UPC · Release
More Blood, More Tracks: The Bootleg Series, Vol. 14 (deluxe edition)
Bob Dylan
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190758589626 is the Universal Product Code (UPC barcode) for the release “More Blood, More Tracks: The Bootleg Series, Vol. 14 (deluxe edition)” by Bob Dylan, released 2018-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include USSM17400143, USSM11805477, USSM11805478.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (87)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | If You See Her, Say Hello (New York, 9/16/74, take 1 – solo) | — | ||
| 2 | If You See Her, Say Hello | Bob Dylan | T-070.250.189-0 | |
| 3 | You’re a Big Girl Now (9/16/74, take 1 – solo) | — | ||
| 4 | You’re a Big Girl Now (9/16/74, take 2 – solo) | Bob Dylan | T-070.250.220-2 | |
| 5 | Simple Twist of Fate (9/16/74, take 1 – solo) | Bob Dylan | T-070.250.210-0 | |
| 6 | Simple Twist of Fate (9/16/74, take 2 – solo) | — | ||
| 7 | You’re a Big Girl Now (9/16/74, take 3 – solo) | — | ||
| 8 | Up to Me (9/16/74, rehearsal – solo) | — | ||
| 9 | Up to Me (9/16/74, take 1 – solo) | — | ||
| 10 | Lily, Rosemary and the Jack of Hearts (9/16/74, take 1 – solo) | — | ||
| 11 | Lily, Rosemary and the Jack of Hearts (9/16/74, take 2 – solo) | — | ||
| 2-1 | Simple Twist of Fate (9/16/74, take 1A – with band) | — | ||
| 2-2 | Simple Twist of Fate (9/16/74, take 2A – with band) | — | ||
| 2-3 | Simple Twist of Fate (9/16/74, take 3A – with band) | — | ||
| 2-4 | Call Letter Blues (9/16/74, take 1 – with band) | — | ||
| 2-5 | Meet Me in the Morning (9/16/74, take 1 – with band) | — | ||
| 2-6 | Call Letter Blues | Bob Dylan | T-070.250.334-1 | |
| 2-7 | Idiot Wind (9/16/74, take 1 – with bass) | — | ||
| 2-8 | Idiot Wind (9/16/74, take 1, remake – with bass) | — | ||
| 2-9 | Idiot Wind (9/16/74, take 3 with insert – with bass) | — | ||
| 2-10 | Idiot Wind (9/16/74, take 5 – with bass) | — | ||
| 2-11 | Idiot Wind (9/16/74, take 6 – with bass) | — | ||
| 2-12 | You’re Gonna Make Me Lonesome When You Go (9/16/74, rehearsal and take 1 – with band) | — | ||
| 2-13 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 2 – with band) | — | ||
| 2-14 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 3 – with band) | — | ||
| 2-15 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 4 – with band) | — | ||
| 2-16 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 5 – with band) | — | ||
| 2-17 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 6 – with band) | — | ||
| 2-18 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 6, remake – with band) | — | ||
| 2-19 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 7 – with band) | — | ||
| 2-20 | You’re Gonna Make Me Lonesome When You Go (9/16/74, take 8 – with band) | — | ||
| 3-1 | Tangled Up in Blue (9/16/74, take 1 – with bass) | — | ||
| 3-2 | You’re a Big Girl Now (9/17/74, take 1, remake – with bass and organ) | — | ||
| 3-3 | You’re a Big Girl Now (alternate version) | Bob Dylan | T-070.250.220-2 | |
| 3-4 | Tangled Up in Blue (9/17/74, rehearsal – with bass and organ) | — | ||
| 3-5 | Tangled Up in Blue (9/17/74, take 2, remake – with bass and organ) | — | ||
| 3-6 | Spanish Is the Loving Tongue (9/17/74, take 1 – with bass and piano) | — | ||
| 3-7 | Call Letter Blues (9/17/74, rehearsal – with bass and piano) | — | ||
| 3-8 | You’re Gonna Make Me Lonesome When You Go (9/17/74, take 1, remake – with bass and piano) | — | ||
| 3-9 | Shelter From the Storm (9/17/74, take 1 – with bass and piano) | — | ||
| 3-10 | Buckets of Rain (9/17/74, take 1 – with bass) | — | ||
| 3-11 | Tangled Up in Blue (9/17/74, take 3, remake – with bass) | — | ||
| 3-12 | Buckets of Rain (9/17/74, take 2 – with bass) | — | ||
| 3-13 | Shelter From the Storm (9/17/74, take 2 – with bass) | Bob Dylan | T-070.250.208-6 | |
| 3-14 | Shelter From the Storm (9/17/74, take 3 – with bass) | — | ||
| 3-15 | Shelter From the Storm (9/17/74, take 4 – with bass) | — | ||
| 4-1 | You’re Gonna Make Me Lonesome When You Go (9/17/74, take 1, remake 2 – with bass) | — | ||
| 4-2 | You’re Gonna Make Me Lonesome When You Go (9/17/74, take 2, remake 2 – with bass) | — | ||
| 4-3 | Buckets of Rain (9/18/74, take 1, remake – solo) | — | ||
| 4-4 | Buckets of Rain (9/18/74, take 2, remake – solo) | Bob Dylan | T-070.250.331-8 | |
| 4-5 | Buckets of Rain (9/18/74, take 3, remake – solo) | — | ||
| 4-6 | Buckets of Rain (9/18/74, take 4, remake – solo) | — | ||
| 4-7 | Up to Me (9/19/74, take 1, remake – with bass) | — | ||
| 4-8 | Up to Me (9/19/74, take 2, remake – with bass) | Bob Dylan | T-070.250.215-5 | |
| 4-9 | Buckets of Rain (9/19/74, take 1, remake 2 – with bass) | — | ||
| 4-10 | Buckets of Rain (9/19/74, take 2, remake 2 – with bass) | — | ||
| 4-11 | Buckets of Rain (9/19/74, take 3, remake 2 – with bass) | — | ||
| 4-12 | Buckets of Rain (9/19/74, take 4, remake 2 – with bass) | — | ||
| 4-13 | If You See Her, Say Hello (9/19/74, take 1, remake – with bass) | — | ||
| 4-14 | Up to Me (9/19/74, take 1, remake 2 – with bass) | — | ||
| 4-15 | Up to Me (9/19/74, take 2, remake 2 – with bass) | — | ||
| 4-16 | Up to Me (9/19/74, take 3, remake 2 – with bass) | — | ||
| 4-17 | Buckets of Rain (9/19/74, rehearsal – with bass) | — | ||
| 4-18 | Meet Me in the Morning (9/19/74, take 1, remake – with bass) | — | ||
| 4-19 | Meet Me in the Morning (9/19/74, take 2, remake – with bass) | — | ||
| 4-20 | Buckets of Rain (9/19/74, take 5, remake 2 – with bass) | — | ||
| 5-1 | Tangled Up in Blue (9/19/74, rehearsal and take 1, remake 2 – with bass) | — | ||
| 5-2 | Tangled Up in Blue (9/19/74, take 2, remake 2 – with bass) | — | ||
| 5-3 | Tangled Up in Blue (9/19/74, take 3, remake 2 – with bass) | — | ||
| 5-4 | Simple Twist of Fate (9/19/74, take 2, remake – with bass) | — | ||
| 5-5 | Simple Twist of Fate (9/19/74, take 3, remake – with bass) | — | ||
| 5-6 | Up to Me (9/19/74, rehearsal and take 1, remake 3 – with bass) | — | ||
| 5-7 | Up to Me | Bob Dylan | T-070.250.215-5 | |
| 5-8 | Idiot Wind (9/19/74, rehearsal and take 1–3, remake – with bass) | — | ||
| 5-9 | Idiot Wind (9/19/74, take 4, remake) – with bass | — | ||
| 5-10 | Idiot Wind (9/19/74, take 4, remake) – with organ overdub | — | ||
| 5-11 | You’re a Big Girl Now (9/19/74, take 1, remake 2) – with bass | — | ||
| 5-12 | Meet Me in the Morning (9/19/74, take 1, remake 2) – with bass | — | ||
| 5-13 | Meet Me in the Morning (9/19/74, take 2–3, remake 2) – with bass | — | ||
| 6-1 | You’re a Big Girl Now (9/19/74, take 3–6, remake 2) – with bass | — | ||
| 6-2 | Tangled Up in Blue (9/19/74, rehearsal and take 1–2, remake 3) – with bass | — | ||
| 6-3 | Tangled Up in Blue (9/19/74, take 3, remake 3) – with bass | Bob Dylan | T-070.250.212-2 | |
| 6-4 | Idiot Wind | Bob Dylan | T-070.250.188-9 | |
| 6-5 | You’re a Big Girl Now | Bob Dylan | T-070.250.220-2 | |
| 6-6 | Tangled Up in Blue | Bob Dylan | T-070.250.212-2 | |
| 6-7 | Lily, Rosemary and the Jack of Hearts | Bob Dylan | T-070.250.193-6 | |
| 6-8 | If You See Her, Say Hello | Bob Dylan | T-070.250.189-0 |
What other identifiers does this connect to?
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Creative Contributors (ISNI)
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What is UPC 190758589626?
190758589626 is a Universal Product Code (UPC) assigned to More Blood, More Tracks: The Bootleg Series, Vol. 14 (deluxe edition) by Bob Dylan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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