UPC · Release
British Tone Poems, Volume 1
Alwyn, Austin, Bantock, Gardiner, Gurney, Vaughan Williams, Rumon Gamba, BBC National Orchestra of Wales
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095115193921 is the Universal Product Code (UPC barcode) for the release “British Tone Poems, Volume 1” by Alwyn, Austin, Bantock, Gardiner, Gurney, Vaughan Williams, Rumon Gamba, BBC National Orchestra of Wales, released 2017-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (24)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Spring, Symphonic Rhapsody: Moderate movement, easily swinging - Slightly more sustained - Tempo I - Again more sustained - Poco più animato | — | ||
| 2 | Spring, Symphonic Rhapsody: Poco meno mosso | — | ||
| 3 | Spring, Symphonic Rhapsody: Slightly broader than Tempo I (easily swinging) - Più animato - Più animato | — | ||
| 4 | Spring, Symphonic Rhapsody: Andante moderato | — | ||
| 5 | Spring, Symphonic Rhapsody: Più animato quasi ad libitum - Tempo I (easily swinging) - Poco più allegro | — | ||
| 6 | Blackdown, A Tone Poem from the Surrey Hills | — | ||
| 7 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: A. Lento molto e tranquillo | — | ||
| 8 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: B. Lento misterioso | — | ||
| 9 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: C. L'istesso tempo - Molto cantabile e sostenuto | — | ||
| 10 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: D. Allegretto molto leggiero - Molto sostenuto | — | ||
| 11 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: E. Andante con molta tenerezza | — | ||
| 12 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: F. Accelerando - Poco più moto | — | ||
| 13 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: G. Marziale con anima - Harp Cadenza | — | ||
| 14 | The Witch of Atlas, Tone Poem no. 5 for Orchestra: H. Più tranquillamente - Tempo I - Molto lento | — | ||
| 15 | A Gloucestershire Rhapsody for Orchestra: [Maestoso e con ampio trascinare] - [più mosso] -[Un poco più mosso] | — | ||
| 16 | A Gloucestershire Rhapsody for Orchestra: [L'istesso tempo] | — | ||
| 17 | A Gloucestershire Rhapsody for Orchestra: [Poco più mosso] | — | ||
| 18 | A Gloucestershire Rhapsody for Orchestra: [A tempo] - [Poco più mosso] | — | ||
| 19 | A Gloucestershire Rhapsody for Orchestra: [Alla marcia] | — | ||
| 20 | A Berkshire Idyll for Small Orchestra: Adagio - Poco più mosso. Andante non troppo | — | ||
| 21 | A Berkshire Idyll for Small Orchestra: L'istesso tempo - Poco tranquillo - Molto più tranquillo - Vivo - Largamente - Tranquillo - Lento | — | ||
| 22 | A Berkshire Idyll for Small Orchestra: Tempo I. Andante non troppo | — | ||
| 23 | A Berkshire Idyll for Small Orchestra: Adagio, quasi andante - Lento - A tempo tranquillo | — | ||
| 24 | The Solent, Impression for Orchestra | — |
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What is UPC 095115193921?
095115193921 is a Universal Product Code (UPC) assigned to British Tone Poems, Volume 1 by Alwyn, Austin, Bantock, Gardiner, Gurney, Vaughan Williams, Rumon Gamba, BBC National Orchestra of Wales. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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