UPC · Release
Michael Tilson Thomas Conducts Beethoven
Beethoven, Michael Tilson Thomas, English Chamber Orchestra, Orchestra of St. Luke’s, London Symphony Orchestra
194397039627
65 tracksReleased 2020-01-01Sony Classical
Last verified:
194397039627 is the Universal Product Code (UPC barcode) for the release “Michael Tilson Thomas Conducts Beethoven” by Beethoven, Michael Tilson Thomas, English Chamber Orchestra, Orchestra of St. Luke’s, London Symphony Orchestra, released 2020-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include USSM19919919, USSM19919920, USSM19919921.
Format
1Number system
94397Manufacturer
03962Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMichael Tilson Thomas Conducts Beethoven
ISRC11 recordings
ISWC1 work
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: 1. Adagio molto, allegro con brio | — | ||
| 2 | Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto | — | ||
| 3 | Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace | — | ||
| 4 | Symphony no. 1 in C major, op. 21: 4. Finale. Adagio - Allegro molto e vivace | — | ||
| 5 | Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio | — | ||
| 6 | Symphony no. 2 in D major, op. 36: 2. Larghetto | — | ||
| 7 | Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro | — | ||
| 8 | Symphony no. 2 in D major, op. 36: 4. Allegro molto | — | ||
| 9 | Ah! Perfido, Op. 65 | — | ||
| 2-1 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio | — | ||
| 2-2 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai | — | ||
| 2-3 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo: Allegro vivace | — | ||
| 2-4 | Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale: Allegro molto; Poco andante | — | ||
| 2-5 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 1 in C Major | — | ||
| 2-6 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 2 in A Major | — | ||
| 2-7 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 3 in D Major | — | ||
| 2-8 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 4 in B-Flat Major | — | ||
| 2-9 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 5 in E-Flat Major | — | ||
| 2-10 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 6 in C Major | — | ||
| 2-11 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 7 in E-Flat Major | — | ||
| 2-12 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 8 in C Major | — | ||
| 2-13 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 9 in A Major | — | ||
| 2-14 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 10 in C Major | — | ||
| 2-15 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 11 in G Major | — | ||
| 2-16 | Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 12 in E-Flat Major | — | ||
| 2-17 | Egmont Overture, Op. 84 | — | ||
| 2-18 | Opferlied, Op. 121b | — | ||
| 3-1 | Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace | — | ||
| 3-2 | Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio | — | ||
| 3-3 | Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace | — | ||
| 3-4 | Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | — | ||
| 3-5 | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | — | ||
| 3-6 | Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | — | ||
| 3-7 | Symphony No. 5 in C Minor, Op. 67: III. Allegro | — | ||
| 3-8 | Symphony No. 5 in C Minor, Op. 67: IV. Allegro | — | ||
| 4-1 | Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo | — | ||
| 4-2 | Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante molto moto | — | ||
| 4-3 | Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro | — | ||
| 4-4 | Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Allegro | — | ||
| 4-5 | Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto | — | ||
| 4-6 | König Stephan, op. 117: Overture | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-7 | König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-8 | König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-9 | König Stephan, op. 117: Siegesmarsch | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-10 | König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-11 | König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-12 | König Stephan, op. 117: Melodrama | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-13 | König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!” | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-14 | König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-15 | Elegischer Gesang, Op. 118 | — | ||
| 5-1 | Symphony no. 7 in A major, op 92: I. Poco sostenuto, Vivace | — | ||
| 5-2 | Symphony no. 7 in A major, op 92: II. Allegretto | — | ||
| 5-3 | Symphony no. 7 in A major, op 92: III. Presto | — | ||
| 5-4 | Symphony no. 7 in A major, op 92: IV. Allegro con brio | — | ||
| 5-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio | — | ||
| 5-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | English Chamber Orchestra, Michael Tilson Thomas | T-909.821.799-3 | |
| 5-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | — | ||
| 5-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 5-9 | Bundeslied, Op. 122 "In allen guten Stunden" | — | ||
| 6-1 | Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso | — | ||
| 6-2 | Symphony No. 9 in D Minor, Op. 125: II. Molto vivace | — | ||
| 6-3 | Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile | — | ||
| 6-4 | Symphony No. 9 in D Minor, Op. 125: IV. Presto - | — | ||
| 6-5 | Symphony No. 9 in D Minor, Op. 125: Rezitativo: "O Freunde, nicht diese Töne!" | — | ||
| 6-6 | Meeresstille und glückliche Fahrt, op. 112 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — |
Symphony no. 1 in C major, op. 21: 1. Adagio molto, allegro con brio
—
Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto
—
Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace
—
Symphony no. 1 in C major, op. 21: 4. Finale. Adagio - Allegro molto e vivace
—
Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio
—
Symphony no. 2 in D major, op. 36: 2. Larghetto
—
Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro
—
Symphony no. 2 in D major, op. 36: 4. Allegro molto
—
Ah! Perfido, Op. 65
—
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
—
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre: Adagio assai
—
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo: Allegro vivace
—
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale: Allegro molto; Poco andante
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 1 in C Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 2 in A Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 3 in D Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 4 in B-Flat Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 5 in E-Flat Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 6 in C Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 7 in E-Flat Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 8 in C Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 9 in A Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 10 in C Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 11 in G Major
—
Twelve Contredanses for Orchestra, WoO 14: Contredanse No. 12 in E-Flat Major
—
Egmont Overture, Op. 84
—
Opferlied, Op. 121b
—
Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
—
Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio
—
Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace
—
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo
—
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
—
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto
—
Symphony No. 5 in C Minor, Op. 67: III. Allegro
—
Symphony No. 5 in C Minor, Op. 67: IV. Allegro
—
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Allegro ma non troppo
—
Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Andante molto moto
—
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Allegro
—
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Allegro
—
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Allegretto
—
König Stephan, op. 117: Overture
London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten”
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten”
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Siegesmarsch
London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute”
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne”
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Melodrama
London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!”
London Symphony Orchestra, Michael Tilson Thomas
—
König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!”
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
Elegischer Gesang, Op. 118
—
Symphony no. 7 in A major, op 92: I. Poco sostenuto, Vivace
—
Symphony no. 7 in A major, op 92: II. Allegretto
—
Symphony no. 7 in A major, op 92: III. Presto
—
Symphony no. 7 in A major, op 92: IV. Allegro con brio
—
Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio
—
English Chamber Orchestra, Michael Tilson Thomas
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto
—
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
—
Bundeslied, Op. 122 "In allen guten Stunden"
—
Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso
—
Symphony No. 9 in D Minor, Op. 125: II. Molto vivace
—
Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile
—
Symphony No. 9 in D Minor, Op. 125: IV. Presto -
—
Symphony No. 9 in D Minor, Op. 125: Rezitativo: "O Freunde, nicht diese Töne!"
—
Meeresstille und glückliche Fahrt, op. 112
Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas
—
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
SourcesMLCMusicBrainzDiscogs3 sources
Verified on
What is UPC 194397039627?
194397039627 is a Universal Product Code (UPC) assigned to Michael Tilson Thomas Conducts Beethoven by Beethoven, Michael Tilson Thomas, English Chamber Orchestra, Orchestra of St. Luke’s, London Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm