UPC · Release
Cole Porter
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099923713623 is the Universal Product Code (UPC barcode) for the release “You’re the Top: Cole Porter in the 1930s” by Cole Porter, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include USSM13900026, GBEEJ0700027, GB8XC1427507.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The New Yorkers (1930): I’m Getting Myself Ready for You | — | ||
| 2 | The New Yorkers (1930): Where Have You Been? | — | ||
| 3 | The New Yorkers (1930): Let’s Fly Away | — | ||
| 4 | The New Yorkers (1930): I Happen to Like New York | — | ||
| 5 | The New Yorkers (1930): Love for Sale | — | ||
| 6 | The New Yorkers (1930): Love for Sale | — | ||
| 7 | Fifty Million Frenchmen (added 1930): Let’s Step Out | — | ||
| 8 | Gay Divorce (1932): After You, Who? | — | ||
| 9 | Gay Divorce (1932): After You, Who? | — | ||
| 10 | Gay Divorce (1932): I’ve Got You on My Mind | — | ||
| 11 | Gay Divorce (1932): Mister and Missus Fitch | — | ||
| 12 | Gay Divorce (1932): Night and Day | — | ||
| 13 | Night and Day | Billie Holiday | T-070.152.461-9 | |
| 14 | Gay Divorce (1932): Night and Day | — | ||
| 15 | Gay Divorce (1932): How’s Your Romance? | — | ||
| 16 | Nymph Errant (1933): Experiment | — | ||
| 17 | Nymph Errant (1933): The Cocotte | — | ||
| 18 | Nymph Errant (1933): Nymph Errant | — | ||
| 19 | Nymph Errant (1933): The Physician | — | ||
| 20 | Nymph Errant (1933): How Could We Be Wrong? | — | ||
| 21 | Nymph Errant (1933): Solomon | — | ||
| 22 | Nymph Errant (1933): It’s Bad for Me | — | ||
| 2-1 | Anything Goes (1934): Anything Goes | — | ||
| 2-2 | Anything Goes (1934): I Get a Kick Out of You | — | ||
| 2-3 | Anything Goes (1934): All Through the Night | — | ||
| 2-4 | Anything Goes (1934): Blow, Gabriel, Blow | — | ||
| 2-5 | Anything Goes (1934): You’re the Top | — | ||
| 2-6 | Anything Goes (1934): You’re the Top | — | ||
| 2-7 | Miscellaneous Song (1934): Miss Otis Regrets | — | ||
| 2-8 | Miss Otis Regrets (She’s Unable to Lunch Today) | Ella Fitzgerald | T-070.109.537-5 | |
| 2-9 | Adios, Argentina (1934–35): Don’t Fence Me In | — | ||
| 2-10 | Don’t Fence Me In | Bing Crosby, The Andrews Sisters, Vic Schoen and His Orchestra | T-070.039.701-8 | |
| 2-11 | Jubilee (1935): Begin the Beguine | — | ||
| 2-12 | Jubilee (1935): Begin the Beguine | — | ||
| 2-13 | Begin the Beguine | Art Shaw and His Orchestra | T-070.010.811-7 | |
| 2-14 | Jubilee (1935): When Love Comes Your Way | — | ||
| 2-15 | Jubilee (1935): Why Shouldn’t I? | — | ||
| 2-16 | Jubilee (1935): Just One of Those Things | — | ||
| 2-17 | Jubilee (1935): Just One of Those Things | — | ||
| 2-18 | Born to Dance (1936): Easy to Love | — | ||
| 2-19 | Born to Dance (1936): Easy to Love | — | ||
| 2-20 | Born to Dance (1936): Easy to Love | — | ||
| 2-21 | Born to Dance (1936): Rap Tap on Wood | — | ||
| 2-22 | Born to Dance (1936): I’ve Got You Under My Skin (excerpt) | — | ||
| 2-23 | Born to Dance (1936): I’ve Got You Under My Skin | — | ||
| 2-24 | Born to Dance (1936): Swingin’ the Jinx Away | — | ||
| 3-1 | Red, Hot and Blue! (1936): Ridin’ High | — | ||
| 3-2 | Red, Hot and Blue! (1936): Down in the Depths (on the 90th Floor) | — | ||
| 3-3 | Red, Hot and Blue! (1936): Ours | — | ||
| 3-4 | Red, Hot and Blue! (1936): It’s De‐Lovely | — | ||
| 3-5 | Rosalie (1937 film): Rosalie | — | ||
| 3-6 | Rosalie (1937 film): In the Still of the Night | — | ||
| 3-7 | Rosalie (1937 film): In the Still of the Night | — | ||
| 3-8 | Rosalie (1937 film): I’ve a Strange New Rhythm in My Heart | — | ||
| 3-9 | You Never Know (1938): At Long Last Love | — | ||
| 3-10 | The Sun Never Sets (1938): River God | — | ||
| 3-11 | Leave It to Me (1938): My Heart Belongs to Daddy (interviews) | — | ||
| 3-12 | Leave It to Me (1938): My Heart Belongs to Daddy | — | ||
| 3-13 | Leave It to Me (1938): Get Out of Town | — | ||
| 3-14 | Leave It to Me (1938): Most Gentlemen Don’t Like Love | — | ||
| 3-15 | The Man Who Came to Dinner (1939): What Am I to Do? | — | ||
| 3-16 | Broadway Melody of 1940 (film): I’ve Got My Eyes on You | — | ||
| 3-17 | Broadway Melody of 1940 (film): Please Don’t Monkey With Broadway | — | ||
| 3-18 | Broadway Melody of 1940 (film): I Concentrate on You | — | ||
| 3-19 | Du Barry Was a Lady (1939): Friendship | — | ||
| 3-20 | Du Barry Was a Lady (1939): Do I Love You? | — | ||
| 3-21 | Du Barry Was a Lady (1939): When Love Beckoned (on 52nd Street) | — | ||
| 3-22 | Du Barry Was a Lady (1939): Katie Went to Haiti | — | ||
| 3-23 | Du Barry Was a Lady (1939): Well, Did You Evah! | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Night and Day (take 1) | Billie Holiday & Her Orchestra | T-070.152.461-9 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
099923713623 is a Universal Product Code (UPC) assigned to You’re the Top: Cole Porter in the 1930s by Cole Porter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
099923713623 is the Universal Product Code (UPC barcode) for the release “You’re the Top: Cole Porter in the 1930s” by Cole Porter, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include USSM13900026, GBEEJ0700027, GB8XC1427507.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The New Yorkers (1930): I’m Getting Myself Ready for You | — | ||
| 2 | The New Yorkers (1930): Where Have You Been? | — | ||
| 3 | The New Yorkers (1930): Let’s Fly Away | — | ||
| 4 | The New Yorkers (1930): I Happen to Like New York | — | ||
| 5 | The New Yorkers (1930): Love for Sale | — | ||
| 6 | The New Yorkers (1930): Love for Sale | — | ||
| 7 | Fifty Million Frenchmen (added 1930): Let’s Step Out | — | ||
| 8 | Gay Divorce (1932): After You, Who? | — | ||
| 9 | Gay Divorce (1932): After You, Who? | — | ||
| 10 | Gay Divorce (1932): I’ve Got You on My Mind | — | ||
| 11 | Gay Divorce (1932): Mister and Missus Fitch | — | ||
| 12 | Gay Divorce (1932): Night and Day | — | ||
| 13 | Night and Day | Billie Holiday | T-070.152.461-9 | |
| 14 | Gay Divorce (1932): Night and Day | — | ||
| 15 | Gay Divorce (1932): How’s Your Romance? | — | ||
| 16 | Nymph Errant (1933): Experiment | — | ||
| 17 | Nymph Errant (1933): The Cocotte | — | ||
| 18 | Nymph Errant (1933): Nymph Errant | — | ||
| 19 | Nymph Errant (1933): The Physician | — | ||
| 20 | Nymph Errant (1933): How Could We Be Wrong? | — | ||
| 21 | Nymph Errant (1933): Solomon | — | ||
| 22 | Nymph Errant (1933): It’s Bad for Me | — | ||
| 2-1 | Anything Goes (1934): Anything Goes | — | ||
| 2-2 | Anything Goes (1934): I Get a Kick Out of You | — | ||
| 2-3 | Anything Goes (1934): All Through the Night | — | ||
| 2-4 | Anything Goes (1934): Blow, Gabriel, Blow | — | ||
| 2-5 | Anything Goes (1934): You’re the Top | — | ||
| 2-6 | Anything Goes (1934): You’re the Top | — | ||
| 2-7 | Miscellaneous Song (1934): Miss Otis Regrets | — | ||
| 2-8 | Miss Otis Regrets (She’s Unable to Lunch Today) | Ella Fitzgerald | T-070.109.537-5 | |
| 2-9 | Adios, Argentina (1934–35): Don’t Fence Me In | — | ||
| 2-10 | Don’t Fence Me In | Bing Crosby, The Andrews Sisters, Vic Schoen and His Orchestra | T-070.039.701-8 | |
| 2-11 | Jubilee (1935): Begin the Beguine | — | ||
| 2-12 | Jubilee (1935): Begin the Beguine | — | ||
| 2-13 | Begin the Beguine | Art Shaw and His Orchestra | T-070.010.811-7 | |
| 2-14 | Jubilee (1935): When Love Comes Your Way | — | ||
| 2-15 | Jubilee (1935): Why Shouldn’t I? | — | ||
| 2-16 | Jubilee (1935): Just One of Those Things | — | ||
| 2-17 | Jubilee (1935): Just One of Those Things | — | ||
| 2-18 | Born to Dance (1936): Easy to Love | — | ||
| 2-19 | Born to Dance (1936): Easy to Love | — | ||
| 2-20 | Born to Dance (1936): Easy to Love | — | ||
| 2-21 | Born to Dance (1936): Rap Tap on Wood | — | ||
| 2-22 | Born to Dance (1936): I’ve Got You Under My Skin (excerpt) | — | ||
| 2-23 | Born to Dance (1936): I’ve Got You Under My Skin | — | ||
| 2-24 | Born to Dance (1936): Swingin’ the Jinx Away | — | ||
| 3-1 | Red, Hot and Blue! (1936): Ridin’ High | — | ||
| 3-2 | Red, Hot and Blue! (1936): Down in the Depths (on the 90th Floor) | — | ||
| 3-3 | Red, Hot and Blue! (1936): Ours | — | ||
| 3-4 | Red, Hot and Blue! (1936): It’s De‐Lovely | — | ||
| 3-5 | Rosalie (1937 film): Rosalie | — | ||
| 3-6 | Rosalie (1937 film): In the Still of the Night | — | ||
| 3-7 | Rosalie (1937 film): In the Still of the Night | — | ||
| 3-8 | Rosalie (1937 film): I’ve a Strange New Rhythm in My Heart | — | ||
| 3-9 | You Never Know (1938): At Long Last Love | — | ||
| 3-10 | The Sun Never Sets (1938): River God | — | ||
| 3-11 | Leave It to Me (1938): My Heart Belongs to Daddy (interviews) | — | ||
| 3-12 | Leave It to Me (1938): My Heart Belongs to Daddy | — | ||
| 3-13 | Leave It to Me (1938): Get Out of Town | — | ||
| 3-14 | Leave It to Me (1938): Most Gentlemen Don’t Like Love | — | ||
| 3-15 | The Man Who Came to Dinner (1939): What Am I to Do? | — | ||
| 3-16 | Broadway Melody of 1940 (film): I’ve Got My Eyes on You | — | ||
| 3-17 | Broadway Melody of 1940 (film): Please Don’t Monkey With Broadway | — | ||
| 3-18 | Broadway Melody of 1940 (film): I Concentrate on You | — | ||
| 3-19 | Du Barry Was a Lady (1939): Friendship | — | ||
| 3-20 | Du Barry Was a Lady (1939): Do I Love You? | — | ||
| 3-21 | Du Barry Was a Lady (1939): When Love Beckoned (on 52nd Street) | — | ||
| 3-22 | Du Barry Was a Lady (1939): Katie Went to Haiti | — | ||
| 3-23 | Du Barry Was a Lady (1939): Well, Did You Evah! | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Night and Day (take 1) | Billie Holiday & Her Orchestra | T-070.152.461-9 |
