UPC · Release
Kampos de Exterminio
Envidia Kotxina
Last verified:
192562200230 is the Universal Product Code (UPC barcode) for the release “Kampos de Exterminio” by Envidia Kotxina, released 1998-05-05. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kampos de Exterminio | — | ||
| 2 | A Falta de Paz, Buenas Son Hostias | — | ||
| 3 | Sangre y Sudor | — | ||
| 4 | Pensando en el Ayer | — | ||
| 5 | Kanziones Malditas | — | ||
| 6 | Akaba Ya | — | ||
| 7 | Ten Kuidado | — | ||
| 8 | Rekuerdos | — | ||
| 9 | Kuerpos Sanos Mentes Enfermas | — | ||
| 10 | Estado Policial | — | ||
| 11 | Hoy No Puedo Kantar | — | ||
| 12 | Mentiras | — | ||
| 13 | Hoy Ha Muerto un Niño | — | ||
| 14 | No Puedo Konsentir | — | ||
| 15 | Kuantas Marcas | — | ||
| 16 | Lady Di Lady No | — | ||
| 17 | Pa Ke Koño Vale Una‐Lombriz | — |
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What is UPC 192562200230?
192562200230 is a Universal Product Code (UPC) assigned to Kampos de Exterminio by Envidia Kotxina. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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