UPC · Release
Bruno Walter
Last verified:
The UPC for “The Complete Columbia Album Collection” by Bruno Walter is 190759232422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Sony Classical. This release contains 569 tracks, each with its own ISRC. Tracks include USSM14700132, USSM14700133, USSM14700134.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 2-6 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai | — | ||
| 2-7 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 2-8 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto - Poco Andante - Presto | — | ||
| 3-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 3-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto moto | — | ||
| 3-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro - attacca | — | ||
| 3-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro - attacca | — | ||
| 3-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 3-6 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 3-7 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 4-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 4-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto - attacca | — | ||
| 4-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 4-4 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 4-5 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 4-6 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 4-7 | A Midsummer Night's Dream, op. 61: Scherzo. Allegro vivace | — | ||
| 5-1 | Symphony no. 4: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 5-2 | Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 5-3 | Symphony no. 4: III. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito | — | ||
| 5-4 | Symphony no. 4: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 6-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 6-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 6-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto. Allegretto - Trio | — | ||
| 6-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto Allegro | — | ||
| 6-5 | Così fan tutte, K. 588: Overture. Andante | — | ||
| 6-6 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 6-7 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 6-8 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 7-1 | Don Giovanni: Act I. “Madamina, il catalogo è questo” (Leporello) | — | ||
| 7-2 | Die Entführung aus dem Derail: Act III. “O, wie will ich triumphieren” (Osmin) | — | ||
| 7-3 | Die Zauberflöte: Act II. “In diesen heil'gen Hallen” (Sarastro) | — | ||
| 7-4 | “Mentre ti lascio, o figlia”, K. 513 (Dario) | — | ||
| 7-5 | Le nozze di Figaro: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 7-6 | Le nozze di Figaro: Avt IV. “Aprite un po' quegli occhi” (Figaro) | — | ||
| 7-7 | Die Zauberflöte: Act II. “Der Hölle Rache” (Königin der Nacht) | — | ||
| 7-8 | Le nozze di Figaro: Act II. “Voi che sapete” (Cherubino) | — | ||
| 7-9 | Die Entführung aus dem Serail: Act I. “Ach ich liebte, war so glücklich” (Kostanze) | — | ||
| 7-10 | Die Entführung aus dem Serail: Act II. “Welche Wonne, welche Lust” (Blonde) | — | ||
| 7-11 | Exsultate, jubilate, K. 165 (158a): No. 3: Alleluja | — | ||
| 7-12 | Il re pastore: Act II. “L'amerò, sarò costante” (Aminta) | — | ||
| 8-1 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | — | ||
| 8-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig | — | ||
| 8-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | — | ||
| 8-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | — | ||
| 8-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft | — | ||
| 8-6 | The Moldau (Vltava): The First Source of the Moldau / The Second Source / Woods; Hunt. Allegro comodo non agitato / Peasant Wedding. L'istesso tempo ma moderato / Moonlight: Nymphs' Roundelay. L'istesso tempo / St. John's Rapids. Tempo I / The Moldau flows broadly onward. Più moto / Vyšehrad | — | ||
| 9-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 9-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 9-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 9-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 9-5 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” | — | ||
| 10-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 10-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 10-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 10-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 10-5 | Slavonic Dance in C major, op. 46/1: Presto | — | ||
| 10-6 | Symphony no. 1, op. 9: Allegro ma non troppo - | — | ||
| 10-7 | Symphony no. 1, op. 9: Allegro molto - | — | ||
| 10-8 | Symphony no. 1, op. 9: Andante tranquillo - | — | ||
| 10-9 | Symphony no. 1, op. 9: Con moto | — | ||
| 11-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | New York Philharmonic, Bruno Walter | — | |
| 11-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz | New York Philharmonic, Bruno Walter | — | |
| 11-3 | Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | New York Philharmonic, Bruno Walter | — | |
| 11-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | New York Philharmonic, Bruno Walter | — | |
| 11-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 11-6 | Lieder und Gesänge aus der Jugendzeit (excerpts): Erinnerung (Richard Leander). Langsam und sehnsüchtig | — | ||
| 11-7 | Lieder und Gesänge aus der Jugendzeit (excerpts): Scheiden und Meiden. Lustig | — | ||
| 11-8 | Lieder und Gesänge aus der Jugendzeit (excerpts): Nicht weidersehen! Schwermütig | — | ||
| 11-9 | Lieder und Gesänge aus der Jugendzeit (excerpts): Ich ging mit Lust durch einen grünen Wald. Träumerisch, durchaus zart | — | ||
| 11-10 | Lieder und Gesänge aus der Jugendzeit (excerpts): Ablösung im Sommer. Mit Humor | — | ||
| 11-11 | Lieder und Gesänge aus der Jugendzeit (excerpts): Hans und Grete (Volkslied). Im gemächlichen Walzertempo | — | ||
| 11-12 | Lieder und Gesänge aus der Jugendzeit (excerpts): Frühlingsmorgen (Richard Leander). Gemächlich, leicht bewegt | — | ||
| 11-13 | Lieder und Gesänge aus der Jugendzeit (excerpts): Starkee Einbildungskraft. Sehr gemächlich, mit humoristischem Ausdruck | — | ||
| 12-1 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 12-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai | — | ||
| 12-3 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 12-4 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto - Poco Andante - Presto | — | ||
| 13-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 13-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 13-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 13-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 13-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 13-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 13-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 13-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 14-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 14-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 14-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 14-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 15-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 15-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 15-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | — | ||
| 15-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 15-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 15-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 15-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno Allegro | — | ||
| 15-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 16-1 | Tod und Verklärung, op. 24: Largo - Allegro molto agitato - Etwas breiter - Tempo I. Sehr breit - Allegro molto agitato - Moderato | — | ||
| 16-2 | Don Juan, op. 20 | — | ||
| 16-3 | Siegfried Idyll | — | ||
| 17-1 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 17-2 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 17-3 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 17-4 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 17-5 | Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito | — | ||
| 17-6 | Symphony no. 35 in D major “Haffner”, K. 385: II. Andante | — | ||
| 17-7 | Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto - Trio | — | ||
| 17-8 | Symphony no. 35 in D major “Haffner”, K. 385: IV. Presto | — | ||
| 18-1 | Der Schauspieldirektor, K. 486: “Bester Jüngling” (Mademoiselle Silberklang) | — | ||
| 18-2 | Die Entführung aus dem Serail, K. 384: Act II. “Traurigkeit ward mir zum Lose” (Kostanze) | — | ||
| 18-3 | Le nozze di Figaro, K. 492: Act III. “Dove sono i bei momenti” (Contessa) | — | ||
| 18-4 | Die Zauberflöte, K. 620: Act II. “Ach, ich fühl's” (Pamina) | — | ||
| 18-5 | Don Giovanni, K. 527: Act II. “In quali eccessi, o numi” ... “Mi tradi quell'alma ingrata” (Donna Elvira) | — | ||
| 18-6 | Così fan tutte, K. 588: Act II. “Per pietà, ben mio, perdona” (Donna Anna) | — | ||
| 18-7 | Don Giovanni, K. 527: Act II. “Non mi dir, bell'idol mio” (Donna Anna) | — | ||
| 19-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 19-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 19-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 19-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 20-1 | Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 20-2 | Le nozze di Figaro, K. 492: Act I. “La vendetta, oh, la vendetta” (Bartolo) | — | ||
| 20-3 | Le nozze di Figaro, K. 492: Act I. “Non più andrai, farfallone amoroso” (Figaro) | — | ||
| 20-4 | Le nozze di Figaro, K. 492: Act III. “Hai già vinta la causa!” ... “Vedrò mentr'io sospiro” (Conte) | — | ||
| 20-5 | Le nozze di Figaro, K. 492: Act IV. “Aprite un po' quegli occhi” (Figaro) | — | ||
| 20-6 | Mentre ti lascio, o figlia, K. 513 | — | ||
| 20-7 | Per questa bella mano, K. 612 | — | ||
| 20-8 | Rivolgete a lui lo sguardo, K. 584 | — | ||
| 21-1 | Frauenliebe und -leben, op. 42: No. 1: Seit ich ihn gesehen | — | ||
| 21-2 | Frauenliebe und -leben, op. 42: No. 2: Er, der Herrlichste von allen | — | ||
| 21-3 | Frauenliebe und -leben, op. 42: No. 3: Ich kann's nicht fassen, nicht glauben | — | ||
| 21-4 | Frauenliebe und -leben, op. 42: No. 4: Du Ring an meinem Finger | — | ||
| 21-5 | Frauenliebe und -leben, op. 42: No. 5: Helft mir, ihr Schwestern | — | ||
| 21-6 | Frauenliebe und -leben, op. 42: No. 6: Süßer Freund, du blickest | — | ||
| 21-7 | Frauenliebe und -leben, op. 42: No. 7: An meinem Herzen, an meiner Brust | — | ||
| 21-8 | Frauenliebe und -leben, op. 42: No. 8: Nun hast du mir den ersten Schmerz getan | — | ||
| 21-9 | Dichterliebe, op. 48: No. 1: Im wunderschönen Monat Mai | — | ||
| 21-10 | Dichterliebe, op. 48: No. 2: Aus meinem Tränen sprießen | — | ||
| 21-11 | Dichterliebe, op. 48: No. 3: Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 21-12 | Dichterliebe, op. 48: No. 4: Wenn ich in deine Augen seh | — | ||
| 21-13 | Dichterliebe, op. 48: No. 5: Ich will meine Seele tauchem | — | ||
| 21-14 | Dichterliebe, op. 48: No. 6: Im Rhein, im heiligen Strome | — | ||
| 21-15 | Dichterliebe, op. 48: No. 7: Ich grolle nicht | — | ||
| 21-16 | Dichterliebe, op. 48: No. 8: Und wüssten's die Blumen | — | ||
| 21-17 | Dichterliebe, op. 48: No. 9: Das ist ein Flöten und Geigen | — | ||
| 21-18 | Dichterliebe, op. 48: No. 10: Hör' ich das Liedchen klingen | — | ||
| 21-19 | Dichterliebe, op. 48: No. 11: Ein Jüngling liebt' ein Mädchen | — | ||
| 21-20 | Dichterliebe, op. 48: No. 12: Am leuchtenden Sommermorgen | — | ||
| 21-21 | Dichterliebe, op. 48: No. 13: Ich hab' im Traum geweinet | — | ||
| 21-22 | Dichterliebe, op. 48: No. 14: Allnächtlich im Traume | — | ||
| 21-23 | Dichterliebe, op. 48: No. 15: Aus alten Märchen winkt es | — | ||
| 21-24 | Dichterliebe, op. 48: No. 16: Die alten, bösen Lieder | — | ||
| 22-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 22-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 22-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 22-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 22-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 22-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 22-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | — | ||
| 22-8 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | — | ||
| 23-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 23-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 23-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 23-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 23-5 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 23-6 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 23-7 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 23-8 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 24-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 24-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 24-3 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 24-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 24-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 24-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 24-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 24-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | — | ||
| 25-1 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 25-2 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation I. Poco più animato | — | ||
| 25-3 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation II. Più vivace | — | ||
| 25-4 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation III. Con moto | — | ||
| 25-5 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation IV. Andante con moto | — | ||
| 25-6 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation V. Vivace | — | ||
| 25-7 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VI. Vivace | — | ||
| 25-8 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VII. Grazioso | — | ||
| 25-9 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VIII. Presto non troppo | — | ||
| 25-10 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Finale. Andante | — | ||
| 25-11 | Tragic Overture in D minor, op. 81: Allegro ma non troppo - Molto più moderato - Tempo I (ma tranquillo) | — | ||
| 25-12 | Academic Festival Overture in C minor, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | — | ||
| 25-13 | Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace | — | ||
| 25-14 | Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto | — | ||
| 25-15 | Hungarian Dances, WoO 1: No. 3 in F major. Allegretto | — | ||
| 25-16 | Hungarian Dances, WoO 1: No. 10 in F major. Presto | — | ||
| 26-1 | Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich | — | ||
| 26-2 | Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | — | ||
| 26-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 26-4 | Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt - Energisch - Sehr gesangvoll - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Höchste Kraft. Wieder vorwärts drängend - Triumphal (Nicht eilen) | — | ||
| 26-5 | Te Deum in C major: I. Te Deum. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-6 | Te Deum in C major: II. Te ergo. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-7 | Te Deum in C major: III. Aeterna fac. Allegro. Moderato. Feierlich, mit Kraft. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-8 | Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-9 | Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-10 | Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-11 | Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 27-1 | Symphony no. 25 in G minor, K. 183 (173dB): I. Allegro con brio | — | ||
| 27-2 | Symphony no. 25 in G minor, K. 183 (173dB): II. Andante | — | ||
| 27-3 | Symphony no. 25 in G minor, K. 183 (173dB): III. Menuetto - Trio | — | ||
| 27-4 | Symphony no. 25 in G minor, K. 183 (173dB): IV. Allegro | — | ||
| 27-5 | Symphony no. 28 in C major, K. 200 (189k): I. Allegro spiritoso | — | ||
| 27-6 | Symphony no. 28 in C major, K. 200 (189k): II. Andante | — | ||
| 27-7 | Symphony no. 28 in C major, K. 200 (189k): III. Menuetto. Allegretto - Trio | — | ||
| 27-8 | Symphony no. 28 in C major, K. 200 (189k): IV. Presto | — | ||
| 27-9 | Symphony no. 29 in A major, K. 201 (186a): I. Allegro moderato | — | ||
| 27-10 | Symphony no. 29 in A major, K. 201 (186a): II. Andante | — | ||
| 27-11 | Symphony no. 29 in A major, K. 201 (186a): III. Menuetto - Trio | — | ||
| 27-12 | Symphony no. 29 in A major, K. 201 (186a): IV. Allegro con spirito | — | ||
| 28-1 | Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso | — | ||
| 28-2 | Symphony no. 36 in C major “Linz”, K. 425: II. Andante | — | ||
| 28-3 | Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto - Trio | — | ||
| 28-4 | Symphony no. 36 in C major “Linz”, K. 425: IV. Presto | — | ||
| 28-5 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 29-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: II. Andante | — | ||
| 29-2 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: III. Menuetto - Trio | — | ||
| 29-3 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: IV. Presto | — | ||
| 30-1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-2 | Eine kleine Nachtmusik, K. 525: II. Romanze. Andante | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-4 | Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-5 | Menuetto & Trio in F major, K. 599/5 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-6 | Menuetto & Trio in C major, K. 568/1 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-7 | Three German Dances K. 605: No. 1 in D major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-8 | Three German Dances K. 605: No. 2 in G major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-9 | Three German Dances K. 605: No. 3 in C major "Sleigh Ride" | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-10 | Maurerische Trauermusik, K. 477 (479a): Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-11 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | Columbia Symphony Orchestra, Bruno Walter | T-903.529.769-9 | |
| 30-12 | Le nozze di Figaro, K. 492: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-13 | Così fan tutte, K. 588: Ouverture | Columbia Symphony Orchestra, Bruno Walter | T-902.763.968-5 | |
| 30-14 | Der Schauspieldirektor, K. 486: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-1 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | — | ||
| 31-2 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | — | ||
| 31-3 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio | — | ||
| 31-4 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | — | ||
| 31-5 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 31-6 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: II. Andante | — | ||
| 31-7 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: III. Menuetto. Allegretto - Trio | — | ||
| 31-8 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: IV. Finale. Vivace assai | — | ||
| 32-1 | Requiem in D minor, K. 626: I. Introitus: Requiem. Adagio. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-2 | Requiem in D minor, K. 626: II. Kyrie: Kyrie eleison. Allegro. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-070.093.418-4 | |
| 32-3 | Requiem in D minor, K. 626: IIIa. Sequentia: Dies irae. Allegro assai. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-924.404.440-4 | |
| 32-4 | Requiem in D minor, K. 626: IIIb. Sequentia: Tuba mirum. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-5 | Requiem in D minor, K. 626: IIIc. Sequentia: Rex tremendae | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-6 | Requiem in D minor, K. 626: IIId. Sequentia: Recordare | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-7 | Requiem in D minor, K. 626: IIIe. Sequentia: Confutatis. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-8 | Requiem in D minor, K. 626: IIIf. Sequentia: Lacrimosa | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-905.391.973-6 | |
| 32-9 | Requiem in D minor, K. 626: IVa. Offertorium: Domine Jesu. Andante con moto | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-919.097.742-5 | |
| 32-10 | Requiem in D minor, K. 626: IVb. Offertorium: Hostias. Andante - Andante con moto. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-11 | Requiem in D minor, K. 626: V. Sanctus. Adagio - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-922.061.546-3 | |
| 32-12 | Requiem in D minor, K. 626: VI. Benedictus. Andante - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-13 | Requiem in D minor, K. 626: V. Agnus Dei | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-14 | Requiem in D minor, K. 626: VI. Communio: Lux aeterna | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-910.952.061-8 | |
| 33-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | New York Philharmonic, Bruno Walter | — | |
| 33-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | New York Philharmonic, Bruno Walter | — | |
| 33-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | — | |
| 33-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 33-5 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | New York Philharmonic, Bruno Walter | — | |
| 33-6 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | New York Philharmonic, Bruno Walter | — | |
| 33-7 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 33-8 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 34-1 | Kaiser-Walzer, op. 437 | — | ||
| 34-2 | Die Fledermaus: Overture | — | ||
| 34-3 | Wiener Blut, op. 354 | — | ||
| 34-4 | Geschichten aus dem Wienerwald, op. 325 | — | ||
| 34-5 | Der Zigeunerbaron: Overture | — | ||
| 34-6 | An der schönen blauen Donau, op. 314 | — | ||
| 34-7 | Kaiser-Walzer, op. 437 | — | ||
| 35-1 | Rosamunde, Fürstin von Zypern, D 797: Overture. Andante - Allegro vivace (from Die Zauberharfe, D 644) | — | ||
| 35-2 | Rosamunde, Fürstin von Zypern, D 797: No. 9: Ballet. Andantino | — | ||
| 35-3 | Rosamunde, Fürstin von Zypern, D 797: No. 5: Entr'acte after Act III. Andantino - Minore I - Minore II | — | ||
| 35-4 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 35-5 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 35-6 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio | — | ||
| 35-7 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 35-8 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 35-9 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 35-10 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 36-1 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: I. Allegro | — | ||
| 36-2 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: II. Largo - attacca | — | ||
| 36-3 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: III. Rondo alla Polacca | — | ||
| 36-4 | Leonore Overture no. 3, op. 72a: Adagio - Allegro | — | ||
| 36-5 | Egmont Overture, op. 84: Sostenuto, ma non troppo - Allegro | — | ||
| 37-1 | Symphony no. 2 “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 37-2 | Symphony no. 2 “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | — | ||
| 37-3 | Symphony no. 2 “Resurrection”: III. [Scherzo.] In ruhig fließender Bewegung - attacca | — | ||
| 37-4 | Symphony no. 2 “Resurrection”: IV. “Urlicht”. Sehr feierlich, aber schlicht. Nicht schleppen: “O Röschen rot!” - attacca (contralto solo) | — | ||
| 37-5 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend - Allegro energico. Nicht zu schnell - Wieder zurückhaltend - Langsam. Misterioso: “Auferstehn, ja auferstehn” (soprano solo, chorus) - Etwas bewegter: “O glaube, mein Herz, o glaube” (contralto solo, soprano solo, chorus) - Mit Aufschwung, aber nicht eilen: “O Schmerz! Du Alldurchdringer!” (contralto solo, chorus, soprano solo) | — | ||
| 38-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto mosso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio; Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) Trio (un poco meno allegro) | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-7 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 41-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 41-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 41-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 41-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 41-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 41-6 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 41-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 41-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 42-1 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: I. Allegro | — | ||
| 42-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: II. Adagio | — | ||
| 42-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: III. Rondeau. Allegro - Andante - Allegretto - Tempo I | — | ||
| 42-4 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro | — | ||
| 42-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | — | ||
| 42-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 43-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | Columbia Symphony Orchestra, Bruno Walter | T-300.456.250-5 | |
| 43-8 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Columbia Symphony Orchestra, Bruno Walter | T-314.638.300-4 | |
| 44-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Columbia Symphony Orchestra, Bruno Walter | T-909.821.799-3 | |
| 44-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 46-1 | Die Meistersinger von Nürnberg: Prelude to Act I | — | ||
| 46-2 | Der fliegende Holländer: Overture | — | ||
| 46-3 | Parsifal: Prelude to Act I - Karfreitagszauber | — | ||
| 47-1 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 47-2 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 47-3 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 47-4 | Tragic Overture in D minor, op. 81: Allegro ma non troppo - Molto più moderato - Tempo I (ma tranquillo) | — | ||
| 47-5 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 47-6 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 47-7 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 48-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-5 | Academic Festival Overture in C minor, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | — | ||
| 49-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 49-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 49-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 49-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 49-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 49-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 49-7 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 49-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 50-1 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante | — | ||
| 50-2 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-3 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-4 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-5 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 51-1 | Symphony no. 9 in D minor, WAB 109: I. Feierlich. Misterioso | — | ||
| 51-2 | Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 51-3 | Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich | — | ||
| 52-1 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 52-2 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 52-3 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio | — | ||
| 52-4 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 52-5 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 52-6 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 53-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 53-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 53-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 53-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 54-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 54-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 54-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 56-1 | Symphony no. 9: I. Andante comodo | — | ||
| 56-2 | Symphony no. 9: II. Im Tempo einer gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 57-1 | Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 57-2 | Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 58-1 | Eine kleine Nachtmusik - Serenade in G major, K. 525: I. Allegro | — | ||
| 58-2 | Eine kleine Nachtmusik - Serenade in G major, K. 525: II. Romance. Andante | — | ||
| 58-3 | Eine kleine Nachtmusik - Serenade in G major, K. 525: III. Menuetto. Allegretto - Trio | — | ||
| 58-4 | Eine kleine Nachtmusik - Serenade in G major, K. 525: IV. Rondo. Allegro | — | ||
| 58-5 | Der Schauspieldirektor, K. 486: Overture. Presto | — | ||
| 58-6 | Così fan tutte, K. 588: Overture. Andante | — | ||
| 58-7 | Le nozze di Figaro, K. 492: Overture. Presto | — | ||
| 58-8 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | — | ||
| 58-9 | Maurerische Trauermusik, K. 477 (479a): Adagio | — | ||
| 59-1 | Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 59-2 | Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | — | ||
| 59-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 59-4 | Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt - Energisch - Sehr gesangsvoll - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Höchste Kraft. Wieder vorwärts drängend - Triumphal (Nicht eilen) | — | ||
| 60-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante | — | ||
| 60-2 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | — | ||
| 60-3 | Das Lied von der Erde: III. Von der Jugend. Behaglich heiter | — | ||
| 60-4 | Das Lied von der Erde: IV. Von der Schönheit. Comodo dolcissimo | — | ||
| 60-5 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | — | ||
| 60-6 | Das Lied von der Erde: VI. Der Abschied. Schwer | — | ||
| 61-1 | Rhapsody for Contralto, Male Chorus and Orchestra, op. 53: Adagio - “Aber abseits, wer ist's?” - Poco Andante - Adagio: “Ist auf deinem Psalter” | — | ||
| 61-2 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” / III. Adagio | Occidental College Concert Choir, Columbia Symphony Orchestra, Bruno Walter | T-322.185.896-0 | |
| 61-3 | Lieder eines fahrenden Gesellen: No. 1: Wenn mein Schatz Hochzeit macht | — | ||
| 61-4 | Lieder eines fahrenden Gesellen: No. 2: Ging heut' morgen über's Feld | — | ||
| 61-5 | Lieder eines fahrenden Gesellen: No. 3: Ich hab' ein glühend Messer | — | ||
| 61-6 | Lieder eines fahrenden Gesellen: No. 4: Die zwei blauen Augen | — | ||
| 62-1 | Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso | — | ||
| 62-2 | Symphony no. 36 in C major “Linz”, K. 425: II. Andante | — | ||
| 62-3 | Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto - Trio | — | ||
| 62-4 | Symphony no. 36 in C major “Linz”, K. 425: IV. Presto | — | ||
| 62-5 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | — | ||
| 62-6 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 62-7 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto - Trio | — | ||
| 62-8 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 63-1 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 63-2 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 63-3 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 63-4 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 63-5 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 63-6 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 63-7 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 64-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 64-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 64-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto. Allegretto - Trio | — | ||
| 64-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto Allegro | — | ||
| 64-5 | Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito | — | ||
| 64-6 | Symphony no. 35 in D major “Haffner”, K. 385: II. Andante | — | ||
| 64-7 | Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto - Trio | — | ||
| 64-8 | Symphony no. 35 in D major “Haffner”, K. 385: IV. Presto | — | ||
| 65-1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 65-2 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 65-3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto | — | ||
| 65-4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito | — | ||
| 65-5 | Symphony no. 100 in G major “Military”, Hob. I:100: I. Adagio - Allegro | — | ||
| 65-6 | Symphony no. 100 in G major “Military”, Hob. I:100: II. Allegretto | — | ||
| 65-7 | Symphony no. 100 in G major “Military”, Hob. I:100: III. Menuet. Moderato - Trio | — | ||
| 65-8 | Symphony no. 100 in G major “Military”, Hob. I:100: IV. Finale. Presto | — | ||
| 66-1 | Lohengrin: Prelude to Act I | — | ||
| 66-2 | Siegfried Idyll | — | ||
| 66-3 | Tannhäuser und der Sängerkrieg auf Wartburg: Overture - Bacchanale (Venusberg Music) | — | ||
| 66-4 | Leonore Overture no. 2, op. 72: Adagio - Allegro - Tempo I - Presto | — | ||
| 66-5 | Coriolan Overture, op. 62: Allegro con brio | — | ||
| 67-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 67-2 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 67-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | — | ||
| 67-4 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 68-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (chorus). Ziemlich langsam und mit Ausdruck | — | ||
| 68-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch es ist wie Gras” (chorus). Langsam, marschmäßig | — | ||
| 68-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderato | — | ||
| 68-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen” (chorus). Mäßig bewegt | — | ||
| 68-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (soprano, chorus). Langsam | — | ||
| 68-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - Allegro | — | ||
| 68-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” (chorus). Feierlich | — | ||
| 69-1 | Applause | — | ||
| 69-2 | Iphigénie en Aulide: Overture | — | ||
| 69-3 | Applause | — | ||
| 69-4 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 69-5 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 69-6 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | — | ||
| 69-7 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 70-1 | Introduction by Bruno Walter to Mozart's Symphony no. 40 | — | ||
| 70-2 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 70-3 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 70-4 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 70-5 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 70-6 | Introduction by Bruno Walter to Mozart's Cavatina “Se vuol ballare” | — | ||
| 70-7 | Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 70-8 | Introduction by Bruno Walter to Mozart's Rondò “Per pietà” | — | ||
| 70-9 | Così fan tutte, K. 588: Act II. “Per pietà, ben mio, perdona” (Fiordiligi) | — | ||
| 70-10 | Introduction by Bruno Walter to Richard Strauss's “Don Juan” | — | ||
| 70-11 | Don Juan, op. 20 | — | ||
| 70-12 | Conclusion by Bruno Walter | — | ||
| 71-1 | About the value of recordings | — | ||
| 71-2 | The first recordings | — | ||
| 71-3 | Bruno Walter and Mahler | — | ||
| 71-4 | About Mozart | — | ||
| 71-5 | About Mahler and Bruckner | — | ||
| 71-6 | Mahler's and Bruckner's impact on Bruno Walter's work | — | ||
| 71-7 | About Brahms | — | ||
| 71-8 | About recording the “Linz” Symphony | — | ||
| 71-9 | About Kathleen Ferrier | — | ||
| 71-10 | Bruno Walter and Vienna | — | ||
| 72-1 | Bruno Walter: Selbsporträt: Kinderjahre in Berlin | — | ||
| 72-2 | Bruno Walter: Selbsporträt: Begeisterung für Wagner | — | ||
| 72-3 | Bruno Walter: Selbsporträt: Anfänge als Dirigent und Treffen auf Mahler | — | ||
| 72-4 | Bruno Walter: Selbsporträt: Mahler und der Glaube | — | ||
| 72-5 | Bruno Walter: Selbsporträt: Die Zeit in Hamburg | — | ||
| 72-6 | Bruno Walter: Selbsporträt: Breslau, Riga, Berlin | — | ||
| 72-7 | Bruno Walter: Selbsporträt: Wien | — | ||
| 72-8 | Bruno Walter: Selbsporträt: Mahlers Tod | — | ||
| 72-9 | Bruno Walter: Selbsporträt: Walter verlässt Wien | — | ||
| 72-10 | Bruno Walter: Selbsporträt: Amerika | — | ||
| 73-1 | Bruno Walter rehearses the Siegfried Idyll | — | ||
| 73-2 | Bruno Walter on his recordings of Wagner and Brahms | — | ||
| 74-1 | A Talking Portrait: Bruno Walter in conversation with Arnold Michaelis | — | ||
| 74-2 | A Working Portrait: Recording the Mahler Ninth Symphony | — | ||
| 75-1 | Bruno Walter rehearsing Beethoven: Symphony no. 5 in C minor, op. 67: I. Allegro con brio (Rehearsal) | — | ||
| 75-2 | Bruno Walter rehearsing Beethoven: Symphony no. 5 in C minor, op. 67: II. Andante con moto (Rehearsal) | — | ||
| 75-3 | Bruno Walter rehearsing the Philharmonic-Symphony Orchestra of New York: Symphony no. 2 in D major, op. 73: I. Allegro non troppo (Rehearsal) | — | ||
| 75-4 | Bruno Walter rehearsing the Philharmonic-Symphony Orchestra of New York: Symphony no. 3 in F major, op. 90: I. Allegro con brio (Rehearsal) | — | ||
| 76-1 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace (Rehearsal) | — | ||
| 76-2 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (Rehearsal) | — | ||
| 76-3 | Symphony no. 4 in B-flat major, op. 60: II. Adagio (Rehearsal) | — | ||
| 77-1 | Beethoven Set Bonus EP for Japan: “My dear listeners and friends in Japan” | — | ||
| 77-2 | 77th Birthday Celebration: “I am going to introduce some of my records...” | — | ||
| 77-3 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: I. Allegro con spirito | — | ||
| 77-4 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: II. Andante | — | ||
| 77-5 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: III. Menuetto - Trio | — | ||
| 77-6 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: IV. Presto | — | ||
| 77-7 | 77th Birthday Celebration: “The concert aria 'Mentre ti lascio, o figlia' ...” | — | ||
| 77-8 | 77th Birthday Celebration: “Mentre ti lascio, o figlia”, K. 513 | — | ||
| 77-9 | 77th Birthday Celebration: “Dear friends, let me say goodbye to you...” | — | ||
| 77-10 | Special Bruno Walter 80th Birthday Tributes: Lotte Lehmann | — | ||
| 77-11 | Special Bruno Walter 80th Birthday Tributes: Ezio Pinza | — | ||
| 77-12 | Special Bruno Walter 80th Birthday Tributes: Eleanor Steber | — | ||
| 77-13 | Special Bruno Walter 80th Birthday Tributes: George London | — | ||
| 77-14 | Special Bruno Walter 80th Birthday Tributes: Lauritz Melchior | — | ||
| 77-15 | Special Bruno Walter 80th Birthday Tributes: Joseph Szigeti | — | ||
| 77-16 | Special Bruno Walter 80th Birthday Tributes: Leonard Bernstein | — | ||
| 77-17 | Special Bruno Walter 80th Birthday Tributes: Leonard Rose | — | ||
| 77-18 | Special Bruno Walter 80th Birthday Tributes: John Corigliano | — | ||
| 77-19 | Special Bruno Walter 80th Birthday Tributes: William Warfield | — | ||
| 77-20 | Special Bruno Walter 80th Birthday Tributes: Jennie Tourel | — | ||
| 77-21 | Special Bruno Walter 80th Birthday Tributes: Goddard Lieberson | — | ||
| 77-22 | Sound of Genius - An Invitation to Great Listening: “Here's exciting new for Bruno Walter collectors” | — | ||
| 77-23 | Sound of Genius - An Invitation to Great Listening: Siegfriend Idyll - Rehearsal | — | ||
| 77-24 | Sound of Genius - An Invitation to Great Listening: “I could not think of my life without Mahler and Bruckner” | — | ||
| 77-25 | Sound of Genius - An Invitation to Great Listening: “John McClure, the recording director” | — | ||
| 77-26 | Sound of Genius - An Invitation to Great Listening: Symphony no. 9 - Rehearsal | — | ||
| 77-27 | Sound of Genius - An Invitation to Great Listening: “The Scherzo of Bruckner's Romantic Symphony” | — | ||
| 77-28 | Sound of Genius - An Invitation to Great Listening: Symphony no. 4 “Romantic”: Scherzo | — | ||
| 77-29 | Sound of Genius - An Invitation to Great Listening: “I had so many channels through which I found my way to Brahms” | — | ||
| 77-30 | Sound of Genius - An Invitation to Great Listening: “But the next work is by Brahms” | — | ||
| 77-31 | Sound of Genius - An Invitation to Great Listening: Academic Festival Overture | — | ||
| 77-32 | Sound of Genius - An Invitation to Great Listening: “You will now hear Mozart's Symphony in G minor” | — | ||
| 77-33 | Sound of Genius - An Invitation to Great Listening: Symphony no. 40: Allegro assai | — | ||
| 77-34 | Bruno Walter Recollects: “I had so many channels to Brahms” | — | ||
| 77-35 | Bruno Walter Recollects: “My door to Bruckner” | — | ||
| 77-36 | Bruno Walter Recollects: Bruckner's Te Deum | — | ||
| 77-37 | Bruno Walter Recollects: First meeting with Mahler: difference and connection between Mahler and Bruckner | — | ||
| 77-38 | Bruno Walter Recollects: First meeting with Kathleen Ferrier: their notable collaborations in Mahler's “Das Lied von der Erde“ and “Kindertotenlieder” | — | ||
| 77-39 | Bruno Walter Recollects: How the love for Mozart had grown since Walter was a young conductor | — | ||
| 77-40 | Bruno Walter Recollects: Bruno Walter introduces Mozart's Symphony no. 35 “Haffner” | — | ||
| 77-41 | Bruno Walter Recollects: Bruno Walter introduces Mozart's Symphonyno. 40 | — | ||
| 77-42 | Bruno Walter Recollects: His early performances of the last three Mozart Symphonies nos. 39, 40 & 41 | — | ||
| 77-43 | Bruno Walter Recollects: On the birth of a performance: the complete rehearsal of Mozart's “Linz” Symphony no. 36 recorded without the conductor's knowledge | — | ||
| 77-44 | Bruno Walter Recollects: Mozart's Requiem: Walter's changes in instrumentation and Süssmayr's contributions | — | ||
| 77-45 | Bruno Walter Recollects: Johann Strauss and Walter's love for Vienna | — | ||
| 77-46 | Bruno Walter Recollects: “Dear friends, let me say goodbye to you” | — |
Identifier Graph
190759232422 is a Universal Product Code (UPC) assigned to The Complete Columbia Album Collection by Bruno Walter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 569 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Columbia Album Collection” by Bruno Walter is 190759232422. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Sony Classical. This release contains 569 tracks, each with its own ISRC. Tracks include USSM14700132, USSM14700133, USSM14700134.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: I. Allegro | — | ||
| 2 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: II. Adagio un poco moto - attacca | — | ||
| 3 | Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: III. Rondo. Allegro | — | ||
| 2-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 2-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 2-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 2-5 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 2-6 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai | — | ||
| 2-7 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 2-8 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto - Poco Andante - Presto | — | ||
| 3-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | — | ||
| 3-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto moto | — | ||
| 3-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro - attacca | — | ||
| 3-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro - attacca | — | ||
| 3-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | — | ||
| 3-6 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 3-7 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 4-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 4-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto - attacca | — | ||
| 4-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 4-4 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato - attacca | — | ||
| 4-5 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante - attacca | — | ||
| 4-6 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | — | ||
| 4-7 | A Midsummer Night's Dream, op. 61: Scherzo. Allegro vivace | — | ||
| 5-1 | Symphony no. 4: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 5-2 | Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 5-3 | Symphony no. 4: III. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito | — | ||
| 5-4 | Symphony no. 4: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 6-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 6-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 6-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto. Allegretto - Trio | — | ||
| 6-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto Allegro | — | ||
| 6-5 | Così fan tutte, K. 588: Overture. Andante | — | ||
| 6-6 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 6-7 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 6-8 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 7-1 | Don Giovanni: Act I. “Madamina, il catalogo è questo” (Leporello) | — | ||
| 7-2 | Die Entführung aus dem Derail: Act III. “O, wie will ich triumphieren” (Osmin) | — | ||
| 7-3 | Die Zauberflöte: Act II. “In diesen heil'gen Hallen” (Sarastro) | — | ||
| 7-4 | “Mentre ti lascio, o figlia”, K. 513 (Dario) | — | ||
| 7-5 | Le nozze di Figaro: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 7-6 | Le nozze di Figaro: Avt IV. “Aprite un po' quegli occhi” (Figaro) | — | ||
| 7-7 | Die Zauberflöte: Act II. “Der Hölle Rache” (Königin der Nacht) | — | ||
| 7-8 | Le nozze di Figaro: Act II. “Voi che sapete” (Cherubino) | — | ||
| 7-9 | Die Entführung aus dem Serail: Act I. “Ach ich liebte, war so glücklich” (Kostanze) | — | ||
| 7-10 | Die Entführung aus dem Serail: Act II. “Welche Wonne, welche Lust” (Blonde) | — | ||
| 7-11 | Exsultate, jubilate, K. 165 (158a): No. 3: Alleluja | — | ||
| 7-12 | Il re pastore: Act II. “L'amerò, sarò costante” (Aminta) | — | ||
| 8-1 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft | — | ||
| 8-2 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig | — | ||
| 8-3 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell | — | ||
| 8-4 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich | — | ||
| 8-5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft | — | ||
| 8-6 | The Moldau (Vltava): The First Source of the Moldau / The Second Source / Woods; Hunt. Allegro comodo non agitato / Peasant Wedding. L'istesso tempo ma moderato / Moonlight: Nymphs' Roundelay. L'istesso tempo / St. John's Rapids. Tempo I / The Moldau flows broadly onward. Più moto / Vyšehrad | — | ||
| 9-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 9-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 9-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 9-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 9-5 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” | — | ||
| 10-1 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 10-2 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 10-3 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 10-4 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 10-5 | Slavonic Dance in C major, op. 46/1: Presto | — | ||
| 10-6 | Symphony no. 1, op. 9: Allegro ma non troppo - | — | ||
| 10-7 | Symphony no. 1, op. 9: Allegro molto - | — | ||
| 10-8 | Symphony no. 1, op. 9: Andante tranquillo - | — | ||
| 10-9 | Symphony no. 1, op. 9: Con moto | — | ||
| 11-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | New York Philharmonic, Bruno Walter | — | |
| 11-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz | New York Philharmonic, Bruno Walter | — | |
| 11-3 | Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell | New York Philharmonic, Bruno Walter | — | |
| 11-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam | New York Philharmonic, Bruno Walter | — | |
| 11-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 11-6 | Lieder und Gesänge aus der Jugendzeit (excerpts): Erinnerung (Richard Leander). Langsam und sehnsüchtig | — | ||
| 11-7 | Lieder und Gesänge aus der Jugendzeit (excerpts): Scheiden und Meiden. Lustig | — | ||
| 11-8 | Lieder und Gesänge aus der Jugendzeit (excerpts): Nicht weidersehen! Schwermütig | — | ||
| 11-9 | Lieder und Gesänge aus der Jugendzeit (excerpts): Ich ging mit Lust durch einen grünen Wald. Träumerisch, durchaus zart | — | ||
| 11-10 | Lieder und Gesänge aus der Jugendzeit (excerpts): Ablösung im Sommer. Mit Humor | — | ||
| 11-11 | Lieder und Gesänge aus der Jugendzeit (excerpts): Hans und Grete (Volkslied). Im gemächlichen Walzertempo | — | ||
| 11-12 | Lieder und Gesänge aus der Jugendzeit (excerpts): Frühlingsmorgen (Richard Leander). Gemächlich, leicht bewegt | — | ||
| 11-13 | Lieder und Gesänge aus der Jugendzeit (excerpts): Starkee Einbildungskraft. Sehr gemächlich, mit humoristischem Ausdruck | — | ||
| 12-1 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio | — | ||
| 12-2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai | — | ||
| 12-3 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace - Trio | — | ||
| 12-4 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto - Poco Andante - Presto | — | ||
| 13-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | — | ||
| 13-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | — | ||
| 13-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | — | ||
| 13-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | — | ||
| 13-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | — | ||
| 13-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | — | ||
| 13-7 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | — | ||
| 13-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 14-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 14-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 14-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 14-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 15-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | — | ||
| 15-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | — | ||
| 15-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | — | ||
| 15-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | — | ||
| 15-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | — | ||
| 15-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | — | ||
| 15-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno Allegro | — | ||
| 15-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | — | ||
| 16-1 | Tod und Verklärung, op. 24: Largo - Allegro molto agitato - Etwas breiter - Tempo I. Sehr breit - Allegro molto agitato - Moderato | — | ||
| 16-2 | Don Juan, op. 20 | — | ||
| 16-3 | Siegfried Idyll | — | ||
| 17-1 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 17-2 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 17-3 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 17-4 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 17-5 | Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito | — | ||
| 17-6 | Symphony no. 35 in D major “Haffner”, K. 385: II. Andante | — | ||
| 17-7 | Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto - Trio | — | ||
| 17-8 | Symphony no. 35 in D major “Haffner”, K. 385: IV. Presto | — | ||
| 18-1 | Der Schauspieldirektor, K. 486: “Bester Jüngling” (Mademoiselle Silberklang) | — | ||
| 18-2 | Die Entführung aus dem Serail, K. 384: Act II. “Traurigkeit ward mir zum Lose” (Kostanze) | — | ||
| 18-3 | Le nozze di Figaro, K. 492: Act III. “Dove sono i bei momenti” (Contessa) | — | ||
| 18-4 | Die Zauberflöte, K. 620: Act II. “Ach, ich fühl's” (Pamina) | — | ||
| 18-5 | Don Giovanni, K. 527: Act II. “In quali eccessi, o numi” ... “Mi tradi quell'alma ingrata” (Donna Elvira) | — | ||
| 18-6 | Così fan tutte, K. 588: Act II. “Per pietà, ben mio, perdona” (Donna Anna) | — | ||
| 18-7 | Don Giovanni, K. 527: Act II. “Non mi dir, bell'idol mio” (Donna Anna) | — | ||
| 19-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 19-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | — | ||
| 19-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | — | ||
| 19-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 20-1 | Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 20-2 | Le nozze di Figaro, K. 492: Act I. “La vendetta, oh, la vendetta” (Bartolo) | — | ||
| 20-3 | Le nozze di Figaro, K. 492: Act I. “Non più andrai, farfallone amoroso” (Figaro) | — | ||
| 20-4 | Le nozze di Figaro, K. 492: Act III. “Hai già vinta la causa!” ... “Vedrò mentr'io sospiro” (Conte) | — | ||
| 20-5 | Le nozze di Figaro, K. 492: Act IV. “Aprite un po' quegli occhi” (Figaro) | — | ||
| 20-6 | Mentre ti lascio, o figlia, K. 513 | — | ||
| 20-7 | Per questa bella mano, K. 612 | — | ||
| 20-8 | Rivolgete a lui lo sguardo, K. 584 | — | ||
| 21-1 | Frauenliebe und -leben, op. 42: No. 1: Seit ich ihn gesehen | — | ||
| 21-2 | Frauenliebe und -leben, op. 42: No. 2: Er, der Herrlichste von allen | — | ||
| 21-3 | Frauenliebe und -leben, op. 42: No. 3: Ich kann's nicht fassen, nicht glauben | — | ||
| 21-4 | Frauenliebe und -leben, op. 42: No. 4: Du Ring an meinem Finger | — | ||
| 21-5 | Frauenliebe und -leben, op. 42: No. 5: Helft mir, ihr Schwestern | — | ||
| 21-6 | Frauenliebe und -leben, op. 42: No. 6: Süßer Freund, du blickest | — | ||
| 21-7 | Frauenliebe und -leben, op. 42: No. 7: An meinem Herzen, an meiner Brust | — | ||
| 21-8 | Frauenliebe und -leben, op. 42: No. 8: Nun hast du mir den ersten Schmerz getan | — | ||
| 21-9 | Dichterliebe, op. 48: No. 1: Im wunderschönen Monat Mai | — | ||
| 21-10 | Dichterliebe, op. 48: No. 2: Aus meinem Tränen sprießen | — | ||
| 21-11 | Dichterliebe, op. 48: No. 3: Die Rose, die Lilie, die Taube, die Sonne | — | ||
| 21-12 | Dichterliebe, op. 48: No. 4: Wenn ich in deine Augen seh | — | ||
| 21-13 | Dichterliebe, op. 48: No. 5: Ich will meine Seele tauchem | — | ||
| 21-14 | Dichterliebe, op. 48: No. 6: Im Rhein, im heiligen Strome | — | ||
| 21-15 | Dichterliebe, op. 48: No. 7: Ich grolle nicht | — | ||
| 21-16 | Dichterliebe, op. 48: No. 8: Und wüssten's die Blumen | — | ||
| 21-17 | Dichterliebe, op. 48: No. 9: Das ist ein Flöten und Geigen | — | ||
| 21-18 | Dichterliebe, op. 48: No. 10: Hör' ich das Liedchen klingen | — | ||
| 21-19 | Dichterliebe, op. 48: No. 11: Ein Jüngling liebt' ein Mädchen | — | ||
| 21-20 | Dichterliebe, op. 48: No. 12: Am leuchtenden Sommermorgen | — | ||
| 21-21 | Dichterliebe, op. 48: No. 13: Ich hab' im Traum geweinet | — | ||
| 21-22 | Dichterliebe, op. 48: No. 14: Allnächtlich im Traume | — | ||
| 21-23 | Dichterliebe, op. 48: No. 15: Aus alten Märchen winkt es | — | ||
| 21-24 | Dichterliebe, op. 48: No. 16: Die alten, bösen Lieder | — | ||
| 22-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 22-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 22-3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca | — | ||
| 22-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 22-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | — | ||
| 22-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | — | ||
| 22-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | — | ||
| 22-8 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | — | ||
| 23-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro | — | ||
| 23-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 23-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | — | ||
| 23-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | — | ||
| 23-5 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 23-6 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 23-7 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 23-8 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 24-1 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 24-2 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 24-3 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 24-4 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 24-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 24-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 24-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | — | ||
| 24-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | — | ||
| 25-1 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante | — | ||
| 25-2 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation I. Poco più animato | — | ||
| 25-3 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation II. Più vivace | — | ||
| 25-4 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation III. Con moto | — | ||
| 25-5 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation IV. Andante con moto | — | ||
| 25-6 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation V. Vivace | — | ||
| 25-7 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VI. Vivace | — | ||
| 25-8 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VII. Grazioso | — | ||
| 25-9 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Variation VIII. Presto non troppo | — | ||
| 25-10 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Finale. Andante | — | ||
| 25-11 | Tragic Overture in D minor, op. 81: Allegro ma non troppo - Molto più moderato - Tempo I (ma tranquillo) | — | ||
| 25-12 | Academic Festival Overture in C minor, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | — | ||
| 25-13 | Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace | — | ||
| 25-14 | Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto | — | ||
| 25-15 | Hungarian Dances, WoO 1: No. 3 in F major. Allegretto | — | ||
| 25-16 | Hungarian Dances, WoO 1: No. 10 in F major. Presto | — | ||
| 26-1 | Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich | — | ||
| 26-2 | Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | — | ||
| 26-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 26-4 | Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt - Energisch - Sehr gesangvoll - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Höchste Kraft. Wieder vorwärts drängend - Triumphal (Nicht eilen) | — | ||
| 26-5 | Te Deum in C major: I. Te Deum. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-6 | Te Deum in C major: II. Te ergo. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-7 | Te Deum in C major: III. Aeterna fac. Allegro. Moderato. Feierlich, mit Kraft. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-8 | Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-9 | Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-10 | Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 26-11 | Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve. | Martha Lipton, David Lloyd, Frances Yeend, New York Philharmonic, Bruno Walter | — | |
| 27-1 | Symphony no. 25 in G minor, K. 183 (173dB): I. Allegro con brio | — | ||
| 27-2 | Symphony no. 25 in G minor, K. 183 (173dB): II. Andante | — | ||
| 27-3 | Symphony no. 25 in G minor, K. 183 (173dB): III. Menuetto - Trio | — | ||
| 27-4 | Symphony no. 25 in G minor, K. 183 (173dB): IV. Allegro | — | ||
| 27-5 | Symphony no. 28 in C major, K. 200 (189k): I. Allegro spiritoso | — | ||
| 27-6 | Symphony no. 28 in C major, K. 200 (189k): II. Andante | — | ||
| 27-7 | Symphony no. 28 in C major, K. 200 (189k): III. Menuetto. Allegretto - Trio | — | ||
| 27-8 | Symphony no. 28 in C major, K. 200 (189k): IV. Presto | — | ||
| 27-9 | Symphony no. 29 in A major, K. 201 (186a): I. Allegro moderato | — | ||
| 27-10 | Symphony no. 29 in A major, K. 201 (186a): II. Andante | — | ||
| 27-11 | Symphony no. 29 in A major, K. 201 (186a): III. Menuetto - Trio | — | ||
| 27-12 | Symphony no. 29 in A major, K. 201 (186a): IV. Allegro con spirito | — | ||
| 28-1 | Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso | — | ||
| 28-2 | Symphony no. 36 in C major “Linz”, K. 425: II. Andante | — | ||
| 28-3 | Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto - Trio | — | ||
| 28-4 | Symphony no. 36 in C major “Linz”, K. 425: IV. Presto | — | ||
| 28-5 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 29-1 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: II. Andante | — | ||
| 29-2 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: III. Menuetto - Trio | — | ||
| 29-3 | The Birth of a Performance - Rehearsal of Mozart's Symphony no. 36 “Linz”: IV. Presto | — | ||
| 30-1 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-2 | Eine kleine Nachtmusik, K. 525: II. Romanze. Andante | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-3 | Serenade no. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-4 | Eine kleine Nachtmusik, K. 525: IV. Rondo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-5 | Menuetto & Trio in F major, K. 599/5 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-6 | Menuetto & Trio in C major, K. 568/1 | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-7 | Three German Dances K. 605: No. 1 in D major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-8 | Three German Dances K. 605: No. 2 in G major | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-9 | Three German Dances K. 605: No. 3 in C major "Sleigh Ride" | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-10 | Maurerische Trauermusik, K. 477 (479a): Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-11 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | Columbia Symphony Orchestra, Bruno Walter | T-903.529.769-9 | |
| 30-12 | Le nozze di Figaro, K. 492: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 30-13 | Così fan tutte, K. 588: Ouverture | Columbia Symphony Orchestra, Bruno Walter | T-902.763.968-5 | |
| 30-14 | Der Schauspieldirektor, K. 486: Overture. Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 31-1 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace | — | ||
| 31-2 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio | — | ||
| 31-3 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio | — | ||
| 31-4 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto | — | ||
| 31-5 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: I. Adagio - Allegro | — | ||
| 31-6 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: II. Andante | — | ||
| 31-7 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: III. Menuetto. Allegretto - Trio | — | ||
| 31-8 | Symphony no. 99 in D major “The Miracle”, Hob. I:96: IV. Finale. Vivace assai | — | ||
| 32-1 | Requiem in D minor, K. 626: I. Introitus: Requiem. Adagio. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-2 | Requiem in D minor, K. 626: II. Kyrie: Kyrie eleison. Allegro. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-070.093.418-4 | |
| 32-3 | Requiem in D minor, K. 626: IIIa. Sequentia: Dies irae. Allegro assai. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-924.404.440-4 | |
| 32-4 | Requiem in D minor, K. 626: IIIb. Sequentia: Tuba mirum. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-5 | Requiem in D minor, K. 626: IIIc. Sequentia: Rex tremendae | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-6 | Requiem in D minor, K. 626: IIId. Sequentia: Recordare | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-7 | Requiem in D minor, K. 626: IIIe. Sequentia: Confutatis. Andante. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-8 | Requiem in D minor, K. 626: IIIf. Sequentia: Lacrimosa | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-905.391.973-6 | |
| 32-9 | Requiem in D minor, K. 626: IVa. Offertorium: Domine Jesu. Andante con moto | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-919.097.742-5 | |
| 32-10 | Requiem in D minor, K. 626: IVb. Offertorium: Hostias. Andante - Andante con moto. | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-11 | Requiem in D minor, K. 626: V. Sanctus. Adagio - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-922.061.546-3 | |
| 32-12 | Requiem in D minor, K. 626: VI. Benedictus. Andante - allegro | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-13 | Requiem in D minor, K. 626: V. Agnus Dei | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | — | |
| 32-14 | Requiem in D minor, K. 626: VI. Communio: Lux aeterna | Irmgard Seefried, Léopold Simoneau, Jennie Tourel, William Warfield, Westminster Choir, New York Philharmonic, Bruno Walter | T-910.952.061-8 | |
| 33-1 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace | New York Philharmonic, Bruno Walter | — | |
| 33-2 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile | New York Philharmonic, Bruno Walter | — | |
| 33-3 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | — | |
| 33-4 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 33-5 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | New York Philharmonic, Bruno Walter | — | |
| 33-6 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | New York Philharmonic, Bruno Walter | — | |
| 33-7 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegro - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 33-8 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | New York Philharmonic, Bruno Walter | — | |
| 34-1 | Kaiser-Walzer, op. 437 | — | ||
| 34-2 | Die Fledermaus: Overture | — | ||
| 34-3 | Wiener Blut, op. 354 | — | ||
| 34-4 | Geschichten aus dem Wienerwald, op. 325 | — | ||
| 34-5 | Der Zigeunerbaron: Overture | — | ||
| 34-6 | An der schönen blauen Donau, op. 314 | — | ||
| 34-7 | Kaiser-Walzer, op. 437 | — | ||
| 35-1 | Rosamunde, Fürstin von Zypern, D 797: Overture. Andante - Allegro vivace (from Die Zauberharfe, D 644) | — | ||
| 35-2 | Rosamunde, Fürstin von Zypern, D 797: No. 9: Ballet. Andantino | — | ||
| 35-3 | Rosamunde, Fürstin von Zypern, D 797: No. 5: Entr'acte after Act III. Andantino - Minore I - Minore II | — | ||
| 35-4 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 35-5 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 35-6 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio | — | ||
| 35-7 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 35-8 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 35-9 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 35-10 | Concerto for Violin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 36-1 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: I. Allegro | — | ||
| 36-2 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: II. Largo - attacca | — | ||
| 36-3 | Concerto for Piano, Violin, Cello and Orchestra in C major “Triple Concerto”, op. 56: III. Rondo alla Polacca | — | ||
| 36-4 | Leonore Overture no. 3, op. 72a: Adagio - Allegro | — | ||
| 36-5 | Egmont Overture, op. 84: Sostenuto, ma non troppo - Allegro | — | ||
| 37-1 | Symphony no. 2 “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 37-2 | Symphony no. 2 “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen | — | ||
| 37-3 | Symphony no. 2 “Resurrection”: III. [Scherzo.] In ruhig fließender Bewegung - attacca | — | ||
| 37-4 | Symphony no. 2 “Resurrection”: IV. “Urlicht”. Sehr feierlich, aber schlicht. Nicht schleppen: “O Röschen rot!” - attacca (contralto solo) | — | ||
| 37-5 | Symphony no. 2 “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend - Allegro energico. Nicht zu schnell - Wieder zurückhaltend - Langsam. Misterioso: “Auferstehn, ja auferstehn” (soprano solo, chorus) - Etwas bewegter: “O glaube, mein Herz, o glaube” (contralto solo, soprano solo, chorus) - Mit Aufschwung, aber nicht eilen: “O Schmerz! Du Alldurchdringer!” (contralto solo, chorus, soprano solo) | — | ||
| 38-1 | Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-2 | Symphony no. 6 in F major “Pastoral”, op. 68: II. Szene am Bach. Andante molto mosso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-3 | Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-4 | Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter, Sturm. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 38-5 | Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-1 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-2 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-3 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 39-4 | Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio; Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) Trio (un poco meno allegro) | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Columbia Symphony Orchestra, Bruno Walter | T-001.444.317-4 | |
| 40-5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-7 | Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 40-8 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 41-1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto | — | ||
| 41-2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo | — | ||
| 41-3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace | — | ||
| 41-4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco | — | ||
| 41-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | — | ||
| 41-6 | Symphony no. 8 in G major, op. 88: II. Adagio | — | ||
| 41-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace | — | ||
| 41-8 | Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo | — | ||
| 42-1 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: I. Allegro | — | ||
| 42-2 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: II. Adagio | — | ||
| 42-3 | Concerto for Violin and Orchestra no. 3 in G major, K. 216: III. Rondeau. Allegro - Andante - Allegretto - Tempo I | — | ||
| 42-4 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro | — | ||
| 42-5 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | — | ||
| 42-6 | Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo | — | ||
| 43-1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 43-7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | Columbia Symphony Orchestra, Bruno Walter | T-300.456.250-5 | |
| 43-8 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Columbia Symphony Orchestra, Bruno Walter | T-314.638.300-4 | |
| 44-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Columbia Symphony Orchestra, Bruno Walter | T-909.821.799-3 | |
| 44-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 44-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-1 | Symphony no. 9 in D minor “Choral”, op. 125: I. Allegro ma non troppo, un poco maestoso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-2 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace - Presto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-3 | Symphony no. 9 in D minor “Choral”, op. 125: III. Adagio molto e cantabile - Andante moderato - Adagio | Columbia Symphony Orchestra, Bruno Walter | — | |
| 45-4 | Symphony no. 9 in D minor “Choral”, op. 125: IV. Presto - Allegro assai - Presto - Recitativo: “O Freunde, nicht diese Töne!” - Allegro assai - Allegro assai vivace. Alla Marcia - Andante maestoso - Adagio ma non troppo ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Poco adagio - Prestissimo | — | ||
| 46-1 | Die Meistersinger von Nürnberg: Prelude to Act I | — | ||
| 46-2 | Der fliegende Holländer: Overture | — | ||
| 46-3 | Parsifal: Prelude to Act I - Karfreitagszauber | — | ||
| 47-1 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: I. Allegro | — | ||
| 47-2 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: II. Andante | — | ||
| 47-3 | Concerto for Vioin, Cello and Orchestra in A minor “Double Concerto”, op. 102: III. Vivace non troppo | — | ||
| 47-4 | Tragic Overture in D minor, op. 81: Allegro ma non troppo - Molto più moderato - Tempo I (ma tranquillo) | — | ||
| 47-5 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | — | ||
| 47-6 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso - attacca | — | ||
| 47-7 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | — | ||
| 48-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-3 | Symphony no. 1 in C minor, op. 68: III. Un poco Allegretto e grazioso | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più Andante - Allegro non troppo, ma con brio - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | — | |
| 48-5 | Academic Festival Overture in C minor, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso | — | ||
| 49-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 49-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 49-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (Quasi Andantino) - Presto ma non assai - Tempo I | — | ||
| 49-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 49-5 | Symphony no. 3 in F major, op. 90: I. Allegro con brio | — | ||
| 49-6 | Symphony no. 3 in F major, op. 90: II. Andante | — | ||
| 49-7 | Symphony no. 3 in F major, op. 90: III. Poco Allegretto | — | ||
| 49-8 | Symphony no. 3 in F major, op. 90: IV. Allegro | — | ||
| 50-1 | Variations on a Theme by Joseph Haydn in B-flat major, op. 56a: Thema. Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante | — | ||
| 50-2 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-3 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-4 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 50-5 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro | Columbia Symphony Orchestra, Bruno Walter | T-902.764.002-4 | |
| 51-1 | Symphony no. 9 in D minor, WAB 109: I. Feierlich. Misterioso | — | ||
| 51-2 | Symphony no. 9 in D minor, WAB 109: II. Scherzo. Bewegt, lebhaft - Trio. Schnell | — | ||
| 51-3 | Symphony no. 9 in D minor, WAB 109: III. Adagio. Langsam, feierlich | — | ||
| 52-1 | Symphony no. 5 in B-flat major, D 485: I. Allegro | — | ||
| 52-2 | Symphony no. 5 in B-flat major, D 485: II. Andante con moto | — | ||
| 52-3 | Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio | — | ||
| 52-4 | Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace | — | ||
| 52-5 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato | — | ||
| 52-6 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto | — | ||
| 53-1 | Symphony no. 9 in C major “Great”, D 944: I. Andante - Allegro ma non troppo | — | ||
| 53-2 | Symphony no. 9 in C major “Great”, D 944: II. Andante con moto | — | ||
| 53-3 | Symphony no. 9 in C major “Great”, D 944: III. Scherzo. Allegro vivace - Trio | — | ||
| 53-4 | Symphony no. 9 in C major “Great”, D 944: IV. Allegro vivace | — | ||
| 54-1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | — | ||
| 54-2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | — | ||
| 54-3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | — | ||
| 56-1 | Symphony no. 9: I. Andante comodo | — | ||
| 56-2 | Symphony no. 9: II. Im Tempo einer gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 57-1 | Symphony no. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 57-2 | Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 58-1 | Eine kleine Nachtmusik - Serenade in G major, K. 525: I. Allegro | — | ||
| 58-2 | Eine kleine Nachtmusik - Serenade in G major, K. 525: II. Romance. Andante | — | ||
| 58-3 | Eine kleine Nachtmusik - Serenade in G major, K. 525: III. Menuetto. Allegretto - Trio | — | ||
| 58-4 | Eine kleine Nachtmusik - Serenade in G major, K. 525: IV. Rondo. Allegro | — | ||
| 58-5 | Der Schauspieldirektor, K. 486: Overture. Presto | — | ||
| 58-6 | Così fan tutte, K. 588: Overture. Andante | — | ||
| 58-7 | Le nozze di Figaro, K. 492: Overture. Presto | — | ||
| 58-8 | Die Zauberflöte, K. 620: Overture. Adagio - Allegro | — | ||
| 58-9 | Maurerische Trauermusik, K. 477 (479a): Adagio | — | ||
| 59-1 | Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich | — | ||
| 59-2 | Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | — | ||
| 59-3 | Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 59-4 | Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt - Energisch - Sehr gesangsvoll - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Höchste Kraft. Wieder vorwärts drängend - Triumphal (Nicht eilen) | — | ||
| 60-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante | — | ||
| 60-2 | Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet | — | ||
| 60-3 | Das Lied von der Erde: III. Von der Jugend. Behaglich heiter | — | ||
| 60-4 | Das Lied von der Erde: IV. Von der Schönheit. Comodo dolcissimo | — | ||
| 60-5 | Das Lied von der Erde: V. Der Trunkene im Frühling. Allegro | — | ||
| 60-6 | Das Lied von der Erde: VI. Der Abschied. Schwer | — | ||
| 61-1 | Rhapsody for Contralto, Male Chorus and Orchestra, op. 53: Adagio - “Aber abseits, wer ist's?” - Poco Andante - Adagio: “Ist auf deinem Psalter” | — | ||
| 61-2 | Schicksalslied, op. 54: I. Langsam und sehnsuchtsvoll - “Ihr wandelt droben im Licht” / II. Allegro - “Doch uns ist gegeben, auf keiner Stätte zu ruhn” / III. Adagio | Occidental College Concert Choir, Columbia Symphony Orchestra, Bruno Walter | T-322.185.896-0 | |
| 61-3 | Lieder eines fahrenden Gesellen: No. 1: Wenn mein Schatz Hochzeit macht | — | ||
| 61-4 | Lieder eines fahrenden Gesellen: No. 2: Ging heut' morgen über's Feld | — | ||
| 61-5 | Lieder eines fahrenden Gesellen: No. 3: Ich hab' ein glühend Messer | — | ||
| 61-6 | Lieder eines fahrenden Gesellen: No. 4: Die zwei blauen Augen | — | ||
| 62-1 | Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso | — | ||
| 62-2 | Symphony no. 36 in C major “Linz”, K. 425: II. Andante | — | ||
| 62-3 | Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto - Trio | — | ||
| 62-4 | Symphony no. 36 in C major “Linz”, K. 425: IV. Presto | — | ||
| 62-5 | Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro | — | ||
| 62-6 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto | — | ||
| 62-7 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto - Trio | — | ||
| 62-8 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro | — | ||
| 63-1 | Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro | — | ||
| 63-2 | Symphony no. 38 in D major “Prague”, K. 504: II. Andante | — | ||
| 63-3 | Symphony no. 38 in D major “Prague”, K. 504: III. Presto | — | ||
| 63-4 | Symphony no. 40 in G minor, K. 550: I. Molto Allegro | — | ||
| 63-5 | Symphony no. 40 in G minor, K. 550: II. Andante | — | ||
| 63-6 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto - Trio | — | ||
| 63-7 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | — | ||
| 64-1 | Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace | — | ||
| 64-2 | Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile | — | ||
| 64-3 | Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto. Allegretto - Trio | — | ||
| 64-4 | Symphony no. 41 in C major “Jupiter”, K. 551: IV. Molto Allegro | — | ||
| 64-5 | Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito | — | ||
| 64-6 | Symphony no. 35 in D major “Haffner”, K. 385: II. Andante | — | ||
| 64-7 | Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto - Trio | — | ||
| 64-8 | Symphony no. 35 in D major “Haffner”, K. 385: IV. Presto | — | ||
| 65-1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro | — | ||
| 65-2 | Symphony no. 88 in G major, Hob. I:88: II. Largo | — | ||
| 65-3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto | — | ||
| 65-4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito | — | ||
| 65-5 | Symphony no. 100 in G major “Military”, Hob. I:100: I. Adagio - Allegro | — | ||
| 65-6 | Symphony no. 100 in G major “Military”, Hob. I:100: II. Allegretto | — | ||
| 65-7 | Symphony no. 100 in G major “Military”, Hob. I:100: III. Menuet. Moderato - Trio | — | ||
| 65-8 | Symphony no. 100 in G major “Military”, Hob. I:100: IV. Finale. Presto | — | ||
| 66-1 | Lohengrin: Prelude to Act I | — | ||
| 66-2 | Siegfried Idyll | — | ||
| 66-3 | Tannhäuser und der Sängerkrieg auf Wartburg: Overture - Bacchanale (Venusberg Music) | — | ||
| 66-4 | Leonore Overture no. 2, op. 72: Adagio - Allegro - Tempo I - Presto | — | ||
| 66-5 | Coriolan Overture, op. 62: Allegro con brio | — | ||
| 67-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 67-2 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 67-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | — | ||
| 67-4 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 68-1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (chorus). Ziemlich langsam und mit Ausdruck | — | ||
| 68-2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch es ist wie Gras” (chorus). Langsam, marschmäßig | — | ||
| 68-3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderato | — | ||
| 68-4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen” (chorus). Mäßig bewegt | — | ||
| 68-5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (soprano, chorus). Langsam | — | ||
| 68-6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - Allegro | — | ||
| 68-7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben” (chorus). Feierlich | — | ||
| 69-1 | Applause | — | ||
| 69-2 | Iphigénie en Aulide: Overture | — | ||
| 69-3 | Applause | — | ||
| 69-4 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 69-5 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 69-6 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | — | ||
| 69-7 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 70-1 | Introduction by Bruno Walter to Mozart's Symphony no. 40 | — | ||
| 70-2 | Symphony no. 40 in G minor with clarinets, K. 550: I. Molto Allegro | New York Philharmonic, Bruno Walter | — | |
| 70-3 | Symphony no. 40 in G minor with clarinets, K. 550: II. Andante | New York Philharmonic, Bruno Walter | T-802.445.410-3 | |
| 70-4 | Symphony no. 40 in G minor with clarinets, K. 550: III. Menuetto. Allegretto - Trio | New York Philharmonic, Bruno Walter | T-902.774.400-9 | |
| 70-5 | Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai | New York Philharmonic, Bruno Walter | T-306.395.786-4 | |
| 70-6 | Introduction by Bruno Walter to Mozart's Cavatina “Se vuol ballare” | — | ||
| 70-7 | Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro) | — | ||
| 70-8 | Introduction by Bruno Walter to Mozart's Rondò “Per pietà” | — | ||
| 70-9 | Così fan tutte, K. 588: Act II. “Per pietà, ben mio, perdona” (Fiordiligi) | — | ||
| 70-10 | Introduction by Bruno Walter to Richard Strauss's “Don Juan” | — | ||
| 70-11 | Don Juan, op. 20 | — | ||
| 70-12 | Conclusion by Bruno Walter | — | ||
| 71-1 | About the value of recordings | — | ||
| 71-2 | The first recordings | — | ||
| 71-3 | Bruno Walter and Mahler | — | ||
| 71-4 | About Mozart | — | ||
| 71-5 | About Mahler and Bruckner | — | ||
| 71-6 | Mahler's and Bruckner's impact on Bruno Walter's work | — | ||
| 71-7 | About Brahms | — | ||
| 71-8 | About recording the “Linz” Symphony | — | ||
| 71-9 | About Kathleen Ferrier | — | ||
| 71-10 | Bruno Walter and Vienna | — | ||
| 72-1 | Bruno Walter: Selbsporträt: Kinderjahre in Berlin | — | ||
| 72-2 | Bruno Walter: Selbsporträt: Begeisterung für Wagner | — | ||
| 72-3 | Bruno Walter: Selbsporträt: Anfänge als Dirigent und Treffen auf Mahler | — | ||
| 72-4 | Bruno Walter: Selbsporträt: Mahler und der Glaube | — | ||
| 72-5 | Bruno Walter: Selbsporträt: Die Zeit in Hamburg | — | ||
| 72-6 | Bruno Walter: Selbsporträt: Breslau, Riga, Berlin | — | ||
| 72-7 | Bruno Walter: Selbsporträt: Wien | — | ||
| 72-8 | Bruno Walter: Selbsporträt: Mahlers Tod | — | ||
| 72-9 | Bruno Walter: Selbsporträt: Walter verlässt Wien | — | ||
| 72-10 | Bruno Walter: Selbsporträt: Amerika | — | ||
| 73-1 | Bruno Walter rehearses the Siegfried Idyll | — | ||
| 73-2 | Bruno Walter on his recordings of Wagner and Brahms | — | ||
| 74-1 | A Talking Portrait: Bruno Walter in conversation with Arnold Michaelis | — | ||
| 74-2 | A Working Portrait: Recording the Mahler Ninth Symphony | — | ||
| 75-1 | Bruno Walter rehearsing Beethoven: Symphony no. 5 in C minor, op. 67: I. Allegro con brio (Rehearsal) | — | ||
| 75-2 | Bruno Walter rehearsing Beethoven: Symphony no. 5 in C minor, op. 67: II. Andante con moto (Rehearsal) | — | ||
| 75-3 | Bruno Walter rehearsing the Philharmonic-Symphony Orchestra of New York: Symphony no. 2 in D major, op. 73: I. Allegro non troppo (Rehearsal) | — | ||
| 75-4 | Bruno Walter rehearsing the Philharmonic-Symphony Orchestra of New York: Symphony no. 3 in F major, op. 90: I. Allegro con brio (Rehearsal) | — | ||
| 76-1 | Symphony no. 9 in D minor “Choral”, op. 125: II. Molto vivace (Rehearsal) | — | ||
| 76-2 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (Rehearsal) | — | ||
| 76-3 | Symphony no. 4 in B-flat major, op. 60: II. Adagio (Rehearsal) | — | ||
| 77-1 | Beethoven Set Bonus EP for Japan: “My dear listeners and friends in Japan” | — | ||
| 77-2 | 77th Birthday Celebration: “I am going to introduce some of my records...” | — | ||
| 77-3 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: I. Allegro con spirito | — | ||
| 77-4 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: II. Andante | — | ||
| 77-5 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: III. Menuetto - Trio | — | ||
| 77-6 | 77th Birthday Celebration: Symphony no. 35 “Haffner”: IV. Presto | — | ||
| 77-7 | 77th Birthday Celebration: “The concert aria 'Mentre ti lascio, o figlia' ...” | — | ||
| 77-8 | 77th Birthday Celebration: “Mentre ti lascio, o figlia”, K. 513 | — | ||
| 77-9 | 77th Birthday Celebration: “Dear friends, let me say goodbye to you...” | — | ||
| 77-10 | Special Bruno Walter 80th Birthday Tributes: Lotte Lehmann | — | ||
| 77-11 | Special Bruno Walter 80th Birthday Tributes: Ezio Pinza | — | ||
| 77-12 | Special Bruno Walter 80th Birthday Tributes: Eleanor Steber | — | ||
| 77-13 | Special Bruno Walter 80th Birthday Tributes: George London | — | ||
| 77-14 | Special Bruno Walter 80th Birthday Tributes: Lauritz Melchior | — | ||
| 77-15 | Special Bruno Walter 80th Birthday Tributes: Joseph Szigeti | — | ||
| 77-16 | Special Bruno Walter 80th Birthday Tributes: Leonard Bernstein | — | ||
| 77-17 | Special Bruno Walter 80th Birthday Tributes: Leonard Rose | — | ||
| 77-18 | Special Bruno Walter 80th Birthday Tributes: John Corigliano | — | ||
| 77-19 | Special Bruno Walter 80th Birthday Tributes: William Warfield | — | ||
| 77-20 | Special Bruno Walter 80th Birthday Tributes: Jennie Tourel | — | ||
| 77-21 | Special Bruno Walter 80th Birthday Tributes: Goddard Lieberson | — | ||
| 77-22 | Sound of Genius - An Invitation to Great Listening: “Here's exciting new for Bruno Walter collectors” | — | ||
| 77-23 | Sound of Genius - An Invitation to Great Listening: Siegfriend Idyll - Rehearsal | — | ||
| 77-24 | Sound of Genius - An Invitation to Great Listening: “I could not think of my life without Mahler and Bruckner” | — | ||
| 77-25 | Sound of Genius - An Invitation to Great Listening: “John McClure, the recording director” | — | ||
| 77-26 | Sound of Genius - An Invitation to Great Listening: Symphony no. 9 - Rehearsal | — | ||
| 77-27 | Sound of Genius - An Invitation to Great Listening: “The Scherzo of Bruckner's Romantic Symphony” | — | ||
| 77-28 | Sound of Genius - An Invitation to Great Listening: Symphony no. 4 “Romantic”: Scherzo | — | ||
| 77-29 | Sound of Genius - An Invitation to Great Listening: “I had so many channels through which I found my way to Brahms” | — | ||
| 77-30 | Sound of Genius - An Invitation to Great Listening: “But the next work is by Brahms” | — | ||
| 77-31 | Sound of Genius - An Invitation to Great Listening: Academic Festival Overture | — | ||
| 77-32 | Sound of Genius - An Invitation to Great Listening: “You will now hear Mozart's Symphony in G minor” | — | ||
| 77-33 | Sound of Genius - An Invitation to Great Listening: Symphony no. 40: Allegro assai | — | ||
| 77-34 | Bruno Walter Recollects: “I had so many channels to Brahms” | — | ||
| 77-35 | Bruno Walter Recollects: “My door to Bruckner” | — | ||
| 77-36 | Bruno Walter Recollects: Bruckner's Te Deum | — | ||
| 77-37 | Bruno Walter Recollects: First meeting with Mahler: difference and connection between Mahler and Bruckner | — | ||
| 77-38 | Bruno Walter Recollects: First meeting with Kathleen Ferrier: their notable collaborations in Mahler's “Das Lied von der Erde“ and “Kindertotenlieder” | — | ||
| 77-39 | Bruno Walter Recollects: How the love for Mozart had grown since Walter was a young conductor | — | ||
| 77-40 | Bruno Walter Recollects: Bruno Walter introduces Mozart's Symphony no. 35 “Haffner” | — | ||
| 77-41 | Bruno Walter Recollects: Bruno Walter introduces Mozart's Symphonyno. 40 | — | ||
| 77-42 | Bruno Walter Recollects: His early performances of the last three Mozart Symphonies nos. 39, 40 & 41 | — | ||
| 77-43 | Bruno Walter Recollects: On the birth of a performance: the complete rehearsal of Mozart's “Linz” Symphony no. 36 recorded without the conductor's knowledge | — | ||
| 77-44 | Bruno Walter Recollects: Mozart's Requiem: Walter's changes in instrumentation and Süssmayr's contributions | — | ||
| 77-45 | Bruno Walter Recollects: Johann Strauss and Walter's love for Vienna | — | ||
| 77-46 | Bruno Walter Recollects: “Dear friends, let me say goodbye to you” | — |
