UPC · Release
A Chance Operation: The John Cage Tribute
Various Artists
Last verified:
099923723820 is the Universal Product Code (UPC barcode) for the release “A Chance Operation: The John Cage Tribute” by Various Artists, released 1993-01-01 on Koch International Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 183 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (183)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Thirty Pieces for String Quartet (excerpt) | — | ||
| 2 | Thirty Pieces for String Quartet (excerpt) | — | ||
| 3 | Dance No. 1 for Two Prepared Pianos | — | ||
| 4 | Dance No. 1 for Two Prepared Pianos | — | ||
| 5 | Dance No. 1 for Two Prepared Pianos | — | ||
| 6 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 7 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 8 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 9 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 10 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 11 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 12 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 13 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 14 | First Four-Language Word Event in Memoriam John Cage | — | ||
| 15 | Six Melodies Variation for Solo Violin | — | ||
| 16 | Six Melodies Variation for Solo Violin | — | ||
| 17 | Six Melodies Variation for Solo Violin | — | ||
| 18 | Six Melodies Variation for Solo Violin | — | ||
| 19 | A Cage Went in Search of a Bird | — | ||
| 20 | A Cage Went in Search of a Bird | — | ||
| 21 | A Cage Went in Search of a Bird | — | ||
| 22 | A Cage Went in Search of a Bird | — | ||
| 23 | A Cage Went in Search of a Bird | — | ||
| 24 | A Cage Went in Search of a Bird | — | ||
| 25 | A Cage Went in Search of a Bird | — | ||
| 26 | A Cage Went in Search of a Bird | — | ||
| 27 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 28 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 29 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 30 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 31 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 32 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 33 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 34 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 35 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 36 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 37 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 38 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 39 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 40 | Three Solos for Trumpet from "Concert for Piano and Orchestra" | — | ||
| 41 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 42 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 43 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 44 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 45 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 46 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 47 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 48 | Cunningham Stories (At the Age of Twelve...) | — | ||
| 49 | Haiku FM | — | ||
| 50 | Haiku FM | — | ||
| 51 | Haiku FM | — | ||
| 52 | Haiku FM | — | ||
| 53 | art is self-alteration is Cage is... | — | ||
| 54 | art is self-alteration is Cage is... | — | ||
| 55 | art is self-alteration is Cage is... | — | ||
| 56 | art is self-alteration is Cage is... | — | ||
| 57 | art is self-alteration is Cage is... | — | ||
| 58 | art is self-alteration is Cage is... | — | ||
| 59 | art is self-alteration is Cage is... | — | ||
| 60 | art is self-alteration is Cage is... | — | ||
| 61 | art is self-alteration is Cage is... | — | ||
| 62 | art is self-alteration is Cage is... | — | ||
| 63 | art is self-alteration is Cage is... | — | ||
| 64 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 65 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 66 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 67 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 68 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 69 | Webwork (excerpt): Music for the Merce Cunningham dance "Shards" | — | ||
| 70 | Georgia Stone | — | ||
| 71 | Georgia Stone | — | ||
| 72 | Georgia Stone | — | ||
| 73 | Georgia Stone | — | ||
| 74 | Georgia Stone | — | ||
| 75 | Georgia Stone | — | ||
| 76 | Georgia Stone | — | ||
| 77 | Georgia Stone | — | ||
| 78 | Georgia Stone | — | ||
| 79 | Georgia Stone | — | ||
| 80 | Georgia Stone | — | ||
| 81 | Georgia Stone | — | ||
| 82 | Georgia Stone | — | ||
| 83 | Georgia Stone | — | ||
| 84 | Georgia Stone | — | ||
| 85 | Georgia Stone | — | ||
| 86 | Georgia Stone | — | ||
| 87 | Georgia Stone | — | ||
| 88 | Georgia Stone | — | ||
| 89 | Georgia Stone | — | ||
| 90 | Georgia Stone | — | ||
| 91 | Georgia Stone | — | ||
| 92 | Georgia Stone | — | ||
| 93 | Georgia Stone | — | ||
| 94 | Georgia Stone | — | ||
| 95 | Georgia Stone | — | ||
| 96 | Georgia Stone | — | ||
| 97 | Georgia Stone | — | ||
| 98 | Georgia Stone | — | ||
| 2-1 | Cunningham Stories (Merce Cunningham Phoned His Mother...) | — | ||
| 2-2 | Cunningham Stories (Merce Cunningham Phoned His Mother...) | — | ||
| 2-3 | Cunningham Stories (Merce Cunningham Phoned His Mother...) | — | ||
| 2-4 | Cunningham Stories (Merce Cunningham Phoned His Mother...) | — | ||
| 2-5 | Chance/Choice | — | ||
| 2-6 | Chance/Choice | — | ||
| 2-7 | Chance/Choice | — | ||
| 2-8 | Chance/Choice | — | ||
| 2-9 | Chance/Choice | — | ||
| 2-10 | Chance/Choice | — | ||
| 2-11 | 75 Letters and Improvisation | — | ||
| 2-12 | 75 Letters and Improvisation | — | ||
| 2-13 | 75 Letters and Improvisation | — | ||
| 2-14 | 75 Letters and Improvisation | — | ||
| 2-15 | 75 Letters and Improvisation | — | ||
| 2-16 | 75 Letters and Improvisation | — | ||
| 2-17 | 75 Letters and Improvisation | — | ||
| 2-18 | 75 Letters and Improvisation | — | ||
| 2-19 | Living Room Music | — | ||
| 2-20 | Living Room Music | — | ||
| 2-21 | Living Room Music | — | ||
| 2-22 | Living Room Music | — | ||
| 2-23 | Living Room Music | — | ||
| 2-24 | Living Room Music | — | ||
| 2-25 | Living Room Music | — | ||
| 2-26 | Living Room Music | — | ||
| 2-27 | Ergodos I for John Cage | — | ||
| 2-28 | Ergodos I for John Cage | — | ||
| 2-29 | Ergodos I for John Cage | — | ||
| 2-30 | Ergodos I for John Cage | — | ||
| 2-31 | Ergodos I for John Cage | — | ||
| 2-32 | Ergodos I for John Cage | — | ||
| 2-33 | Cunningham Stories (Every Morning...) | — | ||
| 2-34 | Cunningham Stories (Every Morning...) | — | ||
| 2-35 | Cunningham Stories (Every Morning...) | — | ||
| 2-36 | Cunningham Stories (Every Morning...) | — | ||
| 2-37 | Cunningham Stories (Every Morning...) | — | ||
| 2-38 | Cunningham Stories (Every Morning...) | — | ||
| 2-39 | Cunningham Stories (Every Morning...) | — | ||
| 2-40 | Factory Preset | — | ||
| 2-41 | Factory Preset | — | ||
| 2-42 | Factory Preset | — | ||
| 2-43 | Factory Preset | — | ||
| 2-44 | Factory Preset | — | ||
| 2-45 | Factory Preset | — | ||
| 2-46 | Factory Preset | — | ||
| 2-47 | Factory Preset | — | ||
| 2-48 | Factory Preset | — | ||
| 2-49 | Factory Preset | — | ||
| 2-50 | Factory Preset | — | ||
| 2-51 | 4'33" | — | ||
| 2-52 | 4'33" | — | ||
| 2-53 | 4'33" | — | ||
| 2-54 | 4'33" | — | ||
| 2-55 | 4'33" | — | ||
| 2-56 | In Memoriam John Cage - Call Waiting | — | ||
| 2-57 | In Memoriam John Cage - Call Waiting | — | ||
| 2-58 | In Memoriam John Cage - Call Waiting | — | ||
| 2-59 | In Memoriam John Cage - Call Waiting | — | ||
| 2-60 | In Memoriam John Cage - Call Waiting | — | ||
| 2-61 | In Memoriam John Cage - Call Waiting | — | ||
| 2-62 | In Memoriam John Cage - Call Waiting | — | ||
| 2-63 | In Memoriam John Cage - Call Waiting | — | ||
| 2-64 | Aria | — | ||
| 2-65 | Aria | — | ||
| 2-66 | Aria | — | ||
| 2-67 | Aria | — | ||
| 2-68 | Aria | — | ||
| 2-69 | Aria | — | ||
| 2-70 | Aria | — | ||
| 2-71 | Aria | — | ||
| 2-72 | Aria | — | ||
| 2-73 | Aria | — | ||
| 2-74 | Aria | — | ||
| 2-75 | Aria | — | ||
| 2-76 | Aria | — | ||
| 2-77 | Aria | — | ||
| 2-78 | Aria | — | ||
| 2-79 | Cunningham Stories (The Cunningham Company...) | — | ||
| 2-80 | Cunningham Stories (The Cunningham Company...) | — | ||
| 2-81 | Cunningham Stories (The Cunningham Company...) | — | ||
| 2-82 | New York City (recorded outside John Cage's apartment) | — | ||
| 2-83 | New York City (recorded outside John Cage's apartment) | — | ||
| 2-84 | New York City (recorded outside John Cage's apartment) | — | ||
| 2-85 | New York City (recorded outside John Cage's apartment) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
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What is UPC 099923723820?
099923723820 is a Universal Product Code (UPC) assigned to A Chance Operation: The John Cage Tribute by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 183 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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