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  3. Euphonium Excerpts for Band
Euphonium Excerpts for Band

UPC · Release

Euphonium Excerpts for Band

Mark Jenkins

099402736921
53 tracksReleased 2019-01-01Summit Records (3)

Last verified: July 21, 2026

099402736921 is the Universal Product Code (UPC barcode) for the release “Euphonium Excerpts for Band” by Mark Jenkins, released 2019-01-01 on Summit Records (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC.

Format

0Number system
99402Manufacturer
73692Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCEuphonium Excerpts for Band
ISWC4 works

Track List (53)

#Track TitleArtist(s)ISWC
Introduction on march style1Introduction on march style—
Commentary on “Stars and Stripes”2Commentary on “Stars and Stripes”—
The Stars and Stripes Forever3The Stars and Stripes Forever—
Commentary on “The Invincible Eagle”4Commentary on “The Invincible Eagle”—
The Invincible Eagle5The Invincible Eagle—
Commentary on “Army of the Nile”6Commentary on “Army of the Nile”—
Army of the Nile7Army of the Nile—
Commentary on “The Melody Shop”8Commentary on “The Melody Shop”—
The Melody Shop9The Melody Shop—
Commentary on “The World is Waiting for the Sunrise”10Commentary on “The World is Waiting for the Sunrise”—
The World is Waiting for the Sunrise11The World is Waiting for the Sunrise—
Commentary on “Commando March”12Commentary on “Commando March”—
Commando March13Commando March—
Commentary on “First Suite” (1)14Commentary on “First Suite” (1)—
First Suite in E-flat for Military Band (1)15First Suite in E-flat for Military Band (1)—
Commentary on “First Suite” (2)16Commentary on “First Suite” (2)—
First Suite in E-flat for Military Band (2)17First Suite in E-flat for Military Band (2)—
Commentary on “First Suite” (3)18Commentary on “First Suite” (3)—
First Suite in E-flat for Military Band (3)19First Suite in E-flat for Military Band (3)—
Commentary on “Second Suite”20Commentary on “Second Suite”—
Second Suite in F for Military Band21Second Suite in F for Military Band—
Commentary on “Theme and Variations”22Commentary on “Theme and Variations”—
Theme and Variations, Op. 43a23Theme and Variations, Op. 43a—
Commentary on “Toccata Marziale”24Commentary on “Toccata Marziale”—
Toccata Marziale25Toccata Marziale—
Commentary on “When Jesus Wept”26Commentary on “When Jesus Wept”—
When Jesus Wept27When Jesus Wept—
Commentary on “Festival Variations”28Commentary on “Festival Variations”—
Claude T. Smith “Festival Variations”29Claude T. Smith “Festival Variations”—
Commentary on “Rocky Point Holiday”30Commentary on “Rocky Point Holiday”—
Rocky Point Holiday31Rocky Point Holiday—
Commentary on Fiesta del Pacifico”32Commentary on Fiesta del Pacifico”—
Fiesta del Pacifico33Fiesta del Pacifico—
Commentary on “Colonial Song”34Commentary on “Colonial Song”—
Colonial Song35Colonial Song—
Commentary on “Molly on the Shore”36Commentary on “Molly on the Shore”—
Molly on the Shore37Molly on the Shore—
Commentary on “Pineapple Poll”38Commentary on “Pineapple Poll”—
Pineapple Poll39Pineapple Poll—
Commentary on “J’ai été au bal”40Commentary on “J’ai été au bal”—
J’ai été au bal41J’ai été au bal—
Introductory note on transcriptions42Introductory note on transcriptions—
Commentary on “Festive Overture”43Commentary on “Festive Overture”—
Festive Overture44Festive Overture—
Commentary on “Roman Carnival Overture”45Commentary on “Roman Carnival Overture”—
Roman Carnival Overture46Roman Carnival Overture—
Roman Carnival Overture47Roman Carnival Overture—
Commentary on “Aegean Festival Overture”48Commentary on “Aegean Festival Overture”—
Aegean Festival Overture49Aegean Festival Overture—
Commentary on “The Cowboys”50Commentary on “The Cowboys”—
The Cowboys51The Cowboys—
Commentary on “Finale from Symphony no. 4”52Commentary on “Finale from Symphony no. 4”—
Finale from Symphony no. 453Finale from Symphony no. 4—
Introduction on march style
Introduction on march style
—
Commentary on “Stars and Stripes”
Commentary on “Stars and Stripes”
—
The Stars and Stripes Forever
The Stars and Stripes Forever
—
Commentary on “The Invincible Eagle”
Commentary on “The Invincible Eagle”
—
The Invincible Eagle
The Invincible Eagle
—
Commentary on “Army of the Nile”
Commentary on “Army of the Nile”
—
Army of the Nile
Army of the Nile
—
Commentary on “The Melody Shop”
Commentary on “The Melody Shop”
—
The Melody Shop
The Melody Shop
—
Commentary on “The World is Waiting for the Sunrise”
Commentary on “The World is Waiting for the Sunrise”
—
The World is Waiting for the Sunrise
The World is Waiting for the Sunrise
—
Commentary on “Commando March”
Commentary on “Commando March”
—
Commando March
Commando March
—
Commentary on “First Suite” (1)
Commentary on “First Suite” (1)
—
First Suite in E-flat for Military Band (1)
First Suite in E-flat for Military Band (1)
—
Commentary on “First Suite” (2)
Commentary on “First Suite” (2)
—
First Suite in E-flat for Military Band (2)
First Suite in E-flat for Military Band (2)
—
Commentary on “First Suite” (3)
Commentary on “First Suite” (3)
—
First Suite in E-flat for Military Band (3)
First Suite in E-flat for Military Band (3)
—
Commentary on “Second Suite”
Commentary on “Second Suite”
—
Second Suite in F for Military Band
Second Suite in F for Military Band
—
Commentary on “Theme and Variations”
Commentary on “Theme and Variations”
—
Theme and Variations, Op. 43a
Theme and Variations, Op. 43a
—
Commentary on “Toccata Marziale”
Commentary on “Toccata Marziale”
—
Toccata Marziale
Toccata Marziale
—
Commentary on “When Jesus Wept”
Commentary on “When Jesus Wept”
—
When Jesus Wept
When Jesus Wept
—
Commentary on “Festival Variations”
Commentary on “Festival Variations”
—
Claude T. Smith “Festival Variations”
Claude T. Smith “Festival Variations”
—
Commentary on “Rocky Point Holiday”
Commentary on “Rocky Point Holiday”
—
Rocky Point Holiday
Rocky Point Holiday
—
Commentary on Fiesta del Pacifico”
Commentary on Fiesta del Pacifico”
—
Fiesta del Pacifico
Fiesta del Pacifico
—
Commentary on “Colonial Song”
Commentary on “Colonial Song”
—
Colonial Song
Colonial Song
—
Commentary on “Molly on the Shore”
Commentary on “Molly on the Shore”
—
Molly on the Shore
Molly on the Shore
—
Commentary on “Pineapple Poll”
Commentary on “Pineapple Poll”
—
Pineapple Poll
Pineapple Poll
—
Commentary on “J’ai été au bal”
Commentary on “J’ai été au bal”
—
J’ai été au bal
J’ai été au bal
—
Introductory note on transcriptions
Introductory note on transcriptions
—
Commentary on “Festive Overture”
Commentary on “Festive Overture”
—
Festive Overture
Festive Overture
—
Commentary on “Roman Carnival Overture”
Commentary on “Roman Carnival Overture”
—
Roman Carnival Overture
Roman Carnival Overture
—
Roman Carnival Overture
Roman Carnival Overture
—
Commentary on “Aegean Festival Overture”
Commentary on “Aegean Festival Overture”
—
Aegean Festival Overture
Aegean Festival Overture
—
Commentary on “The Cowboys”
Commentary on “The Cowboys”
—
The Cowboys
The Cowboys
—
Commentary on “Finale from Symphony no. 4”
Commentary on “Finale from Symphony no. 4”
—
Finale from Symphony no. 4
Finale from Symphony no. 4
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-010.278.744-9T-071.520.013-7T-902.684.335-6T-902.883.444-8
SourcesMusicBrainzDiscogs✓2 sources

Verified on

  • MusicBrainz release search

Credits Graph

People also ask

What is UPC 099402736921?+
UPC 099402736921 is the Universal Product Code (barcode) for "Euphonium Excerpts for Band" by Mark Jenkins, released on Summit Records (3).
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 099402736921?+
UPC 099402736921 contains 53 tracks.

