UPC · Release
The Barber of Seville
Gioachino Rossini, English National Opera Orchestra, Chorus, Gabriele Bellini, Bruce Ford, Della Jones, Alan Opie
095115302521
54 tracksReleased 2000-01-01Chandos
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095115302521 is the Universal Product Code (UPC barcode) for the release “The Barber of Seville” by Gioachino Rossini, English National Opera Orchestra, Chorus, Gabriele Bellini, Bruce Ford, Della Jones, Alan Opie, released 2000-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
0Number system
95115Manufacturer
30252Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (54)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Barber of Seville: Overture | — | ||
| 2 | The Barber of Seville, Act I, Scene 1: Introduction "Piano, pianissimo" (Fiorello, Chorus, The Count) | — | ||
| 3 | The Barber of Seville, Act I, Scene 1: Cavatina "See how the smile of heaven" (The Count) | — | ||
| 4 | The Barber of Seville, Act I, Scene 1: "Hey, Fiorello!" (The Count, Fiorello, Chorus) | — | ||
| 5 | The Barber of Seville, Act I, Scene 1: "Thank you, thank you" (Chorus, Fiorello, The Count) | — | ||
| 6 | The Barber of Seville, Act I, Scene 1: Recitative "What common people!" (The Count, Fiorello) | — | ||
| 7 | The Barber of Seville, Act I, Scene 2: Cavatina "La la la lera" (Figaro) | — | ||
| 8 | The Barber of Seville, Act I, Scene 2: Recitative "Ah ha! What could be better?" (Figaro, The Count) | — | ||
| 9 | The Barber of Seville, Act I, Scene 3: "I cannot see him anywhere" (Rosina, The Count, Bartolo, Figaro) | — | ||
| 10 | The Barber of Seville, Act I, Scene 4: "Poor little innocent creature!" (The Count, Figaro, Bartolo) | — | ||
| 11 | The Barber of Seville, Act I, Scene 4: Canzone "My poor heart is so full of emotion" (The Count, Rosina, Figaro) | — | ||
| 12 | The Barber of Seville, Act I, Scene 4: Recitative "What happened?" (The Count, Figaro) | — | ||
| 13 | The Barber of Seville, Act I, Scene 4: Duet "You need only mention money" (Figaro, The Count) | — | ||
| 14 | The Barber of Seville, Act I, Scene 5: Cavatina "In my heart a gentle voice" (Rosina) | — | ||
| 15 | The Barber of Seville, Act I, Scene 5: "I can be so demure" (Rosina) | — | ||
| 16 | The Barber of Seville, Act I, Scene 5: Recitative "Oh yes, I'll win the day" (Rosina) | — | ||
| 17 | The Barber of Seville, Act I, Scene 6: "Good morning, signorina" (Figaro, Rosina) | — | ||
| 18 | The Barber of Seville, Act I, Scene 7: "Where would I be without him?" (Rosina, Bartolo) | — | ||
| 19 | The Barber of Seville, Act I, Scene 8: "Who'd know?" (Bartolo, Basilio) | — | ||
| 20 | The Barber of Seville, Act I, Scene 8: Aria "Innuendo, the slightest whisper" (Basilio) | — | ||
| 21 | The Barber of Seville, Act I, Scene 8: "Well, what d'you think?" (Basilio, Bartolo) | — | ||
| 22 | The Barber of Seville, Act I, Scene 9: "So that's it!" (Figaro, Rosina) | — | ||
| 23 | The Barber of Seville, Act I, Scene 9: Duet "Then it's me..." (Rosina, Figaro) | — | ||
| 24 | The Barber of Seville, Act I, Scene 10: Recitative "Now I feel so much better" (Rosina, Bartolo) | — | ||
| 25 | The Barber of Seville, Act I, Scene 10: Aria "Dare you offer such excuses" (Bartolo) | — | ||
| 2-1 | The Barber of Seville, Act I, Scene 13: Finale I "Where's the master?" (The Count, Bartolo) | — | ||
| 2-2 | The Barber of Seville, Act I, Scene 14: "Ah! How long 'til I behold her" (The Count, Bartolo, Rosina, Berta, Basilio) | — | ||
| 2-3 | The Barber of Seville, Act I, Scene 15: "Stop this noise!" (Figaro, Bartolo, The Count, Rosina, Berta, Basilio) | — | ||
| 2-4 | The Barber of Seville, Act I, Scene 15: "Someone is at the door" (Rosina, Berta, Figaro, The Count, Bartolo, Basilio, Chorus) | — | ||
| 2-5 | The Barber of Seville, Act I, Scene 16: "Pay attention! What's the trouble?" (Chorus, Bartolo, Figaro, Basilio, Berta, The Count, Rosina, Officer) | — | ||
| 2-6 | The Barber of Seville, Act I, Scene 16: "Frozen and motionless" (Rosina, The Count, Bartolo, Basilio, Figaro) | — | ||
| 2-7 | The Barber of Seville, Act I, Scene 16: "If I may..." (Bartolo, Berta, Basilio, Chorus, Rosina, The Count, Figaro) | — | ||
| 2-8 | The Barber of Seville, Act II, Scene 1: Recitative "I've got to find the answer!" (Bartolo) | — | ||
| 2-9 | The Barber of Seville, Act II, Scene 2: Duet "Peace and joy be yours forever" (The Count, Bartolo) | — | ||
| 2-10 | The Barber of Seville, Act II, Scene 2: Recitative "I don't think we have met, Sir" (Bartolo, The Count) | — | ||
| 2-11 | The Barber of Seville, Act II, Scene 3: "Come along, my dear, and listen" (Bartolo, Rosina, The Count) | — | ||
| 2-12 | The Barber of Seville, Act II, Scene 3: Aria "When a heart for love is yearning" (Rosina, The Count) | — | ||
| 2-13 | The Barber of Seville, Act II, Scene 3: Recitative "What a talent. Bravissima!" (The Count, Rosina, Bartolo) | — | ||
| 2-14 | The Barber of Seville, Act II, Scene 3: Arietta "Sweet little seventeena" (Bartolo) | — | ||
| 2-15 | The Barber of Seville, Act II, Scene 3: Recitative "Bravo, Signor Figaro" (Bartolo, Figaro, Rosina, The Count) | — | ||
| 2-16 | The Barber of Seville, Act II, Scene 4: Quintet "Don Basilio..." (Rosina, The Count, Figaro, Bartolo, Basilio) | — | ||
| 2-17 | The Barber of Seville, Act II, Scene 4: "Now then, Signor Don Bartolo" (Figaro, Bartolo, The Count, Rosina) | — | ||
| 2-18 | The Barber of Seville, Act II, Scene 5: Recitative "Things can't get much worse" (Bartolo) | — | ||
| 2-19 | The Barber of Seville, Act II, Scene 6: "He wouldn't trust his mother!" (Berta) | — | ||
| 2-20 | The Barber of Seville, Act II, Scene 6: Aria "First the doctor wants to marry" (Berta) | — | ||
| 2-21 | The Barber of Seville, Act II, Scene 7: Recitative "So this pupil Alonso" (Bartolo, Basilio) | — | ||
| 2-22 | The Barber of Seville, Act II, Scene 8: "By force or persuasion" (Bartolo, Rosina) | — | ||
| 2-23 | The Barber of Seville, Act II, Scene 8: Thunderstorm | — | ||
| 2-24 | The Barber of Seville, Act II, Scene 9: Recitative "We've made it" (Figaro, The Count, Rosina) | — | ||
| 2-25 | The Barber of Seville, Act II, Scene 9: Trio "Almaviva, not Lindoro!" (Rosina, Figaro, The Count) | — | ||
| 2-26 | The Barber of Seville, Act II, Scene 9: Recitative "Ah! That's all we needed!" (Figaro, The Count, Rosina) | — | ||
| 2-27 | The Barber of Seville, Act II, Scene 10: "Don Bartolo" (Basilio, Figaro, Officer, The Count) | — | ||
| 2-28 | The Barber of Seville, Act II, Scene 11: "Don't move a muscle!" (Bartolo, Figaro, Officer, The Count) | — | ||
| 2-29 | The Barber of Seville, Act II, Scene 11: Finaletto II "I love a happy ending" (Figaro, Berta, Bartolo, Basilio, Chorus, Rosina, The Count) | — |
The Barber of Seville: Overture
—
The Barber of Seville, Act I, Scene 1: Introduction "Piano, pianissimo" (Fiorello, Chorus, The Count)
—
The Barber of Seville, Act I, Scene 1: Cavatina "See how the smile of heaven" (The Count)
—
The Barber of Seville, Act I, Scene 1: "Hey, Fiorello!" (The Count, Fiorello, Chorus)
—
The Barber of Seville, Act I, Scene 1: "Thank you, thank you" (Chorus, Fiorello, The Count)
—
The Barber of Seville, Act I, Scene 1: Recitative "What common people!" (The Count, Fiorello)
—
The Barber of Seville, Act I, Scene 2: Cavatina "La la la lera" (Figaro)
—
The Barber of Seville, Act I, Scene 2: Recitative "Ah ha! What could be better?" (Figaro, The Count)
—
The Barber of Seville, Act I, Scene 3: "I cannot see him anywhere" (Rosina, The Count, Bartolo, Figaro)
—
The Barber of Seville, Act I, Scene 4: "Poor little innocent creature!" (The Count, Figaro, Bartolo)
—
The Barber of Seville, Act I, Scene 4: Canzone "My poor heart is so full of emotion" (The Count, Rosina, Figaro)
—
The Barber of Seville, Act I, Scene 4: Recitative "What happened?" (The Count, Figaro)
—
The Barber of Seville, Act I, Scene 4: Duet "You need only mention money" (Figaro, The Count)
—
The Barber of Seville, Act I, Scene 5: Cavatina "In my heart a gentle voice" (Rosina)
—
The Barber of Seville, Act I, Scene 5: "I can be so demure" (Rosina)
—
The Barber of Seville, Act I, Scene 5: Recitative "Oh yes, I'll win the day" (Rosina)
—
The Barber of Seville, Act I, Scene 6: "Good morning, signorina" (Figaro, Rosina)
—
The Barber of Seville, Act I, Scene 7: "Where would I be without him?" (Rosina, Bartolo)
—
The Barber of Seville, Act I, Scene 8: "Who'd know?" (Bartolo, Basilio)
—
The Barber of Seville, Act I, Scene 8: Aria "Innuendo, the slightest whisper" (Basilio)
—
The Barber of Seville, Act I, Scene 8: "Well, what d'you think?" (Basilio, Bartolo)
—
The Barber of Seville, Act I, Scene 9: "So that's it!" (Figaro, Rosina)
—
The Barber of Seville, Act I, Scene 9: Duet "Then it's me..." (Rosina, Figaro)
—
The Barber of Seville, Act I, Scene 10: Recitative "Now I feel so much better" (Rosina, Bartolo)
—
The Barber of Seville, Act I, Scene 10: Aria "Dare you offer such excuses" (Bartolo)
—
The Barber of Seville, Act I, Scene 13: Finale I "Where's the master?" (The Count, Bartolo)
—
The Barber of Seville, Act I, Scene 14: "Ah! How long 'til I behold her" (The Count, Bartolo, Rosina, Berta, Basilio)
—
The Barber of Seville, Act I, Scene 15: "Stop this noise!" (Figaro, Bartolo, The Count, Rosina, Berta, Basilio)
—
The Barber of Seville, Act I, Scene 15: "Someone is at the door" (Rosina, Berta, Figaro, The Count, Bartolo, Basilio, Chorus)
—
The Barber of Seville, Act I, Scene 16: "Pay attention! What's the trouble?" (Chorus, Bartolo, Figaro, Basilio, Berta, The Count, Rosina, Officer)
—
The Barber of Seville, Act I, Scene 16: "Frozen and motionless" (Rosina, The Count, Bartolo, Basilio, Figaro)
—
The Barber of Seville, Act I, Scene 16: "If I may..." (Bartolo, Berta, Basilio, Chorus, Rosina, The Count, Figaro)
—
The Barber of Seville, Act II, Scene 1: Recitative "I've got to find the answer!" (Bartolo)
—
The Barber of Seville, Act II, Scene 2: Duet "Peace and joy be yours forever" (The Count, Bartolo)
—
The Barber of Seville, Act II, Scene 2: Recitative "I don't think we have met, Sir" (Bartolo, The Count)
—
The Barber of Seville, Act II, Scene 3: "Come along, my dear, and listen" (Bartolo, Rosina, The Count)
—
The Barber of Seville, Act II, Scene 3: Aria "When a heart for love is yearning" (Rosina, The Count)
—
The Barber of Seville, Act II, Scene 3: Recitative "What a talent. Bravissima!" (The Count, Rosina, Bartolo)
—
The Barber of Seville, Act II, Scene 3: Arietta "Sweet little seventeena" (Bartolo)
—
The Barber of Seville, Act II, Scene 3: Recitative "Bravo, Signor Figaro" (Bartolo, Figaro, Rosina, The Count)
—
The Barber of Seville, Act II, Scene 4: Quintet "Don Basilio..." (Rosina, The Count, Figaro, Bartolo, Basilio)
—
The Barber of Seville, Act II, Scene 4: "Now then, Signor Don Bartolo" (Figaro, Bartolo, The Count, Rosina)
—
The Barber of Seville, Act II, Scene 5: Recitative "Things can't get much worse" (Bartolo)
—
The Barber of Seville, Act II, Scene 6: "He wouldn't trust his mother!" (Berta)
—
The Barber of Seville, Act II, Scene 6: Aria "First the doctor wants to marry" (Berta)
—
The Barber of Seville, Act II, Scene 7: Recitative "So this pupil Alonso" (Bartolo, Basilio)
—
The Barber of Seville, Act II, Scene 8: "By force or persuasion" (Bartolo, Rosina)
—
The Barber of Seville, Act II, Scene 8: Thunderstorm
—
The Barber of Seville, Act II, Scene 9: Recitative "We've made it" (Figaro, The Count, Rosina)
—
The Barber of Seville, Act II, Scene 9: Trio "Almaviva, not Lindoro!" (Rosina, Figaro, The Count)
—
The Barber of Seville, Act II, Scene 9: Recitative "Ah! That's all we needed!" (Figaro, The Count, Rosina)
—
The Barber of Seville, Act II, Scene 10: "Don Bartolo" (Basilio, Figaro, Officer, The Count)
—
The Barber of Seville, Act II, Scene 11: "Don't move a muscle!" (Bartolo, Figaro, Officer, The Count)
—
The Barber of Seville, Act II, Scene 11: Finaletto II "I love a happy ending" (Figaro, Berta, Bartolo, Basilio, Chorus, Rosina, The Count)
—
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What is UPC 095115302521?
095115302521 is a Universal Product Code (UPC) assigned to The Barber of Seville by Gioachino Rossini, English National Opera Orchestra, Chorus, Gabriele Bellini, Bruce Ford, Della Jones, Alan Opie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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