UPC · Release
Jeu de cartes / Orpheus / Suite from "Histoire du soldat"
Igor Stravinsky, Royal Concertgebouw Orchestra, Scottish National Orchestra, Neeme Järvi
095115119327
40 tracksReleased 2004-01-01Chandos Classics
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095115119327 is the Universal Product Code (UPC barcode) for the release “Jeu de cartes / Orpheus / Suite from "Histoire du soldat"” by Igor Stravinsky, Royal Concertgebouw Orchestra, Scottish National Orchestra, Neeme Järvi, released 2004-01-01 on Chandos Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include GBLWD9406105, GBLWD9406106, GBLWD9406107.
Format
0Number system
95115Manufacturer
11932Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCJeu de cartes / Orpheus / Suite from "Histoire du soldat"
ISRC11 recordings
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jeu de cartes: Première donne. Introduction. Alla breve | — | ||
| 2 | Jeu de cartes: Première donne. Pas d’action. Meno mosso | — | ||
| 3 | Jeu de cartes: Première donne. Dance Variation. Moderato assai | — | ||
| 4 | Jeu de cartes: Première donne. Dance of the Joker. Stringendo | — | ||
| 5 | Jeu de cartes: Première donne. Waltz-Coda. Tranquillo | — | ||
| 6 | Jeu de cartes: Deuxième donne. Introduction. Alla breve | — | ||
| 7 | Jeu de cartes: Deuxième donne. March. Marcia | — | ||
| 8 | Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto | — | ||
| 9 | Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante | — | ||
| 10 | Jeu de cartes: Deuxième donne. Coda. Più mosso | — | ||
| 11 | Jeu de cartes: Deuxième donne. Reprise of March. Marcia | — | ||
| 12 | Jeu de cartes: Deuxième donne. Ensemble. Con moto | — | ||
| 13 | Jeu de cartes: Troisième donne. Introduction. Alla breve | — | ||
| 14 | Jeu de cartes: Troisième donne. Waltz | — | ||
| 15 | Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto | — | ||
| 16 | Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio | — | ||
| 17 | Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto | — | ||
| 18 | Orpheus: Scene 1. Air de danse. Andante con moto | — | ||
| 19 | Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo | — | ||
| 20 | Orpheus: Scene 1. Interlude | — | ||
| 21 | Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso | — | ||
| 22 | Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso | — | ||
| 23 | Orpheus: Scene 2. Interlude. L’istesso tempo | — | ||
| 24 | Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo | — | ||
| 25 | Orpheus: Scene 2. Pas d’action. Andantino leggiadro | — | ||
| 26 | Orpheus: Scene 2. Pas de deux. Andante sostenuto | — | ||
| 27 | Orpheus: Scene 2. Interlude. Moderato assai | — | ||
| 28 | Orpheus: Scene 2. Pas d’action. Vivace | — | ||
| 29 | Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto | — | ||
| 30 | Suite from Histoire du soldat: I. The Soldier’s March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 31 | Suite from Histoire du soldat: II. Music from Scene 1 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 32 | Suite from Histoire du soldat: III. Music from Scene 2 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 33 | Suite from Histoire du soldat: IV. The Royal March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 34 | Suite from Histoire du soldat: V. The Little Concert | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 35 | Suite from Histoire du soldat: VI. Three Dances: 1. Tango | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 36 | Suite from Histoire du soldat: VI. Three Dances: 2. Valse | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 37 | Suite from Histoire du soldat: VI. Three Dances: 3. Ragtime | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 38 | Suite from Histoire du soldat: VII. The Devil’s Dance | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 39 | Suite from Histoire du soldat: VIII. Great Chorale | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 40 | Suite from Histoire du soldat: IX. Triumphal March of the Devil | Royal Scottish National Orchestra, Neeme Järvi | — |
Jeu de cartes: Première donne. Introduction. Alla breve
—
Jeu de cartes: Première donne. Pas d’action. Meno mosso
—
Jeu de cartes: Première donne. Dance Variation. Moderato assai
—
Jeu de cartes: Première donne. Dance of the Joker. Stringendo
—
Jeu de cartes: Première donne. Waltz-Coda. Tranquillo
—
Jeu de cartes: Deuxième donne. Introduction. Alla breve
—
Jeu de cartes: Deuxième donne. March. Marcia
—
Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto
—
Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante
—
Jeu de cartes: Deuxième donne. Coda. Più mosso
—
Jeu de cartes: Deuxième donne. Reprise of March. Marcia
—
Jeu de cartes: Deuxième donne. Ensemble. Con moto
—
Jeu de cartes: Troisième donne. Introduction. Alla breve
—
Jeu de cartes: Troisième donne. Waltz
—
Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto
—
Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio
—
Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto
—
Orpheus: Scene 1. Air de danse. Andante con moto
—
Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo
—
Orpheus: Scene 1. Interlude
—
Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso
—
Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso
—
Orpheus: Scene 2. Interlude. L’istesso tempo
—
Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo
—
Orpheus: Scene 2. Pas d’action. Andantino leggiadro
—
Orpheus: Scene 2. Pas de deux. Andante sostenuto
—
Orpheus: Scene 2. Interlude. Moderato assai
—
Orpheus: Scene 2. Pas d’action. Vivace
—
Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto
—
Suite from Histoire du soldat: I. The Soldier’s March
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: II. Music from Scene 1
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: III. Music from Scene 2
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: IV. The Royal March
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: V. The Little Concert
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: VI. Three Dances: 1. Tango
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: VI. Three Dances: 2. Valse
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: VI. Three Dances: 3. Ragtime
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: VII. The Devil’s Dance
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: VIII. Great Chorale
Royal Scottish National Orchestra, Neeme Järvi
—
Suite from Histoire du soldat: IX. Triumphal March of the Devil
Royal Scottish National Orchestra, Neeme Järvi
—
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What is UPC 095115119327?
095115119327 is a Universal Product Code (UPC) assigned to Jeu de cartes / Orpheus / Suite from "Histoire du soldat" by Igor Stravinsky, Royal Concertgebouw Orchestra, Scottish National Orchestra, Neeme Järvi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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