UPC · Release
The Complete RCA And Columbia Album Collection
Raymond Lewenthal
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190758536422 is the Universal Product Code (UPC barcode) for the release “The Complete RCA And Columbia Album Collection” by Raymond Lewenthal, released 2019-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include USSM11806186, USSM11806187, USSM11806188.
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Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le festin d'Esope | — | ||
| 2 | Barcarolle, op. 65 no. 6 | — | ||
| 3 | Quasi-Faust | — | ||
| 4 | Symphonie: I. Allegro moderato | — | ||
| 5 | Symphonie: II. Marche funèbre: Andantino | — | ||
| 6 | Symphonie: III. Menuet | — | ||
| 7 | Symphonie: IV. Finale: Presto | — | ||
| 2-1 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Introduction | — | ||
| 2-2 | Hexaméron (Variations on the March of Bellini's "I Puritani"): Theme | — | ||
| 2-3 | Hexaméron (Variations on the March of Bellini's "I Puritani"): Variation I | — | ||
| 2-4 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Variation II | — | ||
| 2-5 | Hexaméron (Variations on the March of Bellini's "I Puritani"): Variation III | — | ||
| 2-6 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Interlude I | — | ||
| 2-7 | Hexaméron (Variations on the March of Bellini's "I Puritani"): Variation IV | — | ||
| 2-8 | Hexaméron (Variations on the March of Bellini's "I Puritani"): Variation V | — | ||
| 2-9 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Interlude II | — | ||
| 2-10 | Hexaméron (Variations on the March of Bellini's "I Puritani"), B. 113: Variation VI | — | ||
| 2-11 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Interlude III | — | ||
| 2-12 | Hexaméron (Variations on the March of Bellini's "I Puritani"), S. 392: Finale | — | ||
| 2-13 | Reminiscences De Norma, S394 | — | ||
| 3-1 | Piano Concerto in F Minor, Op. 16: I. Allegro patetico | — | ||
| 3-2 | Piano Concerto in F Minor, Op. 16: II. Larghetto | — | ||
| 3-3 | Piano Concerto in F Minor, Op. 16: III. Allegro agitato | — | ||
| 3-4 | Totentanz, S. 126 - Remastered | — | ||
| 4-1 | Piano Concerto No. 4 in D Minor, Op. 70: I. Moderato assai | — | ||
| 4-2 | Piano Concerto No. 4 in D Minor, Op. 70: II. Andante | — | ||
| 4-3 | Piano Concerto No. 4 in D Minor, Op. 70: III. Allegro | — | ||
| 4-4 | Piano Concerto No. 2 in C Minor, Op. 56: III. Allegro non troppo - Remastered | — | ||
| 5-1 | Sonatine, op. 61: I. Allegro vivace | Raymond Lewenthal | — | |
| 5-2 | Sonatine, op. 61: II. Allegramente | Raymond Lewenthal | — | |
| 5-3 | Sonatine, op. 61: III. Scherzo - Menuetto | Raymond Lewenthal | — | |
| 5-4 | Sonatine, op. 61: IV. Tempo giusto | Raymond Lewenthal | — | |
| 5-5 | Petit Conte, ICA 46 | Raymond Lewenthal | — | |
| 5-6 | Le tambour bat aux champs, ICA 75 | Raymond Lewenthal | — | |
| 5-7 | Esquisses, op. 63: No. 1. La Vision | Raymond Lewenthal | — | |
| 5-8 | Marcia funèbre, sulla morte d’un Pappagallo, ICA 35 | Singers from the Metropolitan Opera Studio, Raymond Lewenthal | — | |
| 5-9 | Esquisses, op. 63: No. 45. Les Diablotins | Raymond Lewenthal | — | |
| 5-10 | Étude in A‐flat major, op. 35 no. 8 | Raymond Lewenthal | — | |
| 5-11 | Esquisses, op. 63: No. 47. Scherzetto | Raymond Lewenthal | — | |
| 5-12 | Les Mois, op. 74: No. 10. Gros Temps | Raymond Lewenthal | — | |
| 5-13 | Esquisses, op. 63: No. 11. Les Soupirs | Raymond Lewenthal | — | |
| 5-14 | Esquisses, op. 63: No. 12. Barcarollette | Raymond Lewenthal | — | |
| 5-15 | Esquisses, op. 63: No. 39. Heraclite et Democrite | Raymond Lewenthal | — | |
| 5-16 | Esquisses, op. 63: No. 7. Le Frisson | Raymond Lewenthal | — | |
| 6-1 | Années de pèlerinage I, S. 160: I. Chapelle de Guillaume Tell | — | ||
| 6-2 | Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt | — | ||
| 6-3 | Années de pèlerinage I, S. 160: III. Pastorale | — | ||
| 6-4 | Années de pèlerinage I, S. 160: IV. Au bord d’une source | — | ||
| 6-5 | Années de pèlerinage I, S. 160: V. Orage | — | ||
| 6-6 | Années de pèlerinage I, S. 160: VI. Vallée d’Obermann | — | ||
| 6-7 | Années de pèlerinage I, S. 160: VII. Eglogue | — | ||
| 6-8 | Années de pèlerinage I, S. 160: VIII. Le mal du pays | — | ||
| 6-9 | Années de pèlerinage I, S. 160: IX. Les cloches de Genève | — | ||
| 7-1 | Années de pèlerinage II, S. 161: I. Sposalizio | — | ||
| 7-2 | Années de pèlerinage II, S. 161: II. Il Pensieroso | — | ||
| 7-3 | Années de pèlerinage II, S. 161: III. Canzonetta del Salvator Rosa | — | ||
| 7-4 | Années de pèlerinage II, S. 161: IV. Sonetto 47 del Petrarca | — | ||
| 7-5 | Années de pèlerinage II, S. 161: V. Sonetto 104 del Petrarca | — | ||
| 7-6 | Années de pèlerinage II, S. 161: VI. Sonetto 123 del Petrarca | — | ||
| 7-7 | Années de pèlerinage II, S. 161: VII. Après une lecture du Dante - Fantasia quasi Sonata | — | ||
| 8-1 | Lewenthal Discusses and Illustrates at the Keyboard the Henselt Piano Concerto - Remastered | — | ||
| 8-2 | Lewenthal Discusses and Illustrates at the Keyboard Liszt Totentanz - Remastered | — | ||
| 8-3 | Lewenthal Discusses and Illustrates at the Keyboard Rubinstein’s Piano Concerto No. 4 - Remastered | — | ||
| 8-4 | Lewenthal Discusses and Illustrates at the Keyboard Scharwenka’s Finale from Piano Concerto No. 2 - Remastered | — | ||
| 8-5 | Lewenthal Discusses and Illustrates at the Keyboard the Music of Charles‐Valentin Alkan - Remastered | — |
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What is UPC 190758536422?
190758536422 is a Universal Product Code (UPC) assigned to The Complete RCA And Columbia Album Collection by Raymond Lewenthal. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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