UPC · Release
Peter Serkin
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The UPC for “The Complete RCA Album Collection” by Peter Serkin is 194397138726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: RCA Red Seal. This release contains 412 tracks, each with its own ISRC. Tracks include USSM11608694, USSM11608695, USSM11608696.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 2 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 3 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav. | — | ||
| 8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav | — | ||
| 19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 2-1 | Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile | — | ||
| 2-2 | Piano Sonata no. 18 in G major, D 894: II. Andante | — | ||
| 2-3 | Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 2-4 | Piano Sonata no. 18 in G major, D 894: IV. Allegretto | — | ||
| 3-1 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro] | — | ||
| 3-2 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 3-3 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro | — | ||
| 3-4 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro | — | ||
| 3-5 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio | — | ||
| 3-6 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro | — | ||
| 3-7 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro | — | ||
| 3-8 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante | — | ||
| 3-9 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro | — | ||
| 3-10 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichelnd hold und liebich klingen” - Presto | — | ||
| 4-1 | Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta | — | ||
| 4-2 | Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato | — | ||
| 4-3 | Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I | — | ||
| 4-4 | Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo | — | ||
| 4-5 | Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia | — | ||
| 5-1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | — | ||
| 5-2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca | — | ||
| 5-3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | — | ||
| 5-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | — | ||
| 5-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | — | ||
| 5-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | — | ||
| 6-1 | Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato | — | ||
| 6-2 | Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto | — | ||
| 6-3 | Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio | — | ||
| 6-4 | Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato | — | ||
| 6-5 | Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell | — | ||
| 6-6 | Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft | — | ||
| 6-7 | Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach | — | ||
| 6-8 | Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam | — | ||
| 6-9 | Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell | — | ||
| 6-10 | Waldszenen, op. 82: No. 6: Herberge. Mäßig | — | ||
| 6-11 | Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart | — | ||
| 6-12 | Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig | — | ||
| 6-13 | Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell | — | ||
| 7-1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Peter Serkin | — | |
| 7-6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Peter Serkin | — | |
| 7-7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Peter Serkin | — | |
| 7-8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Peter Serkin | — | |
| 7-9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Peter Serkin | — | |
| 7-10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Peter Serkin, Arnold Steinhardt | — | |
| 7-11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Peter Serkin, Arnold Steinhardt | — | |
| 8-1 | Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I | — | ||
| 8-2 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 8-3 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 8-4 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 8-5 | Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso | — | ||
| 9-1 | Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533) | — | ||
| 9-2 | Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533) | — | ||
| 9-3 | Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494) | — | ||
| 9-4 | Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I | — | ||
| 9-5 | Rondo in D major, K. 485: Allegro | — | ||
| 9-6 | Rondo in A minor, K. 511: Andante | — | ||
| 10-1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-1 | Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel | — | ||
| 11-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé | — | ||
| 11-3 | Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent | — | ||
| 11-4 | Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour | — | ||
| 11-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré | — | ||
| 11-6 | Visions de l'Amen: VI. Amen du Jugement. Très modéré | — | ||
| 11-7 | Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux | — | ||
| 11-8 | Catalogue d'oiseaux: No. 7 Rousserolle effarvatte | — | ||
| 12-1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace | — | ||
| 12-2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino | — | ||
| 12-3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo | — | ||
| 12-4 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | — | ||
| 12-5 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | — | ||
| 12-6 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | — | ||
| 13-1 | Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent | — | ||
| 13-2 | Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré | — | ||
| 13-3 | Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré | — | ||
| 13-4 | Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré | — | ||
| 13-5 | Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent | — | ||
| 13-6 | Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif | — | ||
| 13-7 | Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré | — | ||
| 13-8 | Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif | — | ||
| 13-9 | Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré | — | ||
| 13-10 | Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif | — | ||
| 14-1 | Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent | — | ||
| 14-2 | Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif | — | ||
| 14-3 | Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux | — | ||
| 14-4 | Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif | — | ||
| 14-5 | Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme | — | ||
| 14-6 | Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré | — | ||
| 14-7 | Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré | — | ||
| 14-8 | Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré | — | ||
| 14-9 | Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent | — | ||
| 14-10 | Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif | — | ||
| 15-1 | Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux | — | ||
| 15-2 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré | — | ||
| 15-3 | Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste | — | ||
| 15-4 | Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif | — | ||
| 15-5 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique | — | ||
| 15-6 | Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant | — | ||
| 15-7 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif | — | ||
| 15-8 | Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique | — | ||
| 16-1 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | — | ||
| 16-2 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | — | ||
| 16-3 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto | — | ||
| 16-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | — | ||
| 16-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | — | ||
| 16-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | — | ||
| 17-1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace | — | ||
| 17-2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante | — | ||
| 17-3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio | — | ||
| 17-4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto | — | ||
| 17-5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro | — | ||
| 18-5 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto | — | ||
| 18-6 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai | — | ||
| 19-1 | L'Histoire du soldat: I. Marche du soldat | — | ||
| 19-2 | L'Histoire du soldat: II. Le Violon du soldat | — | ||
| 19-3 | L'Histoire du soldat: III. Petit concert | — | ||
| 19-4 | L'Histoire du soldat: IV. Tango - Valse - Ragtime | — | ||
| 19-5 | L'Histoire du soldat: V. Danse du diable | — | ||
| 19-6 | Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88 | — | ||
| 19-7 | Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60 | — | ||
| 19-8 | Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116 | — | ||
| 19-9 | Pastorale | — | ||
| 19-10 | 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo | — | ||
| 19-11 | 3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168 | — | ||
| 19-12 | 3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160 | — | ||
| 19-13 | Suite Italienne: I. Introduzione. Allegro moderato | — | ||
| 19-14 | Suite Italienne: II. Serenata. Larghetto | — | ||
| 19-15 | Suite Italienne: III. Aria. Allegro all breve - Largo | — | ||
| 19-16 | Suite Italienne: IV. Tarantella. Vivace | — | ||
| 19-17 | Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio | — | ||
| 20-6 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto | — | ||
| 21-1 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro | — | ||
| 21-2 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto | — | ||
| 21-3 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II | — | ||
| 21-4 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro | — | ||
| 21-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 21-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 21-7 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | — | ||
| 22-1 | Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace | — | ||
| 22-2 | Nocturne in F major, op. 15/1: Andante cantabile | — | ||
| 22-3 | Mazurka in C major, op. 56/2: Vivace | — | ||
| 22-4 | Mazurka in A-flat major, op. posth. | — | ||
| 22-5 | Mazurka in B major, op. 41/2: Animato | — | ||
| 22-6 | Mazurka in D major, op. 33/3: Vivace | — | ||
| 22-7 | Mazurka in F minor, op. 68/4: Andantino | — | ||
| 22-8 | Mazurka in B-flat major, op. 7/1: Vivace | — | ||
| 22-9 | Nocturne in E major, op. 62/2: Sostenuto | — | ||
| 22-10 | Waltz in A-flat major, op. 64/3: Moderato | — | ||
| 22-11 | Trois Nouvelles Études: No. 2 in A-flat major: Allegretto | — | ||
| 22-12 | [Prélude] in A-flat major, op. posth.: Presto | — | ||
| 22-13 | Berceuse in D-flat major, op. 57: Andante | — | ||
| 22-14 | Barcarolle in F-sharp major, op. 60: Allegretto | — | ||
| 23-1 | Quatrain II | — | ||
| 23-2 | Water Ways | — | ||
| 23-3 | Waves | — | ||
| 24-1 | Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso | — | ||
| 24-2 | Waltz in F major, op. 34/3: Vivace | — | ||
| 24-3 | Waltz in D-flat major “Minute”, op. 64/1: Molto vivace | — | ||
| 24-4 | Waltz in G-flat major, op. posth. 70/1: Molto vivace | — | ||
| 24-5 | Nocturne in F-sharp major, op. 15/2: Larghetto | — | ||
| 24-6 | Nocturne in F-sharp minor, op. 48/2: Andantino | — | ||
| 24-7 | Nocturne in D-flat major, op. 27/2: Lento sostenuto | — | ||
| 24-8 | Impromptu in G-flat major, op. 51: Vivace | — | ||
| 25-1 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 25-2 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso | — | ||
| 25-3 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | — | ||
| 25-4 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo | — | ||
| 25-5 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace | — | ||
| 25-6 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | — | ||
| 25-7 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | — | ||
| 25-8 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | — | ||
| 25-9 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | — | ||
| 25-10 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | — | ||
| 25-11 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | — | ||
| 25-12 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | — | ||
| 25-13 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | — | ||
| 25-14 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | — | ||
| 25-15 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | — | ||
| 25-16 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | — | ||
| 25-17 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | — | ||
| 25-18 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 17 | — | ||
| 25-19 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | — | ||
| 25-20 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | — | ||
| 25-21 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | — | ||
| 25-22 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro - Tempo I | — | ||
| 25-23 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 25-24 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | — | ||
| 25-25 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | — | ||
| 25-26 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | — | ||
| 25-27 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 26 | — | ||
| 25-28 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | — | ||
| 25-29 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | — | ||
| 25-30 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | — | ||
| 25-31 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | — | ||
| 25-32 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | — | ||
| 25-33 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio | — | ||
| 25-34 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro) | — | ||
| 26-1 | 3 Mazurkas, op. 59: No. 1 in A minor. Moderato | — | ||
| 26-2 | 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto | — | ||
| 26-3 