UPC · Release
Neeme Järvi
Last verified:
The UPC for “A Lifetime on Chandos” by Neeme Järvi is 095115208823. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Chandos. This release contains 391 tracks, each with its own ISRC. Tracks include GBLWD9406105, GBLWD9406106, GBLWD9406107.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 4 | Waltz Suite, op. 110: II. In the Palace from “Cinderella” | — | ||
| 5 | Waltz Suite, op. 110: V. New Year’s Eve Ball from “War and Peace” | — | ||
| 6 | Waltz Suite, op. 110: VI. Happiness from “Cinderella” | — | ||
| 2-1 | Jeu de cartes: Première donne. Introduction. Alla breve | — | ||
| 2-2 | Jeu de cartes: Première donne. Pas d’action. Meno mosso | — | ||
| 2-3 | Jeu de cartes: Première donne. Dance Variation. Moderato assai | — | ||
| 2-4 | Jeu de cartes: Première donne. Dance of the Joker. Stringendo | — | ||
| 2-5 | Jeu de cartes: Première donne. Waltz-Coda. Tranquillo | — | ||
| 2-6 | Jeu de cartes: Deuxième donne. Introduction. Alla breve | — | ||
| 2-7 | Jeu de cartes: Deuxième donne. March. Marcia | — | ||
| 2-8 | Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto | — | ||
| 2-9 | Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante | — | ||
| 2-10 | Jeu de cartes: Deuxième donne. Coda. Più mosso | — | ||
| 2-11 | Jeu de cartes: Deuxième donne. Reprise of March. Marcia | — | ||
| 2-12 | Jeu de cartes: Deuxième donne. Ensemble. Con moto | — | ||
| 2-13 | Jeu de cartes: Troisième donne. Introduction. Alla breve | — | ||
| 2-14 | Jeu de cartes: Troisième donne. Waltz | — | ||
| 2-15 | Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto | — | ||
| 2-16 | Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio | — | ||
| 2-17 | Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto | — | ||
| 2-18 | Orpheus: Scene 1. Air de danse. Andante con moto | — | ||
| 2-19 | Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo | — | ||
| 2-20 | Orpheus: Scene 1. Interlude | — | ||
| 2-21 | Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso | — | ||
| 2-22 | Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso | — | ||
| 2-23 | Orpheus: Scene 2. Interlude. L’istesso tempo | — | ||
| 2-24 | Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo | — | ||
| 2-25 | Orpheus: Scene 2. Pas d’action. Andantino leggiadro | — | ||
| 2-26 | Orpheus: Scene 2. Pas de deux. Andante sostenuto | — | ||
| 2-27 | Orpheus: Scene 2. Interlude. Moderato assai | — | ||
| 2-28 | Orpheus: Scene 2. Pas d’action. Vivace | — | ||
| 2-29 | Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto | — | ||
| 2-30 | Suite from Histoire du soldat: I. The Soldier’s March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-31 | Suite from Histoire du soldat: II. Music from Scene 1 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-32 | Suite from Histoire du soldat: III. Music from Scene 2 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-33 | Suite from Histoire du soldat: IV. The Royal March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-34 | Suite from Histoire du soldat: V. The Little Concert | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-35 | Suite from Histoire du soldat: VI. Three Dances: 1. Tango | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-36 | Suite from Histoire du soldat: VI. Three Dances: 2. Valse | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-37 | Suite from Histoire du soldat: VI. Three Dances: 3. Ragtime | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-38 | Suite from Histoire du soldat: VII. The Devil’s Dance | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-39 | Suite from Histoire du soldat: VIII. Great Chorale | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-40 | Suite from Histoire du soldat: IX. Triumphal March of the Devil | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 3-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | — | ||
| 3-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo - Un poco più mosso - Largo | — | ||
| 3-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace | — | ||
| 3-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 3-5 | My Home Overture, op. 62 | — | ||
| 4-1 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 4-2 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 4-3 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 4-4 | Eine Alpensinfonie, op. 64: Eintritt in den Wald | — | ||
| 4-5 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 4-6 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 4-7 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | — | ||
| 4-8 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 4-9 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 4-10 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 4-11 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | — | ||
| 4-12 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | — | ||
| 4-13 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 4-14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 4-15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählichm | — | ||
| 4-16 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 4-17 | Eine Alpensinfonie, op. 64: Stille vor der Sturm | — | ||
| 4-18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 4-19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 4-20 | Eine Alpensinfonie, op. 64: Ausklang | — | ||
| 4-21 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 4-22 | Freundliche Vision, op. 48 no. 1 | — | ||
| 4-23 | Meinem Kinde, op. 37 no. 3 | — | ||
| 4-24 | Das Bächlein, op. 88 no. 1 | — | ||
| 4-25 | Morgen!, op. 27 no. 4 | — | ||
| 5-1 | Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato | — | ||
| 5-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace – Tempo come prima | — | ||
| 5-3 | Symphony no. 3 in A minor, op. 44: III. Allegro | — | ||
| 5-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 5-5 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 5-6 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai. Come prima – Allegro vivace | — | ||
| 6-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-4 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro | Royal Scottish National Orchestra, Neeme Järvi | T-318.676.528-2 | |
| 6-5 | Ballet Suite no. 4: I. Introduction (from 'The Limpid Stream') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-6 | Ballet Suite no. 4: II. Waltz (from 'Song of the Great Rivers') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-7 | Ballet Suite no. 4: III. Scherzo (from 'The Bolt') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 7-1 | Hungarian Dances: No. 1 in G minor | — | ||
| 7-2 | Hungarian Dances: No. 2 in D minor | — | ||
| 7-3 | Hungarian Dances: No. 3 in F major | — | ||
| 7-4 | Hungarian Dances: No. 4 in F sharp minor | — | ||
| 7-5 | Hungarian Dances: No. 5 in G minor | — | ||
| 7-6 | Hungarian Dances: No. 6 in D major | — | ||
| 7-7 | Hungarian Dances: No. 7 in F major | — | ||
| 7-8 | Hungarian Dances: No. 8 in A minor | — | ||
| 7-9 | Hungarian Dances: No. 9 in E minor | — | ||
| 7-10 | Hungarian Dances: No. 10 in F major | — | ||
| 7-11 | Hungarian Dances: No. 11 in D minor | — | ||
| 7-12 | Hungarian Dances: No. 12 in D minor | — | ||
| 7-13 | Hungarian Dances: No. 13 in D major | — | ||
| 7-14 | Hungarian Dances: No. 14 in D minor | — | ||
| 7-15 | Hungarian Dances: No. 15 in B flat major | — | ||
| 7-16 | Hungarian Dances: No. 16 in F minor | — | ||
| 7-17 | Hungarian Dances: No. 17 in F sharp minor | — | ||
| 7-18 | Hungarian Dances: No. 18 in D major | — | ||
| 7-19 | Hungarian Dances: No. 19 in B minor | — | ||
| 7-20 | Hungarian Dances: No. 20 in E minor | — | ||
| 7-21 | Hungarian Dances: No. 21 in E minor | — | ||
| 8-1 | Peter Schmoll, Overture, J 8 (op. 8) | — | ||
| 8-2 | Turandot, Overture and March, J 75: Overture | — | ||
| 8-3 | Turandot, Overture and March, J 75: March | — | ||
| 8-4 | Silvana, Overture, J 87 | — | ||
| 8-5 | Abu Hassan, Overture, J 106 | — | ||
| 8-6 | Der Beherrscher der Geister Concert Overture, J 122 | — | ||
| 8-7 | Jubel-Ouvertüre, J 245 (op. 59) | — | ||
| 8-8 | Der Freischütz, Overture, J 277 (op. 77) | — | ||
| 8-9 | Preciosa, Overture, J 279 (op. 78) | — | ||
| 8-10 | Euryanthe, Overture, J 291 (op. 81) | — | ||
| 8-11 | Oberon, Overture, J 306 | — | ||
| 9-1 | Dances of Galánta | — | ||
| 9-2 | Háry János Suite: I. Prelude: The Fairy-Tale Begins | — | ||
| 9-3 | Háry János Suite: II. Viennese Musical Clock | — | ||
| 9-4 | Háry János Suite: III. Song | — | ||
| 9-5 | Háry János Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 9-6 | Háry János Suite: V. Intermezzo | — | ||
| 9-7 | Háry János Suite: VI. Entrance of the Emperor and His Court | — | ||
| 9-8 | Variations on a Hungarian Folksong (The Peacock): Moderato | — | ||
| 9-9 | Variations on a Hungarian Folksong (The Peacock): I. Con brio | — | ||
| 9-10 | Variations on a Hungarian Folksong (The Peacock): II. | — | ||
| 9-11 | Variations on a Hungarian Folksong (The Peacock): III. Più mosso | — | ||
| 9-12 | Variations on a Hungarian Folksong (The Peacock): IV. Poco calmato | — | ||
| 9-13 | Variations on a Hungarian Folksong (The Peacock): V. Appassionato | — | ||
| 9-14 | Variations on a Hungarian Folksong (The Peacock): VI. Calmato | — | ||
| 9-15 | Variations on a Hungarian Folksong (The Peacock): VII. Vivo | — | ||
| 9-16 | Variations on a Hungarian Folksong (The Peacock): VIII. Più vivo | — | ||
| 9-17 | Variations on a Hungarian Folksong (The Peacock): IX. | — | ||
| 9-18 | Variations on a Hungarian Folksong (The Peacock): X. Molto vivo | — | ||
| 9-19 | Variations on a Hungarian Folksong (The Peacock): XI. Andante espressivo | — | ||
| 9-20 | Variations on a Hungarian Folksong (The Peacock): XII. Adagio | — | ||
| 9-21 | Variations on a Hungarian Folksong (The Peacock): XIII. Tempo di Marcia funebre | — | ||
| 9-22 | Variations on a Hungarian Folksong (The Peacock): XIV. Andante, poco rubato | — | ||
| 9-23 | Variations on a Hungarian Folksong (The Peacock): XV. Allegro giocoso | — | ||
| 9-24 | Variations on a Hungarian Folksong (The Peacock): XVI. Maestoso | — | ||
| 9-25 | Variations on a Hungarian Folksong (The Peacock): Finale: Vivace | — | ||
| 10-1 | Symphony no. 1, op. 9 | — | ||
| 10-2 | Symphony no. 2, op. 19: I. Allegro ma non troppo | — | ||
| 10-3 | Symphony no. 2, op. 19: II. Andante, un poco mosso | — | ||
| 10-4 | Symphony no. 2, op. 19: III. Presto, senza battuta | — | ||
| 10-5 | Overture: The School for Scandal, op. 5 | — | ||
| 10-6 | Adagio for Strings, op. 11 | — | ||
| 11-1 | The Snow Maiden, op. 12: 1. Introduction | — | ||
| 11-2 | The Snow Maiden, op. 12: 2. Tanets i Khor Ptits | — | ||
| 11-3 | The Snow Maiden, op. 12: 3. Monolog Moroza | — | ||
| 11-4 | The Snow Maiden, op. 12: 4. Provody Maslenitsy | — | ||
| 11-5 | The Snow Maiden, op. 12: 5a. Melodrama | — | ||
| 11-6 | The Snow Maiden, op. 12: 5b. Entr'acte | — | ||
| 11-7 | The Snow Maiden, op. 12: 6. Pervala Pesnia Lelia | — | ||
| 11-8 | The Snow Maiden, op. 12: 7. Vtoraia Pesnia Lelia | — | ||
| 11-9 | The Snow Maiden, op. 12: 8. Entr'acte | — | ||
| 11-10 | The Snow Maiden, op. 12: 9. Khor Slepykh Gusliarov | — | ||
| 11-11 | The Snow Maiden, op. 12: 10. Melodrama | — | ||
| 11-12 | The Snow Maiden, op. 12: 11. Khor Naroda i Tsaredvortsev | — | ||
| 11-13 | The Snow Maiden, op. 12: 12. Khorovod Devushek | — | ||
| 11-14 | The Snow Maiden, op. 12: 13. Jester's Dance | — | ||
| 11-15 | The Snow Maiden, op. 12: 14a. Tret'la Pesnia Lelia | — | ||
| 11-16 | The Snow Maiden, op. 12: 14b. Tret'la Pesnia Lelia | — | ||
| 11-17 | The Snow Maiden, op. 12: 15. Pesnia Brusily | — | ||
| 11-18 | The Snow Maiden, op. 12: 16. Appearance of the Wood Bird | — | ||
| 11-19 | The Snow Maiden, op. 12: 17a. Entr'acte | — | ||
| 11-20 | The Snow Maiden, op. 12: 17b. Deklamatsia Vensy | — | ||
| 11-21 | The Snow Maiden, op. 12: 18. Marsh Tsaria Berendeia i Khor | — | ||
| 11-22 | The Snow Maiden, op. 12: 19. Final | — | ||
| 12-1 | Má vlast: Vyšehrad | — | ||
| 12-2 | Má vlast: Vltava | — | ||
| 12-3 | Má vlast: Šárka | — | ||
| 12-4 | Má vlast: Z českých luhů a hájů | — | ||
| 12-5 | Má vlast: Tábor | — | ||
| 12-6 | Má vlast: Blaník | — | ||
| 13-1 | The Ring, an Orchestral Adventure: I. Vorspiel. Ruhig heitere Bewegung – | — | ||
| 13-2 | The Ring, an Orchestral Adventure: II. Das Rheingold. [ ] – Beschleunigend – | — | ||
| 13-3 | The Ring, an Orchestral Adventure: III. Nibelheim. Sehr schnell – | — | ||
| 13-4 | The Ring, an Orchestral Adventure: IV. Walhall. Mäßig bewegt – Lebhaft – | — | ||
| 13-5 | The Ring, an Orchestral Adventure: V. Die Walküren. [ ] – | — | ||
| 13-6 | The Ring, an Orchestral Adventure: VI. Feuerzauber. [ ] – | — | ||
| 13-7 | The Ring, an Orchestral Adventure: VII. Waldweben. [ ] – | — | ||
| 13-8 | The Ring, an Orchestral Adventure: VIII. Siegfrieds Heldentat. Mäßig bewegt – Mäßig – Lebhaft – Langsam – Noch langsamer – Sehr mäßig – Etwas bewegter – In das mäßigere Zeitmaaß zurückkehrend – | — | ||
| 13-9 | The Ring, an Orchestral Adventure: IX. Brünnhildes Erwachen. [ ] – Sehr mäßig – Immer langsamer – Sehr langsam – | — | ||
| 13-10 | The Ring, an Orchestral Adventure: X.Siegfried und Brünnhilde. Sehr ruhig – Ziemlich rasch – Sehr aufgeregt – | — | ||
| 13-11 | The Ring, an Orchestral Adventure: XI. Siegfrieds Rheinfahrt. Schnell – Rasch – Sehr zurückhaltend im Zeitmaaß – | — | ||
| 13-12 | The Ring, an Orchestral Adventure: XII. Siegfrieds Tod. Sehr mäßig – Allmählich belebter – Wild – Mäßig langsam – Sehr langsam – | — | ||
| 13-13 | The Ring, an Orchestral Adventure: XIII. Trauermusik. Feierlich – Sehr ruhig – | — | ||
| 13-14 | The Ring, an Orchestral Adventure: XIV. Brünnhildes Opfertat. Lebhaft – Noch etwas lebhafter – Noch etwas gedrängter – Schneller – Wieder das vorangehende Zeitmaaß, nur etwas gedrängter – Allmählich im Zeitmaaß zurückhaltend – Etwas zurückhaltend – Im Zeitmaaß | — | ||
| 13-15 | Siegfried Idyll: Ruhig bewegt – | — | ||
| 13-16 | Siegfried Idyll: Leicht bewegt – | — | ||
| 13-17 | Siegfried Idyll: Lebhaft – Rallentando | — | ||
| 14-1 | Bojarernes Indtogsmarsch | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-2 | Andante religioso | Bergen filharmoniske orkester, Neeme Järvi, Marianne Thorsen | — | |
| 14-3 | Suite from "Mascarade": I. Holberg-Ouverture | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-4 | Suite from "Mascarade": II. Cotillon | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-5 | Suite from "Mascarade": III. Menuetto | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-6 | Suite from "Mascarade": IV. Hanedansen | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-7 | Suite from "Mascarade": V. Gavotte - Musette | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-8 | Suite from "Mascarade": VI. Molinasque | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-9 | Suite from "Mascarade": VII. Kehraus | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-10 | Suite from "Mascarade": VIIIa. Arietta | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-11 | Suite from "Mascarade": VIIIb. Passepied | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-12 | La Mélancolie | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-13 | Symphony no. 1 in C minor: I. Allegro non troppo | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-14 | Symphony no. 1 in C minor: II. Andante | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-15 | Symphony no. 1 in C minor: III. Scherzo | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-16 | Symphony no. 1 in C minor: IV. Finale | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 15-1 | Samson et Dalila, op. 47, Act III: Bacchanale | — | ||
