UPC · Release
Hommage à Diaghilev
Philharmonia Orchestra, Igor Markevitch
190296327858
40 tracksReleased 2022-03-04
Last verified:
190296327858 is the Universal Product Code (UPC barcode) for the release “Hommage à Diaghilev” by Philharmonia Orchestra, Igor Markevitch, released 2022-03-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC.
Format
1Number system
90296Manufacturer
32785Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Parade: Choral | — | ||
| 2 | Parade: Prélude du rideau rouge | — | ||
| 3 | Parade: Prestidigitateur chinois | — | ||
| 4 | Parade: Petite fille américaine | — | ||
| 5 | Parade: Acrobates | — | ||
| 6 | Parade: Final - Suite au Prélude du rideau rouge | — | ||
| 7 | Invitation to the Dance, op. 65, J. 260 | — | ||
| 8 | Prélude à l’après‐midi d’un faune, CD 87, L. 86 | — | ||
| 9 | Suite no. 2 from Daphnis et Chloé, M. 57: I. Lever du jour | — | ||
| 10 | Suite no. 2 from Daphnis et Chloé, M. 57: II. Pantomime | — | ||
| 11 | Suite no. 2 from Daphnis et Chloé, M. 57: III. Danse générale | — | ||
| 12 | Swan Lake, op. 20, Act 2: no. 10, Scene. Moderato | — | ||
| 13 | Swan Lake, op. 20, Act 2: no. 11, Scene. Allegro moderato - Moderato - Allegro vivo | — | ||
| 14 | Swan Lake, op. 20, Act 1: no. 5b, Pas de deux for Two Merry‐Makers. Andante - Allegro | — | ||
| 15 | Swan Lake, op. 20, Act 1: no. 5c, Pas de deux for Two Merry‐Makers. Tempo di valse | — | ||
| 16 | Swan Lake, op. 20, Act 1: no. 5d, Pas de deux for Two Merry‐Makers. Coda | — | ||
| 17 | Swan Lake, op. 20, Act 3: no. 19c, Pas de six. Variation II | — | ||
| 18 | Swan Lake, op. 20, Act 1: no. 8, Dance with Goblets | — | ||
| 19 | Swan Lake, op. 20, Act 2: no. 13g, Dances of the Swans. Coda | — | ||
| 20 | Les sylphides: Mazurka, op. 33 no. 2 | — | ||
| 21 | Suite from The Good‐Humoured Ladies: I. Presto | — | ||
| 22 | Suite from The Good‐Humoured Ladies: II. Allegro | — | ||
| 23 | Suite from The Good‐Humoured Ladies: III. Andante | — | ||
| 24 | Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo | — | ||
| 25 | Suite from The Good‐Humoured Ladies: V. Presto “Cat’s Fugue” - Finale | — | ||
| 26 | Suite no. 2 from El sombrero de tres picos: II. Danza del molinero. Farruca | — | ||
| 27 | Le pas d’acier, op. 41, Tableau I: Entrée des personnages | — | ||
| 28 | Le pas d’acier, op. 41, Tableau I: Train des paysans‐ravitailleurs | — | ||
| 29 | Le pas d’acier, op. 41, Tableau I: Les commissaires | — | ||
| 30 | Le pas d’acier, op. 41, Tableau I: Les petits camelots | — | ||
| 31 | Le pas d’acier, op. 41, Tableau I: L’orateur | — | ||
| 32 | Le pas d’acier, op. 41, Tableau I: Matelot à bracelets et ouvrière | — | ||
| 33 | Le pas d’acier, op. 41, Tableau I: Le matelot devient un ouvrier | — | ||
| 34 | Le pas d’acier, op. 41, Tableau II: L’usine | — | ||
| 35 | Le pas d’acier, op. 41, Tableau II: Les marteaux | — | ||
| 36 | Le pas d’acier, op. 41, Tableau II: Finale | — | ||
| 37 | Kikimora, op. 63 | — | ||
| 38 | Three Movements from Petrushka: I. Russian Dance (Orchestral Version) | — | ||
| 39 | Three Movements from Petrushka: II. Petrushka’s Cell (Orchestral Version) | — | ||
| 40 | Three Movements from Petrushka: III. The Shrovetide Fair (Orchestral Version) | — |
Parade: Choral
—
Parade: Prélude du rideau rouge
—
Parade: Prestidigitateur chinois
—
Parade: Petite fille américaine
—
Parade: Acrobates
—
Parade: Final - Suite au Prélude du rideau rouge
—
Invitation to the Dance, op. 65, J. 260
—
Prélude à l’après‐midi d’un faune, CD 87, L. 86
—
Suite no. 2 from Daphnis et Chloé, M. 57: I. Lever du jour
—
Suite no. 2 from Daphnis et Chloé, M. 57: II. Pantomime
—
Suite no. 2 from Daphnis et Chloé, M. 57: III. Danse générale
—
Swan Lake, op. 20, Act 2: no. 10, Scene. Moderato
—
Swan Lake, op. 20, Act 2: no. 11, Scene. Allegro moderato - Moderato - Allegro vivo
—
Swan Lake, op. 20, Act 1: no. 5b, Pas de deux for Two Merry‐Makers. Andante - Allegro
—
Swan Lake, op. 20, Act 1: no. 5c, Pas de deux for Two Merry‐Makers. Tempo di valse
—
Swan Lake, op. 20, Act 1: no. 5d, Pas de deux for Two Merry‐Makers. Coda
—
Swan Lake, op. 20, Act 3: no. 19c, Pas de six. Variation II
—
Swan Lake, op. 20, Act 1: no. 8, Dance with Goblets
—
Swan Lake, op. 20, Act 2: no. 13g, Dances of the Swans. Coda
—
Les sylphides: Mazurka, op. 33 no. 2
—
Suite from The Good‐Humoured Ladies: I. Presto
—
Suite from The Good‐Humoured Ladies: II. Allegro
—
Suite from The Good‐Humoured Ladies: III. Andante
—
Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
—
Suite from The Good‐Humoured Ladies: V. Presto “Cat’s Fugue” - Finale
—
Suite no. 2 from El sombrero de tres picos: II. Danza del molinero. Farruca
—
Le pas d’acier, op. 41, Tableau I: Entrée des personnages
—
Le pas d’acier, op. 41, Tableau I: Train des paysans‐ravitailleurs
—
Le pas d’acier, op. 41, Tableau I: Les commissaires
—
Le pas d’acier, op. 41, Tableau I: Les petits camelots
—
Le pas d’acier, op. 41, Tableau I: L’orateur
—
Le pas d’acier, op. 41, Tableau I: Matelot à bracelets et ouvrière
—
Le pas d’acier, op. 41, Tableau I: Le matelot devient un ouvrier
—
Le pas d’acier, op. 41, Tableau II: L’usine
—
Le pas d’acier, op. 41, Tableau II: Les marteaux
—
Le pas d’acier, op. 41, Tableau II: Finale
—
Kikimora, op. 63
—
Three Movements from Petrushka: I. Russian Dance (Orchestral Version)
—
Three Movements from Petrushka: II. Petrushka’s Cell (Orchestral Version)
—
Three Movements from Petrushka: III. The Shrovetide Fair (Orchestral Version)
—
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What is UPC 190296327858?
190296327858 is a Universal Product Code (UPC) assigned to Hommage à Diaghilev by Philharmonia Orchestra, Igor Markevitch. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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