The Kingdom / Sospiri / Sursum corda

UPC · Release

The Kingdom / Sospiri / Sursum corda

Elgar, Margaret Marshall, Felicity Palmer and 5 more

095115878828
27 tracksReleased 1989-01-01Chandos

Last verified:

095115878828 is the Universal Product Code (UPC barcode) for the release The Kingdom / Sospiri / Sursum corda by Elgar, Margaret Marshall, Felicity Palmer, Arthur Davies, David Wilson‐Johnson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox, released 1989-01-01 on Chandos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC.

Format

0Number system
95115Manufacturer
87882Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Kingdom / Sospiri / Sursum corda
ISWC1 work

Track List (27)

The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –
The Kingdom, op. 51: Jerusalem. Prelude. Allegro maestoso –
The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –
The Kingdom, op. 51: Part I “In the Upper Room”. The Disciples and the Holy Women: “Seek first the Kingdom of God” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “Where two or three are gathered together in My Name’ –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter: “He took bread, and blessed it” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter:“Men and brethren” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –
The Kingdom, op. 51: Part I “In the Upper Room”. Peter, John, and the Disciples: “Thou, Lord, Which knowest the hearts of all men” –
The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –
The Kingdom, op. 51: Part I “In the Upper Room”. Recitative. Chorus: “They gave forth their lots” –
The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”
The Kingdom, op. 51: Part I “In the Upper Room”. Chorus: “O ye priests!”
The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”
The Kingdom, op. 51: Part II “At the Beautiful Gate”: The Morn of Pentecost 9 Mary and Mary Magdalene: “The singers are before the altar”
The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –
The Kingdom, op. 51: Part III “Pentecost”: Recitative. Tenor: “And when the day of Pentecost was fully come” –
The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –
The Kingdom, op. 51: Part III “Pentecost”: The Disciples: “When the great Lord will” –
The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –
The Kingdom, op. 51: Part III “Pentecost”: Recitative. Mezzo-soprano: “And suddenly there came from heaven a sound...” –
The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –
The Kingdom, op. 51: Part III “Pentecost”: The People: “Behold, are not all these which speak, Galilæans?” –
The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –
The Kingdom, op. 51: Part III “Pentecost”: Peter: “Ye men of Judæa” –
The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”
The Kingdom, op. 51: Part III “Pentecost”: Peter: “Repent, and be baptised every one of you”
The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “Then they that gladly received his word were baptised”’ –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Mezzo-soprano: “The man that was lame” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: John: “Unto you that fear His Name...” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Recitative. Mezzo-soprano: “And as they spake” –
The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”
The Kingdom, op. 51: Part IV “The Sign of Healing”: Mary: “The sun goeth down”
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “The voice of joy is in the dwelling of the righteous” –
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Lord, Thou didst make the heaven” –
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” –
The Kingdom, op. 51: Part V “The Upper Room”: The Disciples and the Holy Women: “Thou, Almighty Lord, hast given food and drink to mankind” –
The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –
The Kingdom, op. 51: Part V “The Upper Room”: All: “Our Father, Which art in Heaven” –
The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”
The Kingdom, op. 51: Part V “The Upper Room”: John: “Ye have received the Spirit of adoption”
Sospiri, op. 70
Sospiri, op. 70
Sursum corda, op. 11
Sursum corda, op. 11

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 095115878828?
UPC 095115878828 is the Universal Product Code (barcode) for "The Kingdom / Sospiri / Sursum corda" by Elgar, Margaret Marshall, Felicity Palmer, Arthur Davies, David Wilson‐Johnson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox, released on Chandos.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 095115878828?
UPC 095115878828 contains 27 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 095115878828?

095115878828 is a Universal Product Code (UPC) assigned to The Kingdom / Sospiri / Sursum corda by Elgar, Margaret Marshall, Felicity Palmer, Arthur Davies, David Wilson‐Johnson, London Symphony Chorus, London Symphony Orchestra, Richard Hickox. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm