UPC · Release
Kpm 1000 Series: The Editor's Companion - Volume Four
Dick Walter
Last verified:
191018891053 is the Universal Product Code (UPC barcode) for the release “Kpm 1000 Series: The Editor's Companion - Volume Four” by Dick Walter, released 1984-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 146 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (146)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cartoon Coda (a) | — | ||
| 2 | Cartoon Coda (B) | — | ||
| 3 | Cartoon Coda (C) | — | ||
| 4 | Cartoon Coda (D) | — | ||
| 5 | Cartoon Coda (E) | — | ||
| 6 | Cartoon Coda (F) | — | ||
| 7 | Cartoon Coda (G) | — | ||
| 8 | Cartoon Coda (H) | — | ||
| 9 | Cartoon Coda (I) | — | ||
| 10 | Cartoon Coda (J) | — | ||
| 11 | Cartoon Coda (K) | — | ||
| 12 | The Chase Is On | — | ||
| 13 | The Chase Continues | — | ||
| 14 | They're Still Chasing | — | ||
| 15 | Watch Out! (a) | — | ||
| 16 | Watch Out! (B) | — | ||
| 17 | Watch Out! (C) | — | ||
| 18 | Shifty | — | ||
| 19 | Baby Elephant (a) | — | ||
| 20 | Baby Elephant (B) | — | ||
| 21 | Creeping About | — | ||
| 22 | On the Sly (a) | — | ||
| 23 | On the Sly (B) | — | ||
| 24 | Stealth by Night | — | ||
| 25 | Lighting the Fuse (a) | — | ||
| 26 | Lighting the Fuse (B) | — | ||
| 27 | Lighting the Fuse (C) | — | ||
| 28 | Lighting the Fuse (D) | — | ||
| 29 | Shock Horror (a) | — | ||
| 30 | Shock Horror (B) | — | ||
| 31 | Shock Horror (C) | — | ||
| 32 | Shock Horror (D) | — | ||
| 33 | Shock Horror (E) | — | ||
| 34 | The Villain (a) | — | ||
| 35 | The Villain (B) | — | ||
| 36 | The Plot Thickens | — | ||
| 37 | Desperate Dilemma | — | ||
| 38 | Whose That! | — | ||
| 39 | Strange Goings-On | — | ||
| 40 | Oh Dear! | — | ||
| 41 | Trouble | — | ||
| 42 | Comic Tension (a) | — | ||
| 43 | Comic Tension (B) | — | ||
| 44 | Comic Tension (C) | — | ||
| 45 | Comic Tension (D) | — | ||
| 46 | Comic Tension (E) | — | ||
| 47 | Comic Tension (F) | — | ||
| 48 | School's Out | — | ||
| 49 | Busy Little Bees | — | ||
| 50 | Rushing About | — | ||
| 51 | Flash Harry | — | ||
| 52 | Nice Neighbours (a) | — | ||
| 53 | Nice Neighbours (B) | — | ||
| 54 | Nice Neighbours (C) | — | ||
| 55 | Nice Neighbours (D) | — | ||
| 56 | Nice Neighbours (E) | — | ||
| 57 | Nice Neighbours (F) | — | ||
| 58 | Life Goes On (a) | — | ||
| 59 | Life Goes On (B) | — | ||
| 60 | Life Goes On (C) | — | ||
| 61 | Life Goes On (D) | — | ||
| 62 | Life Goes On (E) | — | ||
| 63 | Comic Ending (a) | — | ||
| 64 | Comic Ending (B) | — | ||
| 65 | Comic Ending (C) | — | ||
| 66 | Comic Ending (D) | — | ||
| 67 | Comic Ending (E) | — | ||
| 68 | Comic Ending (F) | — | ||
| 69 | Comic Ending (G) | — | ||
| 70 | Comic Ending (H) | — | ||
| 71 | Comic Ending (I) | — | ||
| 72 | Floating Down (a) | — | ||
| 73 | Floating Down (B) | — | ||
| 74 | Floating Up | — | ||
| 75 | Over and Under | — | ||
| 76 | Scurry | — | ||
| 77 | Rushing Down (a) | — | ||
| 78 | Rushing Down (B) | — | ||
| 79 | Sliding About | — | ||
| 80 | Spiralling Down | — | ||
| 81 | Spiralling Up | — | ||
| 82 | Cartoon Chord | — | ||
| 83 | On Tip Toes (a) | — | ||
| 84 | On Tip Toes (B) | — | ||
| 85 | Setting the Trap | — | ||
| 86 | Down the Pan (a) | — | ||
| 87 | Down the Pan (B) | — | ||
| 88 | Down the Pan (C) | — | ||
| 89 | Down the Pan (D) | — | ||
| 90 | Down the Pan (E) | — | ||
| 91 | Down the Pan (F) | — | ||
| 92 | Down the Pan (G) | — | ||
| 93 | Down the Pan (H) | — | ||
| 94 | Up the Stairs (a) | — | ||
| 95 | Up the Stairs (B) | — | ||
| 96 | About Turn | — | ||
| 97 | Swanee Whistle | — | ||
| 98 | Duck Squawk | — | ||
| 99 | At Home | — | ||
| 100 | Sunday Mornings | — | ||
| 101 | Summertime Outing | — | ||
| 102 | Bedtime | — | ||
| 103 | Dreaming | — | ||
| 104 | Family Life (a) | — | ||
| 105 | Family Life (B) | — | ||
| 106 | Family Life (C) | — | ||
| 107 | Family Life (D) | — | ||
| 108 | Family Life (E) | — | ||
| 109 | Family Life (F) | — | ||
| 110 | Family Life (G) | — | ||
| 111 | Family Life (H) | — | ||
| 112 | Fairy Dust (a) | — | ||
| 113 | Fairy Dust (B) | — | ||
| 114 | Fairy Dust (C) | — | ||
| 115 | Fairy Dust (D) | — | ||
| 116 | Fairy Dust (E) | — | ||
| 117 | Fairy Dust (F) | — | ||
| 118 | Piano Lesson (a) | — | ||
| 119 | Piano Lesson (B) | — | ||
| 120 | Piano Study | — | ||
| 121 | Lovers' Prelude | — | ||
| 122 | Weeping Heart | — | ||
| 123 | Horn Calls | — | ||
| 124 | Hero's Return | — | ||
| 125 | Tuba Fun | — | ||
| 126 | Tuba Walk | — | ||
| 127 | Trumpet Talk | — | ||
| 128 | The Last Post | — | ||
| 129 | Taps | — | ||
| 130 | Trombone Slides | — | ||
| 131 | Lonely Violin | — | ||
| 132 | Heartstrings | — | ||
| 133 | Cello Link (a) | — | ||
| 134 | Cello Link (B) | — | ||
| 135 | Bird Song | — | ||
| 136 | Dream Dissolve | — | ||
| 137 | Timpani Statement (a) | — | ||
| 138 | Timpani Statement (B) | — | ||
| 139 | Timpani Statement (C) | — | ||
| 140 | Timpani Statement (D) | — | ||
| 141 | Parade Ground (a) | — | ||
| 142 | Parade Ground (B) | — | ||
| 143 | Sleigh Bells | — | ||
| 144 | Ping | — | ||
| 145 | Bong | — | ||
| 146 | Tring | — |
Credits Graph
People also ask
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What is UPC 191018891053?
191018891053 is a Universal Product Code (UPC) assigned to Kpm 1000 Series: The Editor's Companion - Volume Four by Dick Walter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 146 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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