UPC · Release
Nightmares on Wax
Last verified:
192641251726 is the Universal Product Code (UPC barcode) for the release “Back to Mine: Nightmares on Wax” by Nightmares on Wax, released 2019-01-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include USA2P1906771, USA2P1906772, USA2P1906773.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fear of a Flat Planet | Children of Zeus, LayFullstop | T9291478778 | |
| 2 | Ikarus | Ladi6 | T0614203621 | |
| 3 | Caught in the Middle | Creative Principle | T0110904534 | |
| 4 | Step Into Midnight (Disco Stepper) | Bosq, Induce | T3094683684 | |
| 5 | Exciting Groove | Massimo Vanoni | T9283441918 | |
| 6 | Good Ship | Nightmares on Wax, Steve Spacek | T3059875702 | |
| 7 | Innocence | Dim Zach | — | |
| 9 | Out of My Life (original mix) | Chieftain | T9320035696 | |
| 10 | Lefthanded Books | Steve Cobby, Danielle Moore | — | |
| 11 | Gotta Have It | SBM | T7023069038 | |
| 12 | Look Up | Nightmares on Wax, Andrew Ashong, Sadie Walker | T0026018552 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Royal Blue (Silent Jay, Sensible J & Leigh Fisher remix) | Ladi6 | T0617556952 |
| Russia (Nightmares on Wax remix) | Fat Freddy’s Drop | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
192641251726 is a Universal Product Code (UPC) assigned to Back to Mine: Nightmares on Wax by Nightmares on Wax. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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