UPC · Release
Leonard Bernstein conducts Mahler
Mahler, Leonard Bernstein, New York Philharmonic, London Symphony Orchestra, Israel Philharmonic Orchestra
194397085624
48 tracksReleased 2020-01-01Sony Classical
Last verified:
194397085624 is the Universal Product Code (UPC barcode) for the release “Leonard Bernstein conducts Mahler” by Mahler, Leonard Bernstein, New York Philharmonic, London Symphony Orchestra, Israel Philharmonic Orchestra, released 2020-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 48 tracks, each with its own ISRC. Tracks include USSM10702621, USSM10702622, USSM10702623.
Format
1Number system
94397Manufacturer
08562Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLeonard Bernstein conducts Mahler
ISRC45 recordings
ISWC1 work
IPI1 songwriter
Track List (48)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 2 | Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell | New York Philharmonic, Leonard Bernstein | — | |
| 3 | Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen | New York Philharmonic, Leonard Bernstein | — | |
| 4 | Symphony no. 1 “Titan”: IV. Stürmisch bewegt – Energisch | New York Philharmonic, Leonard Bernstein | T-900.953.062-5 | |
| 5 | Adagio from Symphony no. 10 | New York Philharmonic, Leonard Bernstein | — | |
| 2-1 | Gustav Mahler Remembered, Part I: Reminiscences by Mahler’s associates and by musicians who played under his baton | — | ||
| 2-2 | Gustav Mahler Remembered, Part II: Reminiscences by Mahler’s associates and by musicians who played under his baton, plus personal recollections of Mahler’s daughter Anna Mahler | — | ||
| 2-3 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | New York Philharmonic, Leonard Bernstein | — | |
| 3-1 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich | New York Philharmonic, Leonard Bernstein | — | |
| 3-2 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung | New York Philharmonic, Leonard Bernstein | — | |
| 3-3 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” | Jennie Tourel, New York Philharmonic, Leonard Bernstein | — | |
| 3-4 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” | Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein | — | |
| 4-1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden | New York Philharmonic, Leonard Bernstein | — | |
| 5-1 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig | New York Philharmonic, Leonard Bernstein | — | |
| 5-2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 5-3 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” | Martha Lipton, New York Philharmonic, Leonard Bernstein | — | |
| 5-4 | Symphony No. 3 in D minor: V. Lustig im Tempo und keck Ausdruck; “Bimm Bamm!” / “Es sungen drei Engel” | — | ||
| 5-5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden | New York Philharmonic, Leonard Bernstein | — | |
| 6-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | New York Philharmonic, Leonard Bernstein | — | |
| 6-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | New York Philharmonic, Leonard Bernstein | — | |
| 6-3 | Symphony no. 4 in G major: III. Ruhevoll | New York Philharmonic, Leonard Bernstein | — | |
| 6-4 | Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden” | Reri Grist, New York Philharmonic, Leonard Bernstein | — | |
| 7-1 | Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct | New York Philharmonic, Leonard Bernstein | — | |
| 7-2 | Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz | New York Philharmonic, Leonard Bernstein | — | |
| 7-3 | Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell | James Chambers, New York Philharmonic, Leonard Bernstein | — | |
| 7-4 | Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam | New York Philharmonic, Leonard Bernstein | — | |
| 7-5 | Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro | New York Philharmonic, Leonard Bernstein | — | |
| 8-1 | Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo | New York Philharmonic, Leonard Bernstein | — | |
| 8-2 | Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig | New York Philharmonic, Leonard Bernstein | — | |
| 8-3 | Symphony no. 6 in A minor, “Tragic”: III. Andante moderato | New York Philharmonic, Leonard Bernstein | — | |
| 8-4 | Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico | New York Philharmonic, Leonard Bernstein | — | |
| 9-1 | Symphony no. 7 in E minor: I. Langsam (Adagio) | New York Philharmonic, Leonard Bernstein | — | |
| 9-2 | Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato | New York Philharmonic, Leonard Bernstein | — | |
| 9-3 | Symphony no. 7 in E minor: III. Scherzo. Schattenhaft | New York Philharmonic, Leonard Bernstein | — | |
| 9-4 | Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso | New York Philharmonic, Leonard Bernstein | — | |
| 9-5 | Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario) | New York Philharmonic, Leonard Bernstein | — | |
| 10-1 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus” | London Symphony Orchestra, Leonard Bernstein | — | |
| 10-2 | Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust | London Symphony Orchestra, Leonard Bernstein | — | |
| 11-1 | Symphony no. 9 in D major: I. Andante comodo | New York Philharmonic, Leonard Bernstein | — | |
| 11-2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | New York Philharmonic, Leonard Bernstein | — | |
| 11-3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | New York Philharmonic, Leonard Bernstein | — | |
| 11-4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | New York Philharmonic, Leonard Bernstein | — | |
| 12-1 | Das Lied von der Erde: I. Das Trinklied vom jammer der Erde | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-2 | Das Lied von der Erde: II. Der Einsame im Herbst | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-3 | Das Lied von der Erde: III. Von der Jugend | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-4 | Das Lied von der Erde: IV. Von der Schönheit | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-5 | Das Lied von der Erde: V. Der Trunkene im Frühung | Israel Philharmonic Orchestra, Leonard Bernstein | — | |
| 12-6 | Das Lied von der Erde: VI. Der Abschied | Israel Philharmonic Orchestra, Leonard Bernstein | — |
Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
New York Philharmonic, Leonard Bernstein
—
Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell
New York Philharmonic, Leonard Bernstein
—
Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen
New York Philharmonic, Leonard Bernstein
—
New York Philharmonic, Leonard Bernstein
Adagio from Symphony no. 10
New York Philharmonic, Leonard Bernstein
—
Gustav Mahler Remembered, Part I: Reminiscences by Mahler’s associates and by musicians who played under his baton
—
Gustav Mahler Remembered, Part II: Reminiscences by Mahler’s associates and by musicians who played under his baton, plus personal recollections of Mahler’s daughter Anna Mahler
—
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung
New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!”
Jennie Tourel, New York Philharmonic, Leonard Bernstein
—
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube”
Jennie Tourel, Lee Venora, The Collegiate Chorale, New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
New York Philharmonic, Leonard Bernstein
—
Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!”
Martha Lipton, New York Philharmonic, Leonard Bernstein
—
Symphony No. 3 in D minor: V. Lustig im Tempo und keck Ausdruck; “Bimm Bamm!” / “Es sungen drei Engel”
—
Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: III. Ruhevoll
New York Philharmonic, Leonard Bernstein
—
Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”
Reri Grist, New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C-sharp minor, Part I: II. Stürmisch bewegt. Mit größter Vehemenz
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell
James Chambers, New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto. Sehr langsam
New York Philharmonic, Leonard Bernstein
—
Symphony no. 5 in C‐sharp minor, Part III: V. Rondo – Finale. Allegro
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: I. Allegro energico, ma non troppo
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: II. Scherzo. Wuchtig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: III. Andante moderato
New York Philharmonic, Leonard Bernstein
—
Symphony no. 6 in A minor, “Tragic”: IV. Finale. Allegro moderato – Allegro energico
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: I. Langsam (Adagio)
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: II. Nachtmusik I. Allegro moderato
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: III. Scherzo. Schattenhaft
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: IV. Nachtmusik II. Andante amoroso
New York Philharmonic, Leonard Bernstein
—
Symphony no. 7 in E minor: V. Rondo – Finale. Tempo I (Allegro ordinario)
New York Philharmonic, Leonard Bernstein
—
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: I. Teil. Hymnus: “Veni, creator spiritus”
London Symphony Orchestra, Leonard Bernstein
—
Symphony no. 8 in E‐flat major, “Symphony of a Thousand”: II. Teil. Schlußszene aus Faust
London Symphony Orchestra, Leonard Bernstein
—
Symphony no. 9 in D major: I. Andante comodo
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig
New York Philharmonic, Leonard Bernstein
—
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
New York Philharmonic, Leonard Bernstein
—
Das Lied von der Erde: I. Das Trinklied vom jammer der Erde
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: II. Der Einsame im Herbst
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: III. Von der Jugend
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: IV. Von der Schönheit
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: V. Der Trunkene im Frühung
Israel Philharmonic Orchestra, Leonard Bernstein
—
Das Lied von der Erde: VI. Der Abschied
Israel Philharmonic Orchestra, Leonard Bernstein
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 194397085624?
194397085624 is a Universal Product Code (UPC) assigned to Leonard Bernstein conducts Mahler by Mahler, Leonard Bernstein, New York Philharmonic, London Symphony Orchestra, Israel Philharmonic Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 48 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm