UPC · Release
The Czech Philharmonic Orchestra, Karel Ančerl
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099925430825 is the Universal Product Code (UPC barcode) for the release “Live Recordings” by The Czech Philharmonic Orchestra, Karel Ančerl, released 2022-01-01 on Supraphon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Má vlast: Vyšehrad | — | ||
| 2 | Má vlast: Vltava | — | ||
| 3 | Má vlast: Šárka | — | ||
| 4 | Má vlast: From Bohemian Fields and Groves | — | ||
| 5 | Má vlast: Tábor | — | ||
| 6 | Má vlast: Blaník | — | ||
| 2-1 | Adagio in E major for Violin and Orchestra in E Major, K. 261 | — | ||
| 2-2 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | — | ||
| 2-3 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | — | ||
| 2-4 | Violin Concerto no. 5 in A major, K. 219: V. Rondeau. Tempo di Menuetto | — | ||
| 2-5 | Concerto for Flute, Harp and Orchestra in C major, K. 299: I. Allegro | — | ||
| 2-6 | Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino | — | ||
| 2-7 | Concerto for Flute, Harp and Orchestra in C major, K. 299: III. Rondo. Allegro | — | ||
| 2-8 | Scherzo capriccioso, op. 66, B. 131 | — | ||
| 3-1 | Coriolan. Overture, op. 62 | — | ||
| 3-2 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 1, Allegro | — | ||
| 3-3 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 2, Largo | — | ||
| 3-4 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 3, Rondo alla polacca | — | ||
| 3-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | — | ||
| 3-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 3-7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 3-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 4-1 | Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 4-2 | Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | — | ||
| 4-3 | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | — | ||
| 4-4 | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | — | ||
| 4-5 | Symphony No. 4 in A Major, Op. 90: I. Allegro vivace | — | ||
| 4-6 | Symphony No. 4 in A Major, Op. 90: II. Andante con moto | — | ||
| 4-7 | Symphony No. 4 in A Major, Op. 90: III. Con moto moderato | — | ||
| 4-8 | Symphony No. 4 in A Major, Op. 90: IV. Saltarello. Presto | — | ||
| 4-9 | Don Juan, Op. 20 | — | ||
| 5-1 | Symphony No. 7 in D Minor, Op. 70: I. Allegro maestoso | — | ||
| 5-2 | Symphony No. 7 in D Minor, Op. 70: II. Poco adagio | — | ||
| 5-3 | Symphony No. 7 in D Minor, Op. 70: IV. Scherzo. Vivace | — | ||
| 5-4 | Symphony No. 7 in D Minor, Op. 70: VI. Finale. Allegro | — | ||
| 5-5 | Symphony No. 8 in G Major, Op. 88: I. Allegro con brio | — | ||
| 5-6 | Symphony No. 8 in G Major, Op. 88: II. Adagio | — | ||
| 5-7 | Symphony No. 8 in G Major, Op. 88: III. Allegretto grazioso | — | ||
| 5-8 | Symphony No. 8 in G Major, Op. 88: IV. Allegro ma non troppo | — | ||
| 6-1 | Biblical Songs, Op. 99: I. Oblak a mrákota | — | ||
| 6-2 | Biblical Songs, Op. 99: II. Skrýše má a pavéza má | — | ||
| 6-3 | Biblical Songs, Op. 99: III. Slyš, ó, Bože! Slyš modlitbu mou | — | ||
| 6-4 | Biblical Songs, Op. 99: IV. Hospodin jest můj pastýř | — | ||
| 6-5 | Biblical Songs, Op. 99: V. Bože, Bože, píseň novou | — | ||
| 6-6 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: I. Andante sostenuto | — | ||
| 6-7 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: II. Andante | — | ||
| 6-8 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: III. Vivace | — | ||
| 6-9 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: IV. Adagio | — | ||