| 15-2 | Le rouet d’Omphale, op. 31 | — | ||
| 15-3 | Phaëton, op. 39 | — | ||
| 15-4 | Danse macabre, op. 40 | — | ||
| 15-5 | La jeunesse d’Hercule, op. 50 | — | ||
| 15-6 | Suite algérienne, op. 60: IV. Marche militaire française | — | ||
| 15-7 | La princesse jaune (The Yellow Princess), op. 30: Overture | — | ||
| 15-8 | Une nuit à Lisbonne, op. 63 | — | ||
| 15-9 | Spartacus | — | ||
| 15-10 | Marche du couronnement, op. 117 | — | ||
| 16-1 | Overture to "Leichte Kavallerie" | — | ||
| 16-2 | Overture to "Boccaccio" | — | ||
| 16-3 | Boccaccio-Marsch | — | ||
| 16-4 | Overture to "Pique Dame" | — | ||
| 16-5 | Humoristische Variationen | — | ||
| 16-6 | Overture to "Dichter und Bauer" | — | ||
| 16-7 | Marziale nach Motiven aus der Operette "Fatinitza" | — | ||
| 16-8 | Overture to "Das Modell" | — | ||
| 16-9 | Über Berg, über Thal | — | ||
| 16-10 | Overture to "Isabella" | — | ||
| 16-11 | Overture to "Die schöne Galathée" | — | ||
| 16-12 | Juanita-Marsch | — | ||
| 16-13 | Overture to "Ein Morgen, ein Mittag und ein Abend in Wien" | — | ||
| 17-1 | Te Deum (1911): 'We praise thee, O God'. Allegro – | — | ||
| 17-2 | Te Deum (1911): 'Holy, Holy, Holy: Lord God of Sabaoth'. Slow – Poco animato – Allegro spiritoso – | — | ||
| 17-3 | Te Deum (1911): 'The glorious company of the Apostles: praise thee'. Allegro – | — | ||
| 17-4 | Te Deum (1911): 'When thou tookest upon thee to deliver man'. Lento – 'We believe that thou shalt come: to be our Judge'. Andante – | — | ||
| 17-5 | Te Deum (1911): 'Vouchsafe, O Lord: to keep us this day without sin'. Lento – 'O Lord, let thy mercy lighten upon us'. Lento | — | ||
| 17-6 | England | — | ||
| 17-7 | The Birds of Aristophanes Suite: I. Introduction. Allegro – Poco meno mosso – Poco a poco meno mosso | — | ||
| 17-8 | The Birds of Aristophanes Suite: II. Entry of the Birds. Allegretto – Accelerando – Con fuoco | — | ||
| 17-9 | The Birds of Aristophanes Suite: III. Entr'acte. Lento sostenuto | — | ||
| 17-10 | The Birds of Aristophanes Suite: IV. Waltz. Moderato – Accelerando poco a poco – Più mosso | — | ||
| 17-11 | The Birds of Aristophanes Suite: V. Intermezzo. Andantino sostenuto | — | ||
| 17-12 | The Birds of Aristophanes Suite: VI. Bridal March of the Birds. Allegro moderato – Più moto – Tempo I – Allargando – Più mosso – Animando – Allargando – Animato | — | ||
| 17-13 | Jerusalem (Original Version) | — | ||
| 17-14 | The Glories of Our Blood and State: 'The glories of our blood and state'. Maestoso – 'And in the dust be equal made'. Tranquillo – | — | ||
| 17-15 | The Glories of Our Blood and State: 'Some men with swords may reap the field'. Allegro molto – | — | ||
| 17-16 | The Glories of Our Blood and State: ' The garlands wither on your brow'. Maestoso come prima – 'Your heads must come'. Molto piu lento – 'Only the actions of the just'. Piu mosso, tranquillo – Meno mosso | — | ||
| 17-17 | Magnificat (1897): I. Magnificat anima mea Dominum. Allegro molto – Animato – Poco allargando – Allargando | — | ||
| 17-18 | Magnificat (1897): II. Quia respecit humilitatem. Moderato | — | ||
| 17-19 | Magnificat (1897): III. Et misericordia. Andantino espressivo | — | ||
| 17-20 | Magnificat (1897): IV. Fecit potentiam. Allegro – Allargando | — | ||
| 17-21 | Magnificat (1897): Va. Suscepit Israel puerum suum. Allegro moderato – | — | ||
| 17-22 | Magnificat (1897): Vb. Sicut locutus est. Vivace – Allargando – Meno mosso | — | ||
| 18-1 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-2 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-3 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-4 | En värmlandsrapsodi, op. 36 | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-5 | Suite no. 3, op. 19 no. 1: I. Prélude. Adagio | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-6 | Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-7 | Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-8 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-9 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-10 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-11 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 19-1 | Joyeuse Marche | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.013.217-2 | |
| 19-2 | Overture to "Gwendoline" | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-3 | Habanera | L’Orchestre de la Suisse Romande, Neeme Järvi | T-010.417.324-1 | |
| 19-4 | España | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-5 | Lamento | L’Orchestre de la Suisse Romande, Neeme Järvi, Alexandre Emard | — | |
| 19-6 | Bourrée fantasque | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-7 | Suite pastorale: I. Idylle. Andantino, poco con moto - Doux | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.148.141-0 | |
| 19-8 | Suite pastorale: II. Danse villageoise. Allegro risoluto | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.148.143-2 | |
| 19-9 | Suite pastorale: III. Sous-bois. Andantino - Meno mosso | L’Orchestre de la Suisse Romande, Neeme Järvi | T-042.988.155-9 | |
| 19-10 | Suite pastorale: IV. Scherzo-valse. Allegro vivo - Più mosso - Tempo I. Allegro vivo | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-11 | Three Movements from "L’Étoile": Overture. Moderato - Andantino - Allegro - Presto | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-12 | Three Movements from "L’Étoile": Entr’acte before Act II. Allegro franco | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-13 | Three Movements from "L’Étoile": Entr’acte before Act III. Mouvement de valse | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-14 | Two Movements from "Le Roi malgré lui": Fête polonaise. Allegro molto animato | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-15 | Two Movements from "Le Roi malgré lui": Danse slave. Allegro con brio | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 20-1 | Overture to "Dame Kobold", op. 154 | — | ||
| 20-2 | Abends, op. 163b | — | ||
| 20-3 | Overture to "König Alfred", WoO 14 | — | ||
| 20-4 | Prelude to "Dornröschen", WoO 19 | — | ||
| 20-5 | Overture to "Die Eifersüchtigen", WoO 54 | — | ||
| 20-6 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Allegro | — | ||
| 20-7 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Andante quasi Larghetto | — | ||
| 20-8 | Symphony no. 5 in E major, op. 177 "Lenore": Zweite Abtheilung. Trennung. Marsch-Tempo-Agitato | — | ||
| 20-9 | Symphony no. 5 in E major, op. 177 "Lenore": Dritte Abtheilung. Wiedervereinigung im Tode. Introduction und Ballade (nach. G. Bürger's "Lenore"). Allegro - Un poco più mosso (quasi stretto) | — | ||
| 21-1 | The Nutcracker, op. 71: Ouverture. Allegro giusto | Bergen Philharmonic Orchestra, Neeme Järvi | T-312.199.363-9 | |
| 21-2 | The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-3 | The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-4 | The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-5 | The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-6 | The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-7 | The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-8 | The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-9 | The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-10 | The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-11 | The Nutcracker, op. 71: Act II. No. 10. Scène. Andante - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-12 | The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-13 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-14 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-15 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-16 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-17 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-18 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-19 | The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-20 | The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-21 | The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-22 | The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-23 | The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-24 | The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 22-1 | Metamorfózy: I. Andante con moto - [ ] - Tempo I - [ ] - Tempo I - [ ] - | — | ||
| 22-2 | Metamorfózy: II. L'istesso tempo - Tempo I - [ ] - Tempo I - Poco meno - | — | ||
| 22-3 | Metamorfózy: III. Allegro moderato - Allegro agitato - [ ] - Allegro agitato - Grandioso - [ ] - Grandioso - Molto moderato - Allegro agitato - Allegro furioso | — | ||
| 22-4 | Metamorfózy: IV. Larghetto - Appassionato - Grandioso - Larghetto - | — | ||
| 22-5 | Metamorfózy: V. Allegro feroce - Furioso - Poco meno - Allegro moderato - Maestoso, con molta espressione - Grandioso - Allegro moderato - Allegro molto | — | ||
| 22-6 | Baladická suita, op. 9: I. Allegro moderato ma energico - Iratamente - Con grandezza - Frenetico (meno mosso) - Con rabbia - Maestoso - | — | ||
| 22-7 | Baladická suita, op. 9: II. Adagio - Animato - Poco più mosso - Grandioso - Come prima (Adagio) | — | ||
| 22-8 | Baladická suita, op. 9: III. Allegro molto - Furioso - Maestoso - Quasi Adagio - Allegro molto - Adagio - Sostenuto - Animato - Allegro molto - Appassionato - Giubiloso | — | ||
| 22-9 | Baladická suita, op. 9: IV. Largo, con malinconia - Più mosso - Poco a poco animato - Tempo I - Grandioso | — | ||
| 22-10 | Symfonietta rustica: I. Moderato e sostenuto - Poco meno - Allegro vivo - Moderato - Poco meno - Allegro vivo - Moderato - Poco meno | — | ||
| 22-11 | Symfonietta rustica: II. Adagio - Poco animato - Poco a poco animato - Con moto - Meno mosso - Maestoso - Adagio | — | ||
| 22-12 | Symfonietta rustica: III. Allegro assai | — | ||
| 23-1 | Marinarella, op. 215 | Julius Fučík | T-910.090.687-4 | |
| 23-2 | Onkel Teddy, op. 239 | Julius Fučík | — | |
| 23-3 | Donausagen, op. 233: Andantino - Allegretto con leggierezza - Tempo I - | Julius Fučík | — | |
| 23-4 | Donausagen, op. 233: I. Tempo di Valse - | Julius Fučík | — | |
| 23-5 | Donausagen, op. 233: II. Con dolcezza - | Julius Fučík | — | |
| 23-6 | Donausagen, op. 233: III. [ ] - | Julius Fučík | — | |
| 23-7 | Donausagen, op. 233: Coda. [ ] - Allegretto con leggierezza - Tempo di Valse | Julius Fučík | — | |
| 23-8 | Die lustigen Dorfschmiede, op. 218 | Julius Fučík | — | |
| 23-9 | Der alte Brummbär, op. 210 | Julius Fučík | — | |
| 23-10 | Einzug der Gladiatoren, op. 68 | Julius Fučík | T-900.165.734-7 | |
| 23-11 | Miramare, op. 247 | Julius Fučík | — | |
| 23-12 | Florentiner, op. 214 | Julius Fučík | — | |
| 23-13 | Winterstürme, op. 184 | Julius Fučík | — | |
| 23-14 | Hercegovac, op. 235 | Julius Fučík | — | |
| 23-15 | Die Regimentskinder, op. 169 | Julius Fučík | — | |
| 23-16 | Ballettratten, op. 226: Allegretto - Tempo di Valse risoluto - Più vivo - | Julius Fučík | — | |
| 23-17 | Ballettratten, op. 226: I. Tempo di Vlase - | Julius Fučík | — | |
| 23-18 | Ballettratten, op. 226: II. Meno con delicatezza - | Julius Fučík | — | |
| 23-19 | Ballettratten, op. 226: III. Meno mosso - | Julius Fučík | — | |
| 23-20 | Ballettratten, op. 226: Coda. [ ] - Meno con delicatezza | Julius Fučík | — | |
| 23-21 | The Mississippi River, op. 160 (161) | Julius Fučík | — | |
| 23-22 | Unter der Admiralsflagge, op. 82 | Julius Fučík | — | |
| 24-1 | Escales...: I. Rome-Palerme. Calme - Assez animé | — | ||
| 24-2 | Escales...: II. Tunis-Nefta. Modéré très rythmé - Très librement | — | ||
| 24-3 | Escales...: III. Valence. Animé - Légèrement moins animé - Augmentez - Modéré - Même Mouvement - Augmentez - Mouvement du début - Un peu plus animé | — | ||
| 24-4 | Sarabande pour Dulcinée | — | ||
| 24-5 | Ouverture de fête | — | ||
| 24-6 | Féerique | — | ||
| 24-7 | Divertissement: I. Introduction. Allegro vivo | — | ||
| 24-8 | Divertissement: II. Cortège. Moderato molto - Animato subito - Allegro moderato - Animato subito | — | ||
| 24-9 | Divertissement: III. Nocturne. Lento | — | ||
| 24-10 | Divertissement: IV. Valse. Animato assai - Tempo di Valze - Poco più animato - Vivo molto | — | ||
| 24-11 | Divertissement: V. Parade. Tempo di marcia | — | ||
| 24-12 | Divertissement: VI. Finale. Quasi cadenza - Vivo (Tempo di galop) | — | ||
| 24-13 | Hommage à Mozart | — | ||
| 24-14 | Suite symphonique "Paris": I. Le Métro. Moderato assai - Allegro | — | ||
| 24-15 | Suite symphonique "Paris": II. Faubourgs. Moderato - Allegro vivo - Meno mosso - Tempo I - Meno mosso - Tempo I | — | ||
| 24-16 | Suite symphonique "Paris": III. La Mosquée de Paris. Moderato - Tempo giusto | — | ||
| 24-17 | Suite symphonique "Paris": IV. Restaurant au Bois de Boulogne. Tempo di Valse - Allegro energico - Presto | — | ||
| 24-18 | Suite symphonique "Paris": V. Le Paquebot "Île-de-France". Moderato - Quasi lento | — | ||
| 24-19 | Suite symphonique "Paris": VI. Parade Foraine. Tempo giusto - Presto | — | ||
| 24-20 | Bacchanale | — | ||
| 25-1 | Newa-Polka, op. 288 | — | ||
| 25-2 | Persischer Marsch, op. 289 | — | ||
| 25-3 | Russischer Marsch, op. 426 | — | ||
| 25-4 | Grossfürstin Alexandra-Walzer, op. 181 | — | ||
| 25-5 | Olga-Polka, op. 196 | — | ||
| 25-6 | Alexandrinen-Polka, op. 198 | — | ||
| 25-7 | Abschied von St. Petersburg, op. 210 | — | ||
| 25-8 | Bauern-Polka, op. 276 | — | ||
| 25-9 | Pizzicato-Polka, o. op. | — | ||
| 25-10 | Grossfürsten-Marsch, op. 107 | — | ||
| 25-11 | Erste Liebe, op. 14 | — | ||
| 25-12 | Vergnügungszug, op. 281 | — | ||
| 25-13 | Wein, Weib und Gesang!, op. 333 | — | ||
| 25-14 | Krönungs-Marsch, op. 183 | — | ||
| 25-15 | Hofball-Quadrille, op. 116 | — | ||
| 25-16 | An der Wolga, op. 425 | — | ||
| 25-17 | St. Petersburg, op. 255 | — | ||
| 25-18 | Auf zum Tanze!, op. 436 | — | ||
| 25-19 | Russische Marsch-Fantasie, op. 353 | — | ||
| 25-20 | Alexander-Quadrille, op. 33 | — |
Identifier Graph
095115208823 is a Universal Product Code (UPC) assigned to A Lifetime on Chandos by Neeme Järvi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 391 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ballet Suite no. 4: I. Introduction (from 'The Limpid Stream') | Royal Scottish National Orchestra, Neeme Järvi | — |
| Ballet Suite no. 4: II. Waltz (from 'Song of the Great Rivers') | Royal Scottish National Orchestra, Neeme Järvi | — |
| Ballet Suite no. 4: III. Scherzo (from 'The Bolt') | Royal Scottish National Orchestra, Neeme Järvi | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “A Lifetime on Chandos” by Neeme Järvi is 095115208823. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Chandos. This release contains 391 tracks, each with its own ISRC. Tracks include GBLWD9406105, GBLWD9406106, GBLWD9406107.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 4 | Waltz Suite, op. 110: II. In the Palace from “Cinderella” | — | ||
| 5 | Waltz Suite, op. 110: V. New Year’s Eve Ball from “War and Peace” | — | ||
| 6 | Waltz Suite, op. 110: VI. Happiness from “Cinderella” | — | ||
| 2-1 | Jeu de cartes: Première donne. Introduction. Alla breve | — | ||
| 2-2 | Jeu de cartes: Première donne. Pas d’action. Meno mosso | — | ||
| 2-3 | Jeu de cartes: Première donne. Dance Variation. Moderato assai | — | ||
| 2-4 | Jeu de cartes: Première donne. Dance of the Joker. Stringendo | — | ||
| 2-5 | Jeu de cartes: Première donne. Waltz-Coda. Tranquillo | — | ||
| 2-6 | Jeu de cartes: Deuxième donne. Introduction. Alla breve | — | ||
| 2-7 | Jeu de cartes: Deuxième donne. March. Marcia | — | ||
| 2-8 | Jeu de cartes: Deuxième donne. Variations I–IV. Allegretto | — | ||
| 2-9 | Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante | — | ||
| 2-10 | Jeu de cartes: Deuxième donne. Coda. Più mosso | — | ||
| 2-11 | Jeu de cartes: Deuxième donne. Reprise of March. Marcia | — | ||
| 2-12 | Jeu de cartes: Deuxième donne. Ensemble. Con moto | — | ||
| 2-13 | Jeu de cartes: Troisième donne. Introduction. Alla breve | — | ||
| 2-14 | Jeu de cartes: Troisième donne. Waltz | — | ||
| 2-15 | Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto | — | ||
| 2-16 | Jeu de cartes: Troisième donne. Final Dance – Coda. Tempo del principio | — | ||
| 2-17 | Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto | — | ||
| 2-18 | Orpheus: Scene 1. Air de danse. Andante con moto | — | ||
| 2-19 | Orpheus: Scene 1. Dance of the Angel of Death. L’istesso tempo | — | ||
| 2-20 | Orpheus: Scene 1. Interlude | — | ||
| 2-21 | Orpheus: Scene 2. Pas des Furies. Agitato in piano – Sempre alla breve ma meno mosso | — | ||
| 2-22 | Orpheus: Scene 2. Air de danse. Grave – Un poco meno mosso | — | ||
| 2-23 | Orpheus: Scene 2. Interlude. L’istesso tempo | — | ||
| 2-24 | Orpheus: Scene 2. Air de danse (Conclusion). L’istesso tempo | — | ||
| 2-25 | Orpheus: Scene 2. Pas d’action. Andantino leggiadro | — | ||
| 2-26 | Orpheus: Scene 2. Pas de deux. Andante sostenuto | — | ||
| 2-27 | Orpheus: Scene 2. Interlude. Moderato assai | — | ||
| 2-28 | Orpheus: Scene 2. Pas d’action. Vivace | — | ||
| 2-29 | Orpheus: Scene 3. Orpheus’s apotheosis. Lento sostenuto | — | ||
| 2-30 | Suite from Histoire du soldat: I. The Soldier’s March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-31 | Suite from Histoire du soldat: II. Music from Scene 1 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-32 | Suite from Histoire du soldat: III. Music from Scene 2 | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-33 | Suite from Histoire du soldat: IV. The Royal March | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-34 | Suite from Histoire du soldat: V. The Little Concert | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-35 | Suite from Histoire du soldat: VI. Three Dances: 1. Tango | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-36 | Suite from Histoire du soldat: VI. Three Dances: 2. Valse | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-37 | Suite from Histoire du soldat: VI. Three Dances: 3. Ragtime | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-38 | Suite from Histoire du soldat: VII. The Devil’s Dance | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-39 | Suite from Histoire du soldat: VIII. Great Chorale | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 2-40 | Suite from Histoire du soldat: IX. Triumphal March of the Devil | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 3-1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | — | ||
| 3-2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo - Un poco più mosso - Largo | — | ||
| 3-3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace | — | ||
| 3-4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | — | ||
| 3-5 | My Home Overture, op. 62 | — | ||
| 4-1 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 4-2 | Eine Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 4-3 | Eine Alpensinfonie, op. 64: Der Anstieg | — | ||
| 4-4 | Eine Alpensinfonie, op. 64: Eintritt in den Wald | — | ||
| 4-5 | Eine Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 4-6 | Eine Alpensinfonie, op. 64: Erscheinung | — | ||
| 4-7 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | — | ||
| 4-8 | Eine Alpensinfonie, op. 64: Auf der Alm | — | ||
| 4-9 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 4-10 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 4-11 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | — | ||
| 4-12 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | — | ||
| 4-13 | Eine Alpensinfonie, op. 64: Vision | — | ||
| 4-14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 4-15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählichm | — | ||
| 4-16 | Eine Alpensinfonie, op. 64: Elegie | — | ||
| 4-17 | Eine Alpensinfonie, op. 64: Stille vor der Sturm | — | ||
| 4-18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | — | ||
| 4-19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 4-20 | Eine Alpensinfonie, op. 64: Ausklang | — | ||
| 4-21 | Eine Alpensinfonie, op. 64: Nacht | — | ||
| 4-22 | Freundliche Vision, op. 48 no. 1 | — | ||
| 4-23 | Meinem Kinde, op. 37 no. 3 | — | ||
| 4-24 | Das Bächlein, op. 88 no. 1 | — | ||
| 4-25 | Morgen!, op. 27 no. 4 | — | ||
| 5-1 | Symphony no. 3 in A minor, op. 44: I. Lento – Allegro moderato | — | ||
| 5-2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo – Allegro vivace – Tempo come prima | — | ||
| 5-3 | Symphony no. 3 in A minor, op. 44: III. Allegro | — | ||
| 5-4 | Symphonic Dances, op. 45: I. Non allegro | — | ||
| 5-5 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | — | ||
| 5-6 | Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai. Come prima – Allegro vivace | — | ||
| 6-1 | Symphony no. 10 in E minor, op. 93: I. Moderato | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-2 | Symphony no. 10 in E minor, op. 93: II. Allegro | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-3 | Symphony no. 10 in E minor, op. 93: III. Allegretto | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-4 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro | Royal Scottish National Orchestra, Neeme Järvi | T-318.676.528-2 | |
| 6-5 | Ballet Suite no. 4: I. Introduction (from 'The Limpid Stream') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-6 | Ballet Suite no. 4: II. Waltz (from 'Song of the Great Rivers') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 6-7 | Ballet Suite no. 4: III. Scherzo (from 'The Bolt') | Royal Scottish National Orchestra, Neeme Järvi | — | |
| 7-1 | Hungarian Dances: No. 1 in G minor | — | ||
| 7-2 | Hungarian Dances: No. 2 in D minor | — | ||
| 7-3 | Hungarian Dances: No. 3 in F major | — | ||
| 7-4 | Hungarian Dances: No. 4 in F sharp minor | — | ||
| 7-5 | Hungarian Dances: No. 5 in G minor | — | ||
| 7-6 | Hungarian Dances: No. 6 in D major | — | ||
| 7-7 | Hungarian Dances: No. 7 in F major | — | ||
| 7-8 | Hungarian Dances: No. 8 in A minor | — | ||
| 7-9 | Hungarian Dances: No. 9 in E minor | — | ||
| 7-10 | Hungarian Dances: No. 10 in F major | — | ||
| 7-11 | Hungarian Dances: No. 11 in D minor | — | ||
| 7-12 | Hungarian Dances: No. 12 in D minor | — | ||
| 7-13 | Hungarian Dances: No. 13 in D major | — | ||
| 7-14 | Hungarian Dances: No. 14 in D minor | — | ||
| 7-15 | Hungarian Dances: No. 15 in B flat major | — | ||
| 7-16 | Hungarian Dances: No. 16 in F minor | — | ||
| 7-17 | Hungarian Dances: No. 17 in F sharp minor | — | ||
| 7-18 | Hungarian Dances: No. 18 in D major | — | ||
