UPC · Release
Pierre Monteux: Complete RCA Stereo Recordings
Debussy, Franck, Gluck, Saint‐Saëns, Strauss, Stravinsky, Tchaikovsky, Pierre Monteux, Stevens, della Casa, Szeryng, Kogan, Boston Symphony Orchestra
190758163420
102 tracksReleased 2018-01-01RCA
Last verified:
190758163420 is the Universal Product Code (UPC barcode) for the release “Pierre Monteux: Complete RCA Stereo Recordings” by Debussy, Franck, Gluck, Saint‐Saëns, Strauss, Stravinsky, Tchaikovsky, Pierre Monteux, Stevens, della Casa, Szeryng, Kogan, Boston Symphony Orchestra, released 2018-01-01 on RCA. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include USBC10401868.
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UPCPierre Monteux: Complete RCA Stereo Recordings
ISRC1 recording
Track List (102)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima | — | ||
| 2 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 3 | Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicati ostinato - Allegro | — | ||
| 4 | Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco | — | ||
| 2-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 2-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile | — | ||
| 2-3 | Symphony no. 5 in E minor, op. 64: III. Valse - Allegro moderato | — | ||
| 2-4 | Symphony no. 5 in E minor, op. 64: IV. Finale - Andante maestoso | — | ||
| 3-1 | Symphony in D minor: I. Lento - Allegro ma non troppo | — | ||
| 3-2 | Symphony in D minor: II. Allegretto | — | ||
| 3-3 | Symphony in D minor: III. Finale - Allegro non troppo | — | ||
| 3-4 | Coppélia: Prélude et Mazurka | — | ||
| 3-5 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 3-6 | Havanaise in E major, op. 83: Allegretto lusinghiero | — | ||
| 3-7 | Havanaise in E major, op. 83: Allegro | — | ||
| 3-8 | Havanaise in E major, op. 83: Allegro non troppo | — | ||
| 4-1 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 4-2 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 4-3 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Presto - Allegro molto vivace | — | ||
| 4-4 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale - Adagio lamentoso | — | ||
| 4-5 | Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace | Boston Symphony Orchestra, Pierre Monteux | — | |
| 4-6 | Pétrouchka: Scene I - The Shrovetide Fair: The Magic Trick | — | ||
| 4-7 | Pétrouchka: Scene I - The Shrovetide Fair: Russian Dance. | — | ||
| 4-8 | Pétrouchka: Scene II - Pétrouchka's Room | — | ||
| 4-9 | Pétrouchka: Scene III - The Moor's Room: Feroce stringendo | — | ||
| 4-10 | Pétrouchka: Scene III - The Moor's Room: Danfe of the Ballerina | — | ||
| 4-11 | Pétrouchka: Scene III - The Moor's Room: Waltz - The Ballerina and the Moor | — | ||
| 4-12 | Pétrouchka: Scene III - The Moor's Room: Con moto | — | ||
| 4-13 | Pétrouchka: Scene IV - The Shrovetide Fair: The Wet Nurses' Dance | — | ||
| 4-14 | Pétrouchka: Scene IV - The Shrovetide Fair: The Peasant and the Bear | — | ||
| 4-15 | Pétrouchka: Scene IV - The Shrovetide Fair: The Joviel Merchant with Two Gypsy Girls | — | ||
| 4-16 | Pétrouchka: Scene IV - The Shrovetide Fair: Dance of the Coachmen and the Grooms | — | ||
| 4-17 | Pétrouchka: Scene IV - The Shrovetide Fair: The Masqueraders | — | ||
| 4-18 | Pétrouchka: Scene IV - The Shrovetide Fair: The Fight - The Moor and Pétrouchka | — | ||
| 4-19 | Pétrouchka: Scene IV - The Shrovetide Fair: Death of Pétrouchka | — | ||
| 4-20 | Pétrouchka: Scene IV - The Shrovetide Fair: Pétrouchka's Ghost | — | ||
| 5-1 | Tod und Verklärung, op. 24: I. Largo | — | ||
| 5-2 | Tod und Verklärung, op. 24: II. Allegro molto agitato | — | ||
| 5-3 | Tod und Verklärung, op. 24: III. Meno mosso | — | ||
| 5-4 | Tod und Verklärung, op. 24: IV. Moderato | — | ||
| 5-5 | Siegfried Idyll | — | ||
| 6-1 | Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo | — | ||
| 6-2 | Concerto for Violin and Orchestra in D major, op. 77: II. Adagio | — | ||
| 6-3 | Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso | — | ||
| 6-4 | Concerto for Violin and Orchestra in D minor: I. Allegro con fermezza | — | ||
| 6-5 | Concerto for Violin and Orchestra in D minor: II. Andante sostenuto | — | ||
| 6-6 | Concerto for Violin and Orchestra in D minor: III. Allegro vivace | — | ||
| 7-1 | Orfeo ed Euridice: Act I. Overture | — | ||
| 7-2 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 7-3 | Orfeo ed Euridice: Act I. "Amici, quel lamento" | — | ||
| 7-4 | Orfeo ed Euridice: Act I. Pantomime | — | ||
| 7-5 | Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta" | — | ||
| 7-6 | Orfeo ed Euridice: Act I. "Restar vogl'io da sol fra l'ombre oscure" | — | ||
| 7-7 | Orfeo ed Euridice: Act I. "Chiamo il mio ben cosi" | — | ||
| 7-8 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 7-9 | Orfeo ed Euridice: Act I. "Cerco il mio ben così" | — | ||
| 7-10 | Orfeo ed Euridice: Act I. "Euridice, Euridice!" | — | ||
| 7-11 | Orfeo ed Euridice: Act I. "Piango il mio ben così" | — | ||
| 7-12 | Orfeo ed Euridice: Act I. "O Numi, barbari Numi" | — | ||
| 7-13 | Orfeo ed Euridice: Act I. "Amore assiterà l'infelice consorte" | — | ||
| 7-14 | Orfeo ed Euridice: Act I. "Se il dolce suon de la tua lira" | — | ||
| 7-15 | Orfeo ed Euridice: Act I. "Ciel! Rivederla potrò" | — | ||
| 7-16 | Orfeo ed Euridice: Act I. "Gli squardi trattieni" | — | ||
| 7-17 | Orfeo ed Euridice: Act I. "Che disse! Che ascoltai! Dunque Euridice vivrà" | — | ||
| 7-18 | Orfeo ed Euridice: Act II. Orchestral Introduction. | — | ||
| 7-19 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 7-20 | Orfeo ed Euridice: Act II. Dance of the Fury | — | ||
| 7-21 | Orfeo ed Euridice: Act II. "Chi mai dell'Erebo" | — | ||
| 7-22 | Orfeo ed Euridice: Act II. "Deh! Placatevi con me" | — | ||
| 7-23 | Orfeo ed Euridice: Act II. "Misero giovane" | — | ||
| 7-24 | Orfeo ed Euridice: Act II. "Mille pene, ombre sdegnose" | — | ||
| 7-25 | Orfeo ed Euridice: Act II. "Ah! Quele incognito" | — | ||
| 7-26 | Orfeo ed Euridice: Act II. "Men tiranne, ah! Voi sareste" | — | ||
| 7-27 | Orfeo ed Euridice: Act II. "Ah! Quale icognito" | — | ||
| 7-28 | Orfeo ed Euridice: Act II. Dance of the Furies | — | ||
| 7-29 | Orfeo ed Euridice: Act II. Dance of the Blessed Spirits | — | ||
| 7-30 | Orfeo ed Euridice: Act II. Air | — | ||
| 7-31 | Orfeo ed Euridice: Act II. "Questo asilo di placide calme" | — | ||
| 7-32 | Orfeo ed Euridice: Act II. "Che puro ciel! Che chiaro sol!" | — | ||
| 7-33 | Orfeo ed Euridice: Act II. "Vieni a' regni del riposo" | — | ||
| 7-34 | Orfeo ed Euridice: Act II. Dance of the Heroes | — | ||
| 7-35 | Orfeo ed Euridice: Act II. "O voi, ombre felici" | — | ||
| 7-36 | Orfeo ed Euridice: Act II. "Torna, obella, al tuo consorte" | — | ||
| 8-1 | Orfeo ed Euridice: Act III. "Ah vieni, Euridice, dietro me" | — | ||
| 8-2 | Orfeo ed Euridice: Act III. "Vieni, appaga il tuo consorte" | — | ||
| 8-3 | Orfeo ed Euridice: Act III. "Qual vita è questa mai" | — | ||
| 8-4 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 8-5 | Orfeo ed Euridice: Act III. "Avvezza al contento" | — | ||
| 8-6 | Orfeo ed Euridice: Act III. "Che fiero momento!" | — | ||
| 8-7 | Orfeo ed Euridice: Act III. "Ecco novel tormento!" | — | ||
| 8-8 | Orfeo ed Euridice: Act III. "Che farò senza Euridice?" | — | ||
| 8-9 | Orfeo ed Euridice: Act III. "Ma finisca, e per sempre" | — | ||
| 8-10 | Orfeo ed Euridice: Act III. "Non più! Che fai?" | — | ||
| 8-11 | Orfeo ed Euridice: Act III. "Divo amore, son tue pene" | — | ||
| 8-12 | Ordeo ed Euridice: Ballet. Gracieux | — | ||
| 8-13 | Ordeo ed Euridice: Ballet. Gavotte | — | ||
| 8-14 | Ordeo ed Euridice: Ballet. Air vif | — | ||
| 8-15 | Ordeo ed Euridice: Ballet. Menuet | — | ||
| 8-16 | Ordeo ed Euridice: Ballet. Maestoso | — | ||
| 8-17 | Ordeo ed Euridice: Ballet. Très lentement | — | ||
| 8-18 | Ordeo ed Euridice: Ballet. Chaconne | — | ||
| 8-19 | Ordeo ed Euridice: Ballet. Trionfi amore | — |
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
—
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
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Symphony no. 4 in F minor, op. 36: III. Scherzo - Pizzicati ostinato - Allegro
—
Symphony no. 4 in F minor, op. 36: IV. Finale - Allegro con fuoco
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Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
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Symphony no. 5 in E minor, op. 64: II. Andante cantabile
—
Symphony no. 5 in E minor, op. 64: III. Valse - Allegro moderato
—
Symphony no. 5 in E minor, op. 64: IV. Finale - Andante maestoso
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Symphony in D minor: I. Lento - Allegro ma non troppo
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Symphony in D minor: II. Allegretto
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Symphony in D minor: III. Finale - Allegro non troppo
—
Coppélia: Prélude et Mazurka
—
La mer, L. 109: I. De l'aube à midi sur la mer
—
Havanaise in E major, op. 83: Allegretto lusinghiero
—
Havanaise in E major, op. 83: Allegro
—
Havanaise in E major, op. 83: Allegro non troppo
—
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo
—
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
—
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Presto - Allegro molto vivace
—
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale - Adagio lamentoso
—
Pétrouchka: Scene I. The Shrove-Tide Fair. Vivace
Boston Symphony Orchestra, Pierre Monteux
—
Pétrouchka: Scene I - The Shrovetide Fair: The Magic Trick
—
Pétrouchka: Scene I - The Shrovetide Fair: Russian Dance.
—
Pétrouchka: Scene II - Pétrouchka's Room
—
Pétrouchka: Scene III - The Moor's Room: Feroce stringendo
—
Pétrouchka: Scene III - The Moor's Room: Danfe of the Ballerina
—
Pétrouchka: Scene III - The Moor's Room: Waltz - The Ballerina and the Moor
—
Pétrouchka: Scene III - The Moor's Room: Con moto
—
Pétrouchka: Scene IV - The Shrovetide Fair: The Wet Nurses' Dance
—
Pétrouchka: Scene IV - The Shrovetide Fair: The Peasant and the Bear
—
Pétrouchka: Scene IV - The Shrovetide Fair: The Joviel Merchant with Two Gypsy Girls
—
Pétrouchka: Scene IV - The Shrovetide Fair: Dance of the Coachmen and the Grooms
—
Pétrouchka: Scene IV - The Shrovetide Fair: The Masqueraders
—
Pétrouchka: Scene IV - The Shrovetide Fair: The Fight - The Moor and Pétrouchka
—
Pétrouchka: Scene IV - The Shrovetide Fair: Death of Pétrouchka
—
Pétrouchka: Scene IV - The Shrovetide Fair: Pétrouchka's Ghost
—
Tod und Verklärung, op. 24: I. Largo
—
Tod und Verklärung, op. 24: II. Allegro molto agitato
—
Tod und Verklärung, op. 24: III. Meno mosso
—
Tod und Verklärung, op. 24: IV. Moderato
—
Siegfried Idyll
—
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo
—
Concerto for Violin and Orchestra in D major, op. 77: II. Adagio
—
Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso
—
Concerto for Violin and Orchestra in D minor: I. Allegro con fermezza
—
Concerto for Violin and Orchestra in D minor: II. Andante sostenuto
—
Concerto for Violin and Orchestra in D minor: III. Allegro vivace
—
Orfeo ed Euridice: Act I. Overture
—
Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta"
—
Orfeo ed Euridice: Act I. "Amici, quel lamento"
—
Orfeo ed Euridice: Act I. Pantomime
—
Orfeo ed Euridice: Act I. "Ah! Se intorno a quest'urna funesta"
—
Orfeo ed Euridice: Act I. "Restar vogl'io da sol fra l'ombre oscure"
—
Orfeo ed Euridice: Act I. "Chiamo il mio ben cosi"
—
Orfeo ed Euridice: Act I. "Euridice, Euridice!"
—
Orfeo ed Euridice: Act I. "Cerco il mio ben così"
—
Orfeo ed Euridice: Act I. "Euridice, Euridice!"
—
Orfeo ed Euridice: Act I. "Piango il mio ben così"
—
Orfeo ed Euridice: Act I. "O Numi, barbari Numi"
—
Orfeo ed Euridice: Act I. "Amore assiterà l'infelice consorte"
—
Orfeo ed Euridice: Act I. "Se il dolce suon de la tua lira"
—
Orfeo ed Euridice: Act I. "Ciel! Rivederla potrò"
—
Orfeo ed Euridice: Act I. "Gli squardi trattieni"
—
Orfeo ed Euridice: Act I. "Che disse! Che ascoltai! Dunque Euridice vivrà"
—
Orfeo ed Euridice: Act II. Orchestral Introduction.
—
Orfeo ed Euridice: Act II. "Chi mai dell'Erebo"
—
Orfeo ed Euridice: Act II. Dance of the Fury
—
Orfeo ed Euridice: Act II. "Chi mai dell'Erebo"
—
Orfeo ed Euridice: Act II. "Deh! Placatevi con me"
—
Orfeo ed Euridice: Act II. "Misero giovane"
—
Orfeo ed Euridice: Act II. "Mille pene, ombre sdegnose"
—
Orfeo ed Euridice: Act II. "Ah! Quele incognito"
—
Orfeo ed Euridice: Act II. "Men tiranne, ah! Voi sareste"
—
Orfeo ed Euridice: Act II. "Ah! Quale icognito"
—
Orfeo ed Euridice: Act II. Dance of the Furies
—
Orfeo ed Euridice: Act II. Dance of the Blessed Spirits
—
Orfeo ed Euridice: Act II. Air
—
Orfeo ed Euridice: Act II. "Questo asilo di placide calme"
—
Orfeo ed Euridice: Act II. "Che puro ciel! Che chiaro sol!"
—
Orfeo ed Euridice: Act II. "Vieni a' regni del riposo"
—
Orfeo ed Euridice: Act II. Dance of the Heroes
—
Orfeo ed Euridice: Act II. "O voi, ombre felici"
—
Orfeo ed Euridice: Act II. "Torna, obella, al tuo consorte"
—
Orfeo ed Euridice: Act III. "Ah vieni, Euridice, dietro me"
—
Orfeo ed Euridice: Act III. "Vieni, appaga il tuo consorte"
—
Orfeo ed Euridice: Act III. "Qual vita è questa mai"
—
Orfeo ed Euridice: Act III. "Che fiero momento!"
—
Orfeo ed Euridice: Act III. "Avvezza al contento"
—
Orfeo ed Euridice: Act III. "Che fiero momento!"
—
Orfeo ed Euridice: Act III. "Ecco novel tormento!"
—
Orfeo ed Euridice: Act III. "Che farò senza Euridice?"
—
Orfeo ed Euridice: Act III. "Ma finisca, e per sempre"
—
Orfeo ed Euridice: Act III. "Non più! Che fai?"
—
Orfeo ed Euridice: Act III. "Divo amore, son tue pene"
—
Ordeo ed Euridice: Ballet. Gracieux
—
Ordeo ed Euridice: Ballet. Gavotte
—
Ordeo ed Euridice: Ballet. Air vif
—
Ordeo ed Euridice: Ballet. Menuet
—
Ordeo ed Euridice: Ballet. Maestoso
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Ordeo ed Euridice: Ballet. Très lentement
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Ordeo ed Euridice: Ballet. Chaconne
—
Ordeo ed Euridice: Ballet. Trionfi amore
—
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What is UPC 190758163420?
190758163420 is a Universal Product Code (UPC) assigned to Pierre Monteux: Complete RCA Stereo Recordings by Debussy, Franck, Gluck, Saint‐Saëns, Strauss, Stravinsky, Tchaikovsky, Pierre Monteux, Stevens, della Casa, Szeryng, Kogan, Boston Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm