UPC · Release
Gurre-Lieder
Schoenberg, Alwyn Mellor, Anna Larsson, Stuart Skelton, James Creswell, Wolfgang Ablinger-Sperrhacke, Sir Thomas Allen, Bergen Philharmonic Orchestra, Choirs, Edward Gardner
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095115517222 is the Universal Product Code (UPC barcode) for the release “Gurre-Lieder” by Schoenberg, Alwyn Mellor, Anna Larsson, Stuart Skelton, James Creswell, Wolfgang Ablinger-Sperrhacke, Sir Thomas Allen, Bergen Philharmonic Orchestra, Choirs, Edward Gardner, released 2016-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Gurre-Lieder, First Part: I. Orchestral Prelude | — | ||
| 2 | Gurre-Lieder, First Part: II. Nun dämpft die Dämm'rung jeden Ton (Waldemar) | — | ||
| 3 | Gurre-Lieder, First Part: III. Oh, wenn des Mondes Strahlen leise gleiten (Tove) | — | ||
| 4 | Gurre-Lieder, First Part: IV. Ross! Mein Ross! Was schleichst du so träg? (Waldemar) | — | ||
| 5 | Gurre-Lieder, First Part: V. Sterne jubeln, das Meer, es leuchtet (Tove) | — | ||
| 6 | Gurre-Lieder, First Part: VI. So tanzen die Engel vor Gottes Thron nicht (Waldemar) | — | ||
| 7 | Gurre-Lieder, First Part: VII. Nun sag ich dir zum ersten Mal (Tove) | — | ||
| 8 | Gurre-Lieder, First Part: VIII. Es ist Mitternachtszeit (Waldemar) | — | ||
| 9 | Gurre-Lieder, First Part: IX. Du sendest mir einem Liebesblick (Tove) | — | ||
| 10 | Gurre-Lieder, First Part: X. Du wunderliche Tove! (Waldemar) | — | ||
| 11 | Gurre-Lieder, First Part: XII. Orchestral Interlude | — | ||
| 12 | Gurre-Lieder, First Part: XIII. Tauben von Gurre! Sorge quält mich (Stimme der Waldtaube) | — | ||
| 13 | Gurre-Lieder, First Part: XIV. Den Sarg sah ich auf Königs Schulter (Stimme der Waldtaube) | — | ||
| 2-1 | Gurre-Lieder, Second Part: Herrgott, weißt du, was du tatest (Waldemar) | — | ||
| 2-2 | Gurre-Lieder, Third Part: I. Erwacht, König Waldemars Mannen wert! (Waldemar) | — | ||
| 2-3 | Gurre-Lieder, Third Part: II. Deckel des Sarges klappert und klappt (Bauer) | — | ||
| 2-4 | Gurre-Lieder, Third Part: III. Gegrüßt, o König, an Gurree-Seestrand! (Waldemars Mannen) | — | ||
| 2-5 | Gurre-Lieder, Third Part: IV. Orchestral Interlude | — | ||
| 2-6 | Gurre-Lieder, Third Part: V. Mit Toves flüstert der Wald (Waldemar) | — | ||
| 2-7 | Gurre-Lieder, Third Part: VI. Ein seltsamer Vogel ist son'n Aal (Klaus-Narr) | — | ||
| 2-8 | Gurre-Lieder, Third Part: VII. strenger Richter droben (Waldemar) | — | ||
| 2-9 | Gurre-Lieder, Third Part: VIII. Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen) | — | ||
| 2-10 | Gurre-Lieder, Third Part: IX. Orchestral Prelude | — | ||
| 2-11 | Gurre-Lieder, Third Part: X. Herr Gänsefuß, Frau Gansekraut, nun duckt euch nur geschwind (Sprecher) | — | ||
| 2-12 | Gurre-Lieder, Third Part: XI. Still! Was mag der Wind nur Wollen? (Sprecher) | — | ||
| 2-13 | Gurre-Lieder, Third Part: XII. Seht die Sonne (Mixed Chorus) | — |
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What is UPC 095115517222?
095115517222 is a Universal Product Code (UPC) assigned to Gurre-Lieder by Schoenberg, Alwyn Mellor, Anna Larsson, Stuart Skelton, James Creswell, Wolfgang Ablinger-Sperrhacke, Sir Thomas Allen, Bergen Philharmonic Orchestra, Choirs, Edward Gardner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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