What is UPC 099402736921?

099402736921 is a Universal Product Code (UPC) assigned to Euphonium Excerpts for Band by Mark Jenkins. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Mark Jenkins

099402736921 is the Universal Product Code (UPC barcode) for the release “Euphonium Excerpts for Band” by Mark Jenkins, released 2019-01-01 on Summit Records (3). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC.

Track List (53)

#Track TitleArtist(s)ISWC
Introduction on march style1Introduction on march style—
Commentary on “Stars and Stripes”2Commentary on “Stars and Stripes”—
The Stars and Stripes Forever3The Stars and Stripes Forever—
Commentary on “The Invincible Eagle”4Commentary on “The Invincible Eagle”—
The Invincible Eagle5The Invincible Eagle—
Commentary on “Army of the Nile”6Commentary on “Army of the Nile”—
Army of the Nile7Army of the Nile—
Commentary on “The Melody Shop”8Commentary on “The Melody Shop”—
The Melody Shop9The Melody Shop—
Commentary on “The World is Waiting for the Sunrise”10Commentary on “The World is Waiting for the Sunrise”—
The World is Waiting for the Sunrise11The World is Waiting for the Sunrise—
Commentary on “Commando March”12Commentary on “Commando March”—
Commando March13Commando March—
Commentary on “First Suite” (1)14Commentary on “First Suite” (1)—
First Suite in E-flat for Military Band (1)15First Suite in E-flat for Military Band (1)—
Commentary on “First Suite” (2)16Commentary on “First Suite” (2)—
First Suite in E-flat for Military Band (2)17First Suite in E-flat for Military Band (2)—
Commentary on “First Suite” (3)18Commentary on “First Suite” (3)—
First Suite in E-flat for Military Band (3)19First Suite in E-flat for Military Band (3)—
Commentary on “Second Suite”20Commentary on “Second Suite”—
Second Suite in F for Military Band21Second Suite in F for Military Band—
Commentary on “Theme and Variations”22Commentary on “Theme and Variations”—
Theme and Variations, Op. 43a23Theme and Variations, Op. 43a—
Commentary on “Toccata Marziale”24Commentary on “Toccata Marziale”—
Toccata Marziale25Toccata Marziale—
Commentary on “When Jesus Wept”26Commentary on “When Jesus Wept”—
When Jesus Wept27When Jesus Wept—
Commentary on “Festival Variations”28Commentary on “Festival Variations”—
Claude T. Smith “Festival Variations”29Claude T. Smith “Festival Variations”—
Commentary on “Rocky Point Holiday”30Commentary on “Rocky Point Holiday”—
Rocky Point Holiday31Rocky Point Holiday—
Commentary on Fiesta del Pacifico”32Commentary on Fiesta del Pacifico”—
Fiesta del Pacifico33Fiesta del Pacifico—
Commentary on “Colonial Song”34Commentary on “Colonial Song”—
Colonial Song35Colonial Song—
Commentary on “Molly on the Shore”36Commentary on “Molly on the Shore”—
Molly on the Shore37Molly on the Shore—
Commentary on “Pineapple Poll”38Commentary on “Pineapple Poll”—
Pineapple Poll39Pineapple Poll—
Commentary on “J’ai été au bal”40Commentary on “J’ai été au bal”—
J’ai été au bal41J’ai été au bal—
Introductory note on transcriptions42Introductory note on transcriptions—
Commentary on “Festive Overture”43Commentary on “Festive Overture”—
Festive Overture44Festive Overture—
Commentary on “Roman Carnival Overture”45Commentary on “Roman Carnival Overture”—
Roman Carnival Overture46Roman Carnival Overture—
Roman Carnival Overture47Roman Carnival Overture—
Commentary on “Aegean Festival Overture”48Commentary on “Aegean Festival Overture”—
Aegean Festival Overture49Aegean Festival Overture—
Commentary on “The Cowboys”50Commentary on “The Cowboys”—
The Cowboys51The Cowboys—
Commentary on “Finale from Symphony no. 4”52Commentary on “Finale from Symphony no. 4”—
Finale from Symphony no. 453Finale from Symphony no. 4—
Introduction on march style
Introduction on march style
—
Commentary on “Stars and Stripes”
Commentary on “Stars and Stripes”
—
The Stars and Stripes Forever
The Stars and Stripes Forever
—
Commentary on “The Invincible Eagle”
Commentary on “The Invincible Eagle”
—
The Invincible Eagle
The Invincible Eagle
—
Commentary on “Army of the Nile”
Commentary on “Army of the Nile”
—
Army of the Nile
Army of the Nile
—
Commentary on “The Melody Shop”
Commentary on “The Melody Shop”
—
The Melody Shop
The Melody Shop
—
Commentary on “The World is Waiting for the Sunrise”
Commentary on “The World is Waiting for the Sunrise”
—
The World is Waiting for the Sunrise
The World is Waiting for the Sunrise
—
Commentary on “Commando March”
Commentary on “Commando March”
—
Commando March
Commando March
—
Commentary on “First Suite” (1)
Commentary on “First Suite” (1)
—
First Suite in E-flat for Military Band (1)
First Suite in E-flat for Military Band (1)
—
Commentary on “First Suite” (2)
Commentary on “First Suite” (2)
—
First Suite in E-flat for Military Band (2)
First Suite in E-flat for Military Band (2)
—
Commentary on “First Suite” (3)
Commentary on “First Suite” (3)
—
First Suite in E-flat for Military Band (3)
First Suite in E-flat for Military Band (3)
—
Commentary on “Second Suite”
Commentary on “Second Suite”
—
Second Suite in F for Military Band
Second Suite in F for Military Band
—
Commentary on “Theme and Variations”
Commentary on “Theme and Variations”
—
Theme and Variations, Op. 43a
Theme and Variations, Op. 43a
—
Commentary on “Toccata Marziale”
Commentary on “Toccata Marziale”
—
Toccata Marziale
Toccata Marziale
—
Commentary on “When Jesus Wept”
Commentary on “When Jesus Wept”
—
When Jesus Wept
When Jesus Wept
—
Commentary on “Festival Variations”
Commentary on “Festival Variations”
—
Claude T. Smith “Festival Variations”
Claude T. Smith “Festival Variations”
—
Commentary on “Rocky Point Holiday”
Commentary on “Rocky Point Holiday”
—
Rocky Point Holiday
Rocky Point Holiday
—
Commentary on Fiesta del Pacifico”
Commentary on Fiesta del Pacifico”
—
Fiesta del Pacifico
Fiesta del Pacifico
—
Commentary on “Colonial Song”
Commentary on “Colonial Song”
—
Colonial Song
Colonial Song
—
Commentary on “Molly on the Shore”
Commentary on “Molly on the Shore”
—
Molly on the Shore
Molly on the Shore
—
Commentary on “Pineapple Poll”
Commentary on “Pineapple Poll”
—
Pineapple Poll
Pineapple Poll
—
Commentary on “J’ai été au bal”
Commentary on “J’ai été au bal”
—
J’ai été au bal
J’ai été au bal
—
Introductory note on transcriptions
Introductory note on transcriptions
—
Commentary on “Festive Overture”
Commentary on “Festive Overture”
—
Festive Overture
Festive Overture
—
Commentary on “Roman Carnival Overture”
Commentary on “Roman Carnival Overture”
—
Roman Carnival Overture
Roman Carnival Overture
—
Roman Carnival Overture
Roman Carnival Overture
—
Commentary on “Aegean Festival Overture”
Commentary on “Aegean Festival Overture”
—
Aegean Festival Overture
Aegean Festival Overture
—
Commentary on “The Cowboys”
Commentary on “The Cowboys”
—
The Cowboys
The Cowboys
—
Commentary on “Finale from Symphony no. 4”
Commentary on “Finale from Symphony no. 4”
—
Finale from Symphony no. 4
Finale from Symphony no. 4
—