UPC · Release
Thérèse Raquin
Tobias Picker, Dallas Opera, Graeme Jenkins
095115965924
43 tracksReleased 2002-05-20
Last verified:
095115965924 is the Universal Product Code (UPC barcode) for the release “Thérèse Raquin” by Tobias Picker, Dallas Opera, Graeme Jenkins, released 2002-05-20. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC.
Format
0Number system
95115Manufacturer
96592Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Thérèse Raquin: Act I, Scene I. Introduction | — | ||
| 2 | Thérèse Raquin: Act I, Scene I. “Thérèse. Thérèse. Thérèse” (Madame) | — | ||
| 3 | Thérèse Raquin: Act I, Scene I. “Thérèse needs a change of scenery” (Camille) | — | ||
| 4 | Thérèse Raquin: Act I, Scene I. “Like a ghost he stood before us” (Laurent) | — | ||
| 5 | Thérèse Raquin: Act I, Scene I. “She watched me painting along the Seine” (Laurent) | — | ||
| 6 | Thérèse Raquin: Act I, Scene I. “Be careful! Madame Raquin will hear us” (Laurent) | — | ||
| 7 | Thérèse Raquin: Act I, Scene I. “When we were little children” (Thérèse) | — | ||
| 8 | Thérèse Raquin: Act I, Scene II. “Thank-you, thank-you, Suzanne” (Madame) | — | ||
| 9 | Thérèse Raquin: Act I, Scene II. “I remember” (Suzanne, Madame) | — | ||
| 10 | Thérèse Raquin: Act I, Scene II. “Good evening, Madame Raquin” (Olivier) | — | ||
| 11 | Thérèse Raquin: Act I, Scene II. “Good evening. Good evening” (Grivet) | — | ||
| 12 | Thérèse Raquin: Act I, Scene II. “At half past five” (Grivet) | — | ||
| 13 | Thérèse Raquin: Act I, Scene II. “Once there was a servant girl” (Olivier) | — | ||
| 14 | Thérèse Raquin: Act I, Scene II. “We’ll recall when years have passed” (Madame) | — | ||
| 15 | Thérèse Raquin: Act I, Scene II. “Let the game begin!” (All) | — | ||
| 16 | Thérèse Raquin: Act I, Scene III. “We must have walked three hours or more” (Camile) | — | ||
| 17 | Thérèse Raquin: Act I, Scene III. “You were with me” (Thérèse) | — | ||
| 18 | Thérèse Raquin: Act I, Scene III. “Come on, wake up” (Camille) | — | ||
| 2-1 | Thérèse Raquin: Act II, Scene I. Introduction | — | ||
| 2-2 | Thérèse Raquin: Act II, Scene I. “Olivier! Monsieur Grivet!” (Laurent) | — | ||
| 2-3 | Thérèse Raquin: Act II, Scene I. “Poor Thérèse” (Laurent) | — | ||
| 2-4 | Thérèse Raquin: Act II, Scene I. Interlude | — | ||
| 2-5 | Thérèse Raquin: Act II, Scene II. “No! No! Drowning…” (Thérèse) | — | ||
| 2-6 | Thérèse Raquin: Act II, Scene II. “Am I dreaming?” (Thérèse) | — | ||
| 2-7 | Thérèse Raquin: Act II, Scene II. Interlude | — | ||
| 2-8 | Thérèse Raquin: Act II, Scene III. “My dear! Monsieur Grivet!” (Suzanne) | — | ||
| 2-9 | Thérèse Raquin: Act II, Scene III. “Good night” (Olivier, Grivet) | — | ||
| 2-10 | Thérèse Raquin: Act II, Scene IV. “You should not have bought so many flowers” (Thérèse) | — | ||
| 2-11 | Thérèse Raquin: Act II, Scene IV. “The white dove sat in the corner of the ark” (Thérèse) | — | ||
| 2-12 | Thérèse Raquin: Act II, Scene V. Introduction | — | ||
| 2-13 | Thérèse Raquin: Act II, Scene V. “Roses remind me of Vernon” (Laurent) | — | ||
| 2-14 | Thérèse Raquin: Act II, Scene V. “My poor angel” (Laurent) | — | ||
| 2-15 | Thérèse Raquin: Act II, Scene V. “You shall drive me mad!” (Laurent) | — | ||
| 2-16 | Thérèse Raquin: Act II, Scene V. “You saw him at the morgue” (Thérèse) | — | ||
| 2-17 | Thérèse Raquin: Act II, Scene VI. “Betrayed. Betrayed by those we loved” (Camille’s ghost) | — | ||
| 2-18 | Thérèse Raquin: Act II, Scene VI. “Camille! Camille!” (Madame) | — | ||
| 2-19 | Thérèse Raquin: Act II, Scene VI. “She’ll never make it through the night!” (Laurent) | — | ||
| 2-20 | Thérèse Raquin: Act II, Scene VII. “Five months… five months….” (Laurent) | — | ||
| 2-21 | Thérèse Raquin: Act II, Scene VII. “What is she doing?” (Olivier) | — | ||
| 2-22 | Thérèse Raquin: Act II, Scene VIII. “You can never forgive me” (Thérèse) | — | ||
| 2-23 | Thérèse Raquin: Act II, Scene VIII. “Get off your knees” (Laurent) | — | ||
| 2-24 | Thérèse Raquin: Act II, Scene VIII. “Never forgive me” (Thérèse) | — | ||
| 2-25 | Thérèse Raquin: Act II, Scene VIII. “It is too much not to be punished” (Thérèse) | — |
Thérèse Raquin: Act I, Scene I. Introduction
—
Thérèse Raquin: Act I, Scene I. “Thérèse. Thérèse. Thérèse” (Madame)
—
Thérèse Raquin: Act I, Scene I. “Thérèse needs a change of scenery” (Camille)
—
Thérèse Raquin: Act I, Scene I. “Like a ghost he stood before us” (Laurent)
—
Thérèse Raquin: Act I, Scene I. “She watched me painting along the Seine” (Laurent)
—
Thérèse Raquin: Act I, Scene I. “Be careful! Madame Raquin will hear us” (Laurent)
—
Thérèse Raquin: Act I, Scene I. “When we were little children” (Thérèse)
—
Thérèse Raquin: Act I, Scene II. “Thank-you, thank-you, Suzanne” (Madame)
—
Thérèse Raquin: Act I, Scene II. “I remember” (Suzanne, Madame)
—
Thérèse Raquin: Act I, Scene II. “Good evening, Madame Raquin” (Olivier)
—
Thérèse Raquin: Act I, Scene II. “Good evening. Good evening” (Grivet)
—
Thérèse Raquin: Act I, Scene II. “At half past five” (Grivet)
—
Thérèse Raquin: Act I, Scene II. “Once there was a servant girl” (Olivier)
—
Thérèse Raquin: Act I, Scene II. “We’ll recall when years have passed” (Madame)
—
Thérèse Raquin: Act I, Scene II. “Let the game begin!” (All)
—
Thérèse Raquin: Act I, Scene III. “We must have walked three hours or more” (Camile)
—
Thérèse Raquin: Act I, Scene III. “You were with me” (Thérèse)
—
Thérèse Raquin: Act I, Scene III. “Come on, wake up” (Camille)
—
Thérèse Raquin: Act II, Scene I. Introduction
—
Thérèse Raquin: Act II, Scene I. “Olivier! Monsieur Grivet!” (Laurent)
—
Thérèse Raquin: Act II, Scene I. “Poor Thérèse” (Laurent)
—
Thérèse Raquin: Act II, Scene I. Interlude
—
Thérèse Raquin: Act II, Scene II. “No! No! Drowning…” (Thérèse)
—
Thérèse Raquin: Act II, Scene II. “Am I dreaming?” (Thérèse)
—
Thérèse Raquin: Act II, Scene II. Interlude
—
Thérèse Raquin: Act II, Scene III. “My dear! Monsieur Grivet!” (Suzanne)
—
Thérèse Raquin: Act II, Scene III. “Good night” (Olivier, Grivet)
—
Thérèse Raquin: Act II, Scene IV. “You should not have bought so many flowers” (Thérèse)
—
Thérèse Raquin: Act II, Scene IV. “The white dove sat in the corner of the ark” (Thérèse)
—
Thérèse Raquin: Act II, Scene V. Introduction
—
Thérèse Raquin: Act II, Scene V. “Roses remind me of Vernon” (Laurent)
—
Thérèse Raquin: Act II, Scene V. “My poor angel” (Laurent)
—
Thérèse Raquin: Act II, Scene V. “You shall drive me mad!” (Laurent)
—
Thérèse Raquin: Act II, Scene V. “You saw him at the morgue” (Thérèse)
—
Thérèse Raquin: Act II, Scene VI. “Betrayed. Betrayed by those we loved” (Camille’s ghost)
—
Thérèse Raquin: Act II, Scene VI. “Camille! Camille!” (Madame)
—
Thérèse Raquin: Act II, Scene VI. “She’ll never make it through the night!” (Laurent)
—
Thérèse Raquin: Act II, Scene VII. “Five months… five months….” (Laurent)
—
Thérèse Raquin: Act II, Scene VII. “What is she doing?” (Olivier)
—
Thérèse Raquin: Act II, Scene VIII. “You can never forgive me” (Thérèse)
—
Thérèse Raquin: Act II, Scene VIII. “Get off your knees” (Laurent)
—
Thérèse Raquin: Act II, Scene VIII. “Never forgive me” (Thérèse)
—
Thérèse Raquin: Act II, Scene VIII. “It is too much not to be punished” (Thérèse)
—
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What is UPC 095115965924?
095115965924 is a Universal Product Code (UPC) assigned to Thérèse Raquin by Tobias Picker, Dallas Opera, Graeme Jenkins. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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