| 6-10 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: V. Adagio e maestoso | — | ||
| 7-1 | The Ripening, Op. 34 | — | ||
| 7-2 | Symphony No. 4 in C Minor, Op. 54: I. Molto sostenuto | — | ||
| 7-3 | Symphony No. 4 in C Minor, Op. 54: II. Allegro deciso | — | ||
| 7-4 | Symphony No. 4 in C Minor, Op. 54: III. Andante sostenuto | — | ||
| 7-5 | Symphony No. 4 in C Minor, Op. 54: IV. Lento lugubre – Allegro moderato | — | ||
| 8-1 | Variations on a Theme by Gustav Mahler | — | ||
| 8-2 | Autumn Symphony, Op. 62: I. Allegro appassionato | — | ||
| 8-3 | Autumn Symphony, Op. 62: II. Bacchanale | — | ||
| 8-4 | Autumn Symphony, Op. 62: III. Adagio | — | ||
| 9-1 | Pan, Op. 43: I. Prologue | — | ||
| 9-2 | Pan, Op. 43: II. Mountains | — | ||
| 9-3 | Pan, Op. 43: III. The Sea | — | ||
| 9-4 | Pan, Op. 43: IV. The Forest | — | ||
| 9-5 | Pan, Op. 43: V. Woman | — | ||
| 9-6 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Trepak | — | ||
| 9-7 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Lullaby | — | ||
| 9-8 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Serenade | — | ||
| 9-9 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Field Marshal | — | ||
| 10-1 | La Mer, L. 109: I. De l’aube à midi sur la mer | — | ||
| 10-2 | La Mer, L. 109: II. Jeux de Vagues | — | ||
| 10-3 | La Mer, L. 109: III. Dialogue du vent et de la mer | — | ||
| 10-4 | Nocturnes, L. 91: No. 1, Nuages | — | ||
| 10-5 | Nocturnes, L. 91: No. 2, Fêtes | — | ||
| 10-6 | Nocturnes, L. 91: No. 3, Sirènes | — | ||
| 10-7 | Shéhérazade: No. 1, Asie | — | ||
| 10-8 | Shéhérazade: No. 2, La Flute enchantée | — | ||
| 10-9 | Shéhérazade: No. 3, L’Indifférent | — | ||
| 10-10 | Rhapsodie espagnole, M. 54: No. 1, Prélude à la nuit. Très modéré | — | ||
| 10-11 | Rhapsodie espagnole, M. 54: No. 2, Malagueňa. Assez vif | — | ||
| 10-12 | Rhapsodie espagnole, M. 54: No. 3, Habanera. Assez lent et d’un rythme las | — | ||
| 10-13 | Rhapsodie espagnole, M. 54: No. 4, Feria. Assez animé | — | ||
| 11-1 | Introduction and Allegro, Op. 47 | — | ||
| 11-2 | Fantasia on a Theme by Thomas Tallis | — | ||
| 11-3 | Toccata for Orchestra | — | ||
| 11-4 | Scythian Suite, Op. 20: Invocation to Veles and Ala | — | ||
| 11-5 | Scythian Suite, Op. 20: The Evil God and the Dance of the Pagan Monsters | — | ||
| 11-6 | Scythian Suite, Op. 20: Night | — | ||
| 11-7 | Scythian Suite, Op. 20: Lolly´s Pursuit of the Evil God and the Sunrise | — | ||
| 11-8 | Funeral Music for String Orchestra: No. 1, Prologue | — | ||
| 11-9 | Funeral Music for String Orchestra: No. 2, Metamorphoses | — | ||
| 11-10 | Funeral Music for String Orchestra: No. 3, Apogeum | — | ||
| 11-11 | Funeral Music for String Orchestra: No. 4, Epilogue | — | ||
| 12-1 | Concerto Grosso for Chamber Orchestra: I. Allegro ma non troppo | — | ||
| 12-2 | Concerto Grosso for Chamber Orchestra: II. Adagio | — | ||
| 12-3 | Concerto Grosso for Chamber Orchestra: III. Allegretto | — | ||
| 12-4 | Symphony No. 1: I. Moderato | — | ||
| 12-5 | Symphony No. 1: II. Scherzo. Allegro | — | ||
| 12-6 | Symphony No. 1: IV. Largo | — | ||
| 12-7 | Symphony No. 1: V. Allegro non troppo | — | ||
| 12-8 | Concerto for Two Pianos and Orchestra: I. Allegro | — | ||
| 12-9 | Concerto for Two Pianos and Orchestra: II. Andante | — | ||
| 12-10 | Concerto for Two Pianos and Orchestra: III. Allegro molto | — | ||
| 13-1 | Symphony No. 1 in D Major: I. Lento – Allegro feroce | — | ||
| 13-2 | Symphony No. 1 in D Major: II. Scherzo | — | ||
| 13-3 | Symphony No. 1 in D Major: III. Allegretto moderato | — | ||
| 13-4 | Symphony No. 1 in D Major: IV. Finale. Allegro vivo | — | ||
| 13-5 | Symphony No. 3: I. Allegro | — | ||
| 13-6 | Symphony No. 3: II. Scherzino. Presto prestissimo | — | ||
| 13-7 | Symphony No. 3: III. Aria. Allegretto moderato | — | ||
| 13-8 | Symphony No. 3: IV. Molto allegro | — | ||
| 13-9 | Phantasy for Piano and Orchestra | — | ||
| 13-10 | Concerto for Piano and Wind Instruments: I. Largo – Allegro | — | ||
| 13-11 | Concerto for Piano and Wind Instruments: II. Largo | — | ||
| 13-12 | Concerto for Piano and Wind Instruments: III. Allegro | — | ||
| 14-1 | Philharmonisches Konzert | — | ||
| 14-2 | Rhapsody for Orchestra | — | ||
| 14-3 | Symphony No. 5 in B‐Flat Minor, Op. 41: I. Andante patetico – Allegro | — | ||
| 14-4 | Symphony No. 5 in B‐Flat Minor, Op. 41: II. Presto | — | ||
| 14-5 | Symphony No. 5 in B‐Flat Minor, Op. 41: III. Adagio | — | ||
| 14-6 | Symphony No. 5 in B‐Flat Minor, Op. 41: IV. Andante – Allegro | — | ||
| 15-1 | Concerto for Orchestra: I. Introduzione. Andante – Allegro vivace | — | ||
| 15-2 | Concerto for Orchestra: II. Andante non troppo e rubato | — | ||
| 15-3 | Concerto for Orchestra: III. Allegro scherzando | — | ||
| 15-4 | Concerto for Orchestra: IV. Allegro con brio | — | ||
| 15-5 | Communist manifesto: Es ist hohe Zeit. Moderato | — | ||
| 15-6 | Communist manifesto: Uns die Erde. Allegro ma non troppo | — | ||
| 15-7 | Communist manifesto: Das wollen wir! Allegro pesante | — | ||
| 15-8 | Communist manifesto: Vereinigt euch! Marcia | — |
Musical Works (ISWC)
Credits Graph
099925430825 is a Universal Product Code (UPC) assigned to Live Recordings by The Czech Philharmonic Orchestra, Karel Ančerl. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 127 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
099925430825 is the Universal Product Code (UPC barcode) for the release “Live Recordings” by The Czech Philharmonic Orchestra, Karel Ančerl, released 2022-01-01 on Supraphon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Má vlast: Vyšehrad | — | ||
| 2 | Má vlast: Vltava | — | ||
| 3 | Má vlast: Šárka | — | ||
| 4 | Má vlast: From Bohemian Fields and Groves | — | ||
| 5 | Má vlast: Tábor | — | ||
| 6 | Má vlast: Blaník | — | ||
| 2-1 | Adagio in E major for Violin and Orchestra in E Major, K. 261 | — | ||
| 2-2 | Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto | — | ||
| 2-3 | Violin Concerto no. 5 in A major, K. 219: II. Adagio | — | ||
| 2-4 | Violin Concerto no. 5 in A major, K. 219: V. Rondeau. Tempo di Menuetto | — | ||
| 2-5 | Concerto for Flute, Harp and Orchestra in C major, K. 299: I. Allegro | — | ||
| 2-6 | Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino | — | ||
| 2-7 | Concerto for Flute, Harp and Orchestra in C major, K. 299: III. Rondo. Allegro | — | ||
| 2-8 | Scherzo capriccioso, op. 66, B. 131 | — | ||
| 3-1 | Coriolan. Overture, op. 62 | — | ||
| 3-2 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 1, Allegro | — | ||
| 3-3 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 2, Largo | — | ||
| 3-4 | Triple Concerto for Violin, Cello, Piano and Orchestra in C major, op. 56: No. 3, Rondo alla polacca | — | ||
| 3-5 | Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio | — | ||
| 3-6 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 3-7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | — | ||
| 3-8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 4-1 | Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 4-2 | Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | — | ||
| 4-3 | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | — | ||
| 4-4 | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | — | ||
| 4-5 | Symphony No. 4 in A Major, Op. 90: I. Allegro vivace | — | ||
| 4-6 | Symphony No. 4 in A Major, Op. 90: II. Andante con moto | — | ||
| 4-7 | Symphony No. 4 in A Major, Op. 90: III. Con moto moderato | — | ||
| 4-8 | Symphony No. 4 in A Major, Op. 90: IV. Saltarello. Presto | — | ||
| 4-9 | Don Juan, Op. 20 | — | ||
| 5-1 | Symphony No. 7 in D Minor, Op. 70: I. Allegro maestoso | — | ||
| 5-2 | Symphony No. 7 in D Minor, Op. 70: II. Poco adagio | — | ||
| 5-3 | Symphony No. 7 in D Minor, Op. 70: IV. Scherzo. Vivace | — | ||
| 5-4 | Symphony No. 7 in D Minor, Op. 70: VI. Finale. Allegro | — | ||
| 5-5 | Symphony No. 8 in G Major, Op. 88: I. Allegro con brio | — | ||
| 5-6 | Symphony No. 8 in G Major, Op. 88: II. Adagio | — | ||
| 5-7 | Symphony No. 8 in G Major, Op. 88: III. Allegretto grazioso | — | ||
| 5-8 | Symphony No. 8 in G Major, Op. 88: IV. Allegro ma non troppo | — | ||
| 6-1 | Biblical Songs, Op. 99: I. Oblak a mrákota | — | ||
| 6-2 | Biblical Songs, Op. 99: II. Skrýše má a pavéza má | — | ||
| 6-3 | Biblical Songs, Op. 99: III. Slyš, ó, Bože! Slyš modlitbu mou | — | ||
| 6-4 | Biblical Songs, Op. 99: IV. Hospodin jest můj pastýř | — | ||
| 6-5 | Biblical Songs, Op. 99: V. Bože, Bože, píseň novou | — | ||
| 6-6 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: I. Andante sostenuto | — | ||
| 6-7 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: II. Andante | — | ||
| 6-8 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: III. Vivace | — | ||
| 6-9 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: IV. Adagio | — | ||
| 6-10 | Asrael. Symphony for Large Orchestra in C Minor, Op. 27: V. Adagio e maestoso | — | ||
| 7-1 | The Ripening, Op. 34 | — | ||
| 7-2 | Symphony No. 4 in C Minor, Op. 54: I. Molto sostenuto | — | ||
| 7-3 | Symphony No. 4 in C Minor, Op. 54: II. Allegro deciso | — | ||
| 7-4 | Symphony No. 4 in C Minor, Op. 54: III. Andante sostenuto | — | ||
| 7-5 | Symphony No. 4 in C Minor, Op. 54: IV. Lento lugubre – Allegro moderato | — | ||
| 8-1 | Variations on a Theme by Gustav Mahler | — | ||
| 8-2 | Autumn Symphony, Op. 62: I. Allegro appassionato | — | ||
| 8-3 | Autumn Symphony, Op. 62: II. Bacchanale | — | ||
| 8-4 | Autumn Symphony, Op. 62: III. Adagio | — | ||
| 9-1 | Pan, Op. 43: I. Prologue | — | ||
| 9-2 | Pan, Op. 43: II. Mountains | — | ||
| 9-3 | Pan, Op. 43: III. The Sea | — | ||
| 9-4 | Pan, Op. 43: IV. The Forest | — | ||
| 9-5 | Pan, Op. 43: V. Woman | — | ||
| 9-6 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Trepak | — | ||
| 9-7 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Lullaby | — | ||
| 9-8 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Serenade | — | ||
| 9-9 | Songs and Dances of Death (Trepak aus “Lieder und Tänze des Todes”): Field Marshal | — | ||
| 10-1 | La Mer, L. 109: I. De l’aube à midi sur la mer | — | ||
| 10-2 | La Mer, L. 109: II. Jeux de Vagues | — | ||
| 10-3 | La Mer, L. 109: III. Dialogue du vent et de la mer | — | ||
| 10-4 | Nocturnes, L. 91: No. 1, Nuages | — | ||
| 10-5 | Nocturnes, L. 91: No. 2, Fêtes | — | ||
| 10-6 | Nocturnes, L. 91: No. 3, Sirènes | — | ||
| 10-7 | Shéhérazade: No. 1, Asie | — | ||
| 10-8 | Shéhérazade: No. 2, La Flute enchantée | — | ||
| 10-9 | Shéhérazade: No. 3, L’Indifférent | — | ||
| 10-10 | Rhapsodie espagnole, M. 54: No. 1, Prélude à la nuit. Très modéré | — | ||
| 10-11 | Rhapsodie espagnole, M. 54: No. 2, Malagueňa. Assez vif | — | ||
| 10-12 | Rhapsodie espagnole, M. 54: No. 3, Habanera. Assez lent et d’un rythme las | — | ||
| 10-13 | Rhapsodie espagnole, M. 54: No. 4, Feria. Assez animé | — | ||
| 11-1 | Introduction and Allegro, Op. 47 | — | ||
| 11-2 | Fantasia on a Theme by Thomas Tallis | — | ||
| 11-3 | Toccata for Orchestra | — | ||
| 11-4 | Scythian Suite, Op. 20: Invocation to Veles and Ala | — | ||
| 11-5 | Scythian Suite, Op. 20: The Evil God and the Dance of the Pagan Monsters | — | ||
| 11-6 | Scythian Suite, Op. 20: Night | — | ||
| 11-7 | Scythian Suite, Op. 20: Lolly´s Pursuit of the Evil God and the Sunrise | — | ||
| 11-8 | Funeral Music for String Orchestra: No. 1, Prologue | — | ||
| 11-9 | Funeral Music for String Orchestra: No. 2, Metamorphoses | — | ||
| 11-10 | Funeral Music for String Orchestra: No. 3, Apogeum | — | ||
| 11-11 | Funeral Music for String Orchestra: No. 4, Epilogue | — | ||
| 12-1 | Concerto Grosso for Chamber Orchestra: I. Allegro ma non troppo | — | ||
| 12-2 | Concerto Grosso for Chamber Orchestra: II. Adagio | — | ||
| 12-3 | Concerto Grosso for Chamber Orchestra: III. Allegretto | — | ||
| 12-4 | Symphony No. 1: I. Moderato | — | ||
| 12-5 | Symphony No. 1: II. Scherzo. Allegro | — | ||
| 12-6 | Symphony No. 1: IV. Largo | — | ||
| 12-7 | Symphony No. 1: V. Allegro non troppo | — | ||
| 12-8 | Concerto for Two Pianos and Orchestra: I. Allegro | — | ||
| 12-9 | Concerto for Two Pianos and Orchestra: II. Andante | — | ||
| 12-10 | Concerto for Two Pianos and Orchestra: III. Allegro molto | — | ||
| 13-1 | Symphony No. 1 in D Major: I. Lento – Allegro feroce | — | ||
| 13-2 | Symphony No. 1 in D Major: II. Scherzo | — | ||
| 13-3 | Symphony No. 1 in D Major: III. Allegretto moderato | — | ||
| 13-4 | Symphony No. 1 in D Major: IV. Finale. Allegro vivo | — | ||
| 13-5 | Symphony No. 3: I. Allegro | — | ||
| 13-6 | Symphony No. 3: II. Scherzino. Presto prestissimo | — | ||
| 13-7 | Symphony No. 3: III. Aria. Allegretto moderato | — | ||
| 13-8 | Symphony No. 3: IV. Molto allegro | — | ||
| 13-9 | Phantasy for Piano and Orchestra | — | ||
| 13-10 | Concerto for Piano and Wind Instruments: I. Largo – Allegro | — | ||
| 13-11 | Concerto for Piano and Wind Instruments: II. Largo | — | ||
| 13-12 | Concerto for Piano and Wind Instruments: III. Allegro | — | ||
| 14-1 | Philharmonisches Konzert | — | ||
| 14-2 | Rhapsody for Orchestra | — | ||
| 14-3 | Symphony No. 5 in B‐Flat Minor, Op. 41: I. Andante patetico – Allegro | — | ||
| 14-4 | Symphony No. 5 in B‐Flat Minor, Op. 41: II. Presto | — | ||
| 14-5 | Symphony No. 5 in B‐Flat Minor, Op. 41: III. Adagio | — | ||
| 14-6 | Symphony No. 5 in B‐Flat Minor, Op. 41: IV. Andante – Allegro | — | ||
| 15-1 | Concerto for Orchestra: I. Introduzione. Andante – Allegro vivace | — | ||
| 15-2 | Concerto for Orchestra: II. Andante non troppo e rubato | — | ||
| 15-3 | Concerto for Orchestra: III. Allegro scherzando | — | ||
| 15-4 | Concerto for Orchestra: IV. Allegro con brio | — | ||
| 15-5 | Communist manifesto: Es ist hohe Zeit. Moderato | — | ||
| 15-6 | Communist manifesto: Uns die Erde. Allegro ma non troppo | — | ||
| 15-7 | Communist manifesto: Das wollen wir! Allegro pesante | — | ||
| 15-8 | Communist manifesto: Vereinigt euch! Marcia | — |
