Ruth

UPC · Release

Ruth

Lennox Berkeley, Jean Rigby, Mark Tucker, Yvonne Kenny, Claire Rutter, Roderick Williams, Joyful Company Of Singers, City Of London Sinfonia, Richard Hickox

095115130124
33 tracksReleased 2005-01-01Chandos

Last verified:

095115130124 is the Universal Product Code (UPC barcode) for the release Ruth by Lennox Berkeley, Jean Rigby, Mark Tucker, Yvonne Kenny, Claire Rutter, Roderick Williams, Joyful Company Of Singers, City Of London Sinfonia, Richard Hickox, released 2005-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC.

Format

0Number system
95115Manufacturer
13012Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (33)

Ruth, Op. 50, Scene 1: A mountainous place near Bethlehem
Ruth, Op. 50, Scene 1: A mountainous place near Bethlehem
Ruth, Op. 50, Scene 1: Once more I see your green and golden hills, O Judah! (Naomi, Ruth, Orpah)
Ruth, Op. 50, Scene 1: Once more I see your green and golden hills, O Judah! (Naomi, Ruth, Orpah)
Ruth, Op. 50, Scene 1: Turn back, my daughters (Naomi, Ruth, Orpah)
Ruth, Op. 50, Scene 1: Turn back, my daughters (Naomi, Ruth, Orpah)
Ruth, Op. 50, Scene 1: Almighty Father, let my cry come unto thee! (Naomi, Orpah, Ruth)
Ruth, Op. 50, Scene 1: Almighty Father, let my cry come unto thee! (Naomi, Orpah, Ruth)
Ruth, Op. 50, Scene 1: Ah, must I leave thee? Must we part? (Orpah, Naomi, Ruth)
Ruth, Op. 50, Scene 1: Ah, must I leave thee? Must we part? (Orpah, Naomi, Ruth)
Ruth, Op. 50, Scene 1: Whither thou goest, I will go (Ruth, Naomi)
Ruth, Op. 50, Scene 1: Whither thou goest, I will go (Ruth, Naomi)
Ruth, Op. 50, Scene 1: See! Is this Naomi!? (Naomi, Women)
Ruth, Op. 50, Scene 1: See! Is this Naomi!? (Naomi, Women)
Ruth, Op. 50, Scene 1: Ah, call me not Naomi, let Mara be my name (Naomi)
Ruth, Op. 50, Scene 1: Ah, call me not Naomi, let Mara be my name (Naomi)
Ruth, Op. 50, Scene 1: Where, ah, where is Naomi? (Naomi, Ruth, Women)
Ruth, Op. 50, Scene 1: Where, ah, where is Naomi? (Naomi, Ruth, Women)
Ruth, Op. 50, Scene 2: A harvest field belonging to Boaz - Gold grows the barley on hillside and valley (Men)
Ruth, Op. 50, Scene 2: A harvest field belonging to Boaz - Gold grows the barley on hillside and valley (Men)
Ruth, Op. 50, Scene 2: Greetings, men of Judah! (Head Reaper, Women)
Ruth, Op. 50, Scene 2: Greetings, men of Judah! (Head Reaper, Women)
Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Women, Men)
Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Women, Men)
Ruth, Op. 50, Scene 2: Come, let us go forth together (Head Reaper, Ruth, Women, Men)
Ruth, Op. 50, Scene 2: Come, let us go forth together (Head Reaper, Ruth, Women, Men)
Ruth, Op. 50, Scene 2: Stay, men of Judah! (Boaz, Head Reaper, Ruth, Men, Women)
Ruth, Op. 50, Scene 2: Stay, men of Judah! (Boaz, Head Reaper, Ruth, Men, Women)
Ruth, Op. 50, Scene 2: I had no wish to anger them (Ruth, Boaz, Head Reaper)
Ruth, Op. 50, Scene 2: I had no wish to anger them (Ruth, Boaz, Head Reaper)
Ruth, Op. 50, Scene 2: Ah, let not anger fill your eyes! (Ruth, Boaz)
Ruth, Op. 50, Scene 2: Ah, let not anger fill your eyes! (Ruth, Boaz)
Ruth, Op. 50, Scene 2: Whence cometh this to me, that thou should'st deign to notice me? (Ruth, Boaz)
Ruth, Op. 50, Scene 2: Whence cometh this to me, that thou should'st deign to notice me? (Ruth, Boaz)
Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Boaz, Women, Men)
Ruth, Op. 50, Scene 2: The scatter'd ear of corn (Boaz, Women, Men)
Ruth, Op. 50, Scene 3: A threshing-floor, at night - This is the place! Come, daughter (Naomi, Ruth)
Ruth, Op. 50, Scene 3: A threshing-floor, at night - This is the place! Come, daughter (Naomi, Ruth)
Ruth, Op. 50, Scene 3: Fear not, beloved Ruth! (Naomi, Ruth)
Ruth, Op. 50, Scene 3: Fear not, beloved Ruth! (Naomi, Ruth)
Ruth, Op. 50, Scene 3: Golden ripe the barley grows (Naomi, Ruth, Head Reaper, Boaz, Women, Men)
Ruth, Op. 50, Scene 3: Golden ripe the barley grows (Naomi, Ruth, Head Reaper, Boaz, Women, Men)
Ruth, Op. 50, Scene 3: Lord of the Harvest, what are thy commands? (Head Reaper, Boaz, Men, Women)
Ruth, Op. 50, Scene 3: Lord of the Harvest, what are thy commands? (Head Reaper, Boaz, Men, Women)
Ruth, Op. 50, Scene 3: Winter time is time to plough, aie, the wind does bite! (Men, Women)
Ruth, Op. 50, Scene 3: Winter time is time to plough, aie, the wind does bite! (Men, Women)
Ruth, Op. 50, Scene 3: Across the field the long slow line of reapers goes a-reaping (Women)
Ruth, Op. 50, Scene 3: Across the field the long slow line of reapers goes a-reaping (Women)
Ruth, Op. 50, Scene 3: Dance, come dance, dance within the ring (Head Reaper, Women, Men)
Ruth, Op. 50, Scene 3: Dance, come dance, dance within the ring (Head Reaper, Women, Men)
Ruth, Op. 50, Scene 3: O clap your hands, all ye people! (Boaz, Women, Men)
Ruth, Op. 50, Scene 3: O clap your hands, all ye people! (Boaz, Women, Men)
Ruth, Op. 50, Scene 3: Go now, my daughter (Naomi, Ruth)
Ruth, Op. 50, Scene 3: Go now, my daughter (Naomi, Ruth)
Ruth, Op. 50, Scene 3: Master! (Ruth, Boaz)
Ruth, Op. 50, Scene 3: Master! (Ruth, Boaz)
Ruth, Op. 50, Scene 3: Thou comest in the stillness of the night (Boaz, Ruth)
Ruth, Op. 50, Scene 3: Thou comest in the stillness of the night (Boaz, Ruth)
Ruth, Op. 50, Scene 3: Lo, my beloved, my soul's delight, to thee I give my hand (Boaz, Ruth)
Ruth, Op. 50, Scene 3: Lo, my beloved, my soul's delight, to thee I give my hand (Boaz, Ruth)
Ruth, Op. 50, Scene 3: Ho there, my people! (Boaz, Ruth, Naomi, Women, Men)
Ruth, Op. 50, Scene 3: Ho there, my people! (Boaz, Ruth, Naomi, Women, Men)
Ruth, Op. 50, Scene 3: Behold this maid (Boaz, Ruth, Naomi, Head Reaper, Women, Men)
Ruth, Op. 50, Scene 3: Behold this maid (Boaz, Ruth, Naomi, Head Reaper, Women, Men)
Ruth, Op. 50, Scene 3: Rejoice, O Israel, rejoice (Head Reaper, Ruth, Naomi, Boaz, Women, Men)
Ruth, Op. 50, Scene 3: Rejoice, O Israel, rejoice (Head Reaper, Ruth, Naomi, Boaz, Women, Men)

What other identifiers does this connect to?

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 095115130124?
UPC 095115130124 is the Universal Product Code (barcode) for "Ruth" by Lennox Berkeley, Jean Rigby, Mark Tucker, Yvonne Kenny, Claire Rutter, Roderick Williams, Joyful Company Of Singers, City Of London Sinfonia, Richard Hickox, released on Chandos.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 095115130124?
UPC 095115130124 contains 33 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 095115130124?

095115130124 is a Universal Product Code (UPC) assigned to Ruth by Lennox Berkeley, Jean Rigby, Mark Tucker, Yvonne Kenny, Claire Rutter, Roderick Williams, Joyful Company Of Singers, City Of London Sinfonia, Richard Hickox. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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