| 7-15 | Green Bushes | BBC Philharmonic, Richard Hickox | T-900.091.226-5 | |
| 8-1 | Passion Week, Op. 58: Behold, the Bridegroom | — | ||
| 8-2 | Passion Week, Op. 58: I See Thy Bridal Chamber | — | ||
| 8-3 | Passion Week, Op. 58: In Thy Kingdom | — | ||
| 8-4 | Passion Week, Op. 58: Gladsome Light | — | ||
| 8-5 | Passion Week, Op. 58: Let My Prayer Be Set Forth | — | ||
| 8-6 | Passion Week, Op. 58: Now the Powers of Heaven | — | ||
| 8-7 | Passion Week, Op. 58: At Thy Mystical Supper | — | ||
| 8-8 | Passion Week, Op. 58: The Wise Thief | — | ||
| 8-9 | Passion Week, Op. 58: Thou, Who Clothest Thyself | — | ||
| 8-10 | Passion Week, Op. 58: The Lord Is God… The Noble Joseph | — | ||
| 8-11 | Passion Week, Op. 58: Weep for Me Not, O Mother | — | ||
| 8-12 | Passion Week, Op. 58: As Many of You… Arise, O God | — | ||
| 8-13 | Passion Week, Op. 58: Let All Mortal Flesh | — | ||
| 9-1 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Sonata | — | ||
| 9-2 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor) | — | ||
| 9-3 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Serve the Lord with gladness” | — | ||
| 9-4 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor) | — | ||
| 9-5 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “O go your way into his gates” | — | ||
| 9-6 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass) | — | ||
| 9-7 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Glory be to the Father” | — | ||
| 9-8 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “As it was in the beginning” | — | ||
| 9-9 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Sonata | — | ||
| 9-10 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!” | — | ||
| 9-11 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor) | — | ||
| 9-12 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow” | — | ||
| 9-13 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor) | — | ||
| 9-14 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone” | — | ||
| 9-15 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor) | — | ||
| 9-16 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song” | — | ||
| 9-17 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Sonata | — | ||
| 9-18 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Have mercy upon me, O God” | — | ||
| 9-19 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor) | — | ||
| 9-20 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor) | — | ||
| 9-21 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor) | — | ||
| 9-22 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Thou shalt make me hear of joy and gladness” | — | ||
| 9-23 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Make me a clean heart, O God” (soprano) | — | ||
| 9-24 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Then shall I teach Thy ways unto the wicked” | — | ||
| 10-1 | An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto | — | ||
| 10-2 | An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto | — | ||
| 10-3 | An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo | — | ||
| 10-4 | An Irish Symphony: IV. The Twelfth of July. Con molto brio | — | ||
| 10-5 | A Comedy Overture | — | ||
| 11-1 | The Planets, Op. 32: I. Mars, the Bringer of War | — | ||
| 11-2 | The Planets, Op. 32: II. Venus, The Bringer of Peace | — | ||
| 11-3 | The Planets, Op. 32: III. Mercury, The Winged Messenger | — | ||
| 11-4 | The Planets, Op. 32: IV. Jupiter, The Bringer of Jollity | — | ||
| 11-5 | The Planets, Op.32: V. Saturn, The Bringer of Old Age | — | ||
| 11-6 | The Planets, Op. 32: VI. Uranus, The Magician | — | ||
| 11-7 | The Planets, Op. 32: VII. Neptune, The Mystic | — | ||
| 12-1 | Piano Concerto in A minor, Op. 85: I. Allegro moderato | — | ||
| 12-2 | Piano Concerto in A minor, Op. 85: II. Larghetto | — | ||
| 12-3 | Piano Concerto in A minor, Op. 85: III. Rondo: Allegro moderato | — | ||
| 12-4 | Piano Concerto in B minor, Op. 89: I. Allegro moderato | — | ||
| 12-5 | Piano Concerto in B minor, Op. 89: II. Larghetto | — | ||
| 12-6 | Piano Concerto in B minor, Op. 89: III. Finale: Vivace | — | ||
| 13-1 | Mass in D major, Op. 111: Kyrie | — | ||
| 13-2 | Mass in D major, Op. 111: Gloria in excelsis Deo | — | ||
| 13-3 | Mass in D major, Op. 111: Qui tollis peccata mundi | — | ||
| 13-4 | Mass in D major, Op. 111: Quoniam tu solus sanctus | — | ||
| 13-5 | Mass in D major, Op. 111: Cum Sancto Spiritu | — | ||
| 13-6 | Mass in D major, Op. 111: Credo in unum Deum | — | ||
| 13-7 | Mass in D major, Op. 111: Et incarnatus est | — | ||
| 13-8 | Mass in D major, Op. 111: Et resurrexit | — | ||
| 13-9 | Mass in D major, Op. 111: Et vitam venturi | — | ||
| 13-10 | Mass in D major, Op. 111: Sanctus | — | ||
| 13-11 | Mass in D major, Op. 111: Benedictus | — | ||
| 13-12 | Mass in D major, Op. 111: Agnus Dei | — | ||
| 13-13 | Alma virgo: Offertory | — | ||
| 13-14 | Mass in B-flat major, Op. 77: Kyrie | — | ||
| 13-15 | Mass in B-flat major, Op. 77: Gloria in excelsis Deo | — | ||
| 13-16 | Mass in B-flat major, Op. 77: Qui tollis peccata mundi | — | ||
| 13-17 | Mass in B-flat major, Op. 77: Quoniam tu solus sanctus | — | ||
| 13-18 | Mass in B-flat major, Op. 77: Credo | — | ||
| 13-19 | Mass in B-flat major, Op. 77: Sanctus | — | ||
| 13-20 | Mass in B-flat major, Op. 77: Benedictus | — | ||
| 13-21 | Mass in B-flat major, Op. 77: Agnus Dei | — | ||
| 14-1 | Mša Glagolskaja: I. Intrada | — | ||
| 14-2 | Mša Glagolskaja: II. Úvod | — | ||
| 14-3 | Mša Glagolskaja: III. Gospodi pomiluj | — | ||
| 14-4 | Mša Glagolskaja: IV. Slava | — | ||
| 14-5 | Mša Glagolskaja: V. Věruju | — | ||
| 14-6 | Mša Glagolskaja: VI. Svet | — | ||
| 14-7 | Mša Glagolskaja: VII. Agneče Božij | — | ||
| 14-8 | Mša Glagolskaja: VIII. Varhany solo | — | ||
| 14-9 | Mša Glagolskaja: IX. Intrada | — | ||
| 14-10 | Psalmus hungaricus, Op. 13 | — | ||
| 15-1 | Symphony No. 6 in E-flat minor, Op. 111: I. Allegro moderato | — | ||
| 15-2 | Symphony No. 6 in E-flat minor, Op. 111: II. Largo | — | ||
| 15-3 | Symphony No. 6 in E-flat minor, Op. 111: III. Vivace | — | ||
| 15-4 | Waltz Suite Op. 110: II. In the Palace from “Cinderella” | — | ||
| 15-5 | Waltz Suite Op. 110: V. New Year’s Eve Ball from “War and Peace” | — | ||
| 15-6 | Waltz Suite Op. 110: VI. Happiness from “Cinderella” | — | ||
| 16-1 | Dido & Aeneas: Overture and Act I | — | ||
| 16-2 | Dido & Aeneas: Act II Scene 1 (The Cave) | — | ||
| 16-3 | Dido & Aeneas: Act II Scene 2 (The Grove) | — | ||
| 16-4 | Dido & Aeneas: Act III (The Ships) | — | ||
| 17-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 17-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato – Allegro moderato | — | ||
| 17-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 17-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 18-1 | Belkis, regina di Saba, P 177: I. Il sogno di Salomone | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-2 | Belkis, regina di Saba, P 177: II. Danza guerresca | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-3 | Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-4 | Belkis, regina di Saba, P 177: IV. Danza orgiastica | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-5 | Metamorphoseon modi XII, P 169: Tema. Andante moderato - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-6 | Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-7 | Metamorphoseon modi XII, P 169: Modus II. Allegretto - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-8 | Metamorphoseon modi XII, P 169: Modus III. Lento - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-9 | Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-10 | Metamorphoseon modi XII, P 169: Modus V. Molto vivace - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-11 | Metamorphoseon modi XII, P 169: Modus VI. Vivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-12 | Metamorphoseon modi XII, P 169: Modus VII. Cadenze - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-13 | Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-14 | Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-15 | Metamorphoseon modi XII, P 169: Modus X. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-16 | Metamorphoseon modi XII, P 169: Modus XI. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-17 | Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo | Philharmonia Orchestra, Geoffrey Simon | — | |
| 19-1 | Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne: Moderato | — | ||
| 19-2 | Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo: Allegro | — | ||
| 19-3 | Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia: Andante | — | ||
| 19-4 | Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesque: Allegro con brio | — | ||
| 19-5 | Violin Concerto No. 2 in C-sharp minor, Op. 129: I. Moderato | — | ||
| 19-6 | Violin Concerto No. 2 in C-sharp minor, Op. 129: II. Adagio | — | ||
| 19-7 | Violin Concerto No. 2 in C-sharp minor, Op. 129: III. Adagio - Allegro | — | ||
| 20-1 | Piano Concerto No. 1 in C minor, Op. 35: I. Allegro moderato | — | ||
| 20-2 | Piano Concerto No. 1 in C minor, Op. 35: II. Lento | — | ||
| 20-3 | Piano Concerto No. 1 in C minor, Op. 35: III. Moderato | — | ||
| 20-4 | Piano Concerto No. 1 in C minor, Op. 35: IV. Allegro con brio | — | ||
| 20-5 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): I. Largo | — | ||
| 20-6 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): II. Allegro molto | — | ||
| 20-7 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): III. Allegretto | — | ||
| 20-8 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): IV. Largo | — | ||
| 20-9 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): V. Largo | — | ||
| 21-1 | Songs of the Fleet, Op. 117: I. Sailing at Dawn | — | ||
| 21-2 | Songs of the Fleet, Op. 117: II. The Song of the Sou’Wester | — | ||
| 21-3 | Songs of the Fleet, Op. 117: III. The Middle-Watch | — | ||
| 21-4 | Songs of the Fleet, Op. 117: IV. The Little Admiral | — | ||
| 21-5 | Songs of the Fleet, Op. 117: V. Fare Well | — | ||
| 21-6 | The Revenge: A Ballad of the Fleet, Op. 24: “At Flores in the Azores” | — | ||
| 21-7 | The Revenge: A Ballad of the Fleet, Op. 24: “He had only a hundred seamen” | — | ||
| 21-8 | The Revenge: A Ballad of the Fleet, Op. 24: “Sir Richard spoke and he laugh'd” | — | ||
| 21-9 | The Revenge: A Ballad of the Fleet, Op. 24: “And the night went down” | — | ||
| 21-10 | The Revenge: A Ballad of the Fleet, Op. 24: “And the stately Spanish men” | — | ||
| 21-11 | The Revenge: A Ballad of the Fleet, Op. 24: “But they sank his body with honour down” | — | ||
| 21-12 | Songs of the Sea, Op. 91: I. Drake’s Drum | — | ||
| 21-13 | Songs of the Sea, Op. 91: II. Outward Bound | — | ||
| 21-14 | Songs of the Sea, Op. 91: III. Devon, O Devon, in Wind and Rain | — | ||
| 21-15 | Songs of the Sea, Op. 91: IV. Homeward Bound | — | ||
| 21-16 | Songs of the Sea, Op. 91: V. The Old Superb | — | ||
| 22-1 | Der Rosenkavalier: Act I. Introduction | — | ||
| 22-2 | Der Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin) | — | ||
| 22-3 | Der Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian) | — | ||
| 22-4 | Der Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian) | — | ||
| 22-5 | Der Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian) | — | ||
| 22-6 | Der Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian) | — | ||
| 22-7 | Der Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian) | — | ||
| 22-8 | Der Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo) | — | ||
| 22-9 | Der Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen) | — | ||
| 22-10 | Der Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie) | — | ||
| 22-11 | Der Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina) | — | ||
| 22-12 | Der Rosenkavalier: Act II. “Here” (Ochs, Annina) | — | ||
| 22-13 | Der Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots) | — | ||
| 22-14 | Der Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin) | — | ||
| 22-15 | Der Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian) | — | ||
| 22-16 | Der Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie) | — | ||
| 22-17 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin) | — | ||
| 22-18 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie) | — | ||
| 23-1 | Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima | — | ||
| 23-2 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 23-3 | Symphony No. 5 in E minor, Op. 64: III. Allegro moderato | — | ||
| 23-4 | Symphony No. 5 in E minor, Op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 24-1 | Symphony in G minor, B. g2: I. Allegro moderato | — | ||
| 24-2 | Symphony in G minor, B. g2: II. Adagio | — | ||
| 24-3 | Symphony in G minor, B. g2: III. Menuetto & Trio. Moderato | — | ||
| 24-4 | Symphony in G minor, B. g2: IV. Finale. Allegro | — | ||
| 24-5 | Symphony in D major, B. D4: I. Allegro moderato | — | ||
| 24-6 | Symphony in D major, B. D4: II. Andante | — | ||
| 24-7 | Symphony in D major, B. D4: III. Allegro | — | ||
| 24-8 | Symphony in D major, B. D4: IV. Menuetto & Trio | — | ||
| 24-9 | Symphony in C minor, B. c2: I. Allegro moderato | — | ||
| 24-10 | Symphony in C minor, B. c2: II. Andante | — | ||
| 24-11 | Symphony in C minor, B. c2: III. Menuetto & Trio. Moderato | — | ||
| 24-12 | Symphony in C minor, B. c2: IV. Finale. Allegro | — | ||
| 25-1 | The Banks of Green Willow: Idyll | — | ||
| 25-2 | Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto | — | ||
| 25-3 | Symphony No. 2 in G major "A London Symphony": II. Lento | — | ||
| 25-4 | Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino | — | ||
| 25-5 | Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento | — | ||
| 26-1 | Scott of the Antarctic Suite: I. Main Titles | — | ||
| 26-2 | Scott of the Antarctic Suite: II. Prologue (Orch. By S. Hogger) | — | ||
| 26-3 | Scott of the Antarctic Suite: III. Doom | — | ||
| 26-4 | Scott of the Antarctic Suite: IV. Sculpture Scene | — | ||
| 26-5 | Scott of the Antarctic Suite: V. Ship's Departure | — | ||
| 26-6 | Scott of the Antarctic Suite: VI. Ice Floes | — | ||
| 26-7 | Scott of the Antarctic Suite: VII. Penguin Dance | — | ||
| 26-8 | Scott of the Antarctic Suite: VIII. Aurora | — | ||
| 26-9 | Scott of the Antarctic Suite: IX. Pony March | — | ||
| 26-10 | Scott of the Antarctic Suite: X. Blizzard | — | ||
| 26-11 | Scott of the Antarctic Suite: XI. Distant Glacier | — | ||
| 26-12 | Scott of the Antarctic Suite: XII. Climbing the Glacier | — | ||
| 26-13 | Scott of the Antarctic Suite: XIII. Scott on the Glacier | — | ||
| 26-14 | Scott of the Antarctic Suite: XIV. Snow Plain | — | ||
| 26-15 | Scott of the Antarctic Suite: XV. The Return | — | ||
