UPC · Release
Ex:Re
Last verified:
191400013223 is the Universal Product Code (UPC barcode) for the release “Ex:Re” by Ex:Re, released 2019-01-01 on 4AD. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBAFL1800288, GBAFL1800289, GBAFL1800290.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Where the Time Went | Ex:Re | T-314.096.259-6 | |
| 2 | Crushing | Ex:Re | T-313.846.265-0 | |
| 3 | New York | Ex:Re | T-313.831.952-1 | |
| 4 | Romance | Ex:Re | T-304.333.959-5 | |
| 5 | The Dazzler | Ex:Re | T-313.652.578-1 | |
| 6 | Too Sad | Ex:Re | T-311.226.147-5 | |
| 7 | Liar | Ex:Re | T-313.831.963-4 | |
| 8 | I Can't Keep You | Ex:Re | T-313.831.942-9 | |
| 9 | 5AM | Ex:Re | T-313.846.267-2 | |
| 10 | My Heart | Ex:Re | T-313.831.949-6 |
Identifier Graph
191400013223 is a Universal Product Code (UPC) assigned to Ex:Re by Ex:Re. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
191400013223 is the Universal Product Code (UPC barcode) for the release “Ex:Re” by Ex:Re, released 2019-01-01 on 4AD. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include GBAFL1800288, GBAFL1800289, GBAFL1800290.
