UPC · Release
Milestones: 30 Years of Chandos
Various Artists
095115003022
373 tracksReleased 2009-01-01Chandos
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095115003022 is the Universal Product Code (UPC barcode) for the release “Milestones: 30 Years of Chandos” by Various Artists, released 2009-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 373 tracks, each with its own ISRC. Tracks include GBLWD9504301, GBLWD9504302, GBLWD9504303.
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Credit Chain
UPCMilestones: 30 Years of Chandos
ISRC56 recordings
ISWC9 works
IPI1 songwriter
Track List (373)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2 | Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 3 | Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 4 | Concerto for Oboe in F major, op. 7 no. 9: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 5 | Concerto for Oboe in F major, op. 7 no. 9: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 6 | Concerto for Oboe in F major, op. 7 no. 9: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 7 | Concerto for Oboe in C major, op. 9 no. 5: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 8 | Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 9 | Concerto for Oboe in C major, op. 9 no. 5: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 10 | Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 11 | Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 12 | Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 13 | Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 14 | Concerto for Oboe in C major, op. 7 no. 12: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 15 | Concerto for Oboe in C major, op. 7 no. 12: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 16 | Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 17 | Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo) | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 18 | Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 19 | Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 20 | Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 21 | Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 22 | Concerto for Oboe in D major, op. 7 no. 6: I. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 23 | Concerto for Oboe in D major, op. 7 no. 6: II. Adagio | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 24 | Concerto for Oboe in D major, op. 7 no. 6: III. Allegro | Collegium Musicum 90, Simon Standage, Anthony Robson | — | |
| 2-1 | Symphony No. 4: I. Allegro moderato | — | ||
| 2-2 | Symphony No. 4: II. Lento moderato | — | ||
| 2-3 | Symphony No. 4: III. Allegro - Tempo di marcia trionfale | — | ||
| 2-4 | Tintagel | — | ||
| 3-1 | Psaume 24 | — | ||
| 3-2 | Faust et Hélène | — | ||
| 3-3 | D’un soir triste | — | ||
| 3-4 | D’un matin de printemps | — | ||
| 3-5 | Psaume 130 “Du fond de l’abîme” | — | ||
| 4-1 | 12 Études Op. 10: No. 1 in C major | — | ||
| 4-2 | 12 Études Op. 10: No. 2 in A minor | — | ||
| 4-3 | 12 Études Op. 10: No. 3 in E major | — | ||
| 4-4 | 12 Études Op. 10: No. 4 in C-sharp minor | — | ||
| 4-5 | 12 Études Op. 10: No. 5 in G-flat major | — | ||
| 4-6 | 12 Études Op. 10: No. 6 in E-flat minor | — | ||
| 4-7 | 12 Études Op. 10: No. 7 in C major | — | ||
| 4-8 | 12 Études Op. 10: No. 8 in F major | — | ||
| 4-9 | 12 Études Op. 10: No. 9 in F minor | — | ||
| 4-10 | 12 Études Op. 10: No. 10 in A-flat major | — | ||
| 4-11 | 12 Études Op. 10: No. 11 in E-flat major | — | ||
| 4-12 | 12 Études Op. 10: No. 12 in C minor | — | ||
| 4-13 | 12 Études Op. 25: No. 1 in A-flat major | — | ||
| 4-14 | 12 Études Op. 25: No. 2 in F minor | — | ||
| 4-15 | 12 Études Op. 25: No. 3 in F major | — | ||
| 4-16 | 12 Études Op. 25: No. 4 in A minor | — | ||
| 4-17 | 12 Études Op. 25: No. 5 in E minor | — | ||
| 4-18 | 12 Études Op. 25: No. 6 in G-sharp minor | — | ||
| 4-19 | 12 Études Op. 25: No. 7 in C-sharp minor | — | ||
| 4-20 | 12 Études Op. 25: No. 8 in D-flat major | — | ||
| 4-21 | 12 Études Op. 25: No. 9 in G-flat major | — | ||
| 4-22 | 12 Études Op. 25: No. 10 in B minor | — | ||
| 4-23 | 12 Études Op. 25: No. 11 in A minor | — | ||
| 4-24 | 12 Études Op. 25: No. 12 in C minor | — | ||
| 4-25 | Trois nouvelles Études: No. 1 in F minor | — | ||
| 4-26 | Trois nouvelles Études: No. 2 in D-flat major | — | ||
| 4-27 | Trois nouvelles Études: No. 3 in A-flat major | — | ||
| 5-1 | Sea Drift | — | ||
| 5-2 | Songs of Farewell: I. Double Chorus “How sweet the silent backward tracings!” | — | ||
| 5-3 | Songs of Farewell: II. Chorus “Stand as on some mighty eagle’s beak” | — | ||
| 5-4 | Songs of Farewell: III. Chorus “Passage to you! O secret of the earth and sky!” | — | ||
| 5-5 | Songs of Farewell: IV. Double Chorus “Joy, shipmate, joy!” | — | ||
| 5-6 | Songs of Farewell: V. Chorus “Now finalè to the shore” | — | ||
| 5-7 | Songs of Sunset: Chorus “A song of the setting sun!” | — | ||
| 5-8 | Songs of Sunset: Soli “Cease smiling, Dear! a little while be sad” (Mezzo-soprano, Baritone) | — | ||
| 5-9 | Songs of Sunset: Chorus “Pale amber sunlight falls” | — | ||
| 5-10 | Songs of Sunset: Solo “Exceeding sorrow Consumeth my sad heart!” (Mezzo-soprano) | — | ||
| 5-11 | Songs of Sunset: Solo “By the sad waters of separation” (Baritone) | — | ||
| 5-12 | Songs of Sunset: Chorus “See how the trees and the oisers lithe” | — | ||
| 5-13 | Songs of Sunset: Solo “I was not sorrowful, I could not weep” (Baritone) | — | ||
| 5-14 | Songs of Sunset: Soli & Chorus “They are not long, the weeping and the laughter” (Mezzo-soprano, Baritone) | — | ||
| 6-1 | Salut d’Amour, Op. 12 “Liebesgrüß” (feat. cello: Steven Isserlis) | — | ||
| 6-2 | Mot d’Amour, Op. 13 No. 1 “Liebesahnung” | — | ||
| 6-3 | Canto Popolare, Op. 50 “In Moonlight” | — | ||
| 6-4 | Sospiri, Op. 70 | — | ||
| 6-5 | Chanson de Nuit, Op. 15 No. 1 | — | ||
| 6-6 | Chanson de Matin Op. 15 No. 2 | — | ||
| 6-7 | 6 Very Easy Pieces in the First Position, Op. 22 | — | ||
| 6-8 | Sonata for Violin and Piano in E minor, Op. 82: I. Allegro | — | ||
| 6-9 | Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante | — | ||
| 6-10 | Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo | — | ||
| 7-1 | The Duke of Marlborough Fanfare | BBC Philharmonic, Richard Hickox | — | |
| 7-2 | Colonial Song | BBC Philharmonic, Richard Hickox | — | |
| 7-3 | English Dance | BBC Philharmonic, Richard Hickox | — | |
| 7-4 | Shepherd’s Hey | BBC Philharmonic, Richard Hickox | — | |
| 7-5 | There Were Three Friends | BBC Philharmonic, Richard Hickox | — | |
| 7-6 | Fisher’s Boarding-House | BBC Philharmonic, Richard Hickox | — | |
| 7-7 | We Were Dreamers | BBC Philharmonic, Richard Hickox | — | |
| 7-8 | Harvest Hymn | BBC Philharmonic, Richard Hickox | — | |
| 7-9 | Blithe Bells | BBC Philharmonic, Richard Hickox | T-900.145.681-1 | |
| 7-10 | Walking Tune | BBC Philharmonic, Richard Hickox | — | |
| 7-11 | In a Nutshell Suite: I. Arrival at Platform Humlet | BBC Philharmonic, Richard Hickox | — | |
| 7-12 | In a Nutshell Suite: II. Gay But Wistful | BBC Philharmonic, Richard Hickox | — | |
| 7-13 | In a Nutshell Suite: III. Pastoral | BBC Philharmonic, Richard Hickox | — | |
| 7-14 | In a Nutshell Suite: IV. The Gum-Suckers March | BBC Philharmonic, Richard Hickox | — | |
| 7-15 | Green Bushes | BBC Philharmonic, Richard Hickox | T-900.091.226-5 | |
| 8-1 | Passion Week, Op. 58: Behold, the Bridegroom | — | ||
| 8-2 | Passion Week, Op. 58: I See Thy Bridal Chamber | — | ||
| 8-3 | Passion Week, Op. 58: In Thy Kingdom | — | ||
| 8-4 | Passion Week, Op. 58: Gladsome Light | — | ||
| 8-5 | Passion Week, Op. 58: Let My Prayer Be Set Forth | — | ||
| 8-6 | Passion Week, Op. 58: Now the Powers of Heaven | — | ||
| 8-7 | Passion Week, Op. 58: At Thy Mystical Supper | — | ||
| 8-8 | Passion Week, Op. 58: The Wise Thief | — | ||
| 8-9 | Passion Week, Op. 58: Thou, Who Clothest Thyself | — | ||
| 8-10 | Passion Week, Op. 58: The Lord Is God… The Noble Joseph | — | ||
| 8-11 | Passion Week, Op. 58: Weep for Me Not, O Mother | — | ||
| 8-12 | Passion Week, Op. 58: As Many of You… Arise, O God | — | ||
| 8-13 | Passion Week, Op. 58: Let All Mortal Flesh | — | ||
| 9-1 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Sonata | — | ||
| 9-2 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor) | — | ||
| 9-3 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Serve the Lord with gladness” | — | ||
| 9-4 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor) | — | ||
| 9-5 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “O go your way into his gates” | — | ||
| 9-6 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass) | — | ||
| 9-7 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Glory be to the Father” | — | ||
| 9-8 | Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “As it was in the beginning” | — | ||
| 9-9 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Sonata | — | ||
| 9-10 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!” | — | ||
| 9-11 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor) | — | ||
| 9-12 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow” | — | ||
| 9-13 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor) | — | ||
| 9-14 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone” | — | ||
| 9-15 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor) | — | ||
| 9-16 | Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song” | — | ||
| 9-17 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Sonata | — | ||
| 9-18 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Have mercy upon me, O God” | — | ||
| 9-19 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor) | — | ||
| 9-20 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor) | — | ||
| 9-21 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor) | — | ||
| 9-22 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Thou shalt make me hear of joy and gladness” | — | ||
| 9-23 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Make me a clean heart, O God” (soprano) | — | ||
| 9-24 | Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Then shall I teach Thy ways unto the wicked” | — | ||
| 10-1 | An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto | — | ||
| 10-2 | An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto | — | ||
| 10-3 | An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo | — | ||
| 10-4 | An Irish Symphony: IV. The Twelfth of July. Con molto brio | — | ||
| 10-5 | A Comedy Overture | — | ||
| 11-1 | The Planets, Op. 32: I. Mars, the Bringer of War | — | ||
| 11-2 | The Planets, Op. 32: II. Venus, The Bringer of Peace | — | ||
| 11-3 | The Planets, Op. 32: III. Mercury, The Winged Messenger | — | ||
| 11-4 | The Planets, Op. 32: IV. Jupiter, The Bringer of Jollity | — | ||
| 11-5 | The Planets, Op.32: V. Saturn, The Bringer of Old Age | — | ||
| 11-6 | The Planets, Op. 32: VI. Uranus, The Magician | — | ||
| 11-7 | The Planets, Op. 32: VII. Neptune, The Mystic | — | ||
| 12-1 | Piano Concerto in A minor, Op. 85: I. Allegro moderato | — | ||
| 12-2 | Piano Concerto in A minor, Op. 85: II. Larghetto | — | ||
| 12-3 | Piano Concerto in A minor, Op. 85: III. Rondo: Allegro moderato | — | ||
| 12-4 | Piano Concerto in B minor, Op. 89: I. Allegro moderato | — | ||
| 12-5 | Piano Concerto in B minor, Op. 89: II. Larghetto | — | ||
| 12-6 | Piano Concerto in B minor, Op. 89: III. Finale: Vivace | — | ||
| 13-1 | Mass in D major, Op. 111: Kyrie | — | ||
| 13-2 | Mass in D major, Op. 111: Gloria in excelsis Deo | — | ||
| 13-3 | Mass in D major, Op. 111: Qui tollis peccata mundi | — | ||
| 13-4 | Mass in D major, Op. 111: Quoniam tu solus sanctus | — | ||
| 13-5 | Mass in D major, Op. 111: Cum Sancto Spiritu | — | ||
| 13-6 | Mass in D major, Op. 111: Credo in unum Deum | — | ||
| 13-7 | Mass in D major, Op. 111: Et incarnatus est | — | ||
| 13-8 | Mass in D major, Op. 111: Et resurrexit | — | ||
| 13-9 | Mass in D major, Op. 111: Et vitam venturi | — | ||
| 13-10 | Mass in D major, Op. 111: Sanctus | — | ||
| 13-11 | Mass in D major, Op. 111: Benedictus | — | ||
| 13-12 | Mass in D major, Op. 111: Agnus Dei | — | ||
| 13-13 | Alma virgo: Offertory | — | ||
| 13-14 | Mass in B-flat major, Op. 77: Kyrie | — | ||
| 13-15 | Mass in B-flat major, Op. 77: Gloria in excelsis Deo | — | ||
| 13-16 | Mass in B-flat major, Op. 77: Qui tollis peccata mundi | — | ||
| 13-17 | Mass in B-flat major, Op. 77: Quoniam tu solus sanctus | — | ||
| 13-18 | Mass in B-flat major, Op. 77: Credo | — | ||
| 13-19 | Mass in B-flat major, Op. 77: Sanctus | — | ||
| 13-20 | Mass in B-flat major, Op. 77: Benedictus | — | ||
| 13-21 | Mass in B-flat major, Op. 77: Agnus Dei | — | ||
| 14-1 | Mša Glagolskaja: I. Intrada | — | ||
| 14-2 | Mša Glagolskaja: II. Úvod | — | ||
| 14-3 | Mša Glagolskaja: III. Gospodi pomiluj | — | ||
| 14-4 | Mša Glagolskaja: IV. Slava | — | ||
| 14-5 | Mša Glagolskaja: V. Věruju | — | ||
| 14-6 | Mša Glagolskaja: VI. Svet | — | ||
| 14-7 | Mša Glagolskaja: VII. Agneče Božij | — | ||
| 14-8 | Mša Glagolskaja: VIII. Varhany solo | — | ||
| 14-9 | Mša Glagolskaja: IX. Intrada | — | ||
| 14-10 | Psalmus hungaricus, Op. 13 | — | ||
| 15-1 | Symphony No. 6 in E-flat minor, Op. 111: I. Allegro moderato | — | ||
| 15-2 | Symphony No. 6 in E-flat minor, Op. 111: II. Largo | — | ||
| 15-3 | Symphony No. 6 in E-flat minor, Op. 111: III. Vivace | — | ||
| 15-4 | Waltz Suite Op. 110: II. In the Palace from “Cinderella” | — | ||
| 15-5 | Waltz Suite Op. 110: V. New Year’s Eve Ball from “War and Peace” | — | ||
| 15-6 | Waltz Suite Op. 110: VI. Happiness from “Cinderella” | — | ||
| 16-1 | Dido & Aeneas: Overture and Act I | — | ||
| 16-2 | Dido & Aeneas: Act II Scene 1 (The Cave) | — | ||
| 16-3 | Dido & Aeneas: Act II Scene 2 (The Grove) | — | ||
| 16-4 | Dido & Aeneas: Act III (The Ships) | — | ||
| 17-1 | Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre | — | ||
| 17-2 | Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato – Allegro moderato | — | ||
| 17-3 | Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione | — | ||
| 17-4 | Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto | — | ||
| 18-1 | Belkis, regina di Saba, P 177: I. Il sogno di Salomone | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-2 | Belkis, regina di Saba, P 177: II. Danza guerresca | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-3 | Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-4 | Belkis, regina di Saba, P 177: IV. Danza orgiastica | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-5 | Metamorphoseon modi XII, P 169: Tema. Andante moderato - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-6 | Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-7 | Metamorphoseon modi XII, P 169: Modus II. Allegretto - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-8 | Metamorphoseon modi XII, P 169: Modus III. Lento - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-9 | Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-10 | Metamorphoseon modi XII, P 169: Modus V. Molto vivace - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-11 | Metamorphoseon modi XII, P 169: Modus VI. Vivo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-12 | Metamorphoseon modi XII, P 169: Modus VII. Cadenze - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-13 | Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-14 | Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-15 | Metamorphoseon modi XII, P 169: Modus X. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-16 | Metamorphoseon modi XII, P 169: Modus XI. Molto allegro - | Philharmonia Orchestra, Geoffrey Simon | — | |
| 18-17 | Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo | Philharmonia Orchestra, Geoffrey Simon | — | |
| 19-1 | Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne: Moderato | — | ||
| 19-2 | Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo: Allegro | — | ||
| 19-3 | Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia: Andante | — | ||
| 19-4 | Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesque: Allegro con brio | — | ||
| 19-5 | Violin Concerto No. 2 in C-sharp minor, Op. 129: I. Moderato | — | ||
| 19-6 | Violin Concerto No. 2 in C-sharp minor, Op. 129: II. Adagio | — | ||
| 19-7 | Violin Concerto No. 2 in C-sharp minor, Op. 129: III. Adagio - Allegro | — | ||
| 20-1 | Piano Concerto No. 1 in C minor, Op. 35: I. Allegro moderato | — | ||
| 20-2 | Piano Concerto No. 1 in C minor, Op. 35: II. Lento | — | ||
| 20-3 | Piano Concerto No. 1 in C minor, Op. 35: III. Moderato | — | ||
| 20-4 | Piano Concerto No. 1 in C minor, Op. 35: IV. Allegro con brio | — | ||
| 20-5 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): I. Largo | — | ||
| 20-6 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): II. Allegro molto | — | ||
| 20-7 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): III. Allegretto | — | ||
| 20-8 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): IV. Largo | — | ||
| 20-9 | Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): V. Largo | — | ||
| 21-1 | Songs of the Fleet, Op. 117: I. Sailing at Dawn | — | ||
| 21-2 | Songs of the Fleet, Op. 117: II. The Song of the Sou’Wester | — | ||
| 21-3 | Songs of the Fleet, Op. 117: III. The Middle-Watch | — | ||
| 21-4 | Songs of the Fleet, Op. 117: IV. The Little Admiral | — | ||
| 21-5 | Songs of the Fleet, Op. 117: V. Fare Well | — | ||
| 21-6 | The Revenge: A Ballad of the Fleet, Op. 24: “At Flores in the Azores” | — | ||
| 21-7 | The Revenge: A Ballad of the Fleet, Op. 24: “He had only a hundred seamen” | — | ||
| 21-8 | The Revenge: A Ballad of the Fleet, Op. 24: “Sir Richard spoke and he laugh'd” | — | ||
| 21-9 | The Revenge: A Ballad of the Fleet, Op. 24: “And the night went down” | — | ||
| 21-10 | The Revenge: A Ballad of the Fleet, Op. 24: “And the stately Spanish men” | — | ||
| 21-11 | The Revenge: A Ballad of the Fleet, Op. 24: “But they sank his body with honour down” | — | ||
| 21-12 | Songs of the Sea, Op. 91: I. Drake’s Drum | — | ||
| 21-13 | Songs of the Sea, Op. 91: II. Outward Bound | — | ||
| 21-14 | Songs of the Sea, Op. 91: III. Devon, O Devon, in Wind and Rain | — | ||
| 21-15 | Songs of the Sea, Op. 91: IV. Homeward Bound | — | ||
| 21-16 | Songs of the Sea, Op. 91: V. The Old Superb | — | ||
| 22-1 | Der Rosenkavalier: Act I. Introduction | — | ||
| 22-2 | Der Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin) | — | ||
| 22-3 | Der Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian) | — | ||
| 22-4 | Der Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian) | — | ||
| 22-5 | Der Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian) | — | ||
| 22-6 | Der Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian) | — | ||
| 22-7 | Der Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian) | — | ||
| 22-8 | Der Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo) | — | ||
| 22-9 | Der Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen) | — | ||
| 22-10 | Der Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie) | — | ||
| 22-11 | Der Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina) | — | ||
| 22-12 | Der Rosenkavalier: Act II. “Here” (Ochs, Annina) | — | ||
| 22-13 | Der Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots) | — | ||
| 22-14 | Der Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin) | — | ||
| 22-15 | Der Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian) | — | ||
| 22-16 | Der Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie) | — | ||
| 22-17 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin) | — | ||
| 22-18 | Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie) | — | ||
| 23-1 | Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima | — | ||
| 23-2 | Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 23-3 | Symphony No. 5 in E minor, Op. 64: III. Allegro moderato | — | ||
| 23-4 | Symphony No. 5 in E minor, Op. 64: IV. Andante maestoso - Allegro vivace | — | ||
| 24-1 | Symphony in G minor, B. g2: I. Allegro moderato | — | ||
| 24-2 | Symphony in G minor, B. g2: II. Adagio | — | ||
| 24-3 | Symphony in G minor, B. g2: III. Menuetto & Trio. Moderato | — | ||
| 24-4 | Symphony in G minor, B. g2: IV. Finale. Allegro | — | ||
| 24-5 | Symphony in D major, B. D4: I. Allegro moderato | — | ||
| 24-6 | Symphony in D major, B. D4: II. Andante | — | ||
| 24-7 | Symphony in D major, B. D4: III. Allegro | — | ||
| 24-8 | Symphony in D major, B. D4: IV. Menuetto & Trio | — | ||
| 24-9 | Symphony in C minor, B. c2: I. Allegro moderato | — | ||
| 24-10 | Symphony in C minor, B. c2: II. Andante | — | ||
| 24-11 | Symphony in C minor, B. c2: III. Menuetto & Trio. Moderato | — | ||
| 24-12 | Symphony in C minor, B. c2: IV. Finale. Allegro | — | ||
| 25-1 | The Banks of Green Willow: Idyll | — | ||
| 25-2 | Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto | — | ||
| 25-3 | Symphony No. 2 in G major "A London Symphony": II. Lento | — | ||
| 25-4 | Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino | — | ||
| 25-5 | Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento | — | ||
| 26-1 | Scott of the Antarctic Suite: I. Main Titles | — | ||
| 26-2 | Scott of the Antarctic Suite: II. Prologue (Orch. By S. Hogger) | — | ||
| 26-3 | Scott of the Antarctic Suite: III. Doom | — | ||
| 26-4 | Scott of the Antarctic Suite: IV. Sculpture Scene | — | ||
| 26-5 | Scott of the Antarctic Suite: V. Ship's Departure | — | ||
| 26-6 | Scott of the Antarctic Suite: VI. Ice Floes | — | ||
| 26-7 | Scott of the Antarctic Suite: VII. Penguin Dance | — | ||
| 26-8 | Scott of the Antarctic Suite: VIII. Aurora | — | ||
| 26-9 | Scott of the Antarctic Suite: IX. Pony March | — | ||
| 26-10 | Scott of the Antarctic Suite: X. Blizzard | — | ||
| 26-11 | Scott of the Antarctic Suite: XI. Distant Glacier | — | ||
| 26-12 | Scott of the Antarctic Suite: XII. Climbing the Glacier | — | ||
| 26-13 | Scott of the Antarctic Suite: XIII. Scott on the Glacier | — | ||
| 26-14 | Scott of the Antarctic Suite: XIV. Snow Plain | — | ||
| 26-15 | Scott of the Antarctic Suite: XV. The Return | — | ||
| 26-16 | Scott of the Antarctic Suite: XVI. Descending the Glacier | — | ||
| 26-17 | Scott of the Antarctic Suite: XVII. The Deaths of Evans and Oates | — | ||
| 26-18 | Scott of the Antarctic Suite: XVIII. End Titles | — | ||
| 26-19 | Coastal Command Suite: I. Prelude | — | ||
| 26-20 | Coastal Command Suite: II. The Hebrides | — | ||
| 26-21 | Coastal Command Suite: III. U-Boat Alert | — | ||
| 26-22 | Coastal Command Suite: IV. Taking-Off at Night | — | ||
| 26-23 | Coastal Command Suite: V. The Hudsons Take-Off From Iceland | — | ||
| 26-24 | Coastal Command Suite: VI. Dawn Patrol [Quiet Determination] | — | ||
| 26-25 | Coastal Command Suite: VII. Battle of the Beauforts | — | ||
| 26-26 | Coastal Command Suite: VIII. Finale | — | ||
| 26-27 | The People's Land: The People's Land | — | ||
| 27-1 | Henry V (arr. Christopher Palmer): I. Prologue | — | ||
| 27-2 | Henry V (arr. Christopher Palmer): II. Interlude. At the Boar's Head | — | ||
| 27-3 | Henry V (arr. Christopher Palmer): III. Embarkation | — | ||
| 27-4 | Henry V (arr. Christopher Palmer): IV. Interlude "Touch her Soft Lips and Part" | — | ||
| 27-5 | Henry V (arr. Christopher Palmer): Va. Harfleur | — | ||
| 27-6 | Henry V (arr. Christopher Palmer): Vb. The Night Watch | — | ||
| 27-7 | Henry V (arr. Christopher Palmer): Vb. "Upon the King" | — | ||
| 27-8 | Henry V (arr. Christopher Palmer): VI. Agincourt | — | ||
| 27-9 | Henry V (arr. Christopher Palmer): VII. Interlude. At the French Court | — | ||
| 27-10 | Henry V (arr. Christopher Palmer): VIII. Epilogue | — | ||
| 27-11 | The Fitzwilliam Virginal Book: Rosa Solis | — | ||
| 27-12 | The Fitzwilliam Virginal Book: Watkin's Ale | — | ||
| 27-13 | Chants d'Auvergne, Series 5 No. 1: Obal, dinlou Limouzi | — | ||
| 28-1 | Contest Music: I. Allegro | — | ||
| 28-2 | Contest Music: II. Molto adagio | — | ||
| 28-3 | Contest Music: III. Vivo | — | ||
| 28-4 | Royal Parks: I. Dawn Flight | — | ||
| 28-5 | Royal Parks: II. In Memoriam | — | ||
| 28-6 | Royal Parks: III. Holidays | — | ||
| 28-7 | Salute to Youth: I. Resilience | — | ||
| 28-8 | Salute to Youth: II. Romance | — | ||
| 28-9 | Salute to Youth: III. Relaxation | — | ||
| 28-10 | Cloudcatcher Fells | — | ||
| 29-1 | The Peanut Vendor | — | ||
| 29-2 | Shenandoah | — | ||
| 29-3 | Cherry Ripe | — | ||
| 29-4 | Summertime | — | ||
| 29-5 | Time Was | — | ||
| 29-6 | Scarborough Fair | — | ||
| 29-7 | None but the Lonely Heart | — | ||
| 29-8 | Linstead Market | — | ||
| 29-9 | The Oak and the Ash | — | ||
| 29-10 | Wives and Lovers | — | ||
| 29-11 | Blow Away the Morning Dew | — | ||
| 29-12 | The Green Leaves of Summer | — | ||
| 29-13 | What Kind of Things | — | ||
| 30-1 | Concerto in C major, RV 425: I. Allegro | — | ||
| 30-2 | Concerto in C major, RV 425: II. Largo | — | ||
| 30-3 | Concerto in C major, RV 425: III. (Allegro) | — | ||
| 30-4 | Concerto for Mandolin in G major: II. Andante con variazioni | — | ||
| 30-5 | Grand duo concertant, Op. 85 | — | ||
| 30-6 | Polcha variata | — | ||
| 30-7 | Amor si culla, Op. 133 | — | ||
| 30-8 | Petite Bolero | — | ||
| 30-9 | El colibrí | — | ||
| 30-10 | Choros No. 1 | — | ||
| 30-11 | Prélude No. 1 | — | ||
| 30-12 | Four Venezuelan Waltzes: I. Allegro | — | ||
| 30-13 | Four Venezuelan Waltzes: II. Allegro | — | ||
| 30-14 | Four Venezuelan Waltzes: III. Allegro ritmico | — | ||
| 30-15 | Four Venezuelan Waltzes: IV. (Allegro) | — | ||
| 30-16 | Choro da Saudade | — | ||
| 30-17 | Las abejas | — | ||
| 30-18 | El Noi del la Mare | — | ||
| 30-19 | El Testament d’Amelia | — | ||
| 30-20 | El Mestre | — | ||
| 30-21 | Mis dolencias | — | ||
| 30-22 | Suite andaluza: I. Soleares | — | ||
| 30-23 | Homenaje a Tárrega: II. Soleares | — |
Concerto for Oboe in B-flat major, op. 7 no. 3: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in B-flat major, op. 7 no. 3: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in B-flat major, op. 7 no. 3: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in F major, op. 7 no. 9: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in F major, op. 7 no. 9: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in F major, op. 7 no. 9: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 9 no. 5: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 9 no. 5: II. Adagio (non troppo)
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 9 no. 5: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in G minor, op. 9 no. 8: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in G minor, op. 9 no. 8: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in G minor, op. 9 no. 8: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 7 no. 12: I. Allegro e non presto
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 7 no. 12: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in C major, op. 7 no. 12: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in B-flat major, op. 9 no. 11: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in B-flat major, op. 9 no. 11: II. Adagio (non troppo)
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in B-flat major, op. 9 no. 11: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D minor, op. 9 no. 2: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D minor, op. 9 no. 2: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D major, op. 7 no. 6: I. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D major, op. 7 no. 6: II. Adagio
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Concerto for Oboe in D major, op. 7 no. 6: III. Allegro
Collegium Musicum 90, Simon Standage, Anthony Robson
—
Symphony No. 4: I. Allegro moderato
—
Symphony No. 4: II. Lento moderato
—
Symphony No. 4: III. Allegro - Tempo di marcia trionfale
—
Tintagel
—
Psaume 24
—
Faust et Hélène
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D’un soir triste
—
D’un matin de printemps
—
Psaume 130 “Du fond de l’abîme”
—
12 Études Op. 10: No. 1 in C major
—
12 Études Op. 10: No. 2 in A minor
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12 Études Op. 10: No. 3 in E major
—
12 Études Op. 10: No. 4 in C-sharp minor
—
12 Études Op. 10: No. 5 in G-flat major
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12 Études Op. 10: No. 6 in E-flat minor
—
12 Études Op. 10: No. 7 in C major
—
12 Études Op. 10: No. 8 in F major
—
12 Études Op. 10: No. 9 in F minor
—
12 Études Op. 10: No. 10 in A-flat major
—
12 Études Op. 10: No. 11 in E-flat major
—
12 Études Op. 10: No. 12 in C minor
—
12 Études Op. 25: No. 1 in A-flat major
—
12 Études Op. 25: No. 2 in F minor
—
12 Études Op. 25: No. 3 in F major
—
12 Études Op. 25: No. 4 in A minor
—
12 Études Op. 25: No. 5 in E minor
—
12 Études Op. 25: No. 6 in G-sharp minor
—
12 Études Op. 25: No. 7 in C-sharp minor
—
12 Études Op. 25: No. 8 in D-flat major
—
12 Études Op. 25: No. 9 in G-flat major
—
12 Études Op. 25: No. 10 in B minor
—
12 Études Op. 25: No. 11 in A minor
—
12 Études Op. 25: No. 12 in C minor
—
Trois nouvelles Études: No. 1 in F minor
—
Trois nouvelles Études: No. 2 in D-flat major
—
Trois nouvelles Études: No. 3 in A-flat major
—
Sea Drift
—
Songs of Farewell: I. Double Chorus “How sweet the silent backward tracings!”
—
Songs of Farewell: II. Chorus “Stand as on some mighty eagle’s beak”
—
Songs of Farewell: III. Chorus “Passage to you! O secret of the earth and sky!”
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Songs of Farewell: IV. Double Chorus “Joy, shipmate, joy!”
—
Songs of Farewell: V. Chorus “Now finalè to the shore”
—
Songs of Sunset: Chorus “A song of the setting sun!”
—
Songs of Sunset: Soli “Cease smiling, Dear! a little while be sad” (Mezzo-soprano, Baritone)
—
Songs of Sunset: Chorus “Pale amber sunlight falls”
—
Songs of Sunset: Solo “Exceeding sorrow Consumeth my sad heart!” (Mezzo-soprano)
—
Songs of Sunset: Solo “By the sad waters of separation” (Baritone)
—
Songs of Sunset: Chorus “See how the trees and the oisers lithe”
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Songs of Sunset: Solo “I was not sorrowful, I could not weep” (Baritone)
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Songs of Sunset: Soli & Chorus “They are not long, the weeping and the laughter” (Mezzo-soprano, Baritone)
—
Salut d’Amour, Op. 12 “Liebesgrüß” (feat. cello: Steven Isserlis)
—
Mot d’Amour, Op. 13 No. 1 “Liebesahnung”
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Canto Popolare, Op. 50 “In Moonlight”
—
Sospiri, Op. 70
—
Chanson de Nuit, Op. 15 No. 1
—
Chanson de Matin Op. 15 No. 2
—
6 Very Easy Pieces in the First Position, Op. 22
—
Sonata for Violin and Piano in E minor, Op. 82: I. Allegro
—
Sonata for Violin and Piano in E minor, Op. 82: II. Romance. Andante
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Sonata for Violin and Piano in E minor, Op. 82: III. Allegro non troppo
—
The Duke of Marlborough Fanfare
BBC Philharmonic, Richard Hickox
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Colonial Song
BBC Philharmonic, Richard Hickox
—
English Dance
BBC Philharmonic, Richard Hickox
—
Shepherd’s Hey
BBC Philharmonic, Richard Hickox
—
There Were Three Friends
BBC Philharmonic, Richard Hickox
—
Fisher’s Boarding-House
BBC Philharmonic, Richard Hickox
—
We Were Dreamers
BBC Philharmonic, Richard Hickox
—
Harvest Hymn
BBC Philharmonic, Richard Hickox
—
Walking Tune
BBC Philharmonic, Richard Hickox
—
In a Nutshell Suite: I. Arrival at Platform Humlet
BBC Philharmonic, Richard Hickox
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In a Nutshell Suite: II. Gay But Wistful
BBC Philharmonic, Richard Hickox
—
In a Nutshell Suite: III. Pastoral
BBC Philharmonic, Richard Hickox
—
In a Nutshell Suite: IV. The Gum-Suckers March
BBC Philharmonic, Richard Hickox
—
Passion Week, Op. 58: Behold, the Bridegroom
—
Passion Week, Op. 58: I See Thy Bridal Chamber
—
Passion Week, Op. 58: In Thy Kingdom
—
Passion Week, Op. 58: Gladsome Light
—
Passion Week, Op. 58: Let My Prayer Be Set Forth
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Passion Week, Op. 58: Now the Powers of Heaven
—
Passion Week, Op. 58: At Thy Mystical Supper
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Passion Week, Op. 58: The Wise Thief
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Passion Week, Op. 58: Thou, Who Clothest Thyself
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Passion Week, Op. 58: The Lord Is God… The Noble Joseph
—
Passion Week, Op. 58: Weep for Me Not, O Mother
—
Passion Week, Op. 58: As Many of You… Arise, O God
—
Passion Week, Op. 58: Let All Mortal Flesh
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Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Sonata
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Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Solo & Chorus “O be joyful in the Lord” (tenor)
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Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Serve the Lord with gladness”
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Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Duet “Be ye sure that the Lord he is Lord” (soprano, tenor)
—
Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “O go your way into his gates”
—
Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Trio “For the Lord is gracious” (soprano, tenor, bass)
—
Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “Glory be to the Father”
—
Chandos Anthem No. 1, HWV 246 “O be joyful in the Lord”: Chorus “As it was in the beginning”
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Sonata
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “In the Lord put I my trust!”
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “God is a constant sure defence” (tenor)
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Behold! The wicked bend their bow”
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “But God, who hears the suff’ring pow’r” (tenor)
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Snares, fire and brimstone”
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Solo “The righteous Lord” (tenor)
—
Chandos Anthem No. 2, HWV 247 “In the Lord put I my trust”: Chorus “Then shall my song”
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Sonata
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Have mercy upon me, O God”
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Duet “Wash me thoroughly from my wickedness” (soprano, tenor)
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “For I acknowledge my faults” (tenor)
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Against thee only have I sinned” (tenor)
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Thou shalt make me hear of joy and gladness”
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Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Solo “Make me a clean heart, O God” (soprano)
—
Chandos Anthem No. 3, HWV 248 “Have mercy upon me, O God”: Chorus “Then shall I teach Thy ways unto the wicked”
—
An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto
—
An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto
—
An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo
—
An Irish Symphony: IV. The Twelfth of July. Con molto brio
—
A Comedy Overture
—
The Planets, Op. 32: I. Mars, the Bringer of War
—
The Planets, Op. 32: II. Venus, The Bringer of Peace
—
The Planets, Op. 32: III. Mercury, The Winged Messenger
—
The Planets, Op. 32: IV. Jupiter, The Bringer of Jollity
—
The Planets, Op.32: V. Saturn, The Bringer of Old Age
—
The Planets, Op. 32: VI. Uranus, The Magician
—
The Planets, Op. 32: VII. Neptune, The Mystic
—
Piano Concerto in A minor, Op. 85: I. Allegro moderato
—
Piano Concerto in A minor, Op. 85: II. Larghetto
—
Piano Concerto in A minor, Op. 85: III. Rondo: Allegro moderato
—
Piano Concerto in B minor, Op. 89: I. Allegro moderato
—
Piano Concerto in B minor, Op. 89: II. Larghetto
—
Piano Concerto in B minor, Op. 89: III. Finale: Vivace
—
Mass in D major, Op. 111: Kyrie
—
Mass in D major, Op. 111: Gloria in excelsis Deo
—
Mass in D major, Op. 111: Qui tollis peccata mundi
—
Mass in D major, Op. 111: Quoniam tu solus sanctus
—
Mass in D major, Op. 111: Cum Sancto Spiritu
—
Mass in D major, Op. 111: Credo in unum Deum
—
Mass in D major, Op. 111: Et incarnatus est
—
Mass in D major, Op. 111: Et resurrexit
—
Mass in D major, Op. 111: Et vitam venturi
—
Mass in D major, Op. 111: Sanctus
—
Mass in D major, Op. 111: Benedictus
—
Mass in D major, Op. 111: Agnus Dei
—
Alma virgo: Offertory
—
Mass in B-flat major, Op. 77: Kyrie
—
Mass in B-flat major, Op. 77: Gloria in excelsis Deo
—
Mass in B-flat major, Op. 77: Qui tollis peccata mundi
—
Mass in B-flat major, Op. 77: Quoniam tu solus sanctus
—
Mass in B-flat major, Op. 77: Credo
—
Mass in B-flat major, Op. 77: Sanctus
—
Mass in B-flat major, Op. 77: Benedictus
—
Mass in B-flat major, Op. 77: Agnus Dei
—
Mša Glagolskaja: I. Intrada
—
Mša Glagolskaja: II. Úvod
—
Mša Glagolskaja: III. Gospodi pomiluj
—
Mša Glagolskaja: IV. Slava
—
Mša Glagolskaja: V. Věruju
—
Mša Glagolskaja: VI. Svet
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Mša Glagolskaja: VII. Agneče Božij
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Mša Glagolskaja: VIII. Varhany solo
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Mša Glagolskaja: IX. Intrada
—
Psalmus hungaricus, Op. 13
—
Symphony No. 6 in E-flat minor, Op. 111: I. Allegro moderato
—
Symphony No. 6 in E-flat minor, Op. 111: II. Largo
—
Symphony No. 6 in E-flat minor, Op. 111: III. Vivace
—
Waltz Suite Op. 110: II. In the Palace from “Cinderella”
—
Waltz Suite Op. 110: V. New Year’s Eve Ball from “War and Peace”
—
Waltz Suite Op. 110: VI. Happiness from “Cinderella”
—
Dido & Aeneas: Overture and Act I
—
Dido & Aeneas: Act II Scene 1 (The Cave)
—
Dido & Aeneas: Act II Scene 2 (The Grove)
—
Dido & Aeneas: Act III (The Ships)
—
Trio élégiaque No. 1 in G minor, Op. posth.: Lento lugubre
—
Trio élégiaque No. 2 in D minor, Op. 9: I. Moderato – Allegro moderato
—
Trio élégiaque No. 2 in D minor, Op. 9: II. Quasi variazione
—
Trio élégiaque No. 2 in D minor, Op. 9: III. Allegro risoluto
—
Belkis, regina di Saba, P 177: I. Il sogno di Salomone
Philharmonia Orchestra, Geoffrey Simon
—
Belkis, regina di Saba, P 177: II. Danza guerresca
Philharmonia Orchestra, Geoffrey Simon
—
Belkis, regina di Saba, P 177: III. La danza di Belkis all’aurora
Philharmonia Orchestra, Geoffrey Simon
—
Belkis, regina di Saba, P 177: IV. Danza orgiastica
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Tema. Andante moderato -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus I. Moderato non troppo -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus II. Allegretto -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus III. Lento -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus IV. Lento espressivo -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus V. Molto vivace -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus VI. Vivo -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus VII. Cadenze -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus VIII. Andantino mosso -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus IX. Lento non troppo -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus X. Molto allegro -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus XI. Molto allegro -
Philharmonia Orchestra, Geoffrey Simon
—
Metamorphoseon modi XII, P 169: Modus XII. Vivo non troppo
Philharmonia Orchestra, Geoffrey Simon
—
Violin Concerto No. 1 in A minor, Op. 99: I. Nocturne: Moderato
—
Violin Concerto No. 1 in A minor, Op. 99: II. Scherzo: Allegro
—
Violin Concerto No. 1 in A minor, Op. 99: III. Passacaglia: Andante
—
Violin Concerto No. 1 in A minor, Op. 99: IV. Burlesque: Allegro con brio
—
Violin Concerto No. 2 in C-sharp minor, Op. 129: I. Moderato
—
Violin Concerto No. 2 in C-sharp minor, Op. 129: II. Adagio
—
Violin Concerto No. 2 in C-sharp minor, Op. 129: III. Adagio - Allegro
—
Piano Concerto No. 1 in C minor, Op. 35: I. Allegro moderato
—
Piano Concerto No. 1 in C minor, Op. 35: II. Lento
—
Piano Concerto No. 1 in C minor, Op. 35: III. Moderato
—
Piano Concerto No. 1 in C minor, Op. 35: IV. Allegro con brio
—
Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): I. Largo
—
Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): II. Allegro molto
—
Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): III. Allegretto
—
Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): IV. Largo
—
Chamber Symphony, Op. 110a (arr. R. Barshai from String Quartet No. 8): V. Largo
—
Songs of the Fleet, Op. 117: I. Sailing at Dawn
—
Songs of the Fleet, Op. 117: II. The Song of the Sou’Wester
—
Songs of the Fleet, Op. 117: III. The Middle-Watch
—
Songs of the Fleet, Op. 117: IV. The Little Admiral
—
Songs of the Fleet, Op. 117: V. Fare Well
—
The Revenge: A Ballad of the Fleet, Op. 24: “At Flores in the Azores”
—
The Revenge: A Ballad of the Fleet, Op. 24: “He had only a hundred seamen”
—
The Revenge: A Ballad of the Fleet, Op. 24: “Sir Richard spoke and he laugh'd”
—
The Revenge: A Ballad of the Fleet, Op. 24: “And the night went down”
—
The Revenge: A Ballad of the Fleet, Op. 24: “And the stately Spanish men”
—
The Revenge: A Ballad of the Fleet, Op. 24: “But they sank his body with honour down”
—
Songs of the Sea, Op. 91: I. Drake’s Drum
—
Songs of the Sea, Op. 91: II. Outward Bound
—
Songs of the Sea, Op. 91: III. Devon, O Devon, in Wind and Rain
—
Songs of the Sea, Op. 91: IV. Homeward Bound
—
Songs of the Sea, Op. 91: V. The Old Superb
—
Der Rosenkavalier: Act I. Introduction
—
Der Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin)
—
Der Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian)
—
Der Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian)
—
Der Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian)
—
Der Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian)
—
Der Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian)
—
Der Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo)
—
Der Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen)
—
Der Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie)
—
Der Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina)
—
Der Rosenkavalier: Act II. “Here” (Ochs, Annina)
—
Der Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots)
—
Der Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin)
—
Der Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian)
—
Der Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie)
—
Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin)
—
Der Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie)
—
Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima
—
Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza
—
Symphony No. 5 in E minor, Op. 64: III. Allegro moderato
—
Symphony No. 5 in E minor, Op. 64: IV. Andante maestoso - Allegro vivace
—
Symphony in G minor, B. g2: I. Allegro moderato
—
Symphony in G minor, B. g2: II. Adagio
—
Symphony in G minor, B. g2: III. Menuetto & Trio. Moderato
—
Symphony in G minor, B. g2: IV. Finale. Allegro
—
Symphony in D major, B. D4: I. Allegro moderato
—
Symphony in D major, B. D4: II. Andante
—
Symphony in D major, B. D4: III. Allegro
—
Symphony in D major, B. D4: IV. Menuetto & Trio
—
Symphony in C minor, B. c2: I. Allegro moderato
—
Symphony in C minor, B. c2: II. Andante
—
Symphony in C minor, B. c2: III. Menuetto & Trio. Moderato
—
Symphony in C minor, B. c2: IV. Finale. Allegro
—
The Banks of Green Willow: Idyll
—
Symphony No. 2 in G major "A London Symphony": I. Lento - Allegro risoluto
—
Symphony No. 2 in G major "A London Symphony": II. Lento
—
Symphony No. 2 in G major "A London Symphony": III. Scherzo (Nocturne): Allegro vivace - Andantino
—
Symphony No. 2 in G major "A London Symphony": IV. Andante con moto - Maestoso alla marcia (quasi lento) - Allegro - Andantino ma sostenuto - Tempo primo - Allegro - Lento - Epilogue: Andante sostenuto - Lento
—
Scott of the Antarctic Suite: I. Main Titles
—
Scott of the Antarctic Suite: II. Prologue (Orch. By S. Hogger)
—
Scott of the Antarctic Suite: III. Doom
—
Scott of the Antarctic Suite: IV. Sculpture Scene
—
Scott of the Antarctic Suite: V. Ship's Departure
—
Scott of the Antarctic Suite: VI. Ice Floes
—
Scott of the Antarctic Suite: VII. Penguin Dance
—
Scott of the Antarctic Suite: VIII. Aurora
—
Scott of the Antarctic Suite: IX. Pony March
—
Scott of the Antarctic Suite: X. Blizzard
—
Scott of the Antarctic Suite: XI. Distant Glacier
—
Scott of the Antarctic Suite: XII. Climbing the Glacier
—
Scott of the Antarctic Suite: XIII. Scott on the Glacier
—
Scott of the Antarctic Suite: XIV. Snow Plain
—
Scott of the Antarctic Suite: XV. The Return
—
Scott of the Antarctic Suite: XVI. Descending the Glacier
—
Scott of the Antarctic Suite: XVII. The Deaths of Evans and Oates
—
Scott of the Antarctic Suite: XVIII. End Titles
—
Coastal Command Suite: I. Prelude
—
Coastal Command Suite: II. The Hebrides
—
Coastal Command Suite: III. U-Boat Alert
—
Coastal Command Suite: IV. Taking-Off at Night
—
Coastal Command Suite: V. The Hudsons Take-Off From Iceland
—
Coastal Command Suite: VI. Dawn Patrol [Quiet Determination]
—
Coastal Command Suite: VII. Battle of the Beauforts
—
Coastal Command Suite: VIII. Finale
—
The People's Land: The People's Land
—
Henry V (arr. Christopher Palmer): I. Prologue
—
Henry V (arr. Christopher Palmer): II. Interlude. At the Boar's Head
—
Henry V (arr. Christopher Palmer): III. Embarkation
—
Henry V (arr. Christopher Palmer): IV. Interlude "Touch her Soft Lips and Part"
—
Henry V (arr. Christopher Palmer): Va. Harfleur
—
Henry V (arr. Christopher Palmer): Vb. The Night Watch
—
Henry V (arr. Christopher Palmer): Vb. "Upon the King"
—
Henry V (arr. Christopher Palmer): VI. Agincourt
—
Henry V (arr. Christopher Palmer): VII. Interlude. At the French Court
—
Henry V (arr. Christopher Palmer): VIII. Epilogue
—
The Fitzwilliam Virginal Book: Rosa Solis
—
The Fitzwilliam Virginal Book: Watkin's Ale
—
Chants d'Auvergne, Series 5 No. 1: Obal, dinlou Limouzi
—
Contest Music: I. Allegro
—
Contest Music: II. Molto adagio
—
Contest Music: III. Vivo
—
Royal Parks: I. Dawn Flight
—
Royal Parks: II. In Memoriam
—
Royal Parks: III. Holidays
—
Salute to Youth: I. Resilience
—
Salute to Youth: II. Romance
—
Salute to Youth: III. Relaxation
—
Cloudcatcher Fells
—
The Peanut Vendor
—
Shenandoah
—
Cherry Ripe
—
Summertime
—
Time Was
—
Scarborough Fair
—
None but the Lonely Heart
—
Linstead Market
—
The Oak and the Ash
—
Wives and Lovers
—
Blow Away the Morning Dew
—
The Green Leaves of Summer
—
What Kind of Things
—
Concerto in C major, RV 425: I. Allegro
—
Concerto in C major, RV 425: II. Largo
—
Concerto in C major, RV 425: III. (Allegro)
—
Concerto for Mandolin in G major: II. Andante con variazioni
—
Grand duo concertant, Op. 85
—
Polcha variata
—
Amor si culla, Op. 133
—
Petite Bolero
—
El colibrí
—
Choros No. 1
—
Prélude No. 1
—
Four Venezuelan Waltzes: I. Allegro
—
Four Venezuelan Waltzes: II. Allegro
—
Four Venezuelan Waltzes: III. Allegro ritmico
—
Four Venezuelan Waltzes: IV. (Allegro)
—
Choro da Saudade
—
Las abejas
—
El Noi del la Mare
—
El Testament d’Amelia
—
El Mestre
—
Mis dolencias
—
Suite andaluza: I. Soleares
—
Homenaje a Tárrega: II. Soleares
—
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Creative Contributors (ISNI)
0000000055156097000000005516362500000000551761940000000055531045000000006309070200000000631082550000000071450835000000008169715300000000818526780000000084124836
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000000008605659000000000928064580000000094063029000000010233558200000001066673810000000107210615000000010724211500000001078863400000000107900923000000010914411300000001094010360000000109450217000000010956154X00000001096459620000000109878520000000011000739400000001101298420000000110153850000000011017757X0000000110177799
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095115003022 is a Universal Product Code (UPC) assigned to Milestones: 30 Years of Chandos by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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