| 26-16 | Scott of the Antarctic Suite: XVI. Descending the Glacier | — | ||
| 26-17 | Scott of the Antarctic Suite: XVII. The Deaths of Evans and Oates | — | ||
| 26-18 | Scott of the Antarctic Suite: XVIII. End Titles | — | ||
| 26-19 | Coastal Command Suite: I. Prelude | — | ||
| 26-20 | Coastal Command Suite: II. The Hebrides | — | ||
| 26-21 | Coastal Command Suite: III. U-Boat Alert | — | ||
| 26-22 | Coastal Command Suite: IV. Taking-Off at Night | — | ||
| 26-23 | Coastal Command Suite: V. The Hudsons Take-Off From Iceland | — | ||
| 26-24 | Coastal Command Suite: VI. Dawn Patrol [Quiet Determination] | — | ||
| 26-25 | Coastal Command Suite: VII. Battle of the Beauforts | — | ||
| 26-26 | Coastal Command Suite: VIII. Finale | — | ||
| 26-27 | The People's Land: The People's Land | — | ||
| 27-1 | Henry V (arr. Christopher Palmer): I. Prologue | — | ||
| 27-2 | Henry V (arr. Christopher Palmer): II. Interlude. At the Boar's Head | — | ||
| 27-3 | Henry V (arr. Christopher Palmer): III. Embarkation | — | ||
| 27-4 | Henry V (arr. Christopher Palmer): IV. Interlude "Touch her Soft Lips and Part" | — | ||
| 27-5 | Henry V (arr. Christopher Palmer): Va. Harfleur | — | ||
| 27-6 | Henry V (arr. Christopher Palmer): Vb. The Night Watch | — | ||
| 27-7 | Henry V (arr. Christopher Palmer): Vb. "Upon the King" | — | ||
| 27-8 | Henry V (arr. Christopher Palmer): VI. Agincourt | — | ||
| 27-9 | Henry V (arr. Christopher Palmer): VII. Interlude. At the French Court | — | ||
| 27-10 | Henry V (arr. Christopher Palmer): VIII. Epilogue | — | ||
| 27-11 | The Fitzwilliam Virginal Book: Rosa Solis | — | ||
| 27-12 | The Fitzwilliam Virginal Book: Watkin's Ale | — | ||
| 27-13 | Chants d'Auvergne, Series 5 No. 1: Obal, dinlou Limouzi | — | ||
| 28-1 | Contest Music: I. Allegro | — | ||
| 28-2 | Contest Music: II. Molto adagio | — | ||
| 28-3 | Contest Music: III. Vivo | — | ||
| 28-4 | Royal Parks: I. Dawn Flight | — | ||
| 28-5 | Royal Parks: II. In Memoriam | — | ||
| 28-6 | Royal Parks: III. Holidays | — | ||
| 28-7 | Salute to Youth: I. Resilience | — | ||
| 28-8 | Salute to Youth: II. Romance | — | ||
| 28-9 | Salute to Youth: III. Relaxation | — | ||
| 28-10 | Cloudcatcher Fells | — | ||
| 29-1 | The Peanut Vendor | — | ||
| 29-2 | Shenandoah | — | ||
| 29-3 | Cherry Ripe | — | ||
| 29-4 | Summertime | — | ||
| 29-5 | Time Was | — | ||
| 29-6 | Scarborough Fair | — | ||
| 29-7 | None but the Lonely Heart | — | ||
| 29-8 | Linstead Market | — | ||
| 29-9 | The Oak and the Ash | — | ||
| 29-10 | Wives and Lovers | — | ||
| 29-11 | Blow Away the Morning Dew | — | ||
| 29-12 | The Green Leaves of Summer | — | ||
| 29-13 | What Kind of Things | — | ||
| 30-1 | Concerto in C major, RV 425: I. Allegro | — | ||
| 30-2 | Concerto in C major, RV 425: II. Largo | — | ||
| 30-3 | Concerto in C major, RV 425: III. (Allegro) | — | ||
| 30-4 | Concerto for Mandolin in G major: II. Andante con variazioni | — | ||
| 30-5 | Grand duo concertant, Op. 85 | — | ||
| 30-6 | Polcha variata | — | ||
| 30-7 | Amor si culla, Op. 133 | — | ||
| 30-8 | Petite Bolero | — | ||
| 30-9 | El colibrí | — | ||
| 30-10 | Choros No. 1 | — | ||
| 30-11 | Prélude No. 1 | — | ||
| 30-12 | Four Venezuelan Waltzes: I. Allegro | — | ||
| 30-13 | Four Venezuelan Waltzes: II. Allegro | — | ||
| 30-14 | Four Venezuelan Waltzes: III. Allegro ritmico | — | ||
| 30-15 | Four Venezuelan Waltzes: IV. (Allegro) | — | ||
| 30-16 | Choro da Saudade | — | ||
| 30-17 | Las abejas | — | ||
| 30-18 | El Noi del la Mare | — | ||
| 30-19 | El Testament d’Amelia | — | ||
| 30-20 | El Mestre | — | ||
| 30-21 | Mis dolencias | — | ||
| 30-22 | Suite andaluza: I. Soleares | — | ||
| 30-23 | Homenaje a Tárrega: II. Soleares | — |
