UPC · Release
Hear Me Howling! (Blues, Ballads, & Beyond)
Various Artists
Last verified:
096297051825 is the Universal Product Code (UPC barcode) for the release “Hear Me Howling! (Blues, Ballads, & Beyond)” by Various Artists, released 2010-01-01 on Arhoolie Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (72)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hump in My Back | — | ||
| 2 | Brother Low Down | — | ||
| 3 | Berkeley’s Junko Partner | — | ||
| 4 | Tight Like That | — | ||
| 5 | Moose March | — | ||
| 6 | Highway 49 | — | ||
| 7 | Oakland Blues | — | ||
| 8 | Greystone (Alameda County Jail) Blues | — | ||
| 9 | I Know You Didn’t Want Me | — | ||
| 10 | Night Shirt Blues | — | ||
| 11 | Stop Time | — | ||
| 12 | Hear Me Howling | — | ||
| 13 | Stand Alone Blues | — | ||
| 14 | Brenda | — | ||
| 15 | Changed the Lock on My Door | — | ||
| 16 | Bald Eagle Train (Take 1) | — | ||
| 17 | Tom Moore’s Farm | — | ||
| 18 | Up On Telegraph (Avenue) | — | ||
| 19 | Lady Luck | — | ||
| 2-1 | I Feel Like I’m Fixin’ to Die Rag | — | ||
| 2-2 | You Turned Your Back | — | ||
| 2-3 | How Could I Stand It | — | ||
| 2-4 | Don’t Forget Me, Love | — | ||
| 2-5 | Charles Giteau | — | ||
| 2-6 | Midnight Blues | — | ||
| 2-7 | Depression Gone From Me | — | ||
| 2-8 | Mr. Brakeman | — | ||
| 2-9 | Who’s Going to Be My Man? | — | ||
| 2-10 | Come See | — | ||
| 2-11 | Lady Gay | — | ||
| 2-12 | Talking Protest Blues | — | ||
| 2-13 | Black Jack David | — | ||
| 2-14 | Eventually | — | ||
| 2-15 | Impressions of John Henry | — | ||
| 2-16 | Deportees | — | ||
| 2-17 | Big Texas (Grand Texas) | — | ||
| 2-18 | Jolie Blonde | — | ||
| 2-19 | Turtle Tail | — | ||
| 2-20 | The Beatles Are in Town | — | ||
| 3-1 | Willie Poor Boy | — | ||
| 3-2 | The Titanic | — | ||
| 3-3 | Mean Boss Man | — | ||
| 3-4 | Sugar Babe | — | ||
| 3-5 | Working on a Building | — | ||
| 3-6 | The Old Ship of Zion | — | ||
| 3-7 | I’m a Soldier | — | ||
| 3-8 | Floor Sweepin’ Rag | — | ||
| 3-9 | Courtin’ Boy | — | ||
| 3-10 | Shake ’em on Down | — | ||
| 3-11 | Louise | — | ||
| 3-12 | Write Me a Few of Your Lines | — | ||
| 3-13 | Low Down Dirty Things | — | ||
| 3-14 | 22–20 Blues (Mr. Kress) | — | ||
| 3-15 | Sea Walking Jesus | — | ||
| 3-16 | No Special Lover | — | ||
| 3-17 | Peace in the Valley | — | ||
| 4-1 | Sweetheart You Done Me Wrong | — | ||
| 4-2 | The Touch of God’s Hand | — | ||
| 4-3 | ‘Fore Day in the Mornin’ | — | ||
| 4-4 | Ball and Chain | — | ||
| 4-5 | Hound Dog | — | ||
| 4-6 | Monsieur Leonard | — | ||
| 4-7 | Chi Ca Nai (Slow Drag) | — | ||
| 4-8 | Bye Bye Rosa | — | ||
| 4-9 | Mr. Charlie | — | ||
| 4-10 | Louisiana Rock | — | ||
| 4-11 | What Am I Doing Here? | — | ||
| 4-12 | To Be a Thief | — | ||
| 4-13 | Pretty Good | — | ||
| 4-14 | In the Breeze | — | ||
| 4-15 | To ’Trane (aka: Two Trains) | — | ||
| 4-16 | The Beauty of Isis | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 096297051825?
096297051825 is a Universal Product Code (UPC) assigned to Hear Me Howling! (Blues, Ballads, & Beyond) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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