UPC · Release
The Mines of Sulphur
Sir Richard Rodney Bennett, Glimmerglass Opera, Stewart Robertson
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095115503621 is the Universal Product Code (UPC barcode) for the release “The Mines of Sulphur” by Sir Richard Rodney Bennett, Glimmerglass Opera, Stewart Robertson, released 2005-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC.
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- 5-digit code identifying this specific release within the manufacturer's catalog.
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Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Mines of Sulphur: Act I. No. 1 Introduction | — | ||
| 2 | The Mines of Sulphur: Act I. No. 2 “Slut! You slut!” (Braxton, Rosalind) | — | ||
| 3 | The Mines of Sulphur: Act I. No. 3 “Easy and quietly” (Boconnion, Tovey, Rosalind, Braxton) | — | ||
| 4 | The Mines of Sulphur: Act I. No. 4 “The key!” (Boconnion, Tovey, Rosalind) | — | ||
| 5 | The Mines of Sulphur: Act I. “You see! What did I tell you?” (Rosalind, Boconnion, Tovey) | — | ||
| 6 | The Mines of Sulphur: Act I. No. 5 “Old goat!” (Boconnion, Rosalind) | — | ||
| 7 | The Mines of Sulphur: Act I. No. 6 “The cup it is white and the ale it is brown…” (Tovey, Boconnion) | — | ||
| 8 | The Mines of Sulphur: Act I. No. 7 “Am I beautiful?” (Rosalind, Boconnion, Tovey) | — | ||
| 9 | The Mines of Sulphur: Act I. “A horn!” (Boconnion, Rosalind, Tovey, Sherrin) | — | ||
| 10 | The Mines of Sulphur: Act I. No. 8 “Good evening, sir” (Sherrin, Boconnion, Rosalind, Tovey, Leda, Fenney, Tooley) | — | ||
| 11 | The Mines of Sulphur: Act I. No. 9 "I once played Romeo, in Chester” (Fenney, Sherrin, Tooley, Leda) | — | ||
| 12 | The Mines of Sulphur: Act I. No. 10 “It looks very well on you” (Jenny, Rosalind) | — | ||
| 13 | The Mines of Sulphur: Act II. No. 11 Overture | — | ||
| 14 | The Mines of Sulphur: Act II. No. 12 “Good morning, your Excellency!” (Tooley) | — | ||
| 15 | The Mines of Sulphur: Act II. No. 13 Recitative “Item: A fountain in the Palladian Style” (The Count) | — | ||
| 16 | The Mines of Sulphur: Act II. No. 14 Duet “Good morning, your Excellency” (Hugo, The Count) | — | ||
| 17 | The Mines of Sulphur: Act II. “This morning I was passing the square” (Hugo, The Count) – No. 15 Aria “O when will I a lover know” (Haidee) | — | ||
| 18 | The Mines of Sulphur: Act II. No. 16 “Well?” (Hugo, The Count, Mrs. Traxel) | — | ||
| 19 | The Mines of Sulphur: Act II. No. 17 “Haidee!” (Mrs. Traxel) | — | ||
| 20 | The Mines of Sulphur: Act II. No. 18 Interlude “Your eyes are shining, Rosalind” (Boconnion, Rosalind, Tovey) | — | ||
| 21 | The Mines of Sulphur: Act II. No. 19 | — | ||
| 2-1 | The Mines of Sulphur: Act II. No. 20 Nocturne I | — | ||
| 2-2 | The Mines of Sulphur: Act II. No. 21 “Good morning, my doves” (Mrs. Traxel, Haidee, Hugo) | — | ||
| 2-3 | The Mines of Sulphur: Act II. No. 22 “Hugo!” (Haidee, Hugo) | — | ||
| 2-4 | The Mines of Sulphur: Act II. No. 23 Nocturne II | — | ||
| 2-5 | The Mines of Sulphur: Act II. No. 24 “I said to the cook: who does he think he is?” (Tooley, The Count) | — | ||
| 2-6 | The Mines of Sulphur: Act II. No. 25 / Nocturne III “In the moonlight they are beautiful” (The Count) | — | ||
| 2-7 | The Mines of Sulphur: Act II. No. 26 “Get up! and quickly, do you hear me” (The Count, Haidee, Hugo) | — | ||
| 2-8 | The Mines of Sulphur: Act II. No. 27 “Stop! Make them stop!” (Tovey, Boconnion, Rosalind, Sherrin, Leda) | — | ||
| 2-9 | The Mines of Sulphur: Act II. No. 28 “We must get away from here” (Rosalind, Boconnion) | — | ||
| 2-10 | The Mines of Sulphur: Act II. No. 29 “I am very sorry, Colonel Boconnion” (Sherrin, Rosalind, Boconnion, Leda, Tooley) | — | ||
| 2-11 | The Mines of Sulphur: Act II. “Well now, Colonel!” (Tooley, Boconnion, Leda) | — | ||
| 2-12 | The Mines of Sulphur: Act II. “You would do better to save your new coat” (Tooley, Boconnion) | — | ||
| 2-13 | The Mines of Sulphur: Act III. No. 30 “Back! Back against the wall where I can watch you” (Boconnion, Sherrin, Tooley, Leda, Rosalind) | — | ||
| 2-14 | The Mines of Sulphur: Act III. No. 31 “This house is made of wood” (Boconnion) – No. 32 “What will you gain by killing us” (Sherrin, Tooley, Boconnion) | — | ||
| 2-15 | The Mines of Sulphur: Act III. “All correct, Colonel” (Tovey, Boconnion, Rosalind) – No. 33 “I want to leave this house” (Rosalind) – No. 34 “We must wait till morning” (Boconnion, Leda, Fenney) | — | ||
| 2-16 | The Mines of Sulphur: Act III. “Ah! The poor little mute” (Boconnion) – No. 35 – No. 36 “This mute!” (Boconnion) | — | ||
| 2-17 | The Mines of Sulphur: Act III. “I lived as a boy in a village by the sea” (Boconnion) | — | ||
| 2-18 | The Mines of Sulphur: Act III. “Tovey! Bring down the girl” (Boconnion, Tovey, Leda) – No. 37 “I want to leave this house” (Rosalind, Jenny, Boconnion) | — | ||
| 2-19 | The Mines of Sulphur: Act III. “Tovey! Into the cellar with them” (Boconnion, Rosalind) – No. 38 “All correct, Colonel” (Tovey) | — | ||
| 2-20 | The Mines of Sulphur: Act III. “What was your question, in the play?” (Boconnion, Jenny, Rosalind) | — | ||
| 2-21 | The Mines of Sulphur: Act III. No. 39 “Once, once long ago some actors came riding” (Jenny) | — | ||
| 2-22 | The Mines of Sulphur: Act III. No. 40 “The horn! Their horn!” (Tovey, Boconnion, Rosalind, Jenny) | — | ||
| 2-23 | The Mines of Sulphur: Act III. “Then look! Soldier, look!” (Jenny, Tovey, Rosalind, Boconnion) | — |
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What is UPC 095115503621?
095115503621 is a Universal Product Code (UPC) assigned to The Mines of Sulphur by Sir Richard Rodney Bennett, Glimmerglass Opera, Stewart Robertson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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