UPC · Release
Ludwig van Beethoven
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190295398828 is the Universal Product Code (UPC barcode) for the release “Beethoven - The Complete Works” by Ludwig van Beethoven, released 2019-01-01 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include GBAYC1001349, GBAYC1001350, GBAYC1001351.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 48-1 | String Quartet no. 1, op. 18 no. 1 in F major: I. Allegro con brio | Artemis Quartet | — | |
| 48-2 | String Quartet no. 1, op. 18 no. 1 in F major: II. Adagio affettuoso ed appassionato | Artemis Quartet | — | |
| 48-3 | String Quartet no. 1, op. 18 no. 1 in F major: III. Scherzo. Allegro molto - Trio | Artemis Quartet | — | |
| 48-4 | String Quartet no. 1, op. 18 no. 1 in F major: IV. Allegro | Artemis Quartet | — | |
| 48-5 | String Quartet no. 4, op. 18 no. 4 in C minor: I. Allegro ma non tanto | Artemis Quartet | — | |
| 48-6 | String Quartet no. 4, op. 18 no. 4 in C minor: II. Scherzo. Andante scherzoso quasi Allegretto | Artemis Quartet | — | |
| 48-7 | String Quartet no. 4, op. 18 no. 4 in C minor: III. Minuetto. Allegro - Trio | Artemis Quartet | — | |
| 48-8 | String Quartet no. 4, op. 18 no. 4 in C minor: IV. Allegretto - Prestissimo | Artemis Quartet | — | |
| 48-9 | String Quartet no. 6, op. 18 no. 6 in B-flat major: I. Allegro con brio | Artemis Quartet | — | |
| 48-10 | String Quartet no. 6, op. 18 no. 6 in B-flat major: II. Adagio ma non troppo | Artemis Quartet | — | |
| 48-11 | String Quartet no. 6, op. 18 no. 6 in B-flat major: III. Scherzo. Allegro - Trio | Artemis Quartet | — | |
| 48-12 | String Quartet no. 6, op. 18 no. 6 in B-flat major: IV. La Malinconia. Adagio | Artemis Quartet | — | |
| 48-13 | String Quartet no. 6, op. 18 no. 6 in B-flat major: V. Allegretto quasi Allegro | Artemis Quartet | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Egmont, Op. 84: Ouverture | New York Philharmonic, Kurt Masur | T9001900669 |
| Symphony no. 1 in C major, op. 21: I. Adagio molto - allegro con brio | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - allegro molto e vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. allegro molto | The Chamber Orchestra of Europe, Nikolaus Harnoncourt | — |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): I. Adagio – Allegro con brio | Éric Le Sage, Paul Meyer, Claudio Bohórquez | — |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): II. Adagio cantabile | Éric Le Sage, Paul Meyer, Claudio Bohórquez | T0013971588 |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): III. Tempo di menuetto | Éric Le Sage, Paul Meyer, Claudio Bohórquez | — |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): IV. Tema con variazioni. Andante | Éric Le Sage, Paul Meyer, Claudio Bohórquez | — |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): V. Scherzo. Allegro molto e vivace – Trio | Éric Le Sage, Paul Meyer, Claudio Bohórquez | — |
| Trio for Piano, Clarinet and Cello in E-flat major, op. 38 (after septet, op. 20): VI. Andante con moto, alla marcia – Presto | Éric Le Sage, Paul Meyer, Claudio Bohórquez | — |
| Piano Trio no. 1 in E-flat, op. 1 no. 1: I. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 1 in E-flat, op. 1 no. 1: II. Adagio cantabile | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 1 in E-flat, op. 1 no. 1: III. Scherzo. Allegro assai - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 1 in E-flat, op. 1 no. 1: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 2 in G, op. 1 no. 2: I. Adagio - Allegro vivace | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 2 in G, op. 1 no. 2: II. Largo con espressione | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 2 in G, op. 1 no. 2: III. Scherzo. Allegro - Trio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 2 in G, op. 1 no. 2: IV. Finale. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| 14 Variations in E-flat, op. 44 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 3 in C minor, op. 1 no. 3: I. Allegro con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 3 in C minor, op. 1 no. 3: II. Adagio cantabile con variazioni | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 3 in C minor, op. 1 no. 3: III. Menuetto. Quasi allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 3 in C minor, op. 1 no. 3: IV. Finale. Prestissimo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": II. Scherzo. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": III. Andante cantabile ma però con moto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": IV. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Allegretto in B-flat, WoO 39 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Allegretto in E-flat, H. 48 | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai e espressivo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | T9147692599 |
| Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: I. Poco sostenuto – Allegro ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: II. Allegretto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: III. Allegretto ma non troppo | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Trio for Piano, Violin, and Cello no. 6 in E‐flat major, op. 70 no. 2: IV. Finale. Allegro | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller’s Lied “Ich bin der Schneider Kakadu”, op. 121a: Introduzione. Adagio assai – Tema. Allegretto – Var. I–X – Allegretto | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| String quartet in G major, op. 18, no. 2: I. Allegro | Artemis Quartet | — |
| String quartet in G major, op. 18, no. 2: II. Adagio cantabile | Artemis Quartet | — |
| String quartet in G major, op. 18, no. 2: III. Scherzo | Artemis Quartet | — |
| String quartet in G major, op. 18, no. 2: IV. Allegro molto, quasi presto | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: II. Allegro molto vivace | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: III. Allegro moderato | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: V. Presto | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: VI. Adagio, quasi un poco andante | Artemis Quartet | — |
| String quartet in C-sharp minor, op. 131: VII. Allegro | Artemis Quartet | — |
| String Quartet no. 7, op. 59 no. 1 in F major "Razumovsky": I. Allegro | Artemis Quartet | — |
| String Quartet no. 7, op. 59 no. 1 in F major "Razumovsky": II. Allegretto vivace e sempre scherzando | Artemis Quartet | — |
| String Quartet no. 7, op. 59 no. 1 in F major "Razumovsky": III. Adagio molto e mesto | Artemis Quartet | — |
| String Quartet no. 7, op. 59 no. 1 in F major "Razumovsky": IV. Thème russe. Allegro | Artemis Quartet | — |
| String Quartet no. 11, op. 95 in F minor "Quartetto serioso": I. Allegro con brio | Artemis Quartet | — |
| String Quartet no. 11, op. 95 in F minor "Quartetto serioso": II. Allegretto ma non troppo | Artemis Quartet | — |
| String Quartet no. 11, op. 95 in F minor "Quartetto serioso": III. Allegro assai vivace ma serioso | Artemis Quartet | — |
| String Quartet no. 11, op. 95 in F minor "Quartetto serioso": IV. Larthetto espressivo - Allegretto agitato - Allegro | Artemis Quartet | — |
| Piano Quartet in C major, Wo036 No. 3: III. Finale: Allegro | Martha Argerich, Gautier Capuçon, Renaud Capuçon, Lida Chen | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: I. Allegro con brio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: II. Adagio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: III. Allegretto | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| String Quartet no. 8, op. 59 no. 2 in E minor "Razumovsky": I. Allegro | Artemis Quartet | — |
| String Quartet no. 8, op. 59 no. 2 in E minor "Razumovsky": II. Molto adagio | Artemis Quartet | — |
| String Quartet no. 8, op. 59 no. 2 in E minor "Razumovsky": III. Allegretto - Maggiore | Artemis Quartet | — |
| String Quartet no. 8, op. 59 no. 2 in E minor "Razumovsky": IV. Finale. Presto | Artemis Quartet | — |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: I. Adagio ma non troppo - Allegro | Artemis Quartet | — |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: II. Presto | Artemis Quartet | T3107492826 |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: III. Andante con moto ma non troppo. Poco scherzoso | Artemis Quartet | — |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: IV. Alla danza tedesca. Allegro assai | Artemis Quartet | — |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: V. Cavatina. Adagio molto espressivo | Artemis Quartet | — |
| String Quartet no. 13, op. 130, op. 133 in B-flat major: VI. Grosse Fuge, op. 133: Overtura. Allegro. Fuga | Artemis Quartet | — |
| String Quartet no. 12, op. 127 in E-flat major: I. Maestoso - Allegro | Artemis Quartet | — |
| String Quartet no. 12, op. 127 in E-flat major: II. Adagio, ma non troppo e molto cantabile | Artemis Quartet | — |
| String Quartet no. 12, op. 127 in E-flat major: III. Scherzando vivace | Artemis Quartet | — |
| String Quartet no. 12, op. 127 in E-flat major: IV. Finale. Allegro | Artemis Quartet | — |
| String Quartet no. 5, op. 18 no. 5 in A major: I. Allegro | Artemis Quartet | — |
| String Quartet no. 5, op. 18 no. 5 in A major: II. Menuetto – Trio | Artemis Quartet | — |
| String Quartet no. 5, op. 18 no. 5 in A major: III. Andante cantabile | Artemis Quartet | — |
| String Quartet no. 5, op. 18 no. 5 in A major: IV. Allegro | Artemis Quartet | — |
| String Quartet no. 3, op. 18 no. 3 in D major: I. Allegro | Artemis Quartet | — |
| String Quartet no. 3, op. 18 no. 3 in D major: II. Andante con moto | Artemis Quartet | — |
| String Quartet no. 3, op. 18 no. 3 in D major: III. Allegro - Minore - Maggiore | Artemis Quartet | — |
| String Quartet no. 3, op. 18 no. 3 in D major: IV. Presto | Artemis Quartet | T0030558678 |
| String Quartet no. 16, op. 135 in F major: I. Allegretto | Artemis Quartet | — |
| String Quartet no. 16, op. 135 in F major: II. Vivace | Artemis Quartet | — |
| String Quartet no. 16, op. 135 in F major: III. Lento assai, cantante e tranquillo | Artemis Quartet | — |
| String Quartet no. 16, op. 135 in F major: IV. Grave, ma non troppo tratto - Allegro | Artemis Quartet | — |
| String Quartet Hess 34 in F major, arr. of Piano Sonata, op. 14 no. 1: I. Allegro moderato | Artemis Quartet | — |
| String Quartet Hess 34 in F major, arr. of Piano Sonata, op. 14 no. 1: II. Allegretto | Artemis Quartet | — |
| String Quartet Hess 34 in F major, arr. of Piano Sonata, op. 14 no. 1: III. Allegro | Artemis Quartet | — |
| String Quartet no. 10, op. 74 in E-flat major "Harp": I. Poco Adagio - Allegro | Artemis Quartet | — |
| String Quartet no. 10, op. 74 in E-flat major "Harp": II. Adagio ma non troppo | Artemis Quartet | — |
| String Quartet no. 10, op. 74 in E-flat major "Harp": III. Presto | Artemis Quartet | — |
| String Quartet no. 10, op. 74 in E-flat major "Harp": IV. Allegretto con Variazioni | Artemis Quartet | — |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Romance no. 1 in G major, op. 40 | Itzhak Perlman, Berliner Philharmoniker, Daniel Barenboim | — |
| Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | Daniel Barenboim, Yo-Yo Ma, Itzhak Perlman, Berliner Philharmoniker | — |
| 63 Irish Songs WoO 152 Part 1: XIII. Musing on the roaring ocean | Natalie Pérez, Jean-Pierre Armengaud, Alessandro Fagiuoli, Andrea Musto | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: I. Allegro con brio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: II. Adagio | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Clarinet Trio in B‐flat major, op. 11 “Gassenhauer”: III. Allegretto | Gervase de Peyer, Jacqueline du Pré, Daniel Barenboim | — |
| Fidelio: Ouvertüre | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 1: Duett: Jetzt, Schätzchen, jetzt sind wir allein | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 1: Duett: Der arme Jaquino dauert mich beinahe | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio: Act I. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 2: Arie: Guten Tag, Marzelline, Ist Fidelio noch nicht zurück? | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 3: Quartett. "Mir ist so wunderbar" | Gottlob Frick, Ingeborg Hallstein, Christa Ludwig, Gerhard Unger, Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 3: Quartett: Höre, Fidelio, weißt du, was ich tue? | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 4: Arie: Ihr könnt das leicht sagen, Meister Rocco | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 5: Terzett. "Gut, Söhnchen, gut, hab'immer Mut" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 5: "Der Gouverneur soll heut' erlauben" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 5: "Nur auf der Hut, dann geht es gut" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio: Act I, No. 6. Marsch | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 6: Marsch: Wo sind die Depeschen | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 7: Arie mit chor: Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 8: Duett: Jetzt, Alter, jetzt hat es Eile! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 9: Rezitativ. "Abscheulicher! Wo eilst du hin?" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 9: Arie. "Komm, Hoffnung, laß den letzten Stern" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 9: Rezitativ und Arie: Rocco, Ihr verspracht mir so oft | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: Finale. "O welche Lust!" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: "Wir wollen mit Vertrauen auf Gottes Hülfe bauen" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: Finale: Nun sprecht, wie ging's? | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: "Ach! Vater, eilt!" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: "Verwegener Alter" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act I, No. 10: "Leb wohl, du warmes Sonnenlicht" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 11: Introduktion | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 11: Arie. "Gott! Welch' Dunkel hier!" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 11: "In des Lebens Frühlingstagen" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 11: "Und spür ich nicht linde" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: II. Melodram und Duett: Wie kalt ist es in diesem unterirdischen Gewölbe | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: III. Nur hurtig fort | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: IV. Er erwacht! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: V. Terzett: Euch werde Lohn in besser'n Welten | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: VI. Alles ist bereit | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: VII. Quartett: Er sterbe! Doch er soll erst wissen | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: VIII. Vater Rocco! Vater Rocco! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: IX. Es schlägt der Rache Stunde! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II: X. Duett: O namenlose Freude! | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: Finale. "Heil sei dem Tag" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: "Des besten Königs Wink und Wille" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: "Wohlan! So helfet, helft den Armen!" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: "Du schlossest auf des Edlen Grab" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: "O Gott! O welch' ein Augenblick!" | Philharmonia Orchestra, Otto Klemperer | — |
| Fidelio, Act II, No. 16: "Wer ein holdes Weib errungen" | Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis Op. 123: 1. Kyrie | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Gloria. Gloria in excelsis Deo | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Gloria. Qui tollis | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Gloria. Quoniam tu solus sanctus | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Credo. Credo in unum Denum | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Credo. Et incarnatus est | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Credo. Et resurrexit | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth / IVb. Pleni sunt coeli et terra - Osanna in excelsis / IVc. Praeludium | Philharmonia Orchestra, Otto Klemperer | — |
| Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Agnus Dei. Agnus Dei | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — |
| Missa Solemnis, Op. 123: Agnus. Dona nobis pacem | Marga Höffgen, Waldemar Kmentt, Philharmonia Chorus, Elisabeth Söderström, Philharmonia Orchestra, Otto Klemperer | — |
| Septet in E-flat major, op. 20: I. Adagio - Allegro con brio | Melos Ensemble of London | — |
| Septet in E-flat major, op. 20: II. Adagio cantabile | Melos Ensemble of London | — |
| Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — |
| Septet in E-flat major, op. 20: IV. Tema con Variazioni (Andante) | Melos Ensemble of London | — |
| Septet in E-flat major, op. 20: V. Scherzo: Allegro molto e vivace & Trio | Melos Ensemble of London | — |
| Septet in E-flat major, op. 20: VI. Andante con moto alla marcia - Presto | Melos Ensemble of London | — |
| Octet in E‐flat major, op. 103: I. Allegro | Melos Ensemble of London | — |
| Octet in E‐flat major, op. 103: II. Andante | Melos Ensemble of London | — |
| Octet in E‐flat major, op. 103: III. Menuetto: Allegro | Melos Ensemble of London | — |
| Octet in E‐flat major, op. 103: IV. Finale: Presto | Melos Ensemble of London | T0030558678 |
| Violin Concerto in D major, op. 61: I. Allegro ma non troppo (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Violin Concerto in D major, op. 61: II. Larghetto | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | T3102354445 |
| Violin Concerto in D major, op. 61: III. Rondo. Allegro (Cadenza: Kreisler) | Itzhak Perlman, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Piano Trio no. 7 in B-flat, op. 92 "Archduke": I. Allegro moderato | Daniel Barenboim, Pinchas Zukerman, Jacqueline du Pré | — |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — |
| Piano Sonata No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | Stephen Kovacevich | — |
| String Quartet no. 15, op. 132 in A minor: I. I. Assai sostenuto - Allegro | Artemis Quartet | — |
| String Quartet no. 15, op. 132 in A minor: II. Allegro ma non tanto | Artemis Quartet | — |
| String Quartet no. 15, op. 132 in A minor: III. Molto adagio | Artemis Quartet | — |
| String Quartet no. 15, op. 132 in A minor: IV. Alla Marcia, assai vivace | Artemis Quartet | — |
| String Quartet no. 15, op. 132 in A minor: V. Allegro appassionato - Presto | Artemis Quartet | — |
| String Quartet no. 9, op. 59 no. 3 in C major "Razumovsky": I. Introduzione. Andante con moto - Allegro vivace | Artemis Quartet | — |
| String Quartet no. 9, op. 59 no. 3 in C major "Razumovsky": II. Andante con moto quasi Allegretto | Artemis Quartet | — |
| String Quartet no. 9, op. 59 no. 3 in C major "Razumovsky": III. Menuetto. Grazioso - Trio - Coda | Artemis Quartet | — |
| String Quartet no. 9, op. 59 no. 3 in C major "Razumovsky": IV. Allegro molto | Artemis Quartet | — |
| Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — |
| Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni”, WoO 28 | Marc Schachman, John Abberger, Lani Spahr | — |
Musical Works (ISWC)
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Identifier Graph
190295398828 is a Universal Product Code (UPC) assigned to Beethoven - The Complete Works by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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