UPC · Release
La gloria de Texas
Lydia Mendoza
Last verified:
096297301227 is the Universal Product Code (UPC barcode) for the release “La gloria de Texas” by Lydia Mendoza, released 1993-01-01 on Arhoolie Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | No es culpa mía | — | ||
| 2 | Mi problema | — | ||
| 3 | Mujer paseada | — | ||
| 4 | Amor bonito | — | ||
| 5 | Collar de perlas | — | ||
| 6 | Luis Pulido | — | ||
| 7 | Aunque venga muy borracho | — | ||
| 8 | Sin fe | — | ||
| 9 | Malagueña salerosa | — | ||
| 10 | Ojitos verdes | — | ||
| 11 | Besando la cruz | — | ||
| 12 | Hace un año | — | ||
| 13 | Tango negro | — | ||
| 14 | Silverio Pérez | — | ||
| 15 | Olvidarte jamás | — | ||
| 16 | Zenaida | — | ||
| 17 | No puede dejar de quererte | — | ||
| 18 | Margarita, Margarita | — | ||
| 19 | Delgadina | — |
Credits Graph
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What is UPC 096297301227?
096297301227 is a Universal Product Code (UPC) assigned to La gloria de Texas by Lydia Mendoza. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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