UPC · Release
Dick Walter
Last verified:
191018891046 is the Universal Product Code (UPC barcode) for the release “Kpm 1000 Series: The Editor's Companion - Volume Three” by Dick Walter, released 1984-01-01 on KPM 1000 LP Series. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBBGL8400764, GBBGL8400766, GBBGL8400773.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | THEATRELAND | — | ||
| 2 | Goodnight Folkal | — | ||
| 3 | SHOWBIZ FANFARE | — | ||
| 4 | Music Hall (a) | — | ||
| 5 | Music Hall (B) | — | ||
| 6 | Music Hall (C) | — | ||
| 7 | Music Hall (D) | — | ||
| 8 | Music Hall (E) | — | ||
| 9 | Music Hall (F) | — | ||
| 10 | VAMPING | — | ||
| 11 | ENTRY OF THE GLADIATORS | T-902.467.960-5 | ||
| 12 | CLOWNS' CAVALCADE | T-010.109.145-5 | ||
| 13 | TONIGHT'S PRIZES | — | ||
| 14 | TAKE IT OFF! | — | ||
| 15 | THE GYPSY VIOLINIST | T-010.109.147-7 | ||
| 16 | ORGAN FANFARE (A) | — | ||
| 17 | ORGAN FANFARE (B) | — | ||
| 18 | ORGAN FANFARE (C) | — | ||
| 19 | At the Organ (a) | — | ||
| 20 | At the Organ (B) | — | ||
| 21 | ACORN RAG (A) | — | ||
| 22 | ACORN RAG (B) | — | ||
| 23 | ACORN RAG (C) | — | ||
| 24 | SOLITARY RAG (A) | T-010.109.150-2 | ||
| 25 | SOLITARY RAG (B) | T-010.109.150-2 | ||
| 26 | TWENTIES FLAP (A) | — | ||
| 27 | TWENTIES FLAP (B) | — | ||
| 28 | IT'S TRAD! | T-010.658.915-4 | ||
| 29 | TIME TO TANGO (A) | — | ||
| 30 | TIME TO TANGO (B) | — | ||
| 31 | THE FIRST WALTZ | T-010.109.153-5 | ||
| 32 | CHA-CHA-CHA (A) | T-010.109.979-9 | ||
| 33 | CHA-CHA-CHA (B) | T-010.109.979-9 | ||
| 34 | LET'S CONGA (A) | T-010.210.787-8 | ||
| 35 | LET'S CONGA (B) | T-010.210.787-8 | ||
| 36 | LET'S CONGA (C) | T-010.210.787-8 | ||
| 37 | TENOR TWIST | — | ||
| 38 | ROCKOLA (A) | — | ||
| 39 | ROCKOLA (B) | — | ||
| 40 | TIJUANA TICKET | — | ||
| 41 | CHAMBER JAZZ (A) | T-010.210.788-9 | ||
| 42 | CHAMBER JAZZ (B) | T-010.210.788-9 | ||
| 43 | COOL TIME | — | ||
| 44 | SO FAR | — | ||
| 45 | PIANO BAR | T-010.210.789-0 | ||
| 46 | ARE YOU HIP? | T-010.109.157-9 | ||
| 47 | PRELUDE TO A THEME | — | ||
| 48 | INTROSPECTIVE | — | ||
| 49 | SOLITARY (A) | — | ||
| 50 | SOLITARY (B) | — | ||
| 51 | SOLITARY (C) | — | ||
| 52 | Private Thoughts (a) | — | ||
| 53 | Private Thoughts (B) | — | ||
| 54 | Private Thoughts (C) | — | ||
| 55 | Private Thoughts (D) | — | ||
| 56 | SCENE SHIFT | — | ||
| 57 | Change of Scene (a) | — | ||
| 58 | Change of Scene (B) | — | ||
| 59 | Change of Scene (C) | — | ||
| 60 | FIRST MOVE | T-010.210.790-3 | ||
| 61 | MOVING OUT | — | ||
| 62 | THE DEPARTURE | — | ||
| 63 | FINAL FAREWELL (A) | T-900.059.501-7 | ||
| 64 | FINAL FAREWELL (B) | T-900.059.501-7 | ||
| 65 | FINAL FAREWELL (C) | T-900.059.501-7 | ||
| 66 | SLOW PAN (A) | — | ||
| 67 | SLOW PAN (B) | — | ||
| 68 | CHANGEOVER | T-900.025.030-6 | ||
| 69 | CROSSOVER | — | ||
| 70 | MILD TENSION (A) | — | ||
| 71 | MILD TENSION (B) | — | ||
| 72 | THE SMALL HOURS (A) | — | ||
| 73 | THE SMALL HOURS (B) | — | ||
| 74 | THE SMALL HOURS (C) | — | ||
| 75 | NIGHT FALLS | — | ||
| 76 | Unesse | — | ||
| 77 | CHECKMATE (A) | — | ||
| 78 | CHECKMATE (B) | — | ||
| 79 | CHECKMATE (C) | — | ||
| 80 | MOVING TARGET | — | ||
| 81 | HIDDEN MOVES | T-010.637.559-0 | ||
| 82 | FACE AT THE WINDOW (A) | T-010.109.171-7 | ||
| 83 | FACE AT THE WINDOW (B) | T-010.109.171-7 | ||
| 84 | NIGHT CHILL | — | ||
| 85 | COLD FEAR (A) | T-010.109.173-9 | ||
| 86 | COLD FEAR (B) | T-010.109.173-9 | ||
| 87 | DISSONANCE | — | ||
| 88 | THE HAUNTING (A) | — | ||
| 89 | THE HAUNTING (B) | — | ||
| 90 | CROSSCUT (A) | T-915.714.332-3 | ||
| 91 | CROSSCUT (B) | T-915.714.332-3 | ||
| 92 | ON THE RUN | T-010.109.176-2 | ||
| 93 | CAPTURE | — | ||
| 94 | THE SCREAMING | T-010.910.022-2 | ||
| 95 | HALLUCINATION (A) | — | ||
| 96 | HALLUCINATION (B) | — | ||
| 97 | HEARTBEAT (A) | T-010.210.791-4 |
| Track Title | Artist(s) | ISWC |
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Identifier Graph
191018891046 is a Universal Product Code (UPC) assigned to Kpm 1000 Series: The Editor's Companion - Volume Three by Dick Walter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
191018891046 is the Universal Product Code (UPC barcode) for the release “Kpm 1000 Series: The Editor's Companion - Volume Three” by Dick Walter, released 1984-01-01 on KPM 1000 LP Series. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBBGL8400764, GBBGL8400766, GBBGL8400773.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | THEATRELAND | — | ||
| 2 | Goodnight Folkal | — | ||
| 3 | SHOWBIZ FANFARE | — | ||
| 4 | Music Hall (a) | — | ||
| 5 | Music Hall (B) | — | ||
| 6 | Music Hall (C) | — | ||
| 7 | Music Hall (D) | — | ||
| 8 | Music Hall (E) | — | ||
| 9 | Music Hall (F) | — | ||
| 10 | VAMPING | — | ||
| 11 | ENTRY OF THE GLADIATORS | T-902.467.960-5 | ||
| 12 | CLOWNS' CAVALCADE | T-010.109.145-5 | ||
| 13 | TONIGHT'S PRIZES | — | ||
| 14 | TAKE IT OFF! | — | ||
| 15 | THE GYPSY VIOLINIST | T-010.109.147-7 | ||
| 16 | ORGAN FANFARE (A) | — | ||
| 17 | ORGAN FANFARE (B) | — | ||
| 18 | ORGAN FANFARE (C) | — | ||
| 19 | At the Organ (a) | — | ||
| 20 | At the Organ (B) | — | ||
| 21 | ACORN RAG (A) | — | ||
| 22 | ACORN RAG (B) | — | ||
| 23 | ACORN RAG (C) | — | ||
| 24 | SOLITARY RAG (A) | T-010.109.150-2 | ||
| 25 | SOLITARY RAG (B) | T-010.109.150-2 | ||
| 26 | TWENTIES FLAP (A) | — | ||
| 27 | TWENTIES FLAP (B) | — | ||
| 28 | IT'S TRAD! | T-010.658.915-4 | ||
| 29 | TIME TO TANGO (A) | — | ||
| 30 | TIME TO TANGO (B) | — | ||
| 31 | THE FIRST WALTZ | T-010.109.153-5 | ||
| 32 | CHA-CHA-CHA (A) | T-010.109.979-9 | ||
| 33 | CHA-CHA-CHA (B) | T-010.109.979-9 | ||
| 34 | LET'S CONGA (A) | T-010.210.787-8 | ||
| 35 | LET'S CONGA (B) | T-010.210.787-8 | ||
| 36 | LET'S CONGA (C) | T-010.210.787-8 | ||
| 37 | TENOR TWIST | — | ||
| 38 | ROCKOLA (A) | — | ||
| 39 | ROCKOLA (B) | — | ||
| 40 | TIJUANA TICKET | — | ||
| 41 | CHAMBER JAZZ (A) | T-010.210.788-9 | ||
| 42 | CHAMBER JAZZ (B) | T-010.210.788-9 | ||
| 43 | COOL TIME | — | ||
| 44 | SO FAR | — | ||
| 45 | PIANO BAR | T-010.210.789-0 | ||
| 46 | ARE YOU HIP? | T-010.109.157-9 | ||
| 47 | PRELUDE TO A THEME | — | ||
| 48 | INTROSPECTIVE | — | ||
| 49 | SOLITARY (A) | — | ||
| 50 | SOLITARY (B) | — | ||
| 51 | SOLITARY (C) | — | ||
| 52 | Private Thoughts (a) | — | ||
| 53 | Private Thoughts (B) | — | ||
| 54 | Private Thoughts (C) | — | ||
| 55 | Private Thoughts (D) | — | ||
| 56 | SCENE SHIFT | — | ||
| 57 | Change of Scene (a) | — | ||
| 58 | Change of Scene (B) | — | ||
| 59 | Change of Scene (C) | — | ||
| 60 | FIRST MOVE | T-010.210.790-3 | ||
| 61 | MOVING OUT | — | ||
| 62 | THE DEPARTURE | — | ||
| 63 | FINAL FAREWELL (A) | T-900.059.501-7 | ||
| 64 | FINAL FAREWELL (B) | T-900.059.501-7 | ||
| 65 | FINAL FAREWELL (C) | T-900.059.501-7 | ||
| 66 | SLOW PAN (A) | — | ||
| 67 | SLOW PAN (B) | — | ||
| 68 | CHANGEOVER | T-900.025.030-6 | ||
| 69 | CROSSOVER | — | ||
| 70 | MILD TENSION (A) | — | ||
| 71 | MILD TENSION (B) | — | ||
| 72 | THE SMALL HOURS (A) | — | ||
| 73 | THE SMALL HOURS (B) | — | ||
| 74 | THE SMALL HOURS (C) | — | ||
| 75 | NIGHT FALLS | — | ||
| 76 | Unesse | — | ||
| 77 | CHECKMATE (A) | — | ||
| 78 | CHECKMATE (B) | — | ||
| 79 | CHECKMATE (C) | — | ||
| 80 | MOVING TARGET | — | ||
| 81 | HIDDEN MOVES | T-010.637.559-0 | ||
| 82 | FACE AT THE WINDOW (A) | T-010.109.171-7 | ||
| 83 | FACE AT THE WINDOW (B) | T-010.109.171-7 | ||
| 84 | NIGHT CHILL | — | ||
| 85 | COLD FEAR (A) | T-010.109.173-9 | ||
| 86 | COLD FEAR (B) | T-010.109.173-9 | ||
| 87 | DISSONANCE | — | ||
| 88 | THE HAUNTING (A) | — | ||
| 89 | THE HAUNTING (B) | — | ||
| 90 | CROSSCUT (A) | T-915.714.332-3 | ||
| 91 | CROSSCUT (B) | T-915.714.332-3 | ||
| 92 | ON THE RUN | T-010.109.176-2 | ||
| 93 | CAPTURE | — | ||
| 94 | THE SCREAMING | T-010.910.022-2 | ||
| 95 | HALLUCINATION (A) | — | ||
| 96 | HALLUCINATION (B) | — | ||
| 97 | HEARTBEAT (A) | T-010.210.791-4 |
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