UPC · Release
Mahler, Danish National Radio Symphony Orchestra, Choir, Leif Segerstam
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The UPC for “Symphonies nos. 1-10” by Mahler, Danish National Radio Symphony Orchestra, Choir, Leif Segerstam is 095115957226. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Chandos. This release contains 53 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": I. Langsam, schleppend. Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 5 | Symphonic Movement "Blumine": Andante allegretto | — | ||
| 2-1 | Symphony no. 3: Part I. I. Kräftig, Entschieden | — | ||
| 2-2 | Symphony no. 3: Part II. II. Tempo di menuetto. Sehr mässig | — | ||
| 2-3 | Symphony no. 3: Part II. III. Comodo. Scherzando | — | ||
| 3-1 | Symphony no. 3: Part II. IV. Sehr langsam. Misterioso | — | ||
| 3-2 | Symphony no. 3: Part II. V. Lustig im tempo und keck im ausdruck | — | ||
| 3-3 | Symphony no. 3: Part II. VI. Langsam. Ruhevoll. Empfunden | — | ||
| 3-4 | Symphony no. 2 "Resurrection": I. Allegro maestoso | — | ||
| 4-1 | Symphony no. 2 "Resurrection": II. Andante moderato | — | ||
| 4-2 | Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 4-3 | Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | — | ||
| 4-4 | Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos | — | ||
| 5-1 | Symphony no. 4: I. Bedächtig | — | ||
| 5-2 | Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 5-3 | Symphony no. 4: III. Ruhevoll | — | ||
| 5-4 | Symphony no. 4: IV. Sehr behaglich | — | ||
| 6-1 | Symphony no. 5: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 6-2 | Symphony no. 5: Part I. II. Stürmisch bewegt. Mit grösster Vehemenz | — | ||
| 6-3 | Symphony no. 5: Part II. III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 6-4 | Symphony no. 5: Part III. IV. Adagietto: Sehr langsam | — | ||
| 6-5 | Symphony no. 5: Part III. V. Rondo-Finale: Allegro - Allegro giocoso. Frisch | — | ||
| 7-1 | Symphony no. 6: I. Allegro energico, ma non troppo | — | ||
| 7-2 | Symphony no. 6: II. Scherzo: Wuchtig | — | ||
| 7-3 | Symphony no. 6: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6: IV. Finale: Allegro moderato | — | ||
| 8-2 | Symphony no. 7: I. Langsam - Allegro con fuoco | — | ||
| 8-3 | Symphony no. 7: II. Nachtmusik: Allegro moderato | — | ||
| 9-1 | Symphony no. 7: III. Scherzo: Schattenhaft - Trio - Wieder wie zu Anfang | — | ||
| 9-2 | Symphony no. 7: IV. Nachtmusik: Andante amoroso | — | ||
| 9-3 | Symphony no. 7: Rondo-Finale: Allegro ordinario | — | ||
| 9-4 | Symphony no. 8: Part I - Hymnus: Veni, Creator Spiritus. Veni, Creator Spiritus - | — | ||
| 9-5 | Symphony no. 8: Part I - Hymnus: Veni, Creator Spiritus. Infirma nostri corporis | — | ||
| 10-1 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". [Poco Adagio] - | — | ||
| 10-2 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Waldung, Sie schwankt heran - | — | ||
| 10-3 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Ewiger Wonnebrand - | — | ||
| 10-4 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Wie Felsenabgrund mir zu Füßen - | — | ||
| 10-5 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Gerettet ist das edle Glied - | — | ||
| 10-6 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Uns bleibt ein Erdenrest - | — | ||
| 10-7 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Höchste Herrscherin der Welt - | — | ||
| 10-8 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Dir, der Unberührbaren - | — | ||
| 10-9 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Ber der Liebe, die den Füßen - | — | ||
| 10-10 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Neige, neige, du Ohnegleiche - | — | ||
| 10-11 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Blicket auf zum Retterblik - | — | ||
| 10-12 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Alles Vergängliche | — | ||
| 11-1 | Symphony no. 9: I. Andante commodo | — | ||
| 11-2 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers: Etwas täppisch und sehr derb | — | ||
| 11-3 | Symphony no. 9: III. Rondo - Burleske. Allegro Assai. Sehr trotzig | — | ||
| 12-1 | Symphony no. 9. IV. Adagio | — | ||
| 12-2 | Symphony no. 10: Adagio | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
095115957226 is a Universal Product Code (UPC) assigned to Symphonies nos. 1-10 by Mahler, Danish National Radio Symphony Orchestra, Choir, Leif Segerstam. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Symphonies nos. 1-10” by Mahler, Danish National Radio Symphony Orchestra, Choir, Leif Segerstam is 095115957226. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Label: Chandos. This release contains 53 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major "Titan": I. Langsam, schleppend. Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt | — | ||
| 5 | Symphonic Movement "Blumine": Andante allegretto | — | ||
| 2-1 | Symphony no. 3: Part I. I. Kräftig, Entschieden | — | ||
| 2-2 | Symphony no. 3: Part II. II. Tempo di menuetto. Sehr mässig | — | ||
| 2-3 | Symphony no. 3: Part II. III. Comodo. Scherzando | — | ||
| 3-1 | Symphony no. 3: Part II. IV. Sehr langsam. Misterioso | — | ||
| 3-2 | Symphony no. 3: Part II. V. Lustig im tempo und keck im ausdruck | — | ||
| 3-3 | Symphony no. 3: Part II. VI. Langsam. Ruhevoll. Empfunden | — | ||
| 3-4 | Symphony no. 2 "Resurrection": I. Allegro maestoso | — | ||
| 4-1 | Symphony no. 2 "Resurrection": II. Andante moderato | — | ||
| 4-2 | Symphony no. 2 "Resurrection": III. In ruhig fließender Bewegung | — | ||
| 4-3 | Symphony no. 2 "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | — | ||
| 4-4 | Symphony no. 2 "Resurrection": V. Im Tempo des Scherzos | — | ||
| 5-1 | Symphony no. 4: I. Bedächtig | — | ||
| 5-2 | Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 5-3 | Symphony no. 4: III. Ruhevoll | — | ||
| 5-4 | Symphony no. 4: IV. Sehr behaglich | — | ||
| 6-1 | Symphony no. 5: Part I. I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 6-2 | Symphony no. 5: Part I. II. Stürmisch bewegt. Mit grösster Vehemenz | — | ||
| 6-3 | Symphony no. 5: Part II. III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 6-4 | Symphony no. 5: Part III. IV. Adagietto: Sehr langsam | — | ||
| 6-5 | Symphony no. 5: Part III. V. Rondo-Finale: Allegro - Allegro giocoso. Frisch | — | ||
| 7-1 | Symphony no. 6: I. Allegro energico, ma non troppo | — | ||
| 7-2 | Symphony no. 6: II. Scherzo: Wuchtig | — | ||
| 7-3 | Symphony no. 6: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6: IV. Finale: Allegro moderato | — | ||
| 8-2 | Symphony no. 7: I. Langsam - Allegro con fuoco | — | ||
| 8-3 | Symphony no. 7: II. Nachtmusik: Allegro moderato | — | ||
| 9-1 | Symphony no. 7: III. Scherzo: Schattenhaft - Trio - Wieder wie zu Anfang | — | ||
| 9-2 | Symphony no. 7: IV. Nachtmusik: Andante amoroso | — | ||
| 9-3 | Symphony no. 7: Rondo-Finale: Allegro ordinario | — | ||
| 9-4 | Symphony no. 8: Part I - Hymnus: Veni, Creator Spiritus. Veni, Creator Spiritus - | — | ||
| 9-5 | Symphony no. 8: Part I - Hymnus: Veni, Creator Spiritus. Infirma nostri corporis | — | ||
| 10-1 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". [Poco Adagio] - | — | ||
| 10-2 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Waldung, Sie schwankt heran - | — | ||
| 10-3 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Ewiger Wonnebrand - | — | ||
| 10-4 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Wie Felsenabgrund mir zu Füßen - | — | ||
| 10-5 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Gerettet ist das edle Glied - | — | ||
| 10-6 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Uns bleibt ein Erdenrest - | — | ||
| 10-7 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Höchste Herrscherin der Welt - | — | ||
| 10-8 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Dir, der Unberührbaren - | — | ||
| 10-9 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Ber der Liebe, die den Füßen - | — | ||
| 10-10 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Neige, neige, du Ohnegleiche - | — | ||
| 10-11 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Blicket auf zum Retterblik - | — | ||
| 10-12 | Symphony no. 8: Part II - Schluß-Szene aus "Faust". Alles Vergängliche | — | ||
| 11-1 | Symphony no. 9: I. Andante commodo | — | ||
| 11-2 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers: Etwas täppisch und sehr derb | — | ||
| 11-3 | Symphony no. 9: III. Rondo - Burleske. Allegro Assai. Sehr trotzig | — | ||
| 12-1 | Symphony no. 9. IV. Adagio | — | ||
| 12-2 | Symphony no. 10: Adagio | — |