| 7-19 | Hungarian Dances: No. 19 in B minor | — | ||
| 7-20 | Hungarian Dances: No. 20 in E minor | — | ||
| 7-21 | Hungarian Dances: No. 21 in E minor | — | ||
| 8-1 | Peter Schmoll, Overture, J 8 (op. 8) | — | ||
| 8-2 | Turandot, Overture and March, J 75: Overture | — | ||
| 8-3 | Turandot, Overture and March, J 75: March | — | ||
| 8-4 | Silvana, Overture, J 87 | — | ||
| 8-5 | Abu Hassan, Overture, J 106 | — | ||
| 8-6 | Der Beherrscher der Geister Concert Overture, J 122 | — | ||
| 8-7 | Jubel-Ouvertüre, J 245 (op. 59) | — | ||
| 8-8 | Der Freischütz, Overture, J 277 (op. 77) | — | ||
| 8-9 | Preciosa, Overture, J 279 (op. 78) | — | ||
| 8-10 | Euryanthe, Overture, J 291 (op. 81) | — | ||
| 8-11 | Oberon, Overture, J 306 | — | ||
| 9-1 | Dances of Galánta | — | ||
| 9-2 | Háry János Suite: I. Prelude: The Fairy-Tale Begins | — | ||
| 9-3 | Háry János Suite: II. Viennese Musical Clock | — | ||
| 9-4 | Háry János Suite: III. Song | — | ||
| 9-5 | Háry János Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 9-6 | Háry János Suite: V. Intermezzo | — | ||
| 9-7 | Háry János Suite: VI. Entrance of the Emperor and His Court | — | ||
| 9-8 | Variations on a Hungarian Folksong (The Peacock): Moderato | — | ||
| 9-9 | Variations on a Hungarian Folksong (The Peacock): I. Con brio | — | ||
| 9-10 | Variations on a Hungarian Folksong (The Peacock): II. | — | ||
| 9-11 | Variations on a Hungarian Folksong (The Peacock): III. Più mosso | — | ||
| 9-12 | Variations on a Hungarian Folksong (The Peacock): IV. Poco calmato | — | ||
| 9-13 | Variations on a Hungarian Folksong (The Peacock): V. Appassionato | — | ||
| 9-14 | Variations on a Hungarian Folksong (The Peacock): VI. Calmato | — | ||
| 9-15 | Variations on a Hungarian Folksong (The Peacock): VII. Vivo | — | ||
| 9-16 | Variations on a Hungarian Folksong (The Peacock): VIII. Più vivo | — | ||
| 9-17 | Variations on a Hungarian Folksong (The Peacock): IX. | — | ||
| 9-18 | Variations on a Hungarian Folksong (The Peacock): X. Molto vivo | — | ||
| 9-19 | Variations on a Hungarian Folksong (The Peacock): XI. Andante espressivo | — | ||
| 9-20 | Variations on a Hungarian Folksong (The Peacock): XII. Adagio | — | ||
| 9-21 | Variations on a Hungarian Folksong (The Peacock): XIII. Tempo di Marcia funebre | — | ||
| 9-22 | Variations on a Hungarian Folksong (The Peacock): XIV. Andante, poco rubato | — | ||
| 9-23 | Variations on a Hungarian Folksong (The Peacock): XV. Allegro giocoso | — | ||
| 9-24 | Variations on a Hungarian Folksong (The Peacock): XVI. Maestoso | — | ||
| 9-25 | Variations on a Hungarian Folksong (The Peacock): Finale: Vivace | — | ||
| 10-1 | Symphony no. 1, op. 9 | — | ||
| 10-2 | Symphony no. 2, op. 19: I. Allegro ma non troppo | — | ||
| 10-3 | Symphony no. 2, op. 19: II. Andante, un poco mosso | — | ||
| 10-4 | Symphony no. 2, op. 19: III. Presto, senza battuta | — | ||
| 10-5 | Overture: The School for Scandal, op. 5 | — | ||
| 10-6 | Adagio for Strings, op. 11 | — | ||
| 11-1 | The Snow Maiden, op. 12: 1. Introduction | — | ||
| 11-2 | The Snow Maiden, op. 12: 2. Tanets i Khor Ptits | — | ||
| 11-3 | The Snow Maiden, op. 12: 3. Monolog Moroza | — | ||
| 11-4 | The Snow Maiden, op. 12: 4. Provody Maslenitsy | — | ||
| 11-5 | The Snow Maiden, op. 12: 5a. Melodrama | — | ||
| 11-6 | The Snow Maiden, op. 12: 5b. Entr'acte | — | ||
| 11-7 | The Snow Maiden, op. 12: 6. Pervala Pesnia Lelia | — | ||
| 11-8 | The Snow Maiden, op. 12: 7. Vtoraia Pesnia Lelia | — | ||
| 11-9 | The Snow Maiden, op. 12: 8. Entr'acte | — | ||
| 11-10 | The Snow Maiden, op. 12: 9. Khor Slepykh Gusliarov | — | ||
| 11-11 | The Snow Maiden, op. 12: 10. Melodrama | — | ||
| 11-12 | The Snow Maiden, op. 12: 11. Khor Naroda i Tsaredvortsev | — | ||
| 11-13 | The Snow Maiden, op. 12: 12. Khorovod Devushek | — | ||
| 11-14 | The Snow Maiden, op. 12: 13. Jester's Dance | — | ||
| 11-15 | The Snow Maiden, op. 12: 14a. Tret'la Pesnia Lelia | — | ||
| 11-16 | The Snow Maiden, op. 12: 14b. Tret'la Pesnia Lelia | — | ||
| 11-17 | The Snow Maiden, op. 12: 15. Pesnia Brusily | — | ||
| 11-18 | The Snow Maiden, op. 12: 16. Appearance of the Wood Bird | — | ||
| 11-19 | The Snow Maiden, op. 12: 17a. Entr'acte | — | ||
| 11-20 | The Snow Maiden, op. 12: 17b. Deklamatsia Vensy | — | ||
| 11-21 | The Snow Maiden, op. 12: 18. Marsh Tsaria Berendeia i Khor | — | ||
| 11-22 | The Snow Maiden, op. 12: 19. Final | — | ||
| 12-1 | Má vlast: Vyšehrad | — | ||
| 12-2 | Má vlast: Vltava | — | ||
| 12-3 | Má vlast: Šárka | — | ||
| 12-4 | Má vlast: Z českých luhů a hájů | — | ||
| 12-5 | Má vlast: Tábor | — | ||
| 12-6 | Má vlast: Blaník | — | ||
| 13-1 | The Ring, an Orchestral Adventure: I. Vorspiel. Ruhig heitere Bewegung – | — | ||
| 13-2 | The Ring, an Orchestral Adventure: II. Das Rheingold. [ ] – Beschleunigend – | — | ||
| 13-3 | The Ring, an Orchestral Adventure: III. Nibelheim. Sehr schnell – | — | ||
| 13-4 | The Ring, an Orchestral Adventure: IV. Walhall. Mäßig bewegt – Lebhaft – | — | ||
| 13-5 | The Ring, an Orchestral Adventure: V. Die Walküren. [ ] – | — | ||
| 13-6 | The Ring, an Orchestral Adventure: VI. Feuerzauber. [ ] – | — | ||
| 13-7 | The Ring, an Orchestral Adventure: VII. Waldweben. [ ] – | — | ||
| 13-8 | The Ring, an Orchestral Adventure: VIII. Siegfrieds Heldentat. Mäßig bewegt – Mäßig – Lebhaft – Langsam – Noch langsamer – Sehr mäßig – Etwas bewegter – In das mäßigere Zeitmaaß zurückkehrend – | — | ||
| 13-9 | The Ring, an Orchestral Adventure: IX. Brünnhildes Erwachen. [ ] – Sehr mäßig – Immer langsamer – Sehr langsam – | — | ||
| 13-10 | The Ring, an Orchestral Adventure: X.Siegfried und Brünnhilde. Sehr ruhig – Ziemlich rasch – Sehr aufgeregt – | — | ||
| 13-11 | The Ring, an Orchestral Adventure: XI. Siegfrieds Rheinfahrt. Schnell – Rasch – Sehr zurückhaltend im Zeitmaaß – | — | ||
| 13-12 | The Ring, an Orchestral Adventure: XII. Siegfrieds Tod. Sehr mäßig – Allmählich belebter – Wild – Mäßig langsam – Sehr langsam – | — | ||
| 13-13 | The Ring, an Orchestral Adventure: XIII. Trauermusik. Feierlich – Sehr ruhig – | — | ||
| 13-14 | The Ring, an Orchestral Adventure: XIV. Brünnhildes Opfertat. Lebhaft – Noch etwas lebhafter – Noch etwas gedrängter – Schneller – Wieder das vorangehende Zeitmaaß, nur etwas gedrängter – Allmählich im Zeitmaaß zurückhaltend – Etwas zurückhaltend – Im Zeitmaaß | — | ||
| 13-15 | Siegfried Idyll: Ruhig bewegt – | — | ||
| 13-16 | Siegfried Idyll: Leicht bewegt – | — | ||
| 13-17 | Siegfried Idyll: Lebhaft – Rallentando | — | ||
| 14-1 | Bojarernes Indtogsmarsch | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-2 | Andante religioso | Bergen filharmoniske orkester, Neeme Järvi, Marianne Thorsen | — | |
| 14-3 | Suite from "Mascarade": I. Holberg-Ouverture | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-4 | Suite from "Mascarade": II. Cotillon | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-5 | Suite from "Mascarade": III. Menuetto | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-6 | Suite from "Mascarade": IV. Hanedansen | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-7 | Suite from "Mascarade": V. Gavotte - Musette | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-8 | Suite from "Mascarade": VI. Molinasque | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-9 | Suite from "Mascarade": VII. Kehraus | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-10 | Suite from "Mascarade": VIIIa. Arietta | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-11 | Suite from "Mascarade": VIIIb. Passepied | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-12 | La Mélancolie | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-13 | Symphony no. 1 in C minor: I. Allegro non troppo | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-14 | Symphony no. 1 in C minor: II. Andante | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-15 | Symphony no. 1 in C minor: III. Scherzo | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 14-16 | Symphony no. 1 in C minor: IV. Finale | Bergen filharmoniske orkester, Neeme Järvi | — | |
| 15-1 | Samson et Dalila, op. 47, Act III: Bacchanale | — | ||
| 15-2 | Le rouet d’Omphale, op. 31 | — | ||
| 15-3 | Phaëton, op. 39 | — | ||
| 15-4 | Danse macabre, op. 40 | — | ||
| 15-5 | La jeunesse d’Hercule, op. 50 | — | ||
| 15-6 | Suite algérienne, op. 60: IV. Marche militaire française | — | ||
| 15-7 | La princesse jaune (The Yellow Princess), op. 30: Overture | — | ||
| 15-8 | Une nuit à Lisbonne, op. 63 | — | ||
| 15-9 | Spartacus | — | ||
| 15-10 | Marche du couronnement, op. 117 | — | ||
| 16-1 | Overture to "Leichte Kavallerie" | — | ||
| 16-2 | Overture to "Boccaccio" | — | ||
| 16-3 | Boccaccio-Marsch | — | ||
| 16-4 | Overture to "Pique Dame" | — | ||
| 16-5 | Humoristische Variationen | — | ||
| 16-6 | Overture to "Dichter und Bauer" | — | ||
| 16-7 | Marziale nach Motiven aus der Operette "Fatinitza" | — | ||
| 16-8 | Overture to "Das Modell" | — | ||
| 16-9 | Über Berg, über Thal | — | ||
| 16-10 | Overture to "Isabella" | — | ||
| 16-11 | Overture to "Die schöne Galathée" | — | ||
| 16-12 | Juanita-Marsch | — | ||
| 16-13 | Overture to "Ein Morgen, ein Mittag und ein Abend in Wien" | — | ||
| 17-1 | Te Deum (1911): 'We praise thee, O God'. Allegro – | — | ||
| 17-2 | Te Deum (1911): 'Holy, Holy, Holy: Lord God of Sabaoth'. Slow – Poco animato – Allegro spiritoso – | — | ||
| 17-3 | Te Deum (1911): 'The glorious company of the Apostles: praise thee'. Allegro – | — | ||
| 17-4 | Te Deum (1911): 'When thou tookest upon thee to deliver man'. Lento – 'We believe that thou shalt come: to be our Judge'. Andante – | — | ||
| 17-5 | Te Deum (1911): 'Vouchsafe, O Lord: to keep us this day without sin'. Lento – 'O Lord, let thy mercy lighten upon us'. Lento | — | ||
| 17-6 | England | — | ||
| 17-7 | The Birds of Aristophanes Suite: I. Introduction. Allegro – Poco meno mosso – Poco a poco meno mosso | — | ||
| 17-8 | The Birds of Aristophanes Suite: II. Entry of the Birds. Allegretto – Accelerando – Con fuoco | — | ||
| 17-9 | The Birds of Aristophanes Suite: III. Entr'acte. Lento sostenuto | — | ||
| 17-10 | The Birds of Aristophanes Suite: IV. Waltz. Moderato – Accelerando poco a poco – Più mosso | — | ||
| 17-11 | The Birds of Aristophanes Suite: V. Intermezzo. Andantino sostenuto | — | ||
| 17-12 | The Birds of Aristophanes Suite: VI. Bridal March of the Birds. Allegro moderato – Più moto – Tempo I – Allargando – Più mosso – Animando – Allargando – Animato | — | ||
| 17-13 | Jerusalem (Original Version) | — | ||
| 17-14 | The Glories of Our Blood and State: 'The glories of our blood and state'. Maestoso – 'And in the dust be equal made'. Tranquillo – | — | ||
| 17-15 | The Glories of Our Blood and State: 'Some men with swords may reap the field'. Allegro molto – | — | ||
| 17-16 | The Glories of Our Blood and State: ' The garlands wither on your brow'. Maestoso come prima – 'Your heads must come'. Molto piu lento – 'Only the actions of the just'. Piu mosso, tranquillo – Meno mosso | — | ||
| 17-17 | Magnificat (1897): I. Magnificat anima mea Dominum. Allegro molto – Animato – Poco allargando – Allargando | — | ||
| 17-18 | Magnificat (1897): II. Quia respecit humilitatem. Moderato | — | ||
| 17-19 | Magnificat (1897): III. Et misericordia. Andantino espressivo | — | ||
| 17-20 | Magnificat (1897): IV. Fecit potentiam. Allegro – Allargando | — | ||
| 17-21 | Magnificat (1897): Va. Suscepit Israel puerum suum. Allegro moderato – | — | ||
| 17-22 | Magnificat (1897): Vb. Sicut locutus est. Vivace – Allargando – Meno mosso | — | ||
| 18-1 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-2 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-3 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-4 | En värmlandsrapsodi, op. 36 | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-5 | Suite no. 3, op. 19 no. 1: I. Prélude. Adagio | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-6 | Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-7 | Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato | Sara Trobäck Hesselink, Per Högberg, Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-8 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-9 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-10 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto - | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 18-11 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto | Gothenburg Symphony Orchestra, Neeme Järvi | — | |
| 19-1 | Joyeuse Marche | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.013.217-2 | |
| 19-2 | Overture to "Gwendoline" | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-3 | Habanera | L’Orchestre de la Suisse Romande, Neeme Järvi | T-010.417.324-1 | |
| 19-4 | España | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-5 | Lamento | L’Orchestre de la Suisse Romande, Neeme Järvi, Alexandre Emard | — | |
| 19-6 | Bourrée fantasque | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-7 | Suite pastorale: I. Idylle. Andantino, poco con moto - Doux | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.148.141-0 | |
| 19-8 | Suite pastorale: II. Danse villageoise. Allegro risoluto | L’Orchestre de la Suisse Romande, Neeme Järvi | T-900.148.143-2 | |
| 19-9 | Suite pastorale: III. Sous-bois. Andantino - Meno mosso | L’Orchestre de la Suisse Romande, Neeme Järvi | T-042.988.155-9 | |
| 19-10 | Suite pastorale: IV. Scherzo-valse. Allegro vivo - Più mosso - Tempo I. Allegro vivo | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-11 | Three Movements from "L’Étoile": Overture. Moderato - Andantino - Allegro - Presto | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-12 | Three Movements from "L’Étoile": Entr’acte before Act II. Allegro franco | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-13 | Three Movements from "L’Étoile": Entr’acte before Act III. Mouvement de valse | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-14 | Two Movements from "Le Roi malgré lui": Fête polonaise. Allegro molto animato | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 19-15 | Two Movements from "Le Roi malgré lui": Danse slave. Allegro con brio | L’Orchestre de la Suisse Romande, Neeme Järvi | — | |
| 20-1 | Overture to "Dame Kobold", op. 154 | — | ||
| 20-2 | Abends, op. 163b | — | ||
| 20-3 | Overture to "König Alfred", WoO 14 | — | ||
| 20-4 | Prelude to "Dornröschen", WoO 19 | — | ||
| 20-5 | Overture to "Die Eifersüchtigen", WoO 54 | — | ||
| 20-6 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Allegro | — | ||
| 20-7 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Andante quasi Larghetto | — | ||
| 20-8 | Symphony no. 5 in E major, op. 177 "Lenore": Zweite Abtheilung. Trennung. Marsch-Tempo-Agitato | — | ||
| 20-9 | Symphony no. 5 in E major, op. 177 "Lenore": Dritte Abtheilung. Wiedervereinigung im Tode. Introduction und Ballade (nach. G. Bürger's "Lenore"). Allegro - Un poco più mosso (quasi stretto) | — | ||
| 21-1 | The Nutcracker, op. 71: Ouverture. Allegro giusto | Bergen Philharmonic Orchestra, Neeme Järvi | T-312.199.363-9 | |
| 21-2 | The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-3 | The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-4 | The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-5 | The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-6 | The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L’istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L’istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-7 | The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-8 | The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-9 | The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-10 | The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-11 | The Nutcracker, op. 71: Act II. No. 10. Scène. Andante - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-12 | The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-13 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-14 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-15 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-16 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-17 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-18 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-19 | The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-20 | The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-21 | The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-22 | The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto - | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-23 | The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 21-24 | The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose | Bergen Philharmonic Orchestra, Neeme Järvi | — | |
| 22-1 | Metamorfózy: I. Andante con moto - [ ] - Tempo I - [ ] - Tempo I - [ ] - | — | ||
| 22-2 | Metamorfózy: II. L'istesso tempo - Tempo I - [ ] - Tempo I - Poco meno - | — | ||
| 22-3 | Metamorfózy: III. Allegro moderato - Allegro agitato - [ ] - Allegro agitato - Grandioso - [ ] - Grandioso - Molto moderato - Allegro agitato - Allegro furioso | — | ||
| 22-4 | Metamorfózy: IV. Larghetto - Appassionato - Grandioso - Larghetto - | — | ||
| 22-5 | Metamorfózy: V. Allegro feroce - Furioso - Poco meno - Allegro moderato - Maestoso, con molta espressione - Grandioso - Allegro moderato - Allegro molto | — | ||
| 22-6 | Baladická suita, op. 9: I. Allegro moderato ma energico - Iratamente - Con grandezza - Frenetico (meno mosso) - Con rabbia - Maestoso - | — | ||
| 22-7 | Baladická suita, op. 9: II. Adagio - Animato - Poco più mosso - Grandioso - Come prima (Adagio) | — | ||
| 22-8 | Baladická suita, op. 9: III. Allegro molto - Furioso - Maestoso - Quasi Adagio - Allegro molto - Adagio - Sostenuto - Animato - Allegro molto - Appassionato - Giubiloso | — | ||
| 22-9 | Baladická suita, op. 9: IV. Largo, con malinconia - Più mosso - Poco a poco animato - Tempo I - Grandioso | — | ||
| 22-10 | Symfonietta rustica: I. Moderato e sostenuto - Poco meno - Allegro vivo - Moderato - Poco meno - Allegro vivo - Moderato - Poco meno | — | ||
| 22-11 | Symfonietta rustica: II. Adagio - Poco animato - Poco a poco animato - Con moto - Meno mosso - Maestoso - Adagio | — | ||
| 22-12 | Symfonietta rustica: III. Allegro assai | — | ||
| 23-1 | Marinarella, op. 215 | Julius Fučík | T-910.090.687-4 | |
| 23-2 | Onkel Teddy, op. 239 | Julius Fučík | — | |
| 23-3 | Donausagen, op. 233: Andantino - Allegretto con leggierezza - Tempo I - | Julius Fučík | — | |
| 23-4 | Donausagen, op. 233: I. Tempo di Valse - | Julius Fučík | — | |
| 23-5 | Donausagen, op. 233: II. Con dolcezza - | Julius Fučík | — | |
| 23-6 | Donausagen, op. 233: III. [ ] - | Julius Fučík | — | |
| 23-7 | Donausagen, op. 233: Coda. [ ] - Allegretto con leggierezza - Tempo di Valse | Julius Fučík | — | |
| 23-8 | Die lustigen Dorfschmiede, op. 218 | Julius Fučík | — | |
| 23-9 | Der alte Brummbär, op. 210 | Julius Fučík | — | |
| 23-10 | Einzug der Gladiatoren, op. 68 | Julius Fučík | T-900.165.734-7 | |
| 23-11 | Miramare, op. 247 | Julius Fučík | — | |
| 23-12 | Florentiner, op. 214 | Julius Fučík | — | |
| 23-13 | Winterstürme, op. 184 | Julius Fučík | — | |
| 23-14 | Hercegovac, op. 235 | Julius Fučík | — | |
| 23-15 | Die Regimentskinder, op. 169 | Julius Fučík | — | |
| 23-16 | Ballettratten, op. 226: Allegretto - Tempo di Valse risoluto - Più vivo - | Julius Fučík | — | |
| 23-17 | Ballettratten, op. 226: I. Tempo di Vlase - | Julius Fučík | — | |
| 23-18 | Ballettratten, op. 226: II. Meno con delicatezza - | Julius Fučík | — | |
| 23-19 | Ballettratten, op. 226: III. Meno mosso - | Julius Fučík | — | |
| 23-20 | Ballettratten, op. 226: Coda. [ ] - Meno con delicatezza | Julius Fučík | — | |
| 23-21 | The Mississippi River, op. 160 (161) | Julius Fučík | — | |
| 23-22 | Unter der Admiralsflagge, op. 82 | Julius Fučík | — | |
| 24-1 | Escales...: I. Rome-Palerme. Calme - Assez animé | — | ||
| 24-2 | Escales...: II. Tunis-Nefta. Modéré très rythmé - Très librement | — | ||
| 24-3 | Escales...: III. Valence. Animé - Légèrement moins animé - Augmentez - Modéré - Même Mouvement - Augmentez - Mouvement du début - Un peu plus animé | — | ||
| 24-4 | Sarabande pour Dulcinée | — | ||
| 24-5 | Ouverture de fête | — | ||
| 24-6 | Féerique | — | ||
| 24-7 | Divertissement: I. Introduction. Allegro vivo | — | ||
| 24-8 | Divertissement: II. Cortège. Moderato molto - Animato subito - Allegro moderato - Animato subito | — | ||
| 24-9 | Divertissement: III. Nocturne. Lento | — | ||
| 24-10 | Divertissement: IV. Valse. Animato assai - Tempo di Valze - Poco più animato - Vivo molto | — | ||
| 24-11 | Divertissement: V. Parade. Tempo di marcia | — | ||
| 24-12 | Divertissement: VI. Finale. Quasi cadenza - Vivo (Tempo di galop) | — | ||
| 24-13 | Hommage à Mozart | — | ||
| 24-14 | Suite symphonique "Paris": I. Le Métro. Moderato assai - Allegro | — | ||
| 24-15 | Suite symphonique "Paris": II. Faubourgs. Moderato - Allegro vivo - Meno mosso - Tempo I - Meno mosso - Tempo I | — | ||
| 24-16 | Suite symphonique "Paris": III. La Mosquée de Paris. Moderato - Tempo giusto | — | ||
| 24-17 | Suite symphonique "Paris": IV. Restaurant au Bois de Boulogne. Tempo di Valse - Allegro energico - Presto | — | ||
| 24-18 | Suite symphonique "Paris": V. Le Paquebot "Île-de-France". Moderato - Quasi lento | — | ||
| 24-19 | Suite symphonique "Paris": VI. Parade Foraine. Tempo giusto - Presto | — | ||
| 24-20 | Bacchanale | — | ||
| 25-1 | Newa-Polka, op. 288 | — | ||
| 25-2 | Persischer Marsch, op. 289 | — | ||
| 25-3 | Russischer Marsch, op. 426 | — | ||
| 25-4 | Grossfürstin Alexandra-Walzer, op. 181 | — | ||
| 25-5 | Olga-Polka, op. 196 | — | ||
| 25-6 | Alexandrinen-Polka, op. 198 | — | ||
| 25-7 | Abschied von St. Petersburg, op. 210 | — | ||
| 25-8 | Bauern-Polka, op. 276 | — | ||
| 25-9 | Pizzicato-Polka, o. op. | — | ||
| 25-10 | Grossfürsten-Marsch, op. 107 | — | ||
| 25-11 | Erste Liebe, op. 14 | — | ||
| 25-12 | Vergnügungszug, op. 281 | — | ||
| 25-13 | Wein, Weib und Gesang!, op. 333 | — | ||
| 25-14 | Krönungs-Marsch, op. 183 | — | ||
| 25-15 | Hofball-Quadrille, op. 116 | — | ||
| 25-16 | An der Wolga, op. 425 | — | ||
| 25-17 | St. Petersburg, op. 255 | — | ||
| 25-18 | Auf zum Tanze!, op. 436 | — | ||
| 25-19 | Russische Marsch-Fantasie, op. 353 | — | ||
| 25-20 | Alexander-Quadrille, op. 33 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ballet Suite no. 4: I. Introduction (from 'The Limpid Stream') | Royal Scottish National Orchestra, Neeme Järvi | — |
| Ballet Suite no. 4: II. Waltz (from 'Song of the Great Rivers') | Royal Scottish National Orchestra, Neeme Järvi | — |
| Ballet Suite no. 4: III. Scherzo (from 'The Bolt') | Royal Scottish National Orchestra, Neeme Järvi | — |
