UPC · Release
End of the Wörld
Motörhead
Last verified:
190296934018 is the Universal Product Code (UPC barcode) for the release “End of the Wörld” by Motörhead, released 2018-01-01 on Silver Lining Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC. Tracks include DENV61000684, DENV61000685, DENV61000686.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Iron Fist | — | ||
| 2 | Stay Clean | — | ||
| 3 | Get Back in Line | — | ||
| 4 | Metropolis | — | ||
| 5 | Over the Top | — | ||
| 6 | One Night Stand | — | ||
| 7 | Rock Out | — | ||
| 8 | The Thousand Names of God | — | ||
| 9 | I Got Mine | — | ||
| 10 | I Know How to Die | — | ||
| 11 | The Chase Is Better Than the Catch | — | ||
| 12 | In the Name of Tragedy | — | ||
| 13 | Just 'Cos You Got the Power | — | ||
| 14 | Going to Brazil | — | ||
| 15 | Killed by Death | — | ||
| 16 | Ace of Spades | — | ||
| 17 | Overkill | — | ||
| 18 | Rock Out | — | ||
| 19 | The Thousand Names of God | — | ||
| 20 | Killed by Death | — | ||
| 21 | We Are Motörhead | — | ||
| 22 | Stay Clean | — | ||
| 23 | Be My Baby | — | ||
| 24 | Get Back in Line | — | ||
| 25 | I Know How to Die | — | ||
| 26 | Born to Raise Hell | — | ||
| 27 | Bonus: Santiago Interview | — | ||
| 28 | Bonus: Manchester Interview | — | ||
| 29 | Bonus: Atlantic City Interview | — | ||
| 2-1 | Iron Fist | — | ||
| 2-2 | Stay Clean | — | ||
| 2-3 | Get Back in Line | — | ||
| 2-4 | Metropolis | — | ||
| 2-5 | Over the Top | — | ||
| 2-6 | One Night Stand | — | ||
| 2-7 | Rock Out | — | ||
| 2-8 | The Thousand Names of God | — | ||
| 2-9 | I Know How to Die | — | ||
| 2-10 | The Chase Is Better Than the Catch | — | ||
| 2-11 | In the Name of Tragedy | — | ||
| 2-12 | Just 'Cos You Got the Power | — | ||
| 2-13 | Going to Brazil | — | ||
| 2-14 | Killed by Death | — | ||
| 2-15 | Bomber | — | ||
| 2-16 | Ace of Spades | — | ||
| 2-17 | Overkill | — | ||
| 2-18 | Iron Fist | — | ||
| 2-19 | I Know How to Die | — | ||
| 2-20 | In the Name of Tragedy | — | ||
| 2-21 | Killed by Death | — | ||
| 2-22 | Ace of Spades | — | ||
| 2-23 | Overkill | — | ||
| 2-24 | Stay Clean | — | ||
| 2-25 | Over the Top | — | ||
| 2-26 | The Chase Is Better Than the Catch | — | ||
| 2-27 | Going to Brazil | — | ||
| 2-28 | Killed by Death | — | ||
| 2-29 | Festival Impressions W:O:A | — | ||
| 3-1 | Heartbreaker | Motörhead | T-916.492.114-6 | |
| 3-2 | Coup de Grace | Motörhead | T-916.492.107-7 | |
| 3-3 | Lost Woman Blues | Motörhead | T-916.624.199-2 | |
| 3-4 | End of Time | Motörhead | T-911.025.831-6 | |
| 3-5 | Do You Believe | Motörhead | T-916.492.111-3 | |
| 3-6 | Death Machine | Motörhead | T-916.492.091-6 | |
| 3-7 | Dust and Glass | Motörhead | — | |
| 3-8 | Going to Mexico | Motörhead | T-916.492.113-5 | |
| 3-9 | Silence When You Speak to Me | Motörhead | T-916.492.105-5 | |
| 3-10 | Crying Shame | Motörhead | T-916.492.109-9 | |
| 3-11 | Queen of the Damned | Motörhead | — | |
| 3-12 | Knife | Motörhead | T-916.492.101-1 | |
| 3-13 | Keep Your Powder Dry | Motörhead | T-916.492.099-4 | |
| 3-14 | Paralyzed | Motörhead | — | |
| 4-1 | I Know How to Die | — | ||
| 4-2 | Metropolis | — | ||
| 4-3 | The Chase Is Better Than the Catch | — | ||
| 4-4 | Going to Brazil | — | ||
| 4-5 | Killed by Death | — | ||
| 4-6 | Heartbreaker (video clip) | — | ||
| 5-1 | Bomber | Motörhead | T-010.470.775-6 | |
| 5-2 | Stay Clean | Motörhead | — | |
| 5-3 | Metropolis | Motörhead | — | |
| 5-4 | When the Sky Comes Looking for You | Motörhead | T-916.909.205-1 | |
| 5-5 | Over the Top | Motörhead | — | |
| 5-6 | Guitar Solo | Motörhead | — | |
| 5-7 | The Chase Is Better Than the Catch | Motörhead | T-010.478.706-5 | |
| 5-8 | Lost Woman Blues | Motörhead | T-916.624.199-2 | |
| 5-9 | Rock It | Motörhead | — | |
| 5-10 | Orgasmatron | Motörhead | T-011.326.336-7 | |
| 5-11 | Doctor Rock | Motörhead | — | |
| 5-12 | Just 'Cos You Got the Power | Motörhead | T-010.319.361-8 | |
| 5-13 | No Class | Motörhead | — | |
| 5-14 | Ace of Spades | Motörhead | T-010.473.805-7 | |
| 5-15 | Whorehouse Blues | Motörhead | T-011.207.743-6 | |
| 5-16 | Overkill | Motörhead | T-010.470.553-4 | |
| 6-1 | Bomber | — | ||
| 6-2 | Stay Clean | — | ||
| 6-3 | Metropolis | — | ||
| 6-4 | When the Sky Comes Looking for You | — | ||
| 6-5 | Over the Top | — | ||
| 6-6 | Guitar Solo | — | ||
| 6-7 | The Chase Is Better Than the Catch | — | ||
| 6-8 | Lost Woman Blues | — | ||
| 6-9 | Rock It | — | ||
| 6-10 | Orgasmatron | — | ||
| 6-11 | Doctor Rock | — | ||
| 6-12 | Just 'Cos You Got the Power | — | ||
| 6-13 | No Class | — | ||
| 6-14 | Ace of Spades | — | ||
| 6-15 | Whorehouse Blues | — | ||
| 6-16 | Overkill | — | ||
| 6-17 | Bonus: Lemmy Feature | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Queen of the Damned | Motörhead | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 190296934018?
190296934018 is a Universal Product Code (UPC) assigned to End of the Wörld by Motörhead. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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