UPC · Release
The Telefunken Recordings 1953–1963
Joseph Keilberth
Last verified:
190295668495 is the Universal Product Code (UPC barcode) for the release “The Telefunken Recordings 1953–1963” by Joseph Keilberth, released 2018-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 248 tracks, each with its own ISRC. Tracks include DEA800300297, DEA800300298, DEA800300299.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (248)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 28 in C Major, K. 200: I. Allegro spiritoso | — | ||
| 2 | Symphony no. 28 in C Major, K. 200: II. Andante | — | ||
| 3 | Symphony no. 28 in C Major, K. 200: III. Menuetto | — | ||
| 4 | Symphony no. 28 in C Major, K. 200: IV. Presto | — | ||
| 5 | Symphony no. 30 in D Major, K. 202: I. Molto allegro | — | ||
| 6 | Symphony no. 30 in D Major, K. 202: II. Andantino con moto | — | ||
| 7 | Symphony no. 30 in D Major, K. 202: III. Menuetto | — | ||
| 8 | Symphony no. 30 in D Major, K. 202: IV. Presto | — | ||
| 9 | Symphony no. 35 in D Major, K. 385 “Haffner”: I. Allegro con spirito | — | ||
| 10 | Symphony no. 35 in D Major, K. 385 “Haffner”: II. Andante | — | ||
| 11 | Symphony no. 35 in D Major, K. 385 “Haffner”: III. Menuetto | — | ||
| 12 | Symphony no. 35 in D Major, K. 385 “Haffner”: IV. Finale. Presto | — | ||
| 13 | Symphony no. 36 in C Major, K. 425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 14 | Symphony no. 36 in C Major, K. 425 “Linz”: II. Andante | — | ||
| 15 | Symphony no. 36 in C Major, K. 425 “Linz”: III. Menuetto | — | ||
| 16 | Symphony no. 36 in C Major, K. 425 “Linz”: IV. Presto | — | ||
| 2-1 | Symphony no. 38 in D Major, K. 504 “Prague”: I. Adagio - Allegro | — | ||
| 2-2 | Symphony no. 38 in D Major, K. 504 “Prague”: II. Andante | — | ||
| 2-3 | Symphony no. 38 in D Major, K. 504 “Prague”: III. Finale. Presto | — | ||
| 2-4 | Symphony no. 39 in E‐Flat Major, K. 543: I. Adagio - Allegro | — | ||
| 2-5 | Symphony no. 39 in E‐Flat Major, K. 543: II. Andante con moto | — | ||
| 2-6 | Symphony no. 39 in E‐Flat Major, K. 543: III. Menuetto. Allegretto | — | ||
| 2-7 | Symphony no. 39 in E‐Flat Major, K. 543: IV. Finale. Allegro | — | ||
| 2-8 | Symphony no. 40 in G Minor, K. 550: I. Molto allegro | — | ||
| 2-9 | Symphony no. 40 in G Minor, K. 550: II. Andante | — | ||
| 2-10 | Symphony no. 40 in G Minor, K. 550: III. Menuetto. Allegretto | — | ||
| 2-11 | Symphony no. 40 in G Minor, K. 550: IV. Allegro assai | — | ||
| 3-1 | Symphony no. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace | — | ||
| 3-2 | Symphony no. 41 in C Major, K. 551 “Jupiter”: II. Andante cantabile | — | ||
| 3-3 | Symphony no. 41 in C Major, K. 551 “Jupiter”: III. Menuetto. Allegretto | — | ||
| 3-4 | Symphony no. 41 in C Major, K. 551 “Jupiter”: IV. Molto allegro | — | ||
| 3-5 | Serenade no. 6 in D Major, K. 239 “Serenata Notturna”: I. Marcia. Maestoso | — | ||
| 3-6 | Serenade no. 6 in D Major, K. 239 “Serenata Notturna”: II. Menuetto | — | ||
| 3-7 | Serenade no. 6 in D Major, K. 239 “Serenata Notturna”: III. Rondo. Allegretto | — | ||
| 3-8 | Serenade no. 8 in D Major, K. 286 “Notturno”: I. Andante | — | ||
| 3-9 | Serenade no. 8 in D Major, K. 286 “Notturno”: II. Allegretto grazioso | — | ||
| 3-10 | Serenade no. 8 in D Major, K. 286 “Notturno”: III. Menuetto | — | ||
| 3-11 | Eine kleine Nachtmusik, K. 525: I. Allegro | — | ||
| 3-12 | Eine kleine Nachtmusik, K. 525: II. Romance. Andante | — | ||
| 3-13 | Eine kleine Nachtmusik, K. 525: III. Menuetto. Allegretto | — | ||
| 3-14 | Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | — | ||
| 3-15 | 2 Minuets, K. 463: no. 1 in F Major | — | ||
| 3-16 | 2 Minuets, K. 463: no. 2 in B‐Flat Major | — | ||
| 4-1 | Divertimento no. 1 in E‐Flat Major, K. 113: I. Allegro | — | ||
| 4-2 | Divertimento no. 1 in E‐Flat Major, K. 113: II. Andante | — | ||
| 4-3 | Divertimento no. 1 in E‐Flat Major, K. 113: III. Menuetto | — | ||
| 4-4 | Divertimento no. 1 in E‐Flat Major, K. 113: IV. Allegro | — | ||
| 4-5 | Divertimento no. 2 in D Major, K. 131: I. Allegro | — | ||
| 4-6 | Divertimento no. 2 in D Major, K. 131: II. Adagio | — | ||
| 4-7 | Divertimento no. 2 in D Major, K. 131: III. Menuetto | — | ||
| 4-8 | Divertimento no. 2 in D Major, K. 131: IV. Allegretto | — | ||
| 4-9 | Divertimento no. 2 in D Major, K. 131: V. Menuetto | — | ||
| 4-10 | Divertimento no. 2 in D Major, K. 131: VI. Adagio - Allegro molto | — | ||
| 4-11 | 6 German Dances, K. 509: no. 1 in D Major | — | ||
| 4-12 | 6 German Dances, K. 509: no. 2 in G Major | — | ||
| 4-13 | 6 German Dances, K. 509: no. 3 in E‐Flat Major | — | ||
| 4-14 | 6 German Dances, K. 509: no. 4 in F Major | — | ||
| 4-15 | 6 German Dances, K. 509: no. 5 in A Major | — | ||
| 4-16 | 6 German Dances, K. 509: no. 6 in C Major | — | ||
| 4-17 | Der Schauspieldirektor, K. 486: Overture | — | ||
| 4-18 | Die Zauberflöte, K. 620: Overture | — | ||
| 4-19 | Symphony no. 85 in B‐Flat Major, Hob. I:85 “The Queen”: I. Adagio - Vivace | — | ||
| 4-20 | Symphony no. 85 in B‐Flat Major, Hob. I:85 “The Queen”: II. Romance. Allegretto | — | ||
| 4-21 | Symphony no. 85 in B‐Flat Major, Hob. I:85 “The Queen”: III. Menuetto. Allegretto | — | ||
| 4-22 | Symphony no. 85 in B‐Flat Major, Hob. I:85 “The Queen”: IV. Finale. Presto | — | ||
| 5-1 | Symphony no. 101 in D Major, Hob. I:101 “Clock”: I. Adagio - Presto | — | ||
| 5-2 | Symphony no. 101 in D Major, Hob. I:101 “Clock”: II. Andante | — | ||
| 5-3 | Symphony no. 101 in D Major, Hob. I:101 “Clock”: III. Menuetto - Trio | — | ||
| 5-4 | Symphony no. 101 in D Major, Hob. I:101 “Clock”: IV. Finale. Vivace | — | ||
| 5-5 | Coriolan Overture, op. 62 | — | ||
| 5-6 | Leonore Overture no. 3, op. 72b | — | ||
| 5-7 | The Ruins of Athens, op. 113: Overture | — | ||
| 5-8 | Die Ruinen von Athen, op. 113: IV. Marcia alla Turca | — | ||
| 5-9 | Euryanthe, op. 81: Overture | — | ||
| 5-10 | Der Freischütz, op. 77: Overture | — | ||
| 6-1 | Symphony no. 1 in C Major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 6-2 | Symphony no. 1 in C Major, op. 21: II. Andante cantabile con moto | — | ||
| 6-3 | Symphony no. 1 in C Major, op. 21: III. Menuetto. Allegro molto e vivace | — | ||
| 6-4 | Symphony no. 1 in C Major, op. 21: IV. Adagio - Allegro molto e vivace | — | ||
| 6-5 | Symphony no. 3 in E‐Flat Major, op. 55 “Eroica”: I. Allegro con brio | — | ||
| 6-6 | Symphony no. 3 in E‐Flat Major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | — | ||
| 6-7 | Symphony no. 3 in E‐Flat Major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | — | ||
| 6-8 | Symphony no. 3 in E‐Flat Major, op. 55 “Eroica”: IV. Finale. Allegro molto | — | ||
| 6-9 | Fidelio, op. 72: Overture | — | ||
| 7-1 | Symphony no. 2 in D Major, op. 36: I. Adagio - Allegro con brio | — | ||
| 7-2 | Symphony no. 2 in D Major, op. 36: II. Larghetto | — | ||
| 7-3 | Symphony no. 2 in D Major, op. 36: III. Scherzo. Allegro | — | ||
| 7-4 | Symphony no. 2 in D Major, op. 36: IV. Allegro molto | — | ||
| 7-5 | Symphony no. 4 in B‐Flat Major, op. 60: I. Adagio - Allegro vivace | — | ||
| 7-6 | Symphony no. 4 in B‐Flat Major, op. 60: II. Adagio | — | ||
| 7-7 | Symphony no. 4 in B‐Flat Major, op. 60: III. Menuetto. Allegro vivace | — | ||
| 7-8 | Symphony no. 4 in B‐Flat Major, op. 60: IV. Allegro ma no. troppo | — | ||
| 7-9 | Egmont, op. 84: Overture | — | ||
| 8-1 | Symphony no. 5 in C Minor, op. 67: I. Allegro con brio | — | ||
| 8-2 | Symphony no. 5 in C Minor, op. 67: II. Andante con moto | — | ||
| 8-3 | Symphony no. 5 in C Minor, op. 67: III. Allegro | — | ||
| 8-4 | Symphony no. 5 in C Minor, op. 67: IV. Allegro - Presto | — | ||
| 8-5 | Symphony no. 6 in F Major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma no. troppo | — | ||
| 8-6 | Symphony no. 6 in F Major, op. 68 “Pastoral”: II. Scene am Bach. Andante molto moto | — | ||
| 8-7 | Symphony no. 6 in F Major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute. Allegro | — | ||
| 8-8 | Symphony no. 6 in F Major, op. 68 “Pastoral”: IV. Gewitter. Sturm. Allegro | — | ||
| 8-9 | Symphony no. 6 in F Major, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 9-1 | Symphony no. 7 in A Major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 9-2 | Symphony no. 7 in A Major, op. 92: II. Allegretto | — | ||
| 9-3 | Symphony no. 7 in A Major, op. 92: III. Presto - Assai meno presto | — | ||
| 9-4 | Symphony no. 7 in A Major, op. 92: IV. Allegro con brio | — | ||
| 9-5 | Symphony no. 8 in F Major, op. 93: I. Allegro vivace e con brio | — | ||
| 9-6 | Symphony no. 8 in F Major, op. 93: II. Allegretto scherzando | — | ||
| 9-7 | Symphony no. 8 in F Major, op. 93: III. Tempo di menuetto | — | ||
| 9-8 | Symphony no. 8 in F Major, op. 93: IV. Allegro vivace | — | ||
| 10-1 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato | — | ||
| 10-2 | Symphony no. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto | — | ||
| 10-3 | Symphony no. 6 in C Major, D. 589: I. Adagio - Allegro | — | ||
| 10-4 | Symphony no. 6 in C Major, D. 589: II. Andante | — | ||
| 10-5 | Symphony no. 6 in C Major, D. 589: III. Scherzo. Presto - Trio. Più lento | — | ||
| 10-6 | Symphony no. 6 in C Major, D. 589: IV. Allegro moderato | — | ||
| 10-7 | Meeresstille und glückliche Fahrt, op. 27, MWV P5 | — | ||
| 10-8 | The Hebrides, op. 26, MWV P7 “Fingal’s Cave” | — | ||
| 11-1 | Symphony no. 1 in B‐Flat Major, op. 38, “Spring”: I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 11-2 | Symphony no. 1 in B‐Flat Major, op. 38, “Spring”: II. Larghetto | — | ||
| 11-3 | Symphony no. 1 in B‐Flat Major, op. 38, “Spring”: III. Andante un poco maestoso - Allegro molto vivace | — | ||
| 11-4 | Symphony no. 1 in B‐Flat Major, op. 38, “Spring”: IV. Andante un poco maestoso - Allegro molto vivace | — | ||
| 11-5 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood | — | ||
| 11-6 | Peer Gynt Suite no. 1, op. 46: II. Death of Aase | — | ||
| 11-7 | Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance | — | ||
| 11-8 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King | — | ||
| 11-9 | Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride - Ingrid’s Lament | — | ||
| 11-10 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance | — | ||
| 11-11 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Sea) | — | ||
| 11-12 | Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song | — | ||
| 12-1 | Symphony no. 1 in C Minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 12-2 | Symphony no. 1 in C Minor, op. 68: II. Andante sostenuto | — | ||
| 12-3 | Symphony no. 1 in C Minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 12-4 | Symphony no. 1 in C Minor, op. 68: IV. Finale. Adagio | — | ||
| 12-5 | Symphony no. 3 in F Major, op. 90: I. Allegro con brio | — | ||
| 12-6 | Symphony no. 3 in F Major, op. 90: II. Andante | — | ||
| 12-7 | Symphony no. 3 in F Major, op. 90: III. Poco allegretto | — | ||
| 12-8 | Symphony no. 3 in F Major, op. 90: IV. Allegro | — | ||
| 13-1 | Symphony no. 2 in D Major, op. 73: I. Allegro no. troppo | — | ||
| 13-2 | Symphony no. 2 in D Major, op. 73: II. Adagio no. troppo | — | ||
| 13-3 | Symphony no. 2 in D Major, op. 73: III. Allegretto grazioso. Quasi andantino | — | ||
| 13-4 | Symphony no. 2 in D Major, op. 73: IV. Allegro con spirito | — | ||
| 13-5 | Symphony no. 4 in E Minor, op. 98: I. Allegro no. troppo | — | ||
| 13-6 | Symphony no. 4 in E Minor, op. 98: II. Andante moderato | — | ||
| 13-7 | Symphony no. 4 in E Minor, op. 98: III. Allegro giocoso | — | ||
| 13-8 | Symphony no. 4 in E Minor, op. 98: IV. Allegro energico e passionato | — | ||
| 14-1 | Tragic Overture, op. 81 | — | ||
| 14-2 | 21 Hungarian Dances, WoO 1: no. 3 in F Major | — | ||
| 14-3 | 21 Hungarian Dances, WoO 1: no. 10 in E Major | — | ||
| 14-4 | 21 Hungarian Dances, WoO 1: no. 1 in G Mino. | — | ||
| 14-5 | Academic Festival Overture, op. 80 | — | ||
| 14-6 | Má Vlast, JB 1, 112: II. Vltava | — | ||
| 14-7 | From Bohemian Fields and Groves, JB 1, 112/4 | — | ||
| 14-8 | Carnival Overture, op. 92, B. 169 | — | ||
| 14-9 | Morgenblätter, op. 279 | — | ||
| 14-10 | Persischer‐Marsch, op. 289 | — | ||
| 15-1 | An der schönen blauen Donau, op. 314 | — | ||
| 15-2 | Künstlerleben, op. 316 | — | ||
| 15-3 | Wein, Weib und Gesang op. 333 | — | ||
| 15-4 | Kaiser‐Walzer, op. 437 | — | ||
| 15-5 | Tritsch‐Tratsch‐Polka, op. 214 | — | ||
| 15-6 | Rosen aus dem Süden, op. 388 | — | ||
| 15-7 | Annen‐Polka, op. 117 | — | ||
| 15-8 | Perpetuum Mobile, op. 257 | — | ||
| 15-9 | Leichtes Blut, op. 319 | — | ||
| 15-10 | Accelerationen, op. 234 | — | ||
| 15-11 | Ägyptischer Marsch, op. 335 | — | ||
| 15-12 | Wiener Blut, op. 354 | — | ||
| 16-1 | 8 Slavonic Dances, op. 46, B. 83: no. 1 in C Major | — | ||
| 16-2 | 8 Slavonic Dances, op. 46, B. 83: no. 2 in E Mino. | — | ||
| 16-3 | 8 Slavonic Dances, op. 46, B. 83: no. 3 in A‐Flat Major | — | ||
| 16-4 | 8 Slavonic Dances, op. 46, B. 83: no. 4 in F Major | — | ||
| 16-5 | 8 Slavonic Dances, op. 46, B. 83: no. 5 in A Major | — | ||
| 16-6 | 8 Slavonic Dances, op. 46, B. 83: no. 6 in D Major | — | ||
| 16-7 | 8 Slavonic Dances, op. 46, B. 83: no. 7 in C Mino. | — | ||
| 16-8 | 8 Slavonic Dances, op. 46, B. 83: no. 8 in G Mino. | — | ||
| 16-9 | 8 Slavonic Dances, op. 72, B. 147: no. 9 in B Major | — | ||
| 16-10 | 8 Slavonic Dances, op. 72, B. 147: no. 10 in E Mino. | — | ||
| 16-11 | 8 Slavonic Dances, op. 72, B. 147: no. 11 in F Major | — | ||
| 16-12 | 8 Slavonic Dances, op. 72, B. 147: no. 12 in D Major | — | ||
| 16-13 | 8 Slavonic Dances, op. 72, B. 147: no. 13 in B‐Flat Mino. | — | ||
| 16-14 | 8 Slavonic Dances, op. 72, B. 147: no. 14 in B Major | — | ||
| 16-15 | 8 Slavonic Dances, op. 72, B. 147: no. 15 in C Major | — | ||
| 16-16 | 8 Slavonic Dances, op. 72, B. 147: no. 16 in A‐Flat Major | — | ||
| 17-1 | Symphony no. 9 in E Minor, op. 95, B. 178 “From the New World”: I. Adagio - Allegro molto | — | ||
| 17-2 | Symphony no. 9 in E Minor, op. 95, B. 178 “From the New World”: II. Largo | — | ||
| 17-3 | Symphony no. 9 in E Minor, op. 95, B. 178 “From the New World”: III. Molto vivace | — | ||
| 17-4 | Symphony no. 9 in E Minor, op. 95, B. 178 “From the New World”: IV. Allegro con fuoco | — | ||
| 17-5 | Cello Concerto in B Minor, op. 104, B. 191: I. Allegro | Ludwig Hoelscher, Philharmonisches Staatsorchester Hamburg, Joseph Keilberth | — | |
| 17-6 | Cello Concerto in B Minor, op. 104, B. 191: II. Adagio ma no. troppo | Ludwig Hoelscher, Philharmonisches Staatsorchester Hamburg, Joseph Keilberth | — | |
| 17-7 | Cello Concerto in B Minor, op. 104, B. 191: III. Finale. Allegro moderato | Ludwig Hoelscher, Philharmonisches Staatsorchester Hamburg, Joseph Keilberth | — | |
| 18-1 | Die Meistersinger von Nürnberg, WWV 96: Prelude to Act 1 | — | ||
| 18-2 | Die Meistersinger von Nürnberg, WWV 96: Prelude to Act 3 | — | ||
| 18-3 | Symphony no. 9 in D Minor, WAB 109: I. Feierlich, misterioso | — | ||
| 18-4 | Symphony no. 9 in D Minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 18-5 | Symphony no. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich | — | ||
| 19-1 | Symphony no. 6 in A Major, WAB 106: I. Majestoso | — | ||
| 19-2 | Symphony no. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich | — | ||
| 19-3 | Symphony no. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell - Trio. Langsam | — | ||
| 19-4 | Symphony no. 6 in A Major, WAB 106: IV. Bewegt, doch nicht zu schnell | — | ||
| 19-5 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 19-6 | Die schweigsame Frau, op. 80: Potpourri | — | ||
| 20-1 | Don Juan, op. 20 | — | ||
| 20-2 | 4 Symphonic Interludes from Intermezzo: no. 1, Reisefieber und Walzerscene. Lebhaft - Etwas ruhig | — | ||
| 20-3 | 4 Symphonic Interludes from Intermezzo: no. 2, Träumerei am Kamin. Ruhig schwebend | — | ||
| 20-4 | 4 Symphonic Interludes from Intermezzo: no. 3, Am Spieltisch. Sehr gemächlich | — | ||
| 20-5 | 4 Symphonic Interludes from Intermezzo: no. 4, Fröhlicher Beschluß. Sehr lebhaft und fröhlich | — | ||
| 20-6 | Waltz Sequence no. 1 from the Rosenkavalier | — | ||
| 20-7 | Waltz Sequence no. 2 from the Rosenkavalier | — | ||
| 20-8 | Salome, op. 54, Scene 4: Dance of the Seven Veils | — | ||
| 20-9 | Lohengrin, WWV 75: Prelude to Act 1 | — | ||
| 20-10 | Lohengrin, WWV 75: Prelude to Act 3 | — | ||
| 21-1 | Eine Ballett‐Suite, op. 130: I. Entrée. Tempo di marcia | — | ||
| 21-2 | Eine Ballett‐Suite, op. 130: II. Colombine. Adagietto | — | ||
| 21-3 | Eine Ballett‐Suite, op. 130: III. Harlequin. Vivace | — | ||
| 21-4 | Eine Ballett‐Suite, op. 130: IV. Pierrot und Pierrette. Larghetto | — | ||
| 21-5 | Eine Ballett‐Suite, op. 130: V. Valse d’amour. Sostenuto | — | ||
| 21-6 | Eine Ballett‐Suite, op. 130: VI. Finale. Presto | — | ||
| 21-7 | Variations and Fugue on a Theme by Hiller, op. 100: Theme. Andante grazioso | — | ||
| 21-8 | Variations and Fugue on a Theme by Hiller, op. 100: Variation I. Più andante | — | ||
| 21-9 | Variations and Fugue on a Theme by Hiller, op. 100: Variation II. Allegro con grazia | — | ||
| 21-10 | Variations and Fugue on a Theme by Hiller, op. 100: Variation III. Vivace | — | ||
| 21-11 | Variations and Fugue on a Theme by Hiller, op. 100: Variation IV. Poco vivace | — | ||
| 21-12 | Variations and Fugue on a Theme by Hiller, op. 100: Variation V. Andante sostenuto | — | ||
| 21-13 | Variations and Fugue on a Theme by Hiller, op. 100: Variation VI. Tempo di menuetto | — | ||
| 21-14 | Variations and Fugue on a Theme by Hiller, op. 100: Variation VII. Presto | — | ||
| 21-15 | Variations and Fugue on a Theme by Hiller, op. 100: Variation VIII. Andante con moto | — | ||
| 21-16 | Variations and Fugue on a Theme by Hiller, op. 100: Variation IX. Allegro con spirito | — | ||
| 21-17 | Variations and Fugue on a Theme by Hiller, op. 100: Variation X. Allegro appassionata | — | ||
| 21-18 | Variations and Fugue on a Theme by Hiller, op. 100: Variation XI. Andante con moto | — | ||
| 21-19 | Variations and Fugue on a Theme by Hiller, op. 100: Fugue. Allegro moderato | — | ||
| 22-1 | Variations and Fugue on a Theme by Mozart, op. 132: Theme. Andante grazioso | — | ||
| 22-2 | Variations and Fugue on a Theme by Mozart, op. 132: Variation I. L’istesso tempo | — | ||
| 22-3 | Variations and Fugue on a Theme by Mozart, op. 132: Variation II. Poco agitato | — | ||
| 22-4 | Variations and Fugue on a Theme by Mozart, op. 132: Variation III. Con moto | — | ||
| 22-5 | Variations and Fugue on a Theme by Mozart, op. 132: Variation IV. Vivace | — | ||
| 22-6 | Variations and Fugue on a Theme by Mozart, op. 132: Variation V. Quasi presto | — | ||
| 22-7 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VI. Sostenuto | — | ||
| 22-8 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VII. Andante grazioso | — | ||
| 22-9 | Variations and Fugue on a Theme by Mozart, op. 132: Variation VIII. Molto sostenuto | — | ||
| 22-10 | Variations and Fugue on a Theme by Mozart, op. 132: Fugue. Allegretto grazioso | — | ||
| 22-11 | Nobilissima Visione Suite: I. Einleitung und Rondo | — | ||
| 22-12 | Nobilissima Visione Suite: II. Marsch und Pastorale | — | ||
| 22-13 | Nobilissima Visione Suite: III. Passacaglia | — | ||
| 22-14 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | — | ||
| 22-15 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Turandot - Scherzo | — | ||
| 22-16 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | — | ||
| 22-17 | Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Verified on
Identifier Graph
People also ask
What is UPC 190295668495?
190295668495 is a Universal Product Code (UPC) assigned to The Telefunken Recordings 1953–1963 by Joseph Keilberth. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 248 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm