UPC · Release
Robert Casadesus
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190758536521 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by Robert Casadesus, released 2019-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 679 tracks, each with its own ISRC. Tracks include USSM11100191, USSM11100192, USSM11100193.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonatine, M. 40 – I. Modere | — | ||
| 2 | Sonatine, M. 40 – II. Mouvement de Menuet | — | ||
| 3 | Sonatine, M. 40 – III. Anime | — | ||
| 4 | Le Tombeau de Couperin, M. 68: V. Menuet | — | ||
| 5 | Piano Sonata No. 18 in D Major, K. 576 – I. Allegro | — | ||
| 6 | Piano Sonata No. 18 in D Major, K. 576 – II. Adagio un poco mosso | — | ||
| 7 | Piano Sonata No. 18 in D Major, K. 576 – III. Allegretto | — | ||
| 8 | Piano Sonata No. 12 in F Major, K. 332 – I. Allegro | — | ||
| 9 | Piano Sonata No. 12 in F Major, K. 332 – II. Adagio | — | ||
| 10 | Piano Sonata No. 12 in F Major, K. 332 – III. Allegro assai | — | ||
| 11 | Petite suite, L. 65 – I. En bateau | — | ||
| 12 | Petite suite, L. 65 – II. Cortege | — | ||
| 13 | Petite suite, L. 65 – III. Menuet | — | ||
| 14 | Petite suite, L. 65 – IV. Ballet | — | ||
| 15 | Valses nobles et sentimentales, M. 61 | — | ||
| 2-1 | Menuett in D Major, K. 355/576b | — | ||
| 2-2 | Gigue in G Major, K. 574 | — | ||
| 2-3 | Le Bal martiniquais, Op. 249 | — | ||
| 2-4 | Berceuse sur le nom de Gabriel Faure, M. 74 | — | ||
| 2-5 | Mazurka No. 13 in A Minor, Op. 17, No. 4 | — | ||
| 2-6 | Violin Sonata in E‐Flat Major, K. 481 – I. Molto allegro | — | ||
| 2-7 | Violin Sonata in E‐Flat Major, K. 481 – II. Adagio | — | ||
| 2-8 | Violin Sonata in E‐Flat Major, K. 481 – III. Allegretto. Tema und Variationen | — | ||
| 2-9 | Waldszenen, Op. 82 – 1. Eintritt | — | ||
| 2-10 | Waldszenen, Op. 82 – 2. Jager auf der Lauer | — | ||
| 2-11 | Waldszenen, Op. 82 – 3. Einsame Blumen | — | ||
| 2-12 | Waldszenen, Op. 82 – 4. Verrufene Stelle | — | ||
| 2-13 | Waldszenen, Op. 82 – 5. Freundliche Landschaft | — | ||
| 2-14 | Waldszenen, Op. 82 – 6. Herberge | — | ||
| 2-15 | Waldszenen, Op. 82 – 7. Vogel als Prophet | — | ||
| 2-16 | Waldszenen, Op. 82 – 8. Jagdlied | — | ||
| 2-17 | Waldszenen, Op. 82 – 9. Abschied | — | ||
| 2-18 | 3 Romanzen, Op. 28: II. Einfach | — | ||
| 3-1 | Piano Concerto No. 4 in G Major, Op. 58 – I. Allegro moderato | — | ||
| 3-2 | Piano Concerto No. 4 in G Major, Op. 58 – II. Andante con moto | — | ||
| 3-3 | Piano Concerto No. 4 in G Major, Op. 58 – III. Rondo | — | ||
| 3-4 | Piano Concerto for the Left Hand in D Major, M. 82 – Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 4-1 | Violin Sonata in A Major, FWV 8 – I. Allegretto ben moderato | — | ||
| 4-2 | Violin Sonata in A Major, FWV 8 – II. Allegro | — | ||
| 4-3 | Violin Sonata in A Major, FWV 8 – III. Recitativo‐Fantasia: Ben moderato | — | ||
| 4-4 | Violin Sonata in A Major, FWV 8 – IV. Allegretto poco mosso | — | ||
| 4-5 | Violin Sonata in G Minor, L 140 – I. Allegro vivo | — | ||
| 4-6 | Violin Sonata in G Minor, L 140 – II. Intermede. Fantasque et leger | — | ||
| 4-7 | Violin Sonata in G Minor, L 140 – III. Finale. Tres anime | — | ||
| 5-1 | Piano Concerto No. 4 in C Minor, Op. 44 – I. Allegro moderato – Andante | — | ||
| 5-2 | Piano Concerto No. 4 in C Minor, Op. 44 – II. Allegro vivace – Andante – Allegro | — | ||
| 5-3 | Morceaux en forme de poire, IES 38 – 1. Maniere de commencement | — | ||
| 5-4 | Morceaux en forme de poire, IES 38 – 2. Prolongation du meme | — | ||
| 5-5 | Morceaux en forme de poire, IES 38 – 3. Morceau I | — | ||
| 5-6 | Morceaux en forme de poire, IES 38 – 4. Morceau II | — | ||
| 5-7 | Morceaux en forme de poire, IES 38 – 5. Morceau III | — | ||
| 5-8 | Morceaux en forme de poire, IES 38 – 6. En plus | — | ||
| 5-9 | Morceaux en forme de poire, IES 38 – 7. Redite | — | ||
| 6-1 | Symphonie sur un Chant Montagnard Franais, Op. 25 – I. Assez lent | — | ||
| 6-2 | Symphonie sur un Chant Montagnard Franais, Op. 25 – II. Assez modere, mais sans lenteur | — | ||
| 6-3 | Symphonie sur un Chant Montagnard Franais, Op. 25 – III. Anime | — | ||
| 6-4 | Variations symphoniques, FWV 46 | — | ||
| 7-1 | Danses méditerranéennes, Op. 36 – I. Sardana | — | ||
| 7-2 | Danses méditerranéennes, Op. 36 – II. Sarabande | — | ||
| 7-3 | Danses méditerranéennes, Op. 36 – III. Tarentello | — | ||
| 7-4 | 3 Valses romantiques, IEC 39 – 1. Tres vite et impetueusement | — | ||
| 7-5 | 3 Valses romantiques, IEC 39 – 1. 2. Mouvement modere de valse | — | ||
| 7-6 | 3 Valses romantiques, IEC 39 – 1. 3. Anime | — | ||
| 7-7 | Dolly Suite, Op. 56 – I. Berceuse | — | ||
| 7-8 | Dolly Suite, Op. 56 – II. Mi‐a‐ou | — | ||
| 7-9 | Dolly Suite, Op. 56 – III. Le Jardin de Dolly | — | ||
| 7-10 | Dolly Suite, Op. 56 – IV. Kitty‐Valse | — | ||
| 7-11 | Dolly Suite, Op. 56 – V. Tendresse | — | ||
| 7-12 | Dolly Suite, Op. 56 – VI. Le Pas Espagnol | — | ||
| 7-13 | Nocturne No. 7 in C‐Sharp Minor, Op. 74 | — | ||
| 7-14 | Barcarolle No. 5 in F‐Sharp Minor, Op. 66 | — | ||
| 7-15 | Impromptu No. 5 in F‐Sharp Minor, Op. 102 | — | ||
| 8-1 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – I. Adagio sostenuto | — | ||
| 8-2 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – II. Andante con variazioni | — | ||
| 8-3 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – III. Finale. Presto | — | ||
| 8-4 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – I. Allegro vivo | — | ||
| 8-5 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – II. Allegretto a capriccio | — | ||
| 8-6 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – III. Adagio | — | ||
| 8-7 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – IV. Allegro molto | — | ||
| 9-1 | Symphonic Etudes for Piano, Op. 13 – Thema. Andante | — | ||
| 9-2 | Symphonic Etudes for Piano, Op. 13 – Etude I. Un poco piu vivo | — | ||
| 9-3 | Symphonic Etudes for Piano, Op. 13 – Etude II. Marcato il Canto | — | ||
| 9-4 | Symphonic Etudes for Piano, Op. 13 – Etude III. Vivace | — | ||
| 9-5 | Symphonic Etudes for Piano, Op. 13 – Etude IV | — | ||
| 9-6 | Symphonic Etudes for Piano, Op. 13 – Etude V. Scherzando | — | ||
| 9-7 | Symphonic Etudes for Piano, Op. 13 – Etude VI. Agitato | — | ||
| 9-8 | Symphonic Etudes for Piano, Op. 13 – Etude VII. Allegro molto | — | ||
| 9-9 | Symphonic Etudes for Piano, Op. 13 – Etude VIII. Sempre marcatissimo | — | ||
| 9-10 | Symphonic Etudes for Piano, Op. 13 – Etude IX. Presto possibile | — | ||
| 9-11 | Symphonic Etudes for Piano, Op. 13 – Etude X. Con energia sempre | — | ||
| 9-12 | Symphonic Etudes for Piano, Op. 13 – Etude XI. Sotto voce, ma marcato | — | ||
| 9-13 | Symphonic Etudes for Piano, Op. 13 – Etude XII. Allegro brillante | — | ||
| 9-14 | Symphonic Etudes for Piano, Op. 13 – Thema | — | ||
| 9-15 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – I. Moderato cantabile molto espressivo | — | ||
| 9-16 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – II. Allegro molto | — | ||
| 9-17 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo | — | ||
| 10-1 | Concerto for 3 Pianos in D Minor, BWV 1063 – I. Allegro | — | ||
| 10-2 | Concerto for 3 Pianos in D Minor, BWV 1063 – II. Alla Siciliana | — | ||
| 10-3 | Concerto for 3 Pianos in D Minor, BWV 1063 – III. Adagio ma non troppo – Allegro | — | ||
| 10-4 | French Suite No. 6 in E Major, BWV 817 – I. Allemande | — | ||
| 10-5 | French Suite No. 6 in E Major, BWV 817 – II. Courante | — | ||
| 10-6 | French Suite No. 6 in E Major, BWV 817 – III. Sarabande | — | ||
| 10-7 | French Suite No. 6 in E Major, BWV 817 – IV. Gavotte | — | ||
| 10-8 | French Suite No. 6 in E Major, BWV 817 – V. Polonaise | — | ||
| 10-9 | French Suite No. 6 in E Major, BWV 817 – VI. Menuett | — | ||
| 10-10 | French Suite No. 6 in E Major, BWV 817 – VII. Bouree | — | ||
| 10-11 | French Suite No. 6 in E Major, BWV 817 – VIII. Gigue | — | ||
| 10-12 | Dichterliebe, Op. 48 – 1. Im wunderschonen Monat Mai | — | ||
| 10-13 | Dichterliebe, Op. 48 – 2. Aus meinen Tranen spriessen | — | ||
| 10-14 | Dichterliebe, Op. 48 – 3. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 10-15 | Dichterliebe, Op. 48 – 4. Wenn ich in deine Augen seh’ | — | ||
| 10-16 | Dichterliebe, Op. 48 – 5. Ich will meine Seele tauchen | — | ||
| 10-17 | Dichterliebe, Op. 48 – 6. Im Rhein, im heiligen Strome | — | ||
| 10-18 | Dichterliebe, Op. 48 – 7. Ich grolle nicht | — | ||
| 10-19 | Dichterliebe, Op. 48 – 8. Und wüßten’s die Blumen, die kleinen | — | ||
| 10-20 | Dichterliebe, Op. 48 – 9. Das ist ein Floten und Geigen | — | ||
| 10-21 | Dichterliebe, Op. 48 – 10. Hor ich das Liedchen klingen | — | ||
| 10-22 | Dichterliebe, Op. 48 – 11. Ein Jüngling liebt ein Mädchen | — | ||
| 10-23 | Dichterliebe, Op. 48 – 12. Am leuchtenden Sommermorgen | — | ||
| 10-24 | Dichterliebe, Op. 48 – 13. Ich hab’ im Traum geweinet | — | ||
| 10-25 | Dichterliebe, Op. 48 – 14. Allnachtlich im Traume | — | ||
| 10-26 | Dichterliebe, Op. 48 – 15. Aus alten Marchen | — | ||
| 10-27 | Dichterliebe, Op. 48 – 16. Die alten, bosen Lieder | — | ||
| 11-1 | Violin Sonata No. 3 in E‐flat major, Op. 12 No. 3 – I. Allegro Con Spirito | — | ||
| 11-2 | Violin Sonata No. 3 in E‐Flat Major, Op. 12 No. 3 – II. Adagio con molt’ espressione | — | ||
| 11-3 | Violin Sonata No. 3 in E‐Flat Major, Op. 12 No. 3 – III. Rondo. Allegro molto | — | ||
| 11-4 | Violin Sonata No. 4 in A Minor, Op. 23 – I. Presto | — | ||
| 11-5 | Violin Sonata No. 4 in A Minor, Op. 23 – II. Andante scherzoso, piu allegretto | — | ||
| 11-6 | Violin Sonata No. 4 in A Minor, Op. 23 – III. Allegro molto | — | ||
| 12-1 | Pavane Pour Une Infante Défunte | — | ||
| 12-2 | A la manière de Chabrier | — | ||
| 12-3 | A la manière de Borodine | — | ||
| 12-4 | Sonatine – I. Modéré | — | ||
| 12-5 | Sonatine – II. Mouvement de menuet | — | ||
| 12-6 | Sonatine – III. Animé | — | ||
| 12-7 | Miroirs – I. Noctuelles | — | ||
| 12-8 | Miroirs – II. Oiseaux tristes | — | ||
| 12-9 | Miroirs – III. Une barque sur l’océan | — | ||
| 12-10 | Miroirs – IV. Alborada del gracioso | — | ||
| 12-11 | Miroirs – V. La vallée des cloches | — | ||
| 13-1 | Ma Mère l’oye, I. Pavane de La Belle Au Bois Dormant | — | ||
| 13-2 | Ma Mère l’oye, II. Petit Poucet | — | ||
| 13-3 | Ma Mère l’Oye – III. Laideronette, Impératrice des Pagodes | — | ||
| 13-4 | Ma Mère l’oye, IV. Les Entretiens de la Belle et de la Bête | — | ||
| 13-5 | Ma Mère l’oye, V. Le Jardin féerique | — | ||
| 13-6 | Habanera | — | ||
| 13-7 | Jeux d’eau | — | ||
| 13-8 | Gaspard de la nuit – I. Ondine | — | ||
| 13-9 | Gaspard de la nuit – II. Le Gibet | — | ||
| 13-10 | Gaspard de la nuit – III. Scarbo | — | ||
| 13-11 | Menuet antique | — | ||
| 14-1 | Le Tombeau de Couperin – I. Prélude | — | ||
| 14-2 | Le Tombeau de Couperin – II. Fugue | — | ||
| 14-3 | Le Tombeau de Couperin – III. Forlane | — | ||
| 14-4 | Le Tombeau de Couperin – IV. Rigaudon | — | ||
| 14-5 | Le Tombeau de Couperin – V. Menuet | — | ||
| 14-6 | Le Tombeau de Couperin – VI. Toccata | — | ||
| 14-7 | Valses nobles et sentimentales, M. 61 – I. Modere, tres franc | — | ||
| 14-8 | Valses nobles et sentimentales, M. 61 – II. Assez lent, avec une expression intense | — | ||
| 14-9 | Valses nobles et sentimentales, M. 61 – III. Modere | — | ||
| 14-10 | Valses nobles et sentimentales, M. 61 – IV. Assez anime | — | ||
| 14-11 | Valses nobles et sentimentales, M. 61 – V. Presque lent, dans un sentiment intime | — | ||
| 14-12 | Valses nobles et sentimentales, M. 61 – VI. Vif | — | ||
| 14-13 | Valses nobles et sentimentales, M. 61 – VII. Moins vif | — | ||
| 14-14 | Valses nobles et sentimentales, M. 61 – VIII. Epilogue | — | ||
| 14-15 | Prélude in A minor | — | ||
| 14-16 | Menuet sur le nom d’Haydn | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio sostenuto assai - Allegro agitato | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-2 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro moderato - | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-3 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro deciso - Marziale, un poco meno Allegro | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-4 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro animato - Stretto (molto accelerando) | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-5 | Konzertstück for Piano and Orchestra in F minor, op. 79: Larghetto affettuoso - Allegro passionato - Adagio - Tempo di Marcia - Più mosso - Presto gioioso | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 16-1 | Piano Sonata No. 23 in F minor, Op. 57 ‘Appassionata’ – I. Allegro Assai | — | ||
| 16-2 | Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ – II. Andante con moto | — | ||
| 16-3 | Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ – III. Allegro ma non troppo – Presto | — | ||
| 16-4 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – I. Allegro vivace | — | ||
| 16-5 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – II. Largo appassionato | — | ||
| 16-6 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – III. Scherzo. Allegretto – Trio | — | ||
| 16-7 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – IV. Rondo. Grazioso | — | ||
| 17-1 | Sonata in E major, L. 23 | — | ||
| 17-2 | Sonata in A Major, L. 395 | — | ||
| 17-3 | Sonata in D Major, L. 411 | — | ||
| 17-4 | Sonata in G Major, L. 387 | — | ||
| 17-5 | Sonata in B Minor, L. 449 | — | ||
| 17-6 | Sonata in D Major, L. 465 | — | ||
| 17-7 | Suite in A Minor, RCT 5, No. 7: Gavotte et six doubles | — | ||
| 17-8 | Le Rappel des oiseaux | Robert Casadesus | — | |
| 17-9 | Suite in G Major, RCT 6, No. 14: Les Sauvages | — | ||
| 17-10 | Suite in D Major, RCT 3, No. 11: Les Niais de Sologne | — | ||
| 18-1 | Piano Concerto No. 21 in C major, K. 467 – I. Allegro Maestoso | — | ||
| 18-2 | Piano Concerto No. 21 in C Major, K. 467 – II. Andante | — | ||
| 18-3 | Piano Concerto No. 21 in C Major, K. 467 – III. Allegro vivace assai | — | ||
| 18-4 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – I. Allegro | — | ||
| 18-5 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – II. Larghetto | — | ||
| 18-6 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – III. Allegro | — | ||
| 19-1 | Piano Sonata No. 2 in B‐flat minor, Op. 35 ‘Funeral March’ – I. Grave – Doppio Movimento | — | ||
| 19-2 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – II. Scherzo | — | ||
| 19-3 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – III. Marche funebre. Lento | — | ||
| 19-4 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – IV. Presto | — | ||
| 19-5 | Ballade No. 1 in G Minor, Op. 23 | — | ||
| 19-6 | Ballade No. 2 in F Major, Op. 38 | — | ||
| 19-7 | Ballade No. 3 in A‐Flat Major, Op. 47 | — | ||
| 19-8 | Ballade No. 4 in F Minor, Op. 52 | — | ||
| 20-1 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – I. Allegro con brio | — | ||
| 20-2 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – II. Adagio cantabile | — | ||
| 20-3 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 - III. Scherzo. Allegro - Trio | Robert Casadesus, Zino Francescatti | — | |
| 20-4 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – IV. Finale. Allegro | — | ||
| 20-5 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – I. Allegro assai | — | ||
| 20-6 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 20-7 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – III. Allegro vivace | — | ||
| 21-1 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-2 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. [Larghetto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-3 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. [Allegretto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-4 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-5 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: II. [Larghetto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-6 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: III. [Allegretto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 22-1 | Preludes, Livre 1, L. 117 – 1. Danseuses de Delphes. Lent et grave | — | ||
| 22-2 | Preludes, Livre 1, L. 117 – 2. Voiles. Modere | — | ||
| 22-3 | Preludes, Livre 1, L. 117 – 3. Le Vent dans la plaine. Anime | — | ||
| 22-4 | Preludes, Livre 1, L. 117 – 4. Les sons et la parfums tournent dans l’air du soir. Modere | — | ||
| 22-5 | Preludes, Livre 1, L. 117 – 5. Les Collines d’Anacapri. Tres modere | — | ||
| 22-6 | Preludes, Livre 1, L. 117 – 6. Des pas sur la neige. Triste et lent | — | ||
| 22-7 | Preludes, Livre 1, L. 117 – 7. Ce qu’a vu le vent d’Ouest. Anime et tumultueux | — | ||
| 22-8 | Preludes, Livre 1, L. 117 – 8. La Fille aux cheveux de lin. Tres calme et doucement expressif | — | ||
| 22-9 | Preludes, Livre 1, L. 117 – 9. La Serenade interrompue. Moderement anime | — | ||
| 22-10 | Preludes, Livre 1, L. 117 – 10. La Cathedrale engloutie. Profondement calme | — | ||
| 22-11 | Preludes, Livre 1, L. 117 – 11. La Sanse de Puck. Capricieux et leger | — | ||
| 22-12 | Preludes, Livre 1, L. 117 – 12. Minstrels. Modere | — | ||
| 22-13 | Six epigraphes antiques, L. 131 – I. Pour invoquer Pan, dieu du vent d’ete | — | ||
| 22-14 | Six epigraphes antiques, L. 131 – II. Pour un tombeau sans nom | — | ||
| 22-15 | Six epigraphes antiques, L. 131 – III. Pour que la nuit soit propice | — | ||
| 22-16 | Six epigraphes antiques, L. 131 – IV. Pour la danseuse aux crotales | — | ||
| 22-17 | Six epigraphes antiques, L. 131 – V. Pour l’Egyptienne | — | ||
| 22-18 | Six epigraphes antiques, L. 131 – VI. Pour remercier la pluie au matin | — | ||
| 22-19 | En blanc et noir, L. 134 – I. Avec emportement | — | ||
| 22-20 | En blanc et noir, L. 134 – II. Lent. Sombre | — | ||
| 22-21 | En blanc et noir, L. 134 – III. Scherzando | — | ||
| 23-1 | Preludes, Livre 2, L. 123 – 1. Brouillards. Modere, extremement egal et leger | — | ||
| 23-2 | Preludes, Livre 2, L. 123 – 2. Feuilles mortes. Lent et melancolique | — | ||
| 23-3 | Preludes, Livre 2, L. 123 – 3. La puerta del vino | — | ||
| 23-4 | Preludes, Livre 2, L. 123 – 4. Les fees sont d’exquises danseuses. Rapide et leger | — | ||
| 23-5 | Preludes, Livre 2, L. 123 – 5. Bruyeres. Calme – Doucement expressif | — | ||
| 23-6 | Preludes, Livre 2, L. 123 – 6. General Lavine – eccentric | — | ||
| 23-7 | Preludes, Livre 2, L. 123 – 7. La Terrasse des audiences au clair de lune. Lent | — | ||
| 23-8 | Preludes, Livre 2, L. 123 – 8. Ondine. Scherzando | — | ||
| 23-9 | Preludes, Livre 2, L. 123 – 9. Hommage a S. Pickwick Esq., P. P.M.P.C. | — | ||
| 23-10 | Preludes, Livre 2, L. 123 – 10. Canope. Tres calme et doucement triste | — | ||
| 23-11 | Preludes, Livre 2, L. 123 – 11. Las tierces alternees. Moderement anime | — | ||
| 23-12 | Preludes, Livre 2, L. 123 – 12 Feux d’artifice. Moderement anime | — | ||
| 23-13 | 2 Arabesques, L. 66 – I. Andantino con moto | — | ||
| 23-14 | 2 Arabesques, L. 66 – II. Allegretto Scherzando | — | ||
| 23-15 | Children’s Corner, L. 113 – I. Doctor Gradus ad Parnassum. Moderement anime | — | ||
| 23-16 | Children’s Corner, L. 113 – II. Jimbo’s Lullaby. Assez modere | — | ||
| 23-17 | Children’s Corner, L. 113 – III. Serenade of the Doll. Allegretto ma non troppo | — | ||
| 23-18 | Children’s Corner, L. 113 – IV. The Snow is Dancing. Moderement anime | — | ||
| 23-19 | Children’s Corner, L. 113 – V. The Little Shepherd. Tres modere | — | ||
| 23-20 | Children’s Corner, L. 113 – VI. Golliwog’s Cake‐walk. Allegro giusto | — | ||
| 24-1 | Images, Book I, L. 110 – I. Reflets dans l’eau. Andantiono molto | — | ||
| 24-2 | Images, Book I, L. 110 – II. Hommage a Rameau. Lent et grave | — | ||
| 24-3 | Images, Book I, L. 110 – III. Mouvement. Anime | — | ||
| 24-4 | Images, Book II, L. 111 – I. Cloches a travers les feuilles. Lent | — | ||
| 24-5 | Images, Book II, L. 111 – II. Et la lune descend sur le temple qui fut. Lent | — | ||
| 24-6 | Images, Book II, L. 111 – III. Poissons d’or. Anime | — | ||
| 24-7 | Estampes, L. 100 – 1. Pagodes | — | ||
| 24-8 | Estampes, L. 100 – 2. La soiree dans Grenade | — | ||
| 24-9 | Estampes, L. 100 – 3. Jardins sous la pluie | — | ||
| 24-10 | Masques, L. 105 | — | ||
| 24-11 | L’Isle joyeuse, L. 106 | — | ||
| 25-1 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – I. Decide – Calme – Anime – Guilet String Quartet | — | ||
| 25-2 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – II. Sicilienne. Pas vite | — | ||
| 25-3 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – III. Grave | — | ||
| 25-4 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – IV. Finale. Tres anime | — | ||
| 26-1 | Sonata for 2 Pianos in D Major, K.448/375a – I. Allegro con spirito | — | ||
| 26-2 | Sonata for 2 Pianos in D Major, K.448/375a – II. Andante | — | ||
| 26-3 | Sonata for 2 Pianos in D Major, K.448/375a – III. Allegro molto | — | ||
| 26-4 | 5 Variations in G Major, K. 501 – Tema. Andante | — | ||
| 26-5 | 5 Variations in G Major, K. 501 – Variation I | — | ||
| 26-6 | 5 Variations in G Major, K. 501 – Variation II | — | ||
| 26-7 | 5 Variations in G Major, K. 501 – Variation III | — | ||
| 26-8 | 5 Variations in G Major, K. 501 – Variation IV | — | ||
| 26-9 | 5 Variations in G Major, K. 501 – Variation V | — | ||
| 26-10 | Fantasie in F Minor, D. 940 | — | ||
| 26-11 | Original Compositionen fuer Piano zu 4 Handen, Op. 84, No. 1: Andantino mit Variationen | — | ||
| 27-1 | Violin Sonata No. 1 in A Major, Op. 13 – I. Allegro molto | — | ||
| 27-2 | Violin Sonata No. 1 in A Major, Op. 13 – II. Andante | — | ||
| 27-3 | Violin Sonata No. 1 in A Major, Op. 13 – III. Allegro vivo | — | ||
| 27-4 | Violin Sonata No. 1 in A Major, Op. 13 – IV. Allegro quasi presto | — | ||
| 27-5 | Violin Sonata No. 2 in E Minor, Op. 108 – I. Allegro non troppo | — | ||
| 27-6 | Violin Sonata No. 2 in E Minor, Op. 108 – II. Andante | — | ||
| 27-7 | Violin Sonata No. 2 in E Minor, Op. 108 – III. Allegro non troppo | — | ||
| 28-1 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – I. Allegro | — | ||
| 28-2 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – II. Adagio un poco moto | — | ||
| 28-3 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – III. Rondo. Allegro | — | ||
| 28-4 | Noches en los Jardines de Espana, IMF 8 – I. En el Generalife | — | ||
| 28-5 | Noches en los Jardines de Espana, IMF 8 – II. Danza Lejana | — | ||
| 28-6 | Noches en los Jardines de Espana, IMF 8 – III. En los jardines de la Sierra de Cordoba | — | ||
| 29-1 | Carnaval, Op. 9 – 1. Preambule. Quasi maestoso – Piu moto – Animato – Vivo – Presto | — | ||
| 29-2 | Carnaval, Op. 9 – 2. Pierrot – Moderato | — | ||
| 29-3 | Carnaval, Op. 9 – 3. Arlequin – Vivo | — | ||
| 29-4 | Carnaval, Op. 9 – 4. Valse noble – Un poco maestoso | — | ||
| 29-5 | Carnaval, Op. 9 – 5. Eusebius – Adagio | — | ||
| 29-6 | Carnaval, Op. 9 – 6. Florestan – Passionato | — | ||
| 29-7 | Carnaval, Op. 9 – 7. Coquette – Vivo | — | ||
| 29-8 | Carnaval, Op. 9 – 8. Replique – L’istesso tempo (Sphinxes) | — | ||
| 29-9 | Carnaval, Op. 9 – 9. Papillons – Prestissimo | — | ||
| 29-10 | Carnaval, Op. 9 – 10. A.S.C.H.‐S.C.H.A. (Lettres dansantes) – Presto | — | ||
| 29-11 | Carnaval, Op. 9 – 11. Chiarina – Passionato | — | ||
| 29-12 | Carnaval, Op. 9 – 12. Chopin – Agitato | — | ||
| 29-13 | Carnaval, Op. 9 – 13. Estrella – Con affetto | — | ||
| 29-14 | Carnaval, Op. 9 – 14. Reconnaissance – Animato | — | ||
| 29-15 | Carnaval, Op. 9 – 15. Pantalon et Colombine – Presto | — | ||
| 29-16 | Carnaval, Op. 9 – 16. Valse allemande – Molto vivace | — | ||
| 29-17 | Carnaval, Op. 9 – 17. Paganini Intermezzo – Presto | — | ||
| 29-18 | Carnaval, Op. 9 – 18. Aveu – Passionato | — | ||
| 29-19 | Carnaval, Op. 9 – 19. Promenade – Comodo | — | ||
| 29-20 | Carnaval, Op. 9 – 20. Pause – Vivo | — | ||
| 29-21 | Carnaval, Op. 9 – 21. March des ‘Davidsb¨¹ndler’ contre les Philistins – Non allegro – Molto piu vivo – Animato – Vivo – Animato molto – Vi | — | ||
| 29-22 | Fantasie in C Major, Op. 17 – I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 29-23 | Fantasie in C Major, Op. 17 – II. Massig. Durchaus energisch | — | ||
| 29-24 | Fantasie in C Major, Op. 17 – III. Langsam getragen. Durchweg leise zu halten | — | ||
| 30-1 | Piano Sonata No. 12 in F major, K.332/300k – I. Allegro | — | ||
| 30-2 | Piano Sonata No. 12 in F Major, K.332/300k – II. Adagio | — | ||
| 30-3 | Piano Sonata No. 12 in F Major, K.332/300k – III. Allegro assai | — | ||
| 30-4 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – I. Allegro | — | ||
| 30-5 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – II. Andante cantabile | — | ||
| 30-6 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – III. Allegretto grazioso | — | ||
| 30-7 | Piano Sonata No. 14 in C Minor, K. 457 – I. Allegro | — | ||
| 30-8 | Piano Sonata No. 14 in C Minor, K. 457 – II. Adagio | — | ||
| 30-9 | Piano Sonata No. 14 in C Minor, K. 457 – III. Molto allegro | — | ||
| 30-10 | Piano Sonata No. 18 in D Major, K. 576 – I. Allegro | — | ||
| 30-11 | Piano Sonata No. 18 in D Major, K. 576 – II. Adagio | — | ||
| 30-12 | Piano Sonata No. 18 in D Major, K. 576 – III. Allegretto | — | ||
| 31-1 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): I. Allegro | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-2 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): II. Andante | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-3 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): III. Rondeau. Allegro | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-4 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-5 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-6 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): III. Rondeau. Allegretto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 32-1 | Mondscheinsonate, Op. 27 No. 2: I. Adagio sostenuto | Robert Casadesus | — | |
| 32-2 | Piano Sonata No. 14 in C‐sharp minor, Op. 27 No. 2 “Moonlight”: II. Allegretto | — | ||
| 32-3 | Piano Sonata No. 14 in C‐sharp minor, Op. 27 No. 2 “Moonlight”: III. Presto agitato | — | ||
| 32-4 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro | — | ||
| 32-5 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo | — | ||
| 32-6 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente | — | ||
| 32-7 | Piano Sonata No. 24 in F‐sharp major, Op. 78 “À Thérèse”: I. Adagio cantabile – Allegro, ma non troppo | — | ||
| 32-8 | Piano Sonata No. 24 in F‐sharp major, Op. 78 “À Thérèse”: II. Allegro vivace | — | ||
| 32-9 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: I. Allegro assai | — | ||
| 32-10 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: II. Andante con moto – attacca | — | ||
| 32-11 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: III. Allegro, ma non troppo – Presto | — | ||
| 33-1 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 1. La Noce des souris | — | ||
| 33-2 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 2. La Cigogne lasse | — | ||
| 33-3 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 3. Le Cheval de Ferme‐l’oeil | — | ||
| 33-4 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 4. Le Mariage de la poupee Berthe | — | ||
| 33-5 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 5. La Ronde des lettres boiteuses | — | ||
| 33-6 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 6. La Promenade a travers le tableau | — | ||
| 33-7 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 7. Le Parapluie chinois | — | ||
| 33-8 | 3 Rapsodies, Op. 53 – I. Française | — | ||
| 33-9 | 3 Rapsodies, Op. 53 – II. Polonaise | — | ||
| 33-10 | 3 Rapsodies, Op. 53 – III. Viennoise | — | ||
| 34-1 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-2 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-3 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: III. Rondo. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-4 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-5 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-6 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 35-1 | Variations symphoniques, FWV 46 | — | ||
| 35-2 | Symphonie sur un chant montagnard franais, Op. 25 – I. Assez lent – Moderement anime – Assez lent | — | ||
| 35-3 | Symphonie sur un chant montagnard franais, Op. 25 – II. Assez modere, mais sans lenteur | — | ||
| 35-4 | Symphonie sur un chant montagnard franais, Op. 25 – III. Anime | — | ||
| 36-1 | Piano Concerto No. 4 in G major, Op. 58 – I. Allegro Moderato | — | ||
| 36-2 | Piano Concerto No. 4 in G Major, Op. 58 – II. Andante con moto | — | ||
| 36-3 | Piano Concerto No. 4 in G Major, Op. 58 – III. Rondo. Vivace | — | ||
| 36-4 | Piano Concerto No. 1 in C Major, Op. 15 – I. Allegro con brio | — | ||
| 36-5 | Piano Concerto No. 1 in C Major, Op. 15 – II. Largo | — | ||
| 36-6 | Piano Concerto No. 1 in C Major, Op. 15 – III. Rondo. Allegro scherzando | — | ||
| 37-1 | Italian Concerto in F Major, BWV 971 – I. Allegro | — | ||
| 37-2 | Italian Concerto in F Major, BWV 971 – II. Andante | — | ||
| 37-3 | Italian Concerto in F Major, BWV 971 – III. Presto | — | ||
| 37-4 | Toccata and Fugue in E Minor, BWV 914 | — | ||
| 37-5 | Partita No. 2 In C Minor, BWV 826 – 1. Sinfonia | — | ||
| 37-6 | Partita No. 2 In C Minor, BWV 826 – 2. Allemande | — | ||
| 37-7 | Partita No. 2 In C Minor, BWV 826 – 3. Courante | — | ||
| 37-8 | Partita No. 2 In C Minor, BWV 826 – 4. Sarabande | — | ||
| 37-9 | Partita No. 2 In C Minor, BWV 826 – 5. Rondeau | — | ||
| 37-10 | Partita No. 2 In C Minor, BWV 826 – 6. Capriccio | — | ||
| 38-1 | Nonetto in E‐Flat Major, Op. 45 – I. Allegro teneramente | — | ||
| 38-2 | Nonetto in E‐Flat Major, Op. 45 – II. Tempo di Sardana | — | ||
| 38-3 | Nonetto in E‐Flat Major, Op. 45 – III. Poco adagio | — | ||
| 38-4 | Nonetto in E‐Flat Major, Op. 45 – IV. Vivo giocoso | — | ||
| 38-5 | Sextuor in E Major, Op. 58 – I. Allegro con brio | — | ||
| 38-6 | Sextuor in E Major, Op. 58 – II. Scherzo vivace | — | ||
| 38-7 | Sextuor in E Major, Op. 58 – III. Andante | — | ||
| 38-8 | Sextuor in E Major, Op. 58 – IV. Giocoso, non troppo vivo | — | ||
| 39-1 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – I. Adagio Sostenuto – Presto | — | ||
| 39-2 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – II. Andante Con Variazioni | — | ||
| 39-3 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – III. Finale. Presto | — | ||
| 39-4 | Violin Sonata No. 1, Op. 12 No. 1 – I. Allegro con brio | — | ||
| 39-5 | Violin Sonata No. 1, Op. 12 No. 1 – II. Tema con variazioni. Andante con moto | — | ||
| 39-6 | Violin Sonata No. 1, Op. 12 No. 1 – III. Rondo. Allegro | — | ||
| 40-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-4 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: I. Allegro | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-915.711.586-1 | |
| 40-5 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: II. Adagio | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-915.711.586-1 | |
| 40-6 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: III. Allegro assai | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-306.395.786-4 | |
| 41-1 | Papillons, Op. 2 – Introduzione – Moderato | — | ||
| 41-2 | Papillons, Op. 2 – 1. (quarter note = 120) | — | ||
| 41-3 | Papillons, Op. 2 – 2. Prestissimo | — | ||
| 41-4 | Papillons, Op. 2 – 3. (quarter note = 120) | — | ||
| 41-5 | Papillons, Op. 2 – 4. Presto | — | ||
| 41-6 | Papillons, Op. 2 – 5. (quarter note = 80) | — | ||
| 41-7 | Papillons, Op. 2 – 6. (quarter note = 152) | — | ||
| 41-8 | Papillons, Op. 2 – 7. Semplice | — | ||
| 41-9 | Papillons, Op. 2 – 8. (quarter note = 132) | — | ||
| 41-10 | Papillons, Op. 2 – 9. Prestissimo | — | ||
| 41-11 | Papillons, Op. 2 – 10. Vivo | — | ||
| 41-12 | Papillons, Op. 2 – 11. (quarter note = 112) | — | ||
| 41-13 | Papillons, Op. 2 – 12. Finale | — | ||
| 41-14 | Waldszenen, Op. 82 – 1. Eintritt. Nicht zu schnell | — | ||
| 41-15 | Waldszenen, Op. 82 – 2. Jager auf der Lauer. Hochst lebhaft | — | ||
| 41-16 | Waldszenen, Op. 82 – 3. Einsame Blumen. Einfach | — | ||
| 41-17 | Waldszenen, Op. 82 – 4. Verrufene Stelle. Ziemlich langsam | — | ||
| 41-18 | Waldszenen, Op. 82 – 5. Freundliche Landschaft. Schnell | — | ||
| 41-19 | Waldszenen, Op. 82 – 6. Herberge. Massig | — | ||
| 41-20 | Waldszenen, Op. 82 – 7. Vogel als Prophet. Langsam, sehr zart | — | ||
| 41-21 | Waldszenen, Op. 82 – 8. Jagdlied. Rasch, kraftig | — | ||
| 41-22 | Waldszenen, Op. 82 – 9. Abschied. Nicht zu schnell | — | ||
| 41-23 | Symphonic Etudes for Piano, Op. 13 – Thema. Andante | — | ||
| 41-24 | Symphonic Etudes for Piano, Op. 13 – Etude I. Un poco piu vivo | — | ||
| 41-25 | Symphonic Etudes for Piano, Op. 13 – Etude II. Marcato il Canto | — | ||
| 41-26 | Symphonic Etudes for Piano, Op. 13 – Etude III. Vivace | — | ||
| 41-27 | Symphonic Etudes for Piano, Op. 13 – Etude IV | — | ||
| 41-28 | Symphonic Etudes for Piano, Op. 13 – Etude V | — | ||
| 41-29 | Symphonic Etudes for Piano, Op. 13 – Etude VI. Agitato | — | ||
| 41-30 | Symphonic Etudes for Piano, Op. 13 – Etude VII. Allegro molto | — | ||
| 41-31 | Symphonic Etudes for Piano, Op. 13 – Etude VIII | — | ||
| 41-32 | Symphonic Etudes for Piano, Op. 13 – Etude IX. Presto possibile | — | ||
| 41-33 | Symphonic Etudes for Piano, Op. 13 – Etude X | — | ||
| 41-34 | Symphonic Etudes for Piano, Op. 13 – Etude XI | — | ||
| 41-35 | Symphonic Etudes for Piano, Op. 13 – Etude XII. Allegro brillante | — | ||
| 42-1 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-2 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-3 | Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-4 | Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-1 | Petite Suite: I. En bateau | — | ||
| 43-2 | Petite Suite: II. Cortège | — | ||
| 43-3 | Petite Suite: III. Menuet | — | ||
| 43-4 | Petite Suite: IV. Ballet | — | ||
| 43-5 | 3 morceaux en forme de poire: I. Manière de Commencement | — | ||
| 43-6 | 3 morceaux en forme de poire: II. Prolongation de même | — | ||
| 43-7 | 3 morceaux en forme de poire: III. Morceau I. | — | ||
| 43-8 | 3 morceaux en forme de poire: IV. Morceau II. | — | ||
| 43-9 | 3 morceaux en forme de poire: V. Morceau III. | — | ||
| 43-10 | 3 morceaux en forme de poire: VI. En plus | — | ||
| 43-11 | 3 morceaux en forme de poire: VII. Redite | — | ||
| 43-12 | 3 Valses romantiques: I. Très vite et impétueusement | — | ||
| 43-13 | 3 Valses romantiques: II. Mouvement modéré de valse | — | ||
| 43-14 | 3 Valses romantiques: III. Animé | — | ||
| 43-15 | Dolly, Suite, op. 56 : I. Berceuse | — | ||
| 43-16 | Dolly, Suite, op. 56 : II. Mi-a-ou | — | ||
| 43-17 | Dolly, Suite, op. 56 : III. Le jardin de Dolly | — | ||
| 43-18 | Dolly, Suite, op. 56 : IV. Kitty-Valse | — | ||
| 43-19 | Dolly, Suite, op. 56 : V. Tendresse | — | ||
| 43-20 | Dolly, Suite, op. 56 : VI. Le Pas espagnol | — | ||
| 44-1 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato | — | ||
| 44-2 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace | — | ||
| 44-3 | Ballade in F‐sharp major for Piano, op. 19 | — | ||
| 44-4 | Prélude no. 1 in D‐flat major, op. 103 | — | ||
| 44-5 | Prélude no. 3 in G minor, op. 103 | — | ||
| 44-6 | Prélude no. 5 in D minor, op. 103 | — | ||
| 45-1 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-2 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: II. Larghetto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-3 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: III. Allegretto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-4 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-5 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: II. Larghetto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-6 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 46-1 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: I, Allegro con spirito | — | ||
| 46-2 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: II, Adagio con molta espressione | — | ||
| 46-3 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: III, Allegro molto | — | ||
| 46-4 | Sonate per violino e pianoforte in la min., Op. 23: I, Presto | — | ||
| 46-5 | Sonate per violino e pianoforte in la min., Op. 23: II, Andante scherzoso | — | ||
| 46-6 | Sonate per violino e pianoforte in la min., Op. 23: III, Allegro molto | — | ||
| 46-7 | Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | Zino Francescatti, Robert Casadesus | — | |
| 46-8 | Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Robert Casadesus, Zino Francescatti | — | |
| 46-9 | Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro molto | Robert Casadesus, Zino Francescatti | — | |
| 46-10 | Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Robert Casadesus, Zino Francescatti | T-031.682.208-8 | |
| 47-1 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : I. Allegro | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-2 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : II. Adagio | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-3 | Concerto for 3 Pianos and Orchestra in F Major, K. 242: III. Rondo - Tempo di Menuetto | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-4 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: I. - | — | ||
| 47-5 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 47-6 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: III. Allegro | — | ||
| 47-7 | Quintet in E‐flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 47-8 | Quintet in E‐flat major, K. 452: II. Larghetto | — | ||
| 47-9 | Quintet in E‐flat major, K. 452: III. Allegretto | — | ||
| 48-1 | Sonata for 2 Pianos and Percussion, Sz. 110: I. Assai lento - Allegro molto | — | ||
| 48-2 | Sonata for 2 Pianos and Percussion, Sz. 110: II. Lento, ma non troppo | — | ||
| 48-3 | Sonata for 2 Pianos and Percussion, Sz. 110: III. Allegro non troppo | — | ||
| 48-4 | En blanc et noir, L. 134: I. Avec emportement | — | ||
| 48-5 | En blanc et noir, L. 134: II. Lent. Sombre | — | ||
| 48-6 | En blanc et noir, L. 134: III. Scherzando | — | ||
| 48-7 | 6 Épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d’ete | — | ||
| 48-8 | 6 Épigraphes antiques, L. 131: II. Pour un tombeau sans nom | — | ||
| 48-9 | 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice | — | ||
| 48-10 | 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales | — | ||
| 48-11 | 6 Épigraphes antiques, L. 131: V. Pour I’Egyptienne | — | ||
| 48-12 | 6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | — | ||
| 49-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 49-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — | |
| 49-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 49-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 49-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 49-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 50-1 | Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Robert Casadesus, Zino Francescatti | — | |
| 50-2 | Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto | Robert Casadesus, Zino Francescatti | — | |
| 50-3 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Robert Casadesus, Zino Francescatti | — | |
| 50-4 | Sonata no. 6 in A op. 30, no. 1: I. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 50-5 | Sonata no. 6 in A op. 30, no. 1: II. Adagio molto espressivo | Robert Casadesus, Zino Francescatti | — | |
| 50-6 | Sonata no. 6 in A op. 30, no. 1: III. Allegretto con variazioni | Robert Casadesus, Zino Francescatti | — | |
| 50-7 | Sonata no. 8 in G op. 30, no. 3: I. Allegro assai | Robert Casadesus, Zino Francescatti | — | |
| 50-8 | Sonata no. 8 in G op. 30, no. 3: II. Tempo di menuetto ma molto moderato e grazioso | Robert Casadesus, Zino Francescatti | — | |
| 50-9 | Sonata no. 8 in G op. 30, no. 3: III. Allegro vivace | Robert Casadesus, Zino Francescatti | — | |
| 51-1 | Sonata no. 7 in C minor op. 30, no. 2: I. Allegro con brio | Robert Casadesus, Zino Francescatti | — | |
| 51-2 | Sonata no. 7 in C minor op. 30, no. 2: II. Adagio cantabile | Robert Casadesus, Zino Francescatti | — | |
| 51-3 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro - Trio | — | ||
| 51-4 | Sonata no. 7 in C minor op. 30, no. 2: IV. Finale. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 51-5 | Sonata for Piano and Violin No. 10 in G major, Op. 96: I. Allegro moderato | Robert Casadesus, Zino Francescatti | — | |
| 51-6 | Sonata for Piano and Violin No. 10 in G major, Op. 96: II. Adagio espressivo | Robert Casadesus, Zino Francescatti | — | |
| 51-7 | Sonata for Piano and Violin No. 10 in G major, Op. 96: III. Scherzo. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 51-8 | Sonata for Piano and Violin No. 10 in G major, Op. 96: IV. Poco allegretto - Adagio - Tempo I - Allegro - Poco Adagio - Presto | Robert Casadesus, Zino Francescatti | — | |
| 52-1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 52-2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | — | ||
| 52-3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 52-4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto - Agitato | — | ||
| 52-5 | Piano Sonata no. 12 in F major, K.332/300k: I. Allegro | — | ||
| 52-6 | Piano Sonata no. 12 in F major, K.332/300k: II. Adagio | — | ||
| 52-7 | Piano Sonata no. 12 in F major, K.332/300k: III. Allegro assai | — | ||
| 52-8 | Divertimento in A‐flat major, Hob.XVI:46: I. Allegro moderato | — | ||
| 52-9 | Divertimento in A‐flat major, Hob.XVI:46: II. Adagio non troppo | — | ||
| 52-10 | Divertimento in A‐flat major, Hob.XVI:46: III. Finale: Presto | — | ||
| 53-1 | Concerto for 3 Keyboards in C major, BWV 1064: I. Allegro | — | ||
| 53-2 | Concerto for 3 Keyboards in C major, BWV 1064: II. Adagio | — | ||
| 53-3 | Concerto for 3 Keyboards in C major, BWV 1064: III. Allegro | — | ||
| 53-4 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): I. Allegro marziale | — | ||
| 53-5 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): II. Andante siciliano | — | ||
| 53-6 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): III. Presto spagnuolo | — | ||
| 53-7 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): I. Allegro con fuoco | — | ||
| 53-8 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): II. Adagio ma non troppo | — | ||
| 53-9 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): III. Allegro moderato | — | ||
| 54-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Members of the Cleveland Orchestra, George Szell | — | |
| 54-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | Members of the Cleveland Orchestra, George Szell | — | |
| 54-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto | Members of the Cleveland Orchestra, George Szell | — | |
| 55-1 | Concerto for 2 Pianos, BWV 1060 - I. Allegro | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-914.323.771-2 | |
| 55-2 | Concerto for 2 Pianos, BWV 1060 - II. Largo ovvero adagio | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-307.292.933-6 | |
| 55-3 | Concerto for 2 Pianos, BWV 1060 - III. Allegro | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | — | |
| 55-4 | Concerto for 2 Pianos, BWV 1061 - I. No tempo | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-801.411.105-9 | |
| 55-5 | Concerto for 2 Pianos, BWV 1061 - II. Adagio ovvero largo | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-307.292.957-4 | |
| 55-6 | Concerto for 2 Pianos, BWV 1061 - III. Fuga, Vivace | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | — | |
| 56-1 | Homage à Chausson, op. 51 | — | ||
| 56-2 | 3 Preludes for Piano: I. Cezanne | — | ||
| 56-3 | 3 Preludes for Piano: II. Dufy | — | ||
| 56-4 | 3 Preludes for Piano: III. Modigliani | — | ||
| 56-5 | Violin Sonata no. 2 in A major, BWV 1015: I. (Dolce) | — | ||
| 56-6 | Violin Sonata no. 2 in A major, BWV 1015: II. Allegro | — | ||
| 56-7 | Violin Sonata no. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 56-8 | Violin Sonata no. 2 in A major, BWV 1015: IV. Presto | — | ||
| 56-9 | Piano Concerto no. 3 in C Minor, op. 37: I. Allegro con brio | — | ||
| 56-10 | Piano Concerto no. 3 in C Minor, op. 37: II. Largo | — | ||
| 56-11 | Piano Concerto no. 3 in C Minor, op. 37: III. Rondo. Allegro - Presto | — | ||
| 56-12 | 9 Variations on a Minuet by Jean Pierre Duport, K. 573 | — | ||
| 57-1 | 4 Ballades: No. 1 in G minor, op. 23 | — | ||
| 57-2 | 4 Ballades: No. 2 in F major, op. 38, | — | ||
| 57-3 | 4 Ballades: No. 3 in A‐flat major, op. 47 | — | ||
| 57-4 | 4 Ballades: No. 4 in F minor, op. 52 | — | ||
| 57-5 | Papillons, op. 2 | — | ||
| 58-1 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 58-2 | Fantasie in C major, op. 17: II. Mässig. Durchaus energisch | — | ||
| 58-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten. | — | ||
| 58-4 | Berceuse in D‐flat major, op. 57 | — | ||
| 58-5 | Waldscenen, op. 82: VII. Vogel als Prophet | — | ||
| 58-6 | Tarantelle in A‐flat major, op. 43 | — | ||
| 58-7 | 24 Préludes for Piano, op. 5: Nos. 2, 3, 8, 11, 14, 20 & 21 | — | ||
| 59-1 | Fantasie En Ré Mineur, K. 397 | — | ||
| 59-2 | Piano Sonata no. 28, op. 101: I. Allegro ma non troppo | — | ||
| 59-3 | Piano Sonata no. 28, op. 101: II. Vivace alla marcia | — | ||
| 59-4 | Piano Sonata no. 28, op. 101: III. Adagio ma non troppo - Allegro | — | ||
| 59-5 | Symphonic Etudes for Piano, op. 13: Thema. Andante | — | ||
| 59-6 | Symphonic Etudes for Piano, op. 13: Étude I. Un poco più vivo | — | ||
| 59-7 | Symphonic Etudes for Piano, op. 13: Étude II. Marcato il Canto | — | ||
| 59-8 | Symphonic Etudes for Piano, op. 13: Étude III. Vivace | — | ||
| 59-9 | Symphonic Etudes for Piano, op. 13: Étude IV | — | ||
| 59-10 | Symphonic Etudes for Piano, op. 13: Étude V | — | ||
| 59-11 | Symphonic Etudes for Piano, op. 13: Étude VI. Agitato | — | ||
| 59-12 | Symphonic Etudes for Piano, op. 13: Étude VII. Allegro molto | — | ||
| 59-13 | Symphonic Etudes for Piano, op. 13: Étude VIII | — | ||
| 59-14 | Symphonic Etudes for Piano, op. 13: Étude IX. Presto possibile | — | ||
| 59-15 | Symphonic Etudes for Piano, op. 13: Étude X | — | ||
| 59-16 | Symphonic Etudes for Piano, op. 13: Étude XI | — | ||
| 59-17 | Symphonic Etudes for Piano, op. 13: Étude XII. Allegro brillante | — | ||
| 60-1 | Sonatine, M. 40: I. Modéré | — | ||
| 60-2 | Sonatine, M. 40: II. Mouvement de Menuet | — | ||
| 60-3 | Sonatine, M. 40: III. Animé | — | ||
| 60-4 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 60-5 | Préludes: Livre 1, L. 117, 8: La fille aux cheveux de lin | — | ||
| 60-6 | Préludes: Livre 1, L. 117, 9: La sérénade interrompue | — | ||
| 60-7 | Préludes: Livre 1, L. 117, 10: La Cathédrale engloutie | — | ||
| 60-8 | Préludes: Livre 2, L. 123, 6: Général Lavine - eccentric | — | ||
| 60-9 | Préludes: Livre 2, L. 123, 8: Ondine | — | ||
| 60-10 | Préludes: Livre 2, L. 123, 12: Feux d’artifice | — | ||
| 60-11 | Arabesque, no. 2, L. 66 - Remastered | — | ||
| 60-12 | Pictures at an Exhibition, IMM 50: IV Bydlo. Sempre moderato, pesante - Remastered | — | ||
| 61-1 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | — | ||
| 61-2 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | — | ||
| 61-3 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | — | ||
| 61-4 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 61-5 | Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 61-6 | Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di piú - Andante - Vivace | — | ||
| 61-7 | Violin Sonata no. 2 in A major, op. 100: III. Allegretto grazioso (quasi Andante) | — | ||
| 61-8 | Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 61-9 | Violin Sonata no. 1 in G major, op. 78: II. Adagio | — | ||
| 61-10 | Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 62-1 | Préludes, vol. 1: 1. Danseuses de delphes (Lent et grave) | — | ||
| 62-2 | Préludes, vol. 1: 2. Voiles (Modéré) | — | ||
| 62-3 | Préludes, vol. 1: 3. Le vent dans la plaine (Animé) | — | ||
| 62-4 | Préludes, vol. 1: 4. Les sons et les parfums tournent dans l’air du soir (Modéré) | — | ||
| 62-5 | Préludes, vol. 1: 5. Les collines d’anacapri (Très modéré) | — | ||
| 62-6 | Préludes, vol. 1: 6. Des pas sur la neige (Triste et lent) | — | ||
| 62-7 | Préludes, vol. 1: 7. Ce qu’a vu le vent d’ouest (Animé et tumultueux) | — | ||
| 62-8 | Préludes, vol. 1: 8. La fille aux cheveux de lin (Très calme et doucement expressif) | — | ||
| 62-9 | Préludes, vol. 1: 9. La sérénade interrompue (Modérément animé) | — | ||
| 62-10 | Préludes, vol. 1: 10. La cathédrale engloutie (Profondément calme) | — | ||
| 62-11 | Préludes, vol. 1: 11. La danse de puck (Capricieux et légér) | — | ||
| 62-12 | Préludes, vol. 1: 12. Minstrels (Modéré) | — | ||
| 63-1 | Bourrée fantasque | — | ||
| 63-2 | Pièces pittoresques : No. 1. Paysage | — | ||
| 63-3 | Pièces pittoresques : No. 2. Mélancolie | — | ||
| 63-4 | Pièces pittoresques : No. 3. Tourbillon | — | ||
| 63-5 | Pièces pittoresques : No. 4. Sous‐bois | — | ||
| 63-6 | Pièces pittoresques : No. 5. Mauresque | — | ||
| 63-7 | Pièces pittoresques : No. 6. Idylle | — | ||
| 63-8 | Pièces pittoresques : No. 7. Danse villageoise | — | ||
| 63-9 | Pièces pittoresques : No. 8. Improvisation | — | ||
| 63-10 | Pièces pittoresques : No. 9. Menuet pompeux | — | ||
| 63-11 | Pièces pittoresques : No. 10. Scherzo‐Valse | — | ||
| 63-12 | Cinq morceaux pour piano : No. 1. Aubade | — | ||
| 63-13 | Cinq morceaux pour piano : No. 2. Ballabile | — | ||
| 63-14 | Cinq morceaux pour piano : No. 3. Caprice | — | ||
| 63-15 | Cinq morceaux pour piano : No. 4. Feuillet d’album | — | ||
| 63-16 | Cinq morceaux pour piano : No. 5. Ronde champêtre | — | ||
| 63-17 | Impromptu | — | ||
| 64-1 | Cinq poèmes de Baudelaire, L. 64, CD 70 : I. Le Balcon | — | ||
| 64-2 | Cinq poèmes de Baudelaire, L. 64, CD 70 : II. Harmonie du soir | — | ||
| 64-3 | Cinq poèmes de Baudelaire, L. 64, CD 70 : III. Le Jet d’eau | — | ||
| 64-4 | Cinq poèmes de Baudelaire, L. 64, CD 70 : IV. Recueillement | — | ||
| 64-5 | Cinq poèmes de Baudelaire, L. 64, CD 70 : V. La Mort des amants | — | ||
| 64-6 | Fêtes galantes, L. 80, CD 86 : I. En sourdine | — | ||
| 64-7 | Fêtes galantes, L. 80, CD 86 : II. Fantoches | — | ||
| 64-8 | Fêtes galantes, L. 80, CD 86 : III. Clair de lune | — | ||
| 64-9 | Romance, L. 52, CD 56, mélodie pour voix et piano « Voici que le printemps » | — | ||
| 64-10 | Romance, L. 79, CD 65, mélodie pour voix et piano « L’âme évaporée et souffrante » | — | ||
| 64-11 | Mandoline, L. 29, CD 43, mélodie pour voix et piano « Les Donneurs de sérénades » | — | ||
| 64-12 | Chansons de Bilitis, L. 90 : I. La Flûte de Pan | — | ||
| 64-13 | Chansons de Bilitis, L. 90 : II. Le Chevelure | — | ||
| 64-14 | Chansons de Bilitis, L. 90 : III. Le Tombeau des Naiades | — | ||
| 65-1 | Piano Sonata no. 4, op. 56 (1957): I. Allegro impetuoso | — | ||
| 65-2 | Piano Sonata no. 4, op. 56 (1957): II. Scherzo vivace - trio - poco meno vivo | — | ||
| 65-3 | Piano Sonata no. 4, op. 56 (1957): III. Andantino | — | ||
| 65-4 | Piano Sonata no. 4, op. 56 (1957): IV. Giocoso, non troppo vivo | — | ||
| 65-5 | Eight Etudes, op. 28: no. 1: Tierces. Vivo | — | ||
| 65-6 | Eight Etudes, op. 28: no. 2: Octaves. Allegretto a capriccio | — | ||
| 65-7 | Eight Etudes, op. 28: no. 3: Sonorité. Andantino (Comme une berceuse) | — | ||
| 65-8 | Eight Etudes, op. 28: no. 4: Quartes et quintes. Scherzo vivacissimo | — | ||
| 65-9 | Eight Etudes, op. 28: no. 5: Deux contre trois. Presto | — | ||
| 65-10 | Eight Etudes, op. 28: no. 6: Main gauche. Allegro leggero | — | ||
| 65-11 | Eight Etudes, op. 28: no. 7: Accords. In modo di "Sardana" - giocoso - pochissimo meno vivo | — | ||
| 65-12 | Eight Etudes, op. 28: no. 8: Legèreté. Vivamente | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: I. Allegro | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: II. Adagio | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: III. Allegro assai | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
190758536521 is a Universal Product Code (UPC) assigned to The Complete Columbia Album Collection by Robert Casadesus. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 679 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
190758536521 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Album Collection” by Robert Casadesus, released 2019-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 679 tracks, each with its own ISRC. Tracks include USSM11100191, USSM11100192, USSM11100193.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonatine, M. 40 – I. Modere | — | ||
| 2 | Sonatine, M. 40 – II. Mouvement de Menuet | — | ||
| 3 | Sonatine, M. 40 – III. Anime | — | ||
| 4 | Le Tombeau de Couperin, M. 68: V. Menuet | — | ||
| 5 | Piano Sonata No. 18 in D Major, K. 576 – I. Allegro | — | ||
| 6 | Piano Sonata No. 18 in D Major, K. 576 – II. Adagio un poco mosso | — | ||
| 7 | Piano Sonata No. 18 in D Major, K. 576 – III. Allegretto | — | ||
| 8 | Piano Sonata No. 12 in F Major, K. 332 – I. Allegro | — | ||
| 9 | Piano Sonata No. 12 in F Major, K. 332 – II. Adagio | — | ||
| 10 | Piano Sonata No. 12 in F Major, K. 332 – III. Allegro assai | — | ||
| 11 | Petite suite, L. 65 – I. En bateau | — | ||
| 12 | Petite suite, L. 65 – II. Cortege | — | ||
| 13 | Petite suite, L. 65 – III. Menuet | — | ||
| 14 | Petite suite, L. 65 – IV. Ballet | — | ||
| 15 | Valses nobles et sentimentales, M. 61 | — | ||
| 2-1 | Menuett in D Major, K. 355/576b | — | ||
| 2-2 | Gigue in G Major, K. 574 | — | ||
| 2-3 | Le Bal martiniquais, Op. 249 | — | ||
| 2-4 | Berceuse sur le nom de Gabriel Faure, M. 74 | — | ||
| 2-5 | Mazurka No. 13 in A Minor, Op. 17, No. 4 | — | ||
| 2-6 | Violin Sonata in E‐Flat Major, K. 481 – I. Molto allegro | — | ||
| 2-7 | Violin Sonata in E‐Flat Major, K. 481 – II. Adagio | — | ||
| 2-8 | Violin Sonata in E‐Flat Major, K. 481 – III. Allegretto. Tema und Variationen | — | ||
| 2-9 | Waldszenen, Op. 82 – 1. Eintritt | — | ||
| 2-10 | Waldszenen, Op. 82 – 2. Jager auf der Lauer | — | ||
| 2-11 | Waldszenen, Op. 82 – 3. Einsame Blumen | — | ||
| 2-12 | Waldszenen, Op. 82 – 4. Verrufene Stelle | — | ||
| 2-13 | Waldszenen, Op. 82 – 5. Freundliche Landschaft | — | ||
| 2-14 | Waldszenen, Op. 82 – 6. Herberge | — | ||
| 2-15 | Waldszenen, Op. 82 – 7. Vogel als Prophet | — | ||
| 2-16 | Waldszenen, Op. 82 – 8. Jagdlied | — | ||
| 2-17 | Waldszenen, Op. 82 – 9. Abschied | — | ||
| 2-18 | 3 Romanzen, Op. 28: II. Einfach | — | ||
| 3-1 | Piano Concerto No. 4 in G Major, Op. 58 – I. Allegro moderato | — | ||
| 3-2 | Piano Concerto No. 4 in G Major, Op. 58 – II. Andante con moto | — | ||
| 3-3 | Piano Concerto No. 4 in G Major, Op. 58 – III. Rondo | — | ||
| 3-4 | Piano Concerto for the Left Hand in D Major, M. 82 – Piano Concerto for the Left Hand in D Major, M. 82 | — | ||
| 4-1 | Violin Sonata in A Major, FWV 8 – I. Allegretto ben moderato | — | ||
| 4-2 | Violin Sonata in A Major, FWV 8 – II. Allegro | — | ||
| 4-3 | Violin Sonata in A Major, FWV 8 – III. Recitativo‐Fantasia: Ben moderato | — | ||
| 4-4 | Violin Sonata in A Major, FWV 8 – IV. Allegretto poco mosso | — | ||
| 4-5 | Violin Sonata in G Minor, L 140 – I. Allegro vivo | — | ||
| 4-6 | Violin Sonata in G Minor, L 140 – II. Intermede. Fantasque et leger | — | ||
| 4-7 | Violin Sonata in G Minor, L 140 – III. Finale. Tres anime | — | ||
| 5-1 | Piano Concerto No. 4 in C Minor, Op. 44 – I. Allegro moderato – Andante | — | ||
| 5-2 | Piano Concerto No. 4 in C Minor, Op. 44 – II. Allegro vivace – Andante – Allegro | — | ||
| 5-3 | Morceaux en forme de poire, IES 38 – 1. Maniere de commencement | — | ||
| 5-4 | Morceaux en forme de poire, IES 38 – 2. Prolongation du meme | — | ||
| 5-5 | Morceaux en forme de poire, IES 38 – 3. Morceau I | — | ||
| 5-6 | Morceaux en forme de poire, IES 38 – 4. Morceau II | — | ||
| 5-7 | Morceaux en forme de poire, IES 38 – 5. Morceau III | — | ||
| 5-8 | Morceaux en forme de poire, IES 38 – 6. En plus | — | ||
| 5-9 | Morceaux en forme de poire, IES 38 – 7. Redite | — | ||
| 6-1 | Symphonie sur un Chant Montagnard Franais, Op. 25 – I. Assez lent | — | ||
| 6-2 | Symphonie sur un Chant Montagnard Franais, Op. 25 – II. Assez modere, mais sans lenteur | — | ||
| 6-3 | Symphonie sur un Chant Montagnard Franais, Op. 25 – III. Anime | — | ||
| 6-4 | Variations symphoniques, FWV 46 | — | ||
| 7-1 | Danses méditerranéennes, Op. 36 – I. Sardana | — | ||
| 7-2 | Danses méditerranéennes, Op. 36 – II. Sarabande | — | ||
| 7-3 | Danses méditerranéennes, Op. 36 – III. Tarentello | — | ||
| 7-4 | 3 Valses romantiques, IEC 39 – 1. Tres vite et impetueusement | — | ||
| 7-5 | 3 Valses romantiques, IEC 39 – 1. 2. Mouvement modere de valse | — | ||
| 7-6 | 3 Valses romantiques, IEC 39 – 1. 3. Anime | — | ||
| 7-7 | Dolly Suite, Op. 56 – I. Berceuse | — | ||
| 7-8 | Dolly Suite, Op. 56 – II. Mi‐a‐ou | — | ||
| 7-9 | Dolly Suite, Op. 56 – III. Le Jardin de Dolly | — | ||
| 7-10 | Dolly Suite, Op. 56 – IV. Kitty‐Valse | — | ||
| 7-11 | Dolly Suite, Op. 56 – V. Tendresse | — | ||
| 7-12 | Dolly Suite, Op. 56 – VI. Le Pas Espagnol | — | ||
| 7-13 | Nocturne No. 7 in C‐Sharp Minor, Op. 74 | — | ||
| 7-14 | Barcarolle No. 5 in F‐Sharp Minor, Op. 66 | — | ||
| 7-15 | Impromptu No. 5 in F‐Sharp Minor, Op. 102 | — | ||
| 8-1 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – I. Adagio sostenuto | — | ||
| 8-2 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – II. Andante con variazioni | — | ||
| 8-3 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – III. Finale. Presto | — | ||
| 8-4 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – I. Allegro vivo | — | ||
| 8-5 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – II. Allegretto a capriccio | — | ||
| 8-6 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – III. Adagio | — | ||
| 8-7 | Sonata No. 2 in A Major for Violin and Piano, Op. 34 – IV. Allegro molto | — | ||
| 9-1 | Symphonic Etudes for Piano, Op. 13 – Thema. Andante | — | ||
| 9-2 | Symphonic Etudes for Piano, Op. 13 – Etude I. Un poco piu vivo | — | ||
| 9-3 | Symphonic Etudes for Piano, Op. 13 – Etude II. Marcato il Canto | — | ||
| 9-4 | Symphonic Etudes for Piano, Op. 13 – Etude III. Vivace | — | ||
| 9-5 | Symphonic Etudes for Piano, Op. 13 – Etude IV | — | ||
| 9-6 | Symphonic Etudes for Piano, Op. 13 – Etude V. Scherzando | — | ||
| 9-7 | Symphonic Etudes for Piano, Op. 13 – Etude VI. Agitato | — | ||
| 9-8 | Symphonic Etudes for Piano, Op. 13 – Etude VII. Allegro molto | — | ||
| 9-9 | Symphonic Etudes for Piano, Op. 13 – Etude VIII. Sempre marcatissimo | — | ||
| 9-10 | Symphonic Etudes for Piano, Op. 13 – Etude IX. Presto possibile | — | ||
| 9-11 | Symphonic Etudes for Piano, Op. 13 – Etude X. Con energia sempre | — | ||
| 9-12 | Symphonic Etudes for Piano, Op. 13 – Etude XI. Sotto voce, ma marcato | — | ||
| 9-13 | Symphonic Etudes for Piano, Op. 13 – Etude XII. Allegro brillante | — | ||
| 9-14 | Symphonic Etudes for Piano, Op. 13 – Thema | — | ||
| 9-15 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – I. Moderato cantabile molto espressivo | — | ||
| 9-16 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – II. Allegro molto | — | ||
| 9-17 | Piano Sonata No. 31 in A‐Flat Major, Op. 110 – III. Adagio, ma non troppo – Fuga. Allegro, ma non troppo | — | ||
| 10-1 | Concerto for 3 Pianos in D Minor, BWV 1063 – I. Allegro | — | ||
| 10-2 | Concerto for 3 Pianos in D Minor, BWV 1063 – II. Alla Siciliana | — | ||
| 10-3 | Concerto for 3 Pianos in D Minor, BWV 1063 – III. Adagio ma non troppo – Allegro | — | ||
| 10-4 | French Suite No. 6 in E Major, BWV 817 – I. Allemande | — | ||
| 10-5 | French Suite No. 6 in E Major, BWV 817 – II. Courante | — | ||
| 10-6 | French Suite No. 6 in E Major, BWV 817 – III. Sarabande | — | ||
| 10-7 | French Suite No. 6 in E Major, BWV 817 – IV. Gavotte | — | ||
| 10-8 | French Suite No. 6 in E Major, BWV 817 – V. Polonaise | — | ||
| 10-9 | French Suite No. 6 in E Major, BWV 817 – VI. Menuett | — | ||
| 10-10 | French Suite No. 6 in E Major, BWV 817 – VII. Bouree | — | ||
| 10-11 | French Suite No. 6 in E Major, BWV 817 – VIII. Gigue | — | ||
| 10-12 | Dichterliebe, Op. 48 – 1. Im wunderschonen Monat Mai | — | ||
| 10-13 | Dichterliebe, Op. 48 – 2. Aus meinen Tranen spriessen | — | ||
| 10-14 | Dichterliebe, Op. 48 – 3. Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 10-15 | Dichterliebe, Op. 48 – 4. Wenn ich in deine Augen seh’ | — | ||
| 10-16 | Dichterliebe, Op. 48 – 5. Ich will meine Seele tauchen | — | ||
| 10-17 | Dichterliebe, Op. 48 – 6. Im Rhein, im heiligen Strome | — | ||
| 10-18 | Dichterliebe, Op. 48 – 7. Ich grolle nicht | — | ||
| 10-19 | Dichterliebe, Op. 48 – 8. Und wüßten’s die Blumen, die kleinen | — | ||
| 10-20 | Dichterliebe, Op. 48 – 9. Das ist ein Floten und Geigen | — | ||
| 10-21 | Dichterliebe, Op. 48 – 10. Hor ich das Liedchen klingen | — | ||
| 10-22 | Dichterliebe, Op. 48 – 11. Ein Jüngling liebt ein Mädchen | — | ||
| 10-23 | Dichterliebe, Op. 48 – 12. Am leuchtenden Sommermorgen | — | ||
| 10-24 | Dichterliebe, Op. 48 – 13. Ich hab’ im Traum geweinet | — | ||
| 10-25 | Dichterliebe, Op. 48 – 14. Allnachtlich im Traume | — | ||
| 10-26 | Dichterliebe, Op. 48 – 15. Aus alten Marchen | — | ||
| 10-27 | Dichterliebe, Op. 48 – 16. Die alten, bosen Lieder | — | ||
| 11-1 | Violin Sonata No. 3 in E‐flat major, Op. 12 No. 3 – I. Allegro Con Spirito | — | ||
| 11-2 | Violin Sonata No. 3 in E‐Flat Major, Op. 12 No. 3 – II. Adagio con molt’ espressione | — | ||
| 11-3 | Violin Sonata No. 3 in E‐Flat Major, Op. 12 No. 3 – III. Rondo. Allegro molto | — | ||
| 11-4 | Violin Sonata No. 4 in A Minor, Op. 23 – I. Presto | — | ||
| 11-5 | Violin Sonata No. 4 in A Minor, Op. 23 – II. Andante scherzoso, piu allegretto | — | ||
| 11-6 | Violin Sonata No. 4 in A Minor, Op. 23 – III. Allegro molto | — | ||
| 12-1 | Pavane Pour Une Infante Défunte | — | ||
| 12-2 | A la manière de Chabrier | — | ||
| 12-3 | A la manière de Borodine | — | ||
| 12-4 | Sonatine – I. Modéré | — | ||
| 12-5 | Sonatine – II. Mouvement de menuet | — | ||
| 12-6 | Sonatine – III. Animé | — | ||
| 12-7 | Miroirs – I. Noctuelles | — | ||
| 12-8 | Miroirs – II. Oiseaux tristes | — | ||
| 12-9 | Miroirs – III. Une barque sur l’océan | — | ||
| 12-10 | Miroirs – IV. Alborada del gracioso | — | ||
| 12-11 | Miroirs – V. La vallée des cloches | — | ||
| 13-1 | Ma Mère l’oye, I. Pavane de La Belle Au Bois Dormant | — | ||
| 13-2 | Ma Mère l’oye, II. Petit Poucet | — | ||
| 13-3 | Ma Mère l’Oye – III. Laideronette, Impératrice des Pagodes | — | ||
| 13-4 | Ma Mère l’oye, IV. Les Entretiens de la Belle et de la Bête | — | ||
| 13-5 | Ma Mère l’oye, V. Le Jardin féerique | — | ||
| 13-6 | Habanera | — | ||
| 13-7 | Jeux d’eau | — | ||
| 13-8 | Gaspard de la nuit – I. Ondine | — | ||
| 13-9 | Gaspard de la nuit – II. Le Gibet | — | ||
| 13-10 | Gaspard de la nuit – III. Scarbo | — | ||
| 13-11 | Menuet antique | — | ||
| 14-1 | Le Tombeau de Couperin – I. Prélude | — | ||
| 14-2 | Le Tombeau de Couperin – II. Fugue | — | ||
| 14-3 | Le Tombeau de Couperin – III. Forlane | — | ||
| 14-4 | Le Tombeau de Couperin – IV. Rigaudon | — | ||
| 14-5 | Le Tombeau de Couperin – V. Menuet | — | ||
| 14-6 | Le Tombeau de Couperin – VI. Toccata | — | ||
| 14-7 | Valses nobles et sentimentales, M. 61 – I. Modere, tres franc | — | ||
| 14-8 | Valses nobles et sentimentales, M. 61 – II. Assez lent, avec une expression intense | — | ||
| 14-9 | Valses nobles et sentimentales, M. 61 – III. Modere | — | ||
| 14-10 | Valses nobles et sentimentales, M. 61 – IV. Assez anime | — | ||
| 14-11 | Valses nobles et sentimentales, M. 61 – V. Presque lent, dans un sentiment intime | — | ||
| 14-12 | Valses nobles et sentimentales, M. 61 – VI. Vif | — | ||
| 14-13 | Valses nobles et sentimentales, M. 61 – VII. Moins vif | — | ||
| 14-14 | Valses nobles et sentimentales, M. 61 – VIII. Epilogue | — | ||
| 14-15 | Prélude in A minor | — | ||
| 14-16 | Menuet sur le nom d’Haydn | — | ||
| 15-1 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio sostenuto assai - Allegro agitato | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-2 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro moderato - | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-3 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro deciso - Marziale, un poco meno Allegro | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-4 | Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro animato - Stretto (molto accelerando) | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 15-5 | Konzertstück for Piano and Orchestra in F minor, op. 79: Larghetto affettuoso - Allegro passionato - Adagio - Tempo di Marcia - Più mosso - Presto gioioso | Robert Casadesus, The Cleveland Orchestra, George Szell | — | |
| 16-1 | Piano Sonata No. 23 in F minor, Op. 57 ‘Appassionata’ – I. Allegro Assai | — | ||
| 16-2 | Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ – II. Andante con moto | — | ||
| 16-3 | Piano Sonata No. 23 in F Minor, Op. 57 ‘Appassionata’ – III. Allegro ma non troppo – Presto | — | ||
| 16-4 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – I. Allegro vivace | — | ||
| 16-5 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – II. Largo appassionato | — | ||
| 16-6 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – III. Scherzo. Allegretto – Trio | — | ||
| 16-7 | Piano Sonata No. 2 in A Major, Op. 2, No. 2 – IV. Rondo. Grazioso | — | ||
| 17-1 | Sonata in E major, L. 23 | — | ||
| 17-2 | Sonata in A Major, L. 395 | — | ||
| 17-3 | Sonata in D Major, L. 411 | — | ||
| 17-4 | Sonata in G Major, L. 387 | — | ||
| 17-5 | Sonata in B Minor, L. 449 | — | ||
| 17-6 | Sonata in D Major, L. 465 | — | ||
| 17-7 | Suite in A Minor, RCT 5, No. 7: Gavotte et six doubles | — | ||
| 17-8 | Le Rappel des oiseaux | Robert Casadesus | — | |
| 17-9 | Suite in G Major, RCT 6, No. 14: Les Sauvages | — | ||
| 17-10 | Suite in D Major, RCT 3, No. 11: Les Niais de Sologne | — | ||
| 18-1 | Piano Concerto No. 21 in C major, K. 467 – I. Allegro Maestoso | — | ||
| 18-2 | Piano Concerto No. 21 in C Major, K. 467 – II. Andante | — | ||
| 18-3 | Piano Concerto No. 21 in C Major, K. 467 – III. Allegro vivace assai | — | ||
| 18-4 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – I. Allegro | — | ||
| 18-5 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – II. Larghetto | — | ||
| 18-6 | Piano Concerto No. 27 in B‐Flat Major, K. 595 – III. Allegro | — | ||
| 19-1 | Piano Sonata No. 2 in B‐flat minor, Op. 35 ‘Funeral March’ – I. Grave – Doppio Movimento | — | ||
| 19-2 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – II. Scherzo | — | ||
| 19-3 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – III. Marche funebre. Lento | — | ||
| 19-4 | Piano Sonata No. 2 in B‐Flat Minor, Op. 35 ‘Funeral March’ – IV. Presto | — | ||
| 19-5 | Ballade No. 1 in G Minor, Op. 23 | — | ||
| 19-6 | Ballade No. 2 in F Major, Op. 38 | — | ||
| 19-7 | Ballade No. 3 in A‐Flat Major, Op. 47 | — | ||
| 19-8 | Ballade No. 4 in F Minor, Op. 52 | — | ||
| 20-1 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – I. Allegro con brio | — | ||
| 20-2 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – II. Adagio cantabile | — | ||
| 20-3 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 - III. Scherzo. Allegro - Trio | Robert Casadesus, Zino Francescatti | — | |
| 20-4 | Violin Sonata No. 7 in C Minor, Op. 30 No. 2 – IV. Finale. Allegro | — | ||
| 20-5 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – I. Allegro assai | — | ||
| 20-6 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – II. Tempo di minuetto, ma molto moderato e grazioso | — | ||
| 20-7 | Violin Sonata No. 8 in G Major, Op. 30 No. 3 – III. Allegro vivace | — | ||
| 21-1 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-2 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: II. [Larghetto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-3 | Concerto for Piano and Orchestra no. 24 in C minor, K. 491: III. [Allegretto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-4 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-5 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: II. [Larghetto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 21-6 | Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: III. [Allegretto] | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 22-1 | Preludes, Livre 1, L. 117 – 1. Danseuses de Delphes. Lent et grave | — | ||
| 22-2 | Preludes, Livre 1, L. 117 – 2. Voiles. Modere | — | ||
| 22-3 | Preludes, Livre 1, L. 117 – 3. Le Vent dans la plaine. Anime | — | ||
| 22-4 | Preludes, Livre 1, L. 117 – 4. Les sons et la parfums tournent dans l’air du soir. Modere | — | ||
| 22-5 | Preludes, Livre 1, L. 117 – 5. Les Collines d’Anacapri. Tres modere | — | ||
| 22-6 | Preludes, Livre 1, L. 117 – 6. Des pas sur la neige. Triste et lent | — | ||
| 22-7 | Preludes, Livre 1, L. 117 – 7. Ce qu’a vu le vent d’Ouest. Anime et tumultueux | — | ||
| 22-8 | Preludes, Livre 1, L. 117 – 8. La Fille aux cheveux de lin. Tres calme et doucement expressif | — | ||
| 22-9 | Preludes, Livre 1, L. 117 – 9. La Serenade interrompue. Moderement anime | — | ||
| 22-10 | Preludes, Livre 1, L. 117 – 10. La Cathedrale engloutie. Profondement calme | — | ||
| 22-11 | Preludes, Livre 1, L. 117 – 11. La Sanse de Puck. Capricieux et leger | — | ||
| 22-12 | Preludes, Livre 1, L. 117 – 12. Minstrels. Modere | — | ||
| 22-13 | Six epigraphes antiques, L. 131 – I. Pour invoquer Pan, dieu du vent d’ete | — | ||
| 22-14 | Six epigraphes antiques, L. 131 – II. Pour un tombeau sans nom | — | ||
| 22-15 | Six epigraphes antiques, L. 131 – III. Pour que la nuit soit propice | — | ||
| 22-16 | Six epigraphes antiques, L. 131 – IV. Pour la danseuse aux crotales | — | ||
| 22-17 | Six epigraphes antiques, L. 131 – V. Pour l’Egyptienne | — | ||
| 22-18 | Six epigraphes antiques, L. 131 – VI. Pour remercier la pluie au matin | — | ||
| 22-19 | En blanc et noir, L. 134 – I. Avec emportement | — | ||
| 22-20 | En blanc et noir, L. 134 – II. Lent. Sombre | — | ||
| 22-21 | En blanc et noir, L. 134 – III. Scherzando | — | ||
| 23-1 | Preludes, Livre 2, L. 123 – 1. Brouillards. Modere, extremement egal et leger | — | ||
| 23-2 | Preludes, Livre 2, L. 123 – 2. Feuilles mortes. Lent et melancolique | — | ||
| 23-3 | Preludes, Livre 2, L. 123 – 3. La puerta del vino | — | ||
| 23-4 | Preludes, Livre 2, L. 123 – 4. Les fees sont d’exquises danseuses. Rapide et leger | — | ||
| 23-5 | Preludes, Livre 2, L. 123 – 5. Bruyeres. Calme – Doucement expressif | — | ||
| 23-6 | Preludes, Livre 2, L. 123 – 6. General Lavine – eccentric | — | ||
| 23-7 | Preludes, Livre 2, L. 123 – 7. La Terrasse des audiences au clair de lune. Lent | — | ||
| 23-8 | Preludes, Livre 2, L. 123 – 8. Ondine. Scherzando | — | ||
| 23-9 | Preludes, Livre 2, L. 123 – 9. Hommage a S. Pickwick Esq., P. P.M.P.C. | — | ||
| 23-10 | Preludes, Livre 2, L. 123 – 10. Canope. Tres calme et doucement triste | — | ||
| 23-11 | Preludes, Livre 2, L. 123 – 11. Las tierces alternees. Moderement anime | — | ||
| 23-12 | Preludes, Livre 2, L. 123 – 12 Feux d’artifice. Moderement anime | — | ||
| 23-13 | 2 Arabesques, L. 66 – I. Andantino con moto | — | ||
| 23-14 | 2 Arabesques, L. 66 – II. Allegretto Scherzando | — | ||
| 23-15 | Children’s Corner, L. 113 – I. Doctor Gradus ad Parnassum. Moderement anime | — | ||
| 23-16 | Children’s Corner, L. 113 – II. Jimbo’s Lullaby. Assez modere | — | ||
| 23-17 | Children’s Corner, L. 113 – III. Serenade of the Doll. Allegretto ma non troppo | — | ||
| 23-18 | Children’s Corner, L. 113 – IV. The Snow is Dancing. Moderement anime | — | ||
| 23-19 | Children’s Corner, L. 113 – V. The Little Shepherd. Tres modere | — | ||
| 23-20 | Children’s Corner, L. 113 – VI. Golliwog’s Cake‐walk. Allegro giusto | — | ||
| 24-1 | Images, Book I, L. 110 – I. Reflets dans l’eau. Andantiono molto | — | ||
| 24-2 | Images, Book I, L. 110 – II. Hommage a Rameau. Lent et grave | — | ||
| 24-3 | Images, Book I, L. 110 – III. Mouvement. Anime | — | ||
| 24-4 | Images, Book II, L. 111 – I. Cloches a travers les feuilles. Lent | — | ||
| 24-5 | Images, Book II, L. 111 – II. Et la lune descend sur le temple qui fut. Lent | — | ||
| 24-6 | Images, Book II, L. 111 – III. Poissons d’or. Anime | — | ||
| 24-7 | Estampes, L. 100 – 1. Pagodes | — | ||
| 24-8 | Estampes, L. 100 – 2. La soiree dans Grenade | — | ||
| 24-9 | Estampes, L. 100 – 3. Jardins sous la pluie | — | ||
| 24-10 | Masques, L. 105 | — | ||
| 24-11 | L’Isle joyeuse, L. 106 | — | ||
| 25-1 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – I. Decide – Calme – Anime – Guilet String Quartet | — | ||
| 25-2 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – II. Sicilienne. Pas vite | — | ||
| 25-3 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – III. Grave | — | ||
| 25-4 | Concerto for Violin, Piano and String Quartet in D Major, Op. 21 – IV. Finale. Tres anime | — | ||
| 26-1 | Sonata for 2 Pianos in D Major, K.448/375a – I. Allegro con spirito | — | ||
| 26-2 | Sonata for 2 Pianos in D Major, K.448/375a – II. Andante | — | ||
| 26-3 | Sonata for 2 Pianos in D Major, K.448/375a – III. Allegro molto | — | ||
| 26-4 | 5 Variations in G Major, K. 501 – Tema. Andante | — | ||
| 26-5 | 5 Variations in G Major, K. 501 – Variation I | — | ||
| 26-6 | 5 Variations in G Major, K. 501 – Variation II | — | ||
| 26-7 | 5 Variations in G Major, K. 501 – Variation III | — | ||
| 26-8 | 5 Variations in G Major, K. 501 – Variation IV | — | ||
| 26-9 | 5 Variations in G Major, K. 501 – Variation V | — | ||
| 26-10 | Fantasie in F Minor, D. 940 | — | ||
| 26-11 | Original Compositionen fuer Piano zu 4 Handen, Op. 84, No. 1: Andantino mit Variationen | — | ||
| 27-1 | Violin Sonata No. 1 in A Major, Op. 13 – I. Allegro molto | — | ||
| 27-2 | Violin Sonata No. 1 in A Major, Op. 13 – II. Andante | — | ||
| 27-3 | Violin Sonata No. 1 in A Major, Op. 13 – III. Allegro vivo | — | ||
| 27-4 | Violin Sonata No. 1 in A Major, Op. 13 – IV. Allegro quasi presto | — | ||
| 27-5 | Violin Sonata No. 2 in E Minor, Op. 108 – I. Allegro non troppo | — | ||
| 27-6 | Violin Sonata No. 2 in E Minor, Op. 108 – II. Andante | — | ||
| 27-7 | Violin Sonata No. 2 in E Minor, Op. 108 – III. Allegro non troppo | — | ||
| 28-1 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – I. Allegro | — | ||
| 28-2 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – II. Adagio un poco moto | — | ||
| 28-3 | Piano Concerto No. 5 in E‐Flat Major, Op. 73 ‘Emperor’ – III. Rondo. Allegro | — | ||
| 28-4 | Noches en los Jardines de Espana, IMF 8 – I. En el Generalife | — | ||
| 28-5 | Noches en los Jardines de Espana, IMF 8 – II. Danza Lejana | — | ||
| 28-6 | Noches en los Jardines de Espana, IMF 8 – III. En los jardines de la Sierra de Cordoba | — | ||
| 29-1 | Carnaval, Op. 9 – 1. Preambule. Quasi maestoso – Piu moto – Animato – Vivo – Presto | — | ||
| 29-2 | Carnaval, Op. 9 – 2. Pierrot – Moderato | — | ||
| 29-3 | Carnaval, Op. 9 – 3. Arlequin – Vivo | — | ||
| 29-4 | Carnaval, Op. 9 – 4. Valse noble – Un poco maestoso | — | ||
| 29-5 | Carnaval, Op. 9 – 5. Eusebius – Adagio | — | ||
| 29-6 | Carnaval, Op. 9 – 6. Florestan – Passionato | — | ||
| 29-7 | Carnaval, Op. 9 – 7. Coquette – Vivo | — | ||
| 29-8 | Carnaval, Op. 9 – 8. Replique – L’istesso tempo (Sphinxes) | — | ||
| 29-9 | Carnaval, Op. 9 – 9. Papillons – Prestissimo | — | ||
| 29-10 | Carnaval, Op. 9 – 10. A.S.C.H.‐S.C.H.A. (Lettres dansantes) – Presto | — | ||
| 29-11 | Carnaval, Op. 9 – 11. Chiarina – Passionato | — | ||
| 29-12 | Carnaval, Op. 9 – 12. Chopin – Agitato | — | ||
| 29-13 | Carnaval, Op. 9 – 13. Estrella – Con affetto | — | ||
| 29-14 | Carnaval, Op. 9 – 14. Reconnaissance – Animato | — | ||
| 29-15 | Carnaval, Op. 9 – 15. Pantalon et Colombine – Presto | — | ||
| 29-16 | Carnaval, Op. 9 – 16. Valse allemande – Molto vivace | — | ||
| 29-17 | Carnaval, Op. 9 – 17. Paganini Intermezzo – Presto | — | ||
| 29-18 | Carnaval, Op. 9 – 18. Aveu – Passionato | — | ||
| 29-19 | Carnaval, Op. 9 – 19. Promenade – Comodo | — | ||
| 29-20 | Carnaval, Op. 9 – 20. Pause – Vivo | — | ||
| 29-21 | Carnaval, Op. 9 – 21. March des ‘Davidsb¨¹ndler’ contre les Philistins – Non allegro – Molto piu vivo – Animato – Vivo – Animato molto – Vi | — | ||
| 29-22 | Fantasie in C Major, Op. 17 – I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 29-23 | Fantasie in C Major, Op. 17 – II. Massig. Durchaus energisch | — | ||
| 29-24 | Fantasie in C Major, Op. 17 – III. Langsam getragen. Durchweg leise zu halten | — | ||
| 30-1 | Piano Sonata No. 12 in F major, K.332/300k – I. Allegro | — | ||
| 30-2 | Piano Sonata No. 12 in F Major, K.332/300k – II. Adagio | — | ||
| 30-3 | Piano Sonata No. 12 in F Major, K.332/300k – III. Allegro assai | — | ||
| 30-4 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – I. Allegro | — | ||
| 30-5 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – II. Andante cantabile | — | ||
| 30-6 | Piano Sonata No. 13 in B‐Flat Major, K. 333 – III. Allegretto grazioso | — | ||
| 30-7 | Piano Sonata No. 14 in C Minor, K. 457 – I. Allegro | — | ||
| 30-8 | Piano Sonata No. 14 in C Minor, K. 457 – II. Adagio | — | ||
| 30-9 | Piano Sonata No. 14 in C Minor, K. 457 – III. Molto allegro | — | ||
| 30-10 | Piano Sonata No. 18 in D Major, K. 576 – I. Allegro | — | ||
| 30-11 | Piano Sonata No. 18 in D Major, K. 576 – II. Adagio | — | ||
| 30-12 | Piano Sonata No. 18 in D Major, K. 576 – III. Allegretto | — | ||
| 31-1 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): I. Allegro | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-2 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): II. Andante | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-3 | Concerto for 2 Pianos and Orchestra no. 10 in E-flat major, K. 365 (316a): III. Rondeau. Allegro | Gaby Casadesus, Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-4 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-5 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 31-6 | Concerto for Piano and Orchestra no. 12 in A major, K. 414 (386a/385p): III. Rondeau. Allegretto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 32-1 | Mondscheinsonate, Op. 27 No. 2: I. Adagio sostenuto | Robert Casadesus | — | |
| 32-2 | Piano Sonata No. 14 in C‐sharp minor, Op. 27 No. 2 “Moonlight”: II. Allegretto | — | ||
| 32-3 | Piano Sonata No. 14 in C‐sharp minor, Op. 27 No. 2 “Moonlight”: III. Presto agitato | — | ||
| 32-4 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: I. Das Lebewohl. Adagio – Allegro | — | ||
| 32-5 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: II. Die Abwesenheit. Andante espressivo | — | ||
| 32-6 | Piano Sonata No. 26 in E‐flat major, Op. 81a “Les Adieux”: III. Das Wiedersehn. Vivacissimamente | — | ||
| 32-7 | Piano Sonata No. 24 in F‐sharp major, Op. 78 “À Thérèse”: I. Adagio cantabile – Allegro, ma non troppo | — | ||
| 32-8 | Piano Sonata No. 24 in F‐sharp major, Op. 78 “À Thérèse”: II. Allegro vivace | — | ||
| 32-9 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: I. Allegro assai | — | ||
| 32-10 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: II. Andante con moto – attacca | — | ||
| 32-11 | Piano Sonata No. 23 in F minor, Op. 57 “Appassionata”: III. Allegro, ma non troppo – Presto | — | ||
| 33-1 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 1. La Noce des souris | — | ||
| 33-2 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 2. La Cigogne lasse | — | ||
| 33-3 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 3. Le Cheval de Ferme‐l’oeil | — | ||
| 33-4 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 4. Le Mariage de la poupee Berthe | — | ||
| 33-5 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 5. La Ronde des lettres boiteuses | — | ||
| 33-6 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 6. La Promenade a travers le tableau | — | ||
| 33-7 | Une semaine du petit elfe Ferme‐l’Oeil, Op. 58 – 7. Le Parapluie chinois | — | ||
| 33-8 | 3 Rapsodies, Op. 53 – I. Française | — | ||
| 33-9 | 3 Rapsodies, Op. 53 – II. Polonaise | — | ||
| 33-10 | 3 Rapsodies, Op. 53 – III. Viennoise | — | ||
| 34-1 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-2 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-3 | Concerto for 2 Pianos and Orchestra no. 10 in D minor, K. 365: III. Rondo. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-4 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-5 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 34-6 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 35-1 | Variations symphoniques, FWV 46 | — | ||
| 35-2 | Symphonie sur un chant montagnard franais, Op. 25 – I. Assez lent – Moderement anime – Assez lent | — | ||
| 35-3 | Symphonie sur un chant montagnard franais, Op. 25 – II. Assez modere, mais sans lenteur | — | ||
| 35-4 | Symphonie sur un chant montagnard franais, Op. 25 – III. Anime | — | ||
| 36-1 | Piano Concerto No. 4 in G major, Op. 58 – I. Allegro Moderato | — | ||
| 36-2 | Piano Concerto No. 4 in G Major, Op. 58 – II. Andante con moto | — | ||
| 36-3 | Piano Concerto No. 4 in G Major, Op. 58 – III. Rondo. Vivace | — | ||
| 36-4 | Piano Concerto No. 1 in C Major, Op. 15 – I. Allegro con brio | — | ||
| 36-5 | Piano Concerto No. 1 in C Major, Op. 15 – II. Largo | — | ||
| 36-6 | Piano Concerto No. 1 in C Major, Op. 15 – III. Rondo. Allegro scherzando | — | ||
| 37-1 | Italian Concerto in F Major, BWV 971 – I. Allegro | — | ||
| 37-2 | Italian Concerto in F Major, BWV 971 – II. Andante | — | ||
| 37-3 | Italian Concerto in F Major, BWV 971 – III. Presto | — | ||
| 37-4 | Toccata and Fugue in E Minor, BWV 914 | — | ||
| 37-5 | Partita No. 2 In C Minor, BWV 826 – 1. Sinfonia | — | ||
| 37-6 | Partita No. 2 In C Minor, BWV 826 – 2. Allemande | — | ||
| 37-7 | Partita No. 2 In C Minor, BWV 826 – 3. Courante | — | ||
| 37-8 | Partita No. 2 In C Minor, BWV 826 – 4. Sarabande | — | ||
| 37-9 | Partita No. 2 In C Minor, BWV 826 – 5. Rondeau | — | ||
| 37-10 | Partita No. 2 In C Minor, BWV 826 – 6. Capriccio | — | ||
| 38-1 | Nonetto in E‐Flat Major, Op. 45 – I. Allegro teneramente | — | ||
| 38-2 | Nonetto in E‐Flat Major, Op. 45 – II. Tempo di Sardana | — | ||
| 38-3 | Nonetto in E‐Flat Major, Op. 45 – III. Poco adagio | — | ||
| 38-4 | Nonetto in E‐Flat Major, Op. 45 – IV. Vivo giocoso | — | ||
| 38-5 | Sextuor in E Major, Op. 58 – I. Allegro con brio | — | ||
| 38-6 | Sextuor in E Major, Op. 58 – II. Scherzo vivace | — | ||
| 38-7 | Sextuor in E Major, Op. 58 – III. Andante | — | ||
| 38-8 | Sextuor in E Major, Op. 58 – IV. Giocoso, non troppo vivo | — | ||
| 39-1 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – I. Adagio Sostenuto – Presto | — | ||
| 39-2 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – II. Andante Con Variazioni | — | ||
| 39-3 | Violin Sonata No. 9, Op. 47 ‘Kreutzer’ – III. Finale. Presto | — | ||
| 39-4 | Violin Sonata No. 1, Op. 12 No. 1 – I. Allegro con brio | — | ||
| 39-5 | Violin Sonata No. 1, Op. 12 No. 1 – II. Tema con variazioni. Andante con moto | — | ||
| 39-6 | Violin Sonata No. 1, Op. 12 No. 1 – III. Rondo. Allegro | — | ||
| 40-1 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-2 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-3 | Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 40-4 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: I. Allegro | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-915.711.586-1 | |
| 40-5 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: II. Adagio | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-915.711.586-1 | |
| 40-6 | Concerto for Piano and Orchestra no. 23 in A minor, K. 488: III. Allegro assai | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | T-306.395.786-4 | |
| 41-1 | Papillons, Op. 2 – Introduzione – Moderato | — | ||
| 41-2 | Papillons, Op. 2 – 1. (quarter note = 120) | — | ||
| 41-3 | Papillons, Op. 2 – 2. Prestissimo | — | ||
| 41-4 | Papillons, Op. 2 – 3. (quarter note = 120) | — | ||
| 41-5 | Papillons, Op. 2 – 4. Presto | — | ||
| 41-6 | Papillons, Op. 2 – 5. (quarter note = 80) | — | ||
| 41-7 | Papillons, Op. 2 – 6. (quarter note = 152) | — | ||
| 41-8 | Papillons, Op. 2 – 7. Semplice | — | ||
| 41-9 | Papillons, Op. 2 – 8. (quarter note = 132) | — | ||
| 41-10 | Papillons, Op. 2 – 9. Prestissimo | — | ||
| 41-11 | Papillons, Op. 2 – 10. Vivo | — | ||
| 41-12 | Papillons, Op. 2 – 11. (quarter note = 112) | — | ||
| 41-13 | Papillons, Op. 2 – 12. Finale | — | ||
| 41-14 | Waldszenen, Op. 82 – 1. Eintritt. Nicht zu schnell | — | ||
| 41-15 | Waldszenen, Op. 82 – 2. Jager auf der Lauer. Hochst lebhaft | — | ||
| 41-16 | Waldszenen, Op. 82 – 3. Einsame Blumen. Einfach | — | ||
| 41-17 | Waldszenen, Op. 82 – 4. Verrufene Stelle. Ziemlich langsam | — | ||
| 41-18 | Waldszenen, Op. 82 – 5. Freundliche Landschaft. Schnell | — | ||
| 41-19 | Waldszenen, Op. 82 – 6. Herberge. Massig | — | ||
| 41-20 | Waldszenen, Op. 82 – 7. Vogel als Prophet. Langsam, sehr zart | — | ||
| 41-21 | Waldszenen, Op. 82 – 8. Jagdlied. Rasch, kraftig | — | ||
| 41-22 | Waldszenen, Op. 82 – 9. Abschied. Nicht zu schnell | — | ||
| 41-23 | Symphonic Etudes for Piano, Op. 13 – Thema. Andante | — | ||
| 41-24 | Symphonic Etudes for Piano, Op. 13 – Etude I. Un poco piu vivo | — | ||
| 41-25 | Symphonic Etudes for Piano, Op. 13 – Etude II. Marcato il Canto | — | ||
| 41-26 | Symphonic Etudes for Piano, Op. 13 – Etude III. Vivace | — | ||
| 41-27 | Symphonic Etudes for Piano, Op. 13 – Etude IV | — | ||
| 41-28 | Symphonic Etudes for Piano, Op. 13 – Etude V | — | ||
| 41-29 | Symphonic Etudes for Piano, Op. 13 – Etude VI. Agitato | — | ||
| 41-30 | Symphonic Etudes for Piano, Op. 13 – Etude VII. Allegro molto | — | ||
| 41-31 | Symphonic Etudes for Piano, Op. 13 – Etude VIII | — | ||
| 41-32 | Symphonic Etudes for Piano, Op. 13 – Etude IX. Presto possibile | — | ||
| 41-33 | Symphonic Etudes for Piano, Op. 13 – Etude X | — | ||
| 41-34 | Symphonic Etudes for Piano, Op. 13 – Etude XI | — | ||
| 41-35 | Symphonic Etudes for Piano, Op. 13 – Etude XII. Allegro brillante | — | ||
| 42-1 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-2 | Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-3 | Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — | |
| 42-4 | Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — | |
| 43-1 | Petite Suite: I. En bateau | — | ||
| 43-2 | Petite Suite: II. Cortège | — | ||
| 43-3 | Petite Suite: III. Menuet | — | ||
| 43-4 | Petite Suite: IV. Ballet | — | ||
| 43-5 | 3 morceaux en forme de poire: I. Manière de Commencement | — | ||
| 43-6 | 3 morceaux en forme de poire: II. Prolongation de même | — | ||
| 43-7 | 3 morceaux en forme de poire: III. Morceau I. | — | ||
| 43-8 | 3 morceaux en forme de poire: IV. Morceau II. | — | ||
| 43-9 | 3 morceaux en forme de poire: V. Morceau III. | — | ||
| 43-10 | 3 morceaux en forme de poire: VI. En plus | — | ||
| 43-11 | 3 morceaux en forme de poire: VII. Redite | — | ||
| 43-12 | 3 Valses romantiques: I. Très vite et impétueusement | — | ||
| 43-13 | 3 Valses romantiques: II. Mouvement modéré de valse | — | ||
| 43-14 | 3 Valses romantiques: III. Animé | — | ||
| 43-15 | Dolly, Suite, op. 56 : I. Berceuse | — | ||
| 43-16 | Dolly, Suite, op. 56 : II. Mi-a-ou | — | ||
| 43-17 | Dolly, Suite, op. 56 : III. Le jardin de Dolly | — | ||
| 43-18 | Dolly, Suite, op. 56 : IV. Kitty-Valse | — | ||
| 43-19 | Dolly, Suite, op. 56 : V. Tendresse | — | ||
| 43-20 | Dolly, Suite, op. 56 : VI. Le Pas espagnol | — | ||
| 44-1 | Piano Concerto no. 4 in C minor, op. 44: I. Allegro moderato | — | ||
| 44-2 | Piano Concerto no. 4 in C minor, op. 44: II. Allegro vivace | — | ||
| 44-3 | Ballade in F‐sharp major for Piano, op. 19 | — | ||
| 44-4 | Prélude no. 1 in D‐flat major, op. 103 | — | ||
| 44-5 | Prélude no. 3 in G minor, op. 103 | — | ||
| 44-6 | Prélude no. 5 in D minor, op. 103 | — | ||
| 45-1 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-2 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: II. Larghetto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-3 | Concerto for Piano and Orchestra no. 26 in D major, K. 537 “Coronation”: III. Allegretto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-4 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-5 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: II. Larghetto | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 45-6 | Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — | |
| 46-1 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: I, Allegro con spirito | — | ||
| 46-2 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: II, Adagio con molta espressione | — | ||
| 46-3 | Sonate per violino e pianoforte in mi bem. magg., Op. 12 No. 3: III, Allegro molto | — | ||
| 46-4 | Sonate per violino e pianoforte in la min., Op. 23: I, Presto | — | ||
| 46-5 | Sonate per violino e pianoforte in la min., Op. 23: II, Andante scherzoso | — | ||
| 46-6 | Sonate per violino e pianoforte in la min., Op. 23: III, Allegro molto | — | ||
| 46-7 | Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | Zino Francescatti, Robert Casadesus | — | |
| 46-8 | Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Robert Casadesus, Zino Francescatti | — | |
| 46-9 | Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro molto | Robert Casadesus, Zino Francescatti | — | |
| 46-10 | Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Robert Casadesus, Zino Francescatti | T-031.682.208-8 | |
| 47-1 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : I. Allegro | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-2 | Concerto for 3 Pianos and Orchestra in F Major, K. 242 : II. Adagio | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-3 | Concerto for 3 Pianos and Orchestra in F Major, K. 242: III. Rondo - Tempo di Menuetto | Gaby Casadesus, Robert Casadesus, Jean Casadesus, The Philadelphia Orchestra, Eugene Ormandy | — | |
| 47-4 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: I. - | — | ||
| 47-5 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 47-6 | Concerto for 3 Pianos and Orchestra in D minor, BWV 1063: III. Allegro | — | ||
| 47-7 | Quintet in E‐flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 47-8 | Quintet in E‐flat major, K. 452: II. Larghetto | — | ||
| 47-9 | Quintet in E‐flat major, K. 452: III. Allegretto | — | ||
| 48-1 | Sonata for 2 Pianos and Percussion, Sz. 110: I. Assai lento - Allegro molto | — | ||
| 48-2 | Sonata for 2 Pianos and Percussion, Sz. 110: II. Lento, ma non troppo | — | ||
| 48-3 | Sonata for 2 Pianos and Percussion, Sz. 110: III. Allegro non troppo | — | ||
| 48-4 | En blanc et noir, L. 134: I. Avec emportement | — | ||
| 48-5 | En blanc et noir, L. 134: II. Lent. Sombre | — | ||
| 48-6 | En blanc et noir, L. 134: III. Scherzando | — | ||
| 48-7 | 6 Épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d’ete | — | ||
| 48-8 | 6 Épigraphes antiques, L. 131: II. Pour un tombeau sans nom | — | ||
| 48-9 | 6 Épigraphes antiques, L. 131: III. Pour que la nuit soit propice | — | ||
| 48-10 | 6 Épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales | — | ||
| 48-11 | 6 Épigraphes antiques, L. 131: V. Pour I’Egyptienne | — | ||
| 48-12 | 6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | — | ||
| 49-1 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 49-2 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — | |
| 49-3 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: III. Allegro vivace assai (Cadenza: Robert Casadesus) | Robert Casadesus, Cleveland Orchestra, George Szell | — | |
| 49-4 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 49-5 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 49-6 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto (Cadenza: Camille Saint‐Saëns) | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — | |
| 50-1 | Sonata no. 2 in A major, op. 12 no. 2: I. Allegro vivace | Robert Casadesus, Zino Francescatti | — | |
| 50-2 | Sonata no. 2 in A major, op. 12 no. 2: II. Andante più tosto allegretto | Robert Casadesus, Zino Francescatti | — | |
| 50-3 | Sonata no. 2 in A major, op. 12 no. 2: III. Allegro piacevole | Robert Casadesus, Zino Francescatti | — | |
| 50-4 | Sonata no. 6 in A op. 30, no. 1: I. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 50-5 | Sonata no. 6 in A op. 30, no. 1: II. Adagio molto espressivo | Robert Casadesus, Zino Francescatti | — | |
| 50-6 | Sonata no. 6 in A op. 30, no. 1: III. Allegretto con variazioni | Robert Casadesus, Zino Francescatti | — | |
| 50-7 | Sonata no. 8 in G op. 30, no. 3: I. Allegro assai | Robert Casadesus, Zino Francescatti | — | |
| 50-8 | Sonata no. 8 in G op. 30, no. 3: II. Tempo di menuetto ma molto moderato e grazioso | Robert Casadesus, Zino Francescatti | — | |
| 50-9 | Sonata no. 8 in G op. 30, no. 3: III. Allegro vivace | Robert Casadesus, Zino Francescatti | — | |
| 51-1 | Sonata no. 7 in C minor op. 30, no. 2: I. Allegro con brio | Robert Casadesus, Zino Francescatti | — | |
| 51-2 | Sonata no. 7 in C minor op. 30, no. 2: II. Adagio cantabile | Robert Casadesus, Zino Francescatti | — | |
| 51-3 | Violin Sonata no. 7 in C minor, op. 30 no. 2: III. Scherzo. Allegro - Trio | — | ||
| 51-4 | Sonata no. 7 in C minor op. 30, no. 2: IV. Finale. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 51-5 | Sonata for Piano and Violin No. 10 in G major, Op. 96: I. Allegro moderato | Robert Casadesus, Zino Francescatti | — | |
| 51-6 | Sonata for Piano and Violin No. 10 in G major, Op. 96: II. Adagio espressivo | Robert Casadesus, Zino Francescatti | — | |
| 51-7 | Sonata for Piano and Violin No. 10 in G major, Op. 96: III. Scherzo. Allegro | Robert Casadesus, Zino Francescatti | — | |
| 51-8 | Sonata for Piano and Violin No. 10 in G major, Op. 96: IV. Poco allegretto - Adagio - Tempo I - Allegro - Poco Adagio - Presto | Robert Casadesus, Zino Francescatti | — | |
| 52-1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | — | ||
| 52-2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | — | ||
| 52-3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | — | ||
| 52-4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto - Agitato | — | ||
| 52-5 | Piano Sonata no. 12 in F major, K.332/300k: I. Allegro | — | ||
| 52-6 | Piano Sonata no. 12 in F major, K.332/300k: II. Adagio | — | ||
| 52-7 | Piano Sonata no. 12 in F major, K.332/300k: III. Allegro assai | — | ||
| 52-8 | Divertimento in A‐flat major, Hob.XVI:46: I. Allegro moderato | — | ||
| 52-9 | Divertimento in A‐flat major, Hob.XVI:46: II. Adagio non troppo | — | ||
| 52-10 | Divertimento in A‐flat major, Hob.XVI:46: III. Finale: Presto | — | ||
| 53-1 | Concerto for 3 Keyboards in C major, BWV 1064: I. Allegro | — | ||
| 53-2 | Concerto for 3 Keyboards in C major, BWV 1064: II. Adagio | — | ||
| 53-3 | Concerto for 3 Keyboards in C major, BWV 1064: III. Allegro | — | ||
| 53-4 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): I. Allegro marziale | — | ||
| 53-5 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): II. Andante siciliano | — | ||
| 53-6 | Concerto for 3 Pianos and String Orchestra, op. 65 (1964): III. Presto spagnuolo | — | ||
| 53-7 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): I. Allegro con fuoco | — | ||
| 53-8 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): II. Adagio ma non troppo | — | ||
| 53-9 | Piano Concerto no. 2, op. 37 "For Dimitri Mitropoulos" (1944): III. Allegro moderato | — | ||
| 54-1 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-2 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | Members of the Cleveland Orchestra, George Szell | — | |
| 54-3 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | Members of the Cleveland Orchestra, George Szell | — | |
| 54-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | Members of the Cleveland Orchestra, George Szell | — | |
| 54-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto | Members of the Cleveland Orchestra, George Szell | — | |
| 55-1 | Concerto for 2 Pianos, BWV 1060 - I. Allegro | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-914.323.771-2 | |
| 55-2 | Concerto for 2 Pianos, BWV 1060 - II. Largo ovvero adagio | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-307.292.933-6 | |
| 55-3 | Concerto for 2 Pianos, BWV 1060 - III. Allegro | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | — | |
| 55-4 | Concerto for 2 Pianos, BWV 1061 - I. No tempo | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-801.411.105-9 | |
| 55-5 | Concerto for 2 Pianos, BWV 1061 - II. Adagio ovvero largo | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | T-307.292.957-4 | |
| 55-6 | Concerto for 2 Pianos, BWV 1061 - III. Fuga, Vivace | Gaby Casadesus, Robert Casadesus, Zürcher Kammerorchester, Edmond de Stoutz | — | |
| 56-1 | Homage à Chausson, op. 51 | — | ||
| 56-2 | 3 Preludes for Piano: I. Cezanne | — | ||
| 56-3 | 3 Preludes for Piano: II. Dufy | — | ||
| 56-4 | 3 Preludes for Piano: III. Modigliani | — | ||
| 56-5 | Violin Sonata no. 2 in A major, BWV 1015: I. (Dolce) | — | ||
| 56-6 | Violin Sonata no. 2 in A major, BWV 1015: II. Allegro | — | ||
| 56-7 | Violin Sonata no. 2 in A major, BWV 1015: III. Andante un poco | — | ||
| 56-8 | Violin Sonata no. 2 in A major, BWV 1015: IV. Presto | — | ||
| 56-9 | Piano Concerto no. 3 in C Minor, op. 37: I. Allegro con brio | — | ||
| 56-10 | Piano Concerto no. 3 in C Minor, op. 37: II. Largo | — | ||
| 56-11 | Piano Concerto no. 3 in C Minor, op. 37: III. Rondo. Allegro - Presto | — | ||
| 56-12 | 9 Variations on a Minuet by Jean Pierre Duport, K. 573 | — | ||
| 57-1 | 4 Ballades: No. 1 in G minor, op. 23 | — | ||
| 57-2 | 4 Ballades: No. 2 in F major, op. 38, | — | ||
| 57-3 | 4 Ballades: No. 3 in A‐flat major, op. 47 | — | ||
| 57-4 | 4 Ballades: No. 4 in F minor, op. 52 | — | ||
| 57-5 | Papillons, op. 2 | — | ||
| 58-1 | Fantasie in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | — | ||
| 58-2 | Fantasie in C major, op. 17: II. Mässig. Durchaus energisch | — | ||
| 58-3 | Fantasie in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten. | — | ||
| 58-4 | Berceuse in D‐flat major, op. 57 | — | ||
| 58-5 | Waldscenen, op. 82: VII. Vogel als Prophet | — | ||
| 58-6 | Tarantelle in A‐flat major, op. 43 | — | ||
| 58-7 | 24 Préludes for Piano, op. 5: Nos. 2, 3, 8, 11, 14, 20 & 21 | — | ||
| 59-1 | Fantasie En Ré Mineur, K. 397 | — | ||
| 59-2 | Piano Sonata no. 28, op. 101: I. Allegro ma non troppo | — | ||
| 59-3 | Piano Sonata no. 28, op. 101: II. Vivace alla marcia | — | ||
| 59-4 | Piano Sonata no. 28, op. 101: III. Adagio ma non troppo - Allegro | — | ||
| 59-5 | Symphonic Etudes for Piano, op. 13: Thema. Andante | — | ||
| 59-6 | Symphonic Etudes for Piano, op. 13: Étude I. Un poco più vivo | — | ||
| 59-7 | Symphonic Etudes for Piano, op. 13: Étude II. Marcato il Canto | — | ||
| 59-8 | Symphonic Etudes for Piano, op. 13: Étude III. Vivace | — | ||
| 59-9 | Symphonic Etudes for Piano, op. 13: Étude IV | — | ||
| 59-10 | Symphonic Etudes for Piano, op. 13: Étude V | — | ||
| 59-11 | Symphonic Etudes for Piano, op. 13: Étude VI. Agitato | — | ||
| 59-12 | Symphonic Etudes for Piano, op. 13: Étude VII. Allegro molto | — | ||
| 59-13 | Symphonic Etudes for Piano, op. 13: Étude VIII | — | ||
| 59-14 | Symphonic Etudes for Piano, op. 13: Étude IX. Presto possibile | — | ||
| 59-15 | Symphonic Etudes for Piano, op. 13: Étude X | — | ||
| 59-16 | Symphonic Etudes for Piano, op. 13: Étude XI | — | ||
| 59-17 | Symphonic Etudes for Piano, op. 13: Étude XII. Allegro brillante | — | ||
| 60-1 | Sonatine, M. 40: I. Modéré | — | ||
| 60-2 | Sonatine, M. 40: II. Mouvement de Menuet | — | ||
| 60-3 | Sonatine, M. 40: III. Animé | — | ||
| 60-4 | Miroirs, M. 43: IV. Alborada del gracioso | — | ||
| 60-5 | Préludes: Livre 1, L. 117, 8: La fille aux cheveux de lin | — | ||
| 60-6 | Préludes: Livre 1, L. 117, 9: La sérénade interrompue | — | ||
| 60-7 | Préludes: Livre 1, L. 117, 10: La Cathédrale engloutie | — | ||
| 60-8 | Préludes: Livre 2, L. 123, 6: Général Lavine - eccentric | — | ||
| 60-9 | Préludes: Livre 2, L. 123, 8: Ondine | — | ||
| 60-10 | Préludes: Livre 2, L. 123, 12: Feux d’artifice | — | ||
| 60-11 | Arabesque, no. 2, L. 66 - Remastered | — | ||
| 60-12 | Pictures at an Exhibition, IMM 50: IV Bydlo. Sempre moderato, pesante - Remastered | — | ||
| 61-1 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | — | ||
| 61-2 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | — | ||
| 61-3 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | — | ||
| 61-4 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | — | ||
| 61-5 | Violin Sonata no. 2 in A major, op. 100: I. Allegro amabile | — | ||
| 61-6 | Violin Sonata no. 2 in A major, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di piú - Andante - Vivace | — | ||
| 61-7 | Violin Sonata no. 2 in A major, op. 100: III. Allegretto grazioso (quasi Andante) | — | ||
| 61-8 | Violin Sonata no. 1 in G major, op. 78: I. Vivace ma non troppo | — | ||
| 61-9 | Violin Sonata no. 1 in G major, op. 78: II. Adagio | — | ||
| 61-10 | Violin Sonata no. 1 in G major, op. 78: III. Allegro molto moderato | — | ||
| 62-1 | Préludes, vol. 1: 1. Danseuses de delphes (Lent et grave) | — | ||
| 62-2 | Préludes, vol. 1: 2. Voiles (Modéré) | — | ||
| 62-3 | Préludes, vol. 1: 3. Le vent dans la plaine (Animé) | — | ||
| 62-4 | Préludes, vol. 1: 4. Les sons et les parfums tournent dans l’air du soir (Modéré) | — | ||
| 62-5 | Préludes, vol. 1: 5. Les collines d’anacapri (Très modéré) | — | ||
| 62-6 | Préludes, vol. 1: 6. Des pas sur la neige (Triste et lent) | — | ||
| 62-7 | Préludes, vol. 1: 7. Ce qu’a vu le vent d’ouest (Animé et tumultueux) | — | ||
| 62-8 | Préludes, vol. 1: 8. La fille aux cheveux de lin (Très calme et doucement expressif) | — | ||
| 62-9 | Préludes, vol. 1: 9. La sérénade interrompue (Modérément animé) | — | ||
| 62-10 | Préludes, vol. 1: 10. La cathédrale engloutie (Profondément calme) | — | ||
| 62-11 | Préludes, vol. 1: 11. La danse de puck (Capricieux et légér) | — | ||
| 62-12 | Préludes, vol. 1: 12. Minstrels (Modéré) | — | ||
| 63-1 | Bourrée fantasque | — | ||
| 63-2 | Pièces pittoresques : No. 1. Paysage | — | ||
| 63-3 | Pièces pittoresques : No. 2. Mélancolie | — | ||
| 63-4 | Pièces pittoresques : No. 3. Tourbillon | — | ||
| 63-5 | Pièces pittoresques : No. 4. Sous‐bois | — | ||
| 63-6 | Pièces pittoresques : No. 5. Mauresque | — | ||
| 63-7 | Pièces pittoresques : No. 6. Idylle | — | ||
| 63-8 | Pièces pittoresques : No. 7. Danse villageoise | — | ||
| 63-9 | Pièces pittoresques : No. 8. Improvisation | — | ||
| 63-10 | Pièces pittoresques : No. 9. Menuet pompeux | — | ||
| 63-11 | Pièces pittoresques : No. 10. Scherzo‐Valse | — | ||
| 63-12 | Cinq morceaux pour piano : No. 1. Aubade | — | ||
| 63-13 | Cinq morceaux pour piano : No. 2. Ballabile | — | ||
| 63-14 | Cinq morceaux pour piano : No. 3. Caprice | — | ||
| 63-15 | Cinq morceaux pour piano : No. 4. Feuillet d’album | — | ||
| 63-16 | Cinq morceaux pour piano : No. 5. Ronde champêtre | — | ||
| 63-17 | Impromptu | — | ||
| 64-1 | Cinq poèmes de Baudelaire, L. 64, CD 70 : I. Le Balcon | — | ||
| 64-2 | Cinq poèmes de Baudelaire, L. 64, CD 70 : II. Harmonie du soir | — | ||
| 64-3 | Cinq poèmes de Baudelaire, L. 64, CD 70 : III. Le Jet d’eau | — | ||
| 64-4 | Cinq poèmes de Baudelaire, L. 64, CD 70 : IV. Recueillement | — | ||
| 64-5 | Cinq poèmes de Baudelaire, L. 64, CD 70 : V. La Mort des amants | — | ||
| 64-6 | Fêtes galantes, L. 80, CD 86 : I. En sourdine | — | ||
| 64-7 | Fêtes galantes, L. 80, CD 86 : II. Fantoches | — | ||
| 64-8 | Fêtes galantes, L. 80, CD 86 : III. Clair de lune | — | ||
| 64-9 | Romance, L. 52, CD 56, mélodie pour voix et piano « Voici que le printemps » | — | ||
| 64-10 | Romance, L. 79, CD 65, mélodie pour voix et piano « L’âme évaporée et souffrante » | — | ||
| 64-11 | Mandoline, L. 29, CD 43, mélodie pour voix et piano « Les Donneurs de sérénades » | — | ||
| 64-12 | Chansons de Bilitis, L. 90 : I. La Flûte de Pan | — | ||
| 64-13 | Chansons de Bilitis, L. 90 : II. Le Chevelure | — | ||
| 64-14 | Chansons de Bilitis, L. 90 : III. Le Tombeau des Naiades | — | ||
| 65-1 | Piano Sonata no. 4, op. 56 (1957): I. Allegro impetuoso | — | ||
| 65-2 | Piano Sonata no. 4, op. 56 (1957): II. Scherzo vivace - trio - poco meno vivo | — | ||
| 65-3 | Piano Sonata no. 4, op. 56 (1957): III. Andantino | — | ||
| 65-4 | Piano Sonata no. 4, op. 56 (1957): IV. Giocoso, non troppo vivo | — | ||
| 65-5 | Eight Etudes, op. 28: no. 1: Tierces. Vivo | — | ||
| 65-6 | Eight Etudes, op. 28: no. 2: Octaves. Allegretto a capriccio | — | ||
| 65-7 | Eight Etudes, op. 28: no. 3: Sonorité. Andantino (Comme une berceuse) | — | ||
| 65-8 | Eight Etudes, op. 28: no. 4: Quartes et quintes. Scherzo vivacissimo | — | ||
| 65-9 | Eight Etudes, op. 28: no. 5: Deux contre trois. Presto | — | ||
| 65-10 | Eight Etudes, op. 28: no. 6: Main gauche. Allegro leggero | — | ||
| 65-11 | Eight Etudes, op. 28: no. 7: Accords. In modo di "Sardana" - giocoso - pochissimo meno vivo | — | ||
| 65-12 | Eight Etudes, op. 28: no. 8: Legèreté. Vivamente | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro | Robert Casadesus, Columbia Symphony Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: I. Allegro | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: II. Adagio | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto for Piano and Orchestra no. 23 in A minor, K. 488: III. Allegro assai | Robert Casadesus, Members of the Cleveland Orchestra, George Szell | — |
| Concerto in E-flat major for Two Pianos, K. 365: I. Allegro | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: II. Andante | Gaby Casadesus, Robert Casadesus, Members of the Cleveland Orchestra, Eugene Ormandy | — |
| Concerto in E-flat major for Two Pianos, K. 365: III. Rondo: Allegro | Gaby Casadesus, Robert Casadesus, Philadelphia Orchestra, Eugene Ormandy | — |
| Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | Robert Casadesus, Membres du Cleveland Orchestra, George Szell | — |
