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  3. Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů
Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů

UPC · Release

Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů

Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras

099925404222
54 tracksReleased 2010-01-01Supraphon

Last verified: September 12, 2026

099925404222 is the Universal Product Code (UPC barcode) for the release “Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů” by Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras, released 2010-01-01 on Supraphon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include CZA169701185, CZA160301780, CZA160301781.

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0Number system
99925Manufacturer
40422Product
2Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCSir Charles Mackerass: Life with Czech Music - Janáček / Martinů
ISRC3 recordings
ISWC2 works
IPI2 songwriters

Track List (54)

#Track TitleArtist(s)ISWC
Jealousy, original prelude to Jenůfa, JW 6/101Jealousy, original prelude to Jenůfa, JW 6/10—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I2The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro3The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro—
Šárka, JW 1/1: Overture4Šárka, JW 1/1: Overture—
Taras Bulba, JW 6/15: I. The Death of Andri5Taras Bulba, JW 6/15: I. The Death of Andri—
Taras Bulba, JW 6/15: II. The Death of Ostap6Taras Bulba, JW 6/15: II. The Death of Ostap—
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba7Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba—
Káťa Kabanová, JW 1/8: Overture2-1Káťa Kabanová, JW 1/8: OvertureCzech Philharmonic Orchestra, Sir Charles Mackerras—
Káťa Kabanová JW 1/8: Interlude I, Act 12-2Káťa Kabanová JW 1/8: Interlude I, Act 1—
Káťa Kabanová JW 1/8: Interlude II, Act 22-3Káťa Kabanová JW 1/8: Interlude II, Act 2—
Schluck und Jau, JW 9/11: Andante2-4Schluck und Jau, JW 9/11: Andante—
Schluck und Jau, JW 9/11: Allegro2-5Schluck und Jau, JW 9/11: Allegro—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto2-6Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante2-7Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato2-8Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto2-9Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. AllegrettoCzech Philharmonic Orchestra, Sir Charles MackerrasT-312.783.855-1
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto2-10Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - AllegrettoCzech Philharmonic Orchestra, Sir Charles MackerrasT-900.952.974-2
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček2-11Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod3-1Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji3-2Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava3-3Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju3-4Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet3-5Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij3-6Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo3-7Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada3-8Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)3-9Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)3-10Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato3-11Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio3-12Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog3-13Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante4-1Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo4-2Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento4-3Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento—
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 2794-4Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279—
Double Concerto, H. 271: I. Poco allegro4-5Double Concerto, H. 271: I. Poco allegro—
Double Concerto, H. 271: II. Largo4-6Double Concerto, H. 271: II. Largo—
Double Concerto, H. 271: III. Allegro4-7Double Concerto, H. 271: III. Allegro—
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato4-8Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato—
Frescoes of Piero della Francesca, H. 352: II. Adagio4-9Frescoes of Piero della Francesca, H. 352: II. Adagio—
Frescoes of Piero della Francesca, H. 352: III. Poco adagio4-10Frescoes of Piero della Francesca, H. 352: III. Poco adagio—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada5-1Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus5-2Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison5-3Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria5-4Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo5-5Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus5-6Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei5-7Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium5-8Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada5-9Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada—
Jealousy / Original Overture to the Opera Jenufa5-10Jealousy / Original Overture to the Opera Jenufa—
Taras Bulba. Rhapsody for Orchestra: The Death of Andri5-11Taras Bulba. Rhapsody for Orchestra: The Death of Andri—
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap5-12Taras Bulba. Rhapsody for Orchestra: The Death of Ostap—
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba5-13Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba—
Jealousy, original prelude to Jenůfa, JW 6/10
Jealousy, original prelude to Jenůfa, JW 6/10
—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I
—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro
—
Šárka, JW 1/1: Overture
Šárka, JW 1/1: Overture
—
Taras Bulba, JW 6/15: I. The Death of Andri
Taras Bulba, JW 6/15: I. The Death of Andri
—
Taras Bulba, JW 6/15: II. The Death of Ostap
Taras Bulba, JW 6/15: II. The Death of Ostap
—
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba
—
Káťa Kabanová, JW 1/8: Overture
Káťa Kabanová, JW 1/8: Overture
Czech Philharmonic Orchestra, Sir Charles Mackerras
—
Káťa Kabanová JW 1/8: Interlude I, Act 1
Káťa Kabanová JW 1/8: Interlude I, Act 1
—
Káťa Kabanová JW 1/8: Interlude II, Act 2
Káťa Kabanová JW 1/8: Interlude II, Act 2
—
Schluck und Jau, JW 9/11: Andante
Schluck und Jau, JW 9/11: Andante
—
Schluck und Jau, JW 9/11: Allegro
Schluck und Jau, JW 9/11: Allegro
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto
Czech Philharmonic Orchestra, Sir Charles Mackerras
T-312.783.855-1
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto
Czech Philharmonic Orchestra, Sir Charles Mackerras
T-900.952.974-2
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento
—
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279
—
Double Concerto, H. 271: I. Poco allegro
Double Concerto, H. 271: I. Poco allegro
—
Double Concerto, H. 271: II. Largo
Double Concerto, H. 271: II. Largo
—
Double Concerto, H. 271: III. Allegro
Double Concerto, H. 271: III. Allegro
—
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato
—
Frescoes of Piero della Francesca, H. 352: II. Adagio
Frescoes of Piero della Francesca, H. 352: II. Adagio
—
Frescoes of Piero della Francesca, H. 352: III. Poco adagio
Frescoes of Piero della Francesca, H. 352: III. Poco adagio
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada
—
Jealousy / Original Overture to the Opera Jenufa
Jealousy / Original Overture to the Opera Jenufa
—
Taras Bulba. Rhapsody for Orchestra: The Death of Andri
Taras Bulba. Rhapsody for Orchestra: The Death of Andri
—
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap
—
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-312.783.855-1T-900.952.974-2

Songwriters/Publishers (IPI)

0001509091000245124299

Creative Contributors (ISNI)

000000005514815000000000808242610000000109178188000000011472548100000001203383060000000120342196
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People also ask

What is UPC 099925404222?+
UPC 099925404222 is the Universal Product Code (barcode) for "Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů" by Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras, released on Supraphon.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 099925404222?+
UPC 099925404222 contains 54 tracks, each with its own ISRC.

What is UPC 099925404222?

099925404222 is a Universal Product Code (UPC) assigned to Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů by Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras

099925404222 is the Universal Product Code (UPC barcode) for the release “Sir Charles Mackerass: Life with Czech Music - Janáček / Martinů” by Leoš Janáček, Bohuslav Martinů, Czech Philharmonic Orchestra, Prague Radio Symphony Orchestra, Prague Philharmonic Choir, Sir Charles Mackerras, released 2010-01-01 on Supraphon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC. Tracks include CZA169701185, CZA160301780, CZA160301781.

Track List (54)

#Track TitleArtist(s)ISWC
Jealousy, original prelude to Jenůfa, JW 6/101Jealousy, original prelude to Jenůfa, JW 6/10—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I2The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro3The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro—
Šárka, JW 1/1: Overture4Šárka, JW 1/1: Overture—
Taras Bulba, JW 6/15: I. The Death of Andri5Taras Bulba, JW 6/15: I. The Death of Andri—
Taras Bulba, JW 6/15: II. The Death of Ostap6Taras Bulba, JW 6/15: II. The Death of Ostap—
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba7Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba—
Káťa Kabanová, JW 1/8: Overture2-1Káťa Kabanová, JW 1/8: OvertureCzech Philharmonic Orchestra, Sir Charles Mackerras—
Káťa Kabanová JW 1/8: Interlude I, Act 12-2Káťa Kabanová JW 1/8: Interlude I, Act 1—
Káťa Kabanová JW 1/8: Interlude II, Act 22-3Káťa Kabanová JW 1/8: Interlude II, Act 2—
Schluck und Jau, JW 9/11: Andante2-4Schluck und Jau, JW 9/11: Andante—
Schluck und Jau, JW 9/11: Allegro2-5Schluck und Jau, JW 9/11: Allegro—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto2-6Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante2-7Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato2-8Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto2-9Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. AllegrettoCzech Philharmonic Orchestra, Sir Charles MackerrasT-312.783.855-1
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto2-10Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - AllegrettoCzech Philharmonic Orchestra, Sir Charles MackerrasT-900.952.974-2
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček2-11Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod3-1Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji3-2Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava3-3Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju3-4Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet3-5Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij3-6Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo3-7Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada3-8Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)3-9Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)3-10Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato3-11Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio3-12Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog3-13Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante4-1Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo4-2Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento4-3Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento—
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 2794-4Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279—
Double Concerto, H. 271: I. Poco allegro4-5Double Concerto, H. 271: I. Poco allegro—
Double Concerto, H. 271: II. Largo4-6Double Concerto, H. 271: II. Largo—
Double Concerto, H. 271: III. Allegro4-7Double Concerto, H. 271: III. Allegro—
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato4-8Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato—
Frescoes of Piero della Francesca, H. 352: II. Adagio4-9Frescoes of Piero della Francesca, H. 352: II. Adagio—
Frescoes of Piero della Francesca, H. 352: III. Poco adagio4-10Frescoes of Piero della Francesca, H. 352: III. Poco adagio—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada5-1Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus5-2Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison5-3Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria5-4Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo5-5Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus5-6Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei5-7Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium5-8Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada5-9Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada—
Jealousy / Original Overture to the Opera Jenufa5-10Jealousy / Original Overture to the Opera Jenufa—
Taras Bulba. Rhapsody for Orchestra: The Death of Andri5-11Taras Bulba. Rhapsody for Orchestra: The Death of Andri—
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap5-12Taras Bulba. Rhapsody for Orchestra: The Death of Ostap—
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba5-13Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba—
Jealousy, original prelude to Jenůfa, JW 6/10
Jealousy, original prelude to Jenůfa, JW 6/10
—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I
The Cunning Little Vixen, Suite from the Opera, JW 1/9: I. Andante - Allegro - Stresso tempo - Meno mosso - Presto - Tempo I
—
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro
The Cunning Little Vixen, Suite from the Opera, JW 1/9: II. Andante - Moderato - Allegro
—
Šárka, JW 1/1: Overture
Šárka, JW 1/1: Overture
—
Taras Bulba, JW 6/15: I. The Death of Andri
Taras Bulba, JW 6/15: I. The Death of Andri
—
Taras Bulba, JW 6/15: II. The Death of Ostap
Taras Bulba, JW 6/15: II. The Death of Ostap
—
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba
Taras Bulba, JW 6/15: III. The Prophecy and Death of Taras Bulba
—
Káťa Kabanová, JW 1/8: Overture
Káťa Kabanová, JW 1/8: Overture
Czech Philharmonic Orchestra, Sir Charles Mackerras
—
Káťa Kabanová JW 1/8: Interlude I, Act 1
Káťa Kabanová JW 1/8: Interlude I, Act 1
—
Káťa Kabanová JW 1/8: Interlude II, Act 2
Káťa Kabanová JW 1/8: Interlude II, Act 2
—
Schluck und Jau, JW 9/11: Andante
Schluck und Jau, JW 9/11: Andante
—
Schluck und Jau, JW 9/11: Allegro
Schluck und Jau, JW 9/11: Allegro
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: I. Allegretto
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante
Sinfonietta "Military" / "Sokol Festival", JW 6/18: II. Andante
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato
Sinfonietta "Military" / "Sokol Festival", JW 6/18: III. Moderato
—
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: IV. Allegretto
Czech Philharmonic Orchestra, Sir Charles Mackerras
T-312.783.855-1
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto
Sinfonietta "Military" / "Sokol Festival", JW 6/18: V. Andante con moto - Allegretto
Czech Philharmonic Orchestra, Sir Charles Mackerras
T-900.952.974-2
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček
Interview with Sir Charles Mackerras. About his life with music, conducting, orchestras and passion for Dvořák and Janáček
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 1. Uvod
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 2. Gospodi pomiluji
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 3. Slava
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 4. Veruju
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 5. Svet
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 6. Agnece Bozij
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 7. Varhany solo
—
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada
Glagolitic Mass for Chorus, Soloists, Orchestra and Organ after an Old Slavonic Text: 8. Intrada
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: I. Moderato - II, Andante (att.)
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Andante (att.)
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Moderato
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Adagio
—
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog
Amarus. Cantata for Soloists, Mixed Chorus and Orchestra: Epilog
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Poco andante
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Vivo
—
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento
Orchestral suite from the Opera Juliette (The Key to Dreams) for Large Orchestra, H. 253 B: Lento
—
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279
Field Mass for Male Chorus with Baritone Solo and Orchestra, H. 279
—
Double Concerto, H. 271: I. Poco allegro
Double Concerto, H. 271: I. Poco allegro
—
Double Concerto, H. 271: II. Largo
Double Concerto, H. 271: II. Largo
—
Double Concerto, H. 271: III. Allegro
Double Concerto, H. 271: III. Allegro
—
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato
Frescoes of Piero della Francesca, H. 352: I. Andante poco moderato
—
Frescoes of Piero della Francesca, H. 352: II. Adagio
Frescoes of Piero della Francesca, H. 352: II. Adagio
—
Frescoes of Piero della Francesca, H. 352: III. Poco adagio
Frescoes of Piero della Francesca, H. 352: III. Poco adagio
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: I. Intrada
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: II. Introduction / Introitus
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: III. Gospodi pomiluj / Kyrie eleison
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IV. Slava / Gloria
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: V. Věruju / Credo
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VI. Svet / Sanctus
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VII. Agneče Božij / Agnus Dei
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: VIII. Postludium
—
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada
Glagolitic Mass for soloists, chorus, orchestra and organ after an old Slavonic text, 1st version: IX. Intrada
—
Jealousy / Original Overture to the Opera Jenufa
Jealousy / Original Overture to the Opera Jenufa
—
Taras Bulba. Rhapsody for Orchestra: The Death of Andri
Taras Bulba. Rhapsody for Orchestra: The Death of Andri
—
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap
Taras Bulba. Rhapsody for Orchestra: The Death of Ostap
—
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba
Taras Bulba. Rhapsody for Orchestra: The Prophecy and Death of Taras Bulba
—