UPC · Release
Edward Elgar, Sir John Barbirolli
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190296326387 is the Universal Product Code (UPC barcode) for the release “Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff” by Edward Elgar, Sir John Barbirolli, released 2022-03-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBAYC0400717, GBAYC0400718, GBAYC0400719.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 5 | Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 8 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9 | Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 10 | Introduction and Allegro for Strings, op. 47: I. Moderato - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 11 | Introduction and Allegro for Strings, op. 47: II. Allegro - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 12 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 13 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 14 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 15 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 16 | Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 17 | Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 18 | Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 19 | Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 20 | Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 21 | Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 22 | Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 23 | Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 24 | Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 25 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 26 | Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 27 | Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 28 | Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 29 | Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 30 | Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 31 | Concert Overture: Cockaigne (in London Town), op. 40 | Philharmonia Orchestra, Sir John Barbirolli | T-010.035.109-4 | |
| 32 | Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 33 | Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 34 | Symphony no. 1 in A‐flat, op. 55: III. Adagio | Philharmonia Orchestra, Sir John Barbirolli | T-913.999.561-2 | |
| 35 | Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 36 | Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 37 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 38 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 39 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 40 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 41 | Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente | Hallé Orchestra, Sir John Barbirolli | — | |
| 42 | Symphony no. 2 in E‐flat major, op. 63: II. Larghetto | Hallé Orchestra, Sir John Barbirolli | — | |
| 43 | Symphony no. 2 in E‐flat major, op. 63: III. Rondo. Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 44 | Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso | Hallé Orchestra, Sir John Barbirolli | — | |
| 45 | Froissart, op. 19 | Philharmonia Orchestra, Sir John Barbirolli | T-010.162.592-6 | |
| 46 | Sospiri, op. 70 | Philharmonia Orchestra, Sir John Barbirolli | T-011.613.873-8 | |
| 47 | Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — | |
| 49 | Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — | |
| 50 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — | |
| 51 | Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — | |
| 52 | Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — | |
| 53 | Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — | |
| 54 | The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55 | The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 56 | The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 57 | The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 58 | The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 59 | The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 60 | The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 61 | The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 62 | The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 63 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | Kim Borg, Hallé Orchestra, Sir John Barbirolli | — | |
| 64 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 65 | The Dream of Gerontius, Op. 38: Part II (a) (Andantino) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66 | The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 67 | The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 68 | The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family… All Hail! my Child and brother” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 69 | The Dream of Gerontius, op. 38: Part Two. V. “A presage fails” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 70 | The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth | Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 71 | The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 72 | The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 73 | The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal…” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 74 | The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 75 | The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 76 | The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 77 | The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 78 | The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 79 | The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 80 | The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 81 | The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 82 | The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently | Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 83 | Dream Children, op. 43: I. Andante | Hallé Orchestra, Sir John Barbirolli | — | |
| 84 | 3 Bavarian Dances, op. 27: No. 2, Lullaby | Hallé Orchestra, Sir John Barbirolli | — | |
| 85 | Caractacus, op. 35, Scene 4: “Oh! My Warriors” (Caractacus) | Peter Dawson, Sir John Barbirolli | — | |
| 86 | Caractacus, op. 35, Scene 2: Sword Song. “Leap, Leap to Light” (Caractacus) | Peter Dawson, Sir John Barbirolli | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — |
| Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — |
Musical Works (ISWC)
Identifier Graph
190296326387 is a Universal Product Code (UPC) assigned to Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff by Edward Elgar, Sir John Barbirolli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 86 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
190296326387 is the Universal Product Code (UPC barcode) for the release “Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff” by Edward Elgar, Sir John Barbirolli, released 2022-03-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 86 tracks, each with its own ISRC. Tracks include GBAYC0400717, GBAYC0400718, GBAYC0400719.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 2 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 3 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 4 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 5 | Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 6 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 8 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 9 | Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 10 | Introduction and Allegro for Strings, op. 47: I. Moderato - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 11 | Introduction and Allegro for Strings, op. 47: II. Allegro - | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 12 | Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 13 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 14 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 15 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 16 | Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 17 | Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 18 | Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 19 | Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 20 | Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 21 | Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 22 | Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 23 | Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 24 | Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 25 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 26 | Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 27 | Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 28 | Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 29 | Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 30 | Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 31 | Concert Overture: Cockaigne (in London Town), op. 40 | Philharmonia Orchestra, Sir John Barbirolli | T-010.035.109-4 | |
| 32 | Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 33 | Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 34 | Symphony no. 1 in A‐flat, op. 55: III. Adagio | Philharmonia Orchestra, Sir John Barbirolli | T-913.999.561-2 | |
| 35 | Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 36 | Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 37 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 38 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 39 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 40 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 41 | Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente | Hallé Orchestra, Sir John Barbirolli | — | |
| 42 | Symphony no. 2 in E‐flat major, op. 63: II. Larghetto | Hallé Orchestra, Sir John Barbirolli | — | |
| 43 | Symphony no. 2 in E‐flat major, op. 63: III. Rondo. Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 44 | Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso | Hallé Orchestra, Sir John Barbirolli | — | |
| 45 | Froissart, op. 19 | Philharmonia Orchestra, Sir John Barbirolli | T-010.162.592-6 | |
| 46 | Sospiri, op. 70 | Philharmonia Orchestra, Sir John Barbirolli | T-011.613.873-8 | |
| 47 | Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 48 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — | |
| 49 | Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — | |
| 50 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — | |
| 51 | Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — | |
| 52 | Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — | |
| 53 | Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — | |
| 54 | The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima) | Hallé Orchestra, Sir John Barbirolli | — | |
| 55 | The Dream of Gerontius, op. 38: Part One. II. “Jesu, Maria: I am near to death” (Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 56 | The Dream of Gerontius, op. 38: Part One. III. “So pray for me … Kyrie eleison … Holy Mary, pray for him” (Gerontius, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 57 | The Dream of Gerontius, op. 38: Part One. IV. “Rouse thee, my fainting soul” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 58 | The Dream of Gerontius, op. 38: Part One. V. “Be merciful” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 59 | The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 60 | The Dream of Gerontius, op. 38: Part One. VII. “I can no more” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 61 | The Dream of Gerontius, op. 38: Part One. VIII. “Rescue him, O Lord… Noe from the waters” (Gerontius, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 62 | The Dream of Gerontius, op. 38: Part One. IX. “… Novissima hora est” (semi-chorus, chorus, Gerontius) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 63 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | Kim Borg, Hallé Orchestra, Sir John Barbirolli | — | |
| 64 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 65 | The Dream of Gerontius, Op. 38: Part II (a) (Andantino) | Hallé Orchestra, Sir John Barbirolli | — | |
| 66 | The Dream of Gerontius, op. 38: Part Two. II. “I went to sleep” (Soul of Gerontius) | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 67 | The Dream of Gerontius, op. 38: Part Two. III. “My work is done” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 68 | The Dream of Gerontius, op. 38: Part Two. IV. “It is a member of that family… All Hail! my Child and brother” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 69 | The Dream of Gerontius, op. 38: Part Two. V. “A presage fails” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 70 | The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth | Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 71 | The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 72 | The Dream of Gerontius, op. 38: Part Two. VIII. “The Mind Bold And Independent” (chorus) | Ambrosian Singers, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 73 | The Dream of Gerontius, op. 38: Part Two. IX. “I see not these false spirits… There was a mortal…” (Soul, Angel) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 74 | The Dream of Gerontius, op. 38: Part Two. X. “Praise to the Holiest” (Angel, semi-chorus, chorus, Soul) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 75 | The Dream of Gerontius, op. 38: Part Two. XI. “Glory To Him… But hark! A grand mysterious harmony” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 76 | The Dream of Gerontius, op. 38: Part Two. XII. “And now The Threshold… Praise for the Holiest” (Soul, Angel, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 77 | The Dream of Gerontius, op. 38: Part Two. XIII. “Thy judgement now is near” (Angel, Soul) | Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 78 | The Dream of Gerontius, op. 38: Part Two. XIV. “Jesu! By that shuddering dread” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 79 | The Dream of Gerontius, op. 38: Part Two. XV. “I Go Before My Judge…Be Merciful, Be gracious” (Angel of the Agony, Soul, semi-chorus, chorus) | Ambrosian Singers, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 80 | The Dream of Gerontius, op. 38: Part Two. XVI. “Praise to His Name! … Take me away” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 81 | The Dream of Gerontius, op. 38: Part Two. XVII. “Lord, Thou Hast been our Refuge” (Angel, Soul, chorus) | Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 82 | The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently | Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 83 | Dream Children, op. 43: I. Andante | Hallé Orchestra, Sir John Barbirolli | — | |
| 84 | 3 Bavarian Dances, op. 27: No. 2, Lullaby | Hallé Orchestra, Sir John Barbirolli | — | |
| 85 | Caractacus, op. 35, Scene 4: “Oh! My Warriors” (Caractacus) | Peter Dawson, Sir John Barbirolli | — | |
| 86 | Caractacus, op. 35, Scene 2: Sword Song. “Leap, Leap to Light” (Caractacus) | Peter Dawson, Sir John Barbirolli | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — |
| Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — |
| Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — |
