UPC · Release
(Hed) P.E.
Last verified:
The UPC for “Stampede” by (Hed) P.E. is 193483703213. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-06-21. This release contains 10 tracks, each with its own ISRC. Tracks include QMKEL1900290, QMKEL1900291, QMKEL1900292.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | NOAPOLOGIES | (həd) p.e. | T-927.038.920-3 | |
| 2 | CANIROCK | (həd) p.e. | T-927.038.922-5 | |
| 3 | PLAYINGWITHFIRE | (həd) p.e. | T-927.038.924-7 | |
| 4 | BOSSUP | (həd) p.e. | T-306.024.587-2 | |
| 5 | WHYNOTME | (həd) p.e. | T-334.420.774-1 | |
| 6 | RISE | (həd) p.e. | T-334.420.775-2 | |
| 7 | UNTOUCHABLE | (həd) p.e. | T-073.136.730-8 | |
| 8 | NARRAGANSETT | (həd) p.e. | — | |
| 9 | DIEANOTHERDAY | (həd) p.e. | — | |
| 10 | TIMEOFMYLIFE | (həd) p.e. | T-306.024.583-8 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
193483703213 is a Universal Product Code (UPC) assigned to Stampede by (Hed) P.E.. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Stampede” by (Hed) P.E. is 193483703213. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-06-21. This release contains 10 tracks, each with its own ISRC. Tracks include QMKEL1900290, QMKEL1900291, QMKEL1900292.
