UPC · Album

Maria Callas Live - Remastered Recordings 1949-1964

Maria Callas

190295844707
893 tracksReleased 2017-09-15Warner Classics

Last verified:

190295844707 is the Universal Product Code (UPC barcode) for the release Maria Callas Live - Remastered Recordings 1949-1964 by Maria Callas, released 2017-09-15 on Warner Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 893 tracks, each with its own ISRC. Tracks include GBAYC1702075, GBAYC1702076, GBAYC1702077.

Format

1Number system
90295Manufacturer
84470Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMaria Callas Live - Remastered Recordings 1949-1964
ISRC21 recordings
ISWC1 work
IPI1 songwriter

Track List (21)

Tosca: Atto II. “Vissi d'arte” (Tosca)
Maria Callas
Tosca: Atto III. “E non giungono” (Tosca, Cavaradossi, Carceriere)
Maria Callas
Tosca: Atto III. “Comè lunga l'attesa!” (Tosca)
Maria Callas
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa)
Maria Callas, Luisa Villa, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan
Lucia di Lammermoor: Act I. "Quando rapito in estasi" (Lucia)
Maria Callas, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Eccola. O giusto cielo” - “Il dolce suono” (Coro, Lucia) – “Ardon gli incensi” (Lucia, Raimondo)
Maria Callas, Mario Carlin, Chorus of the Teatro alla Scala, Nicola Zaccaria, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
Maria Callas, Chorus of the Teatro alla Scala, Rolando Panerai, Nicola Zaccaria, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan
Anna Bolena: Atto II, scena 3. “Piangete voi? D'onde tal pianto?” (Anna, Coro)
Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
Anna Bolena: Atto II, scena 3. “Al dolce guidami castel natio” (Anna)
Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
Anna Bolena: Atto II, scena 3. “Qual mesto suon?” (Anna, Hervey, Percy, Rochefort, Smeton, Coro)
Maria Callas, Gabriella Carturan, Plinio Clabassi, Coro del Teatro alla Scala di Milano, Gianni Raimondi, Luigi Rumbo, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
Anna Bolena: Atto II, scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Coro)
Maria Callas, Gabriella Carturan, Plinio Clabassi, Gianni Raimondi, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
Anna Bolena: Atto II, scena 3. “Coppia iniqua, l'estrema vendetta” (Anna, Smeton, Percy, Rochefort, Coro)
Maria Callas, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida)
Maria Callas
Aida: Atto II, scena 2. “O Re, pei sacri numi…Gloria all'Egitto” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)
Maria Callas
Parsifal: Atto II. “Ho visto, il figlio sul materno sen” (Kundry)
Maria Callas, Orchestra sinfonica di Roma della RAI, Vittorio Gui
Il pirata: Atto I, scena 1. “Sargete; è in me dover” (Imogene, Itulbo, Adele)
Maria Callas, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno
Il pirata: Atto I, scena 1. “Lo sognai ferito, esangue” (Imogene, Adele, Coro)
American Opera Society Chorus, Maria Callas, Pier Miranda Ferraro, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno
Il pirata: Atto I, scena 1. “Quando a un tratto il mio consorte” (Imogene, Coro, Itulbo, Adele, Gualtiero)
American Opera Society Chorus, Maria Callas, Pier Miranda Ferraro, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno
Il pirata: Atto I, scena 1. “Sventurata, anch'io deliro” (Imogene, Adele, Coro)
American Opera Society Chorus, Maria Callas, Regina Sarfaty, Chester Watson, American Opera Society Orchestra, Nicola Rescigno
Ifigenia in Tauride, Wq. 46: Atto II. “O sventurata Ifigenia” (Ifigenia, Coro)
Maria Callas
Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro)
Maria Callas, Chorus of the Teatro alla Scala, Rolando Panerai, Nicola Zaccaria, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan

People also ask

What is UPC 190295844707?
UPC 190295844707 is the Universal Product Code (barcode) for "Maria Callas Live - Remastered Recordings 1949-1964" by Maria Callas, released on Warner Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 190295844707?
UPC 190295844707 contains 893 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 190295844707?

190295844707 is a Universal Product Code (UPC) assigned to Maria Callas Live - Remastered Recordings 1949-1964 by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 893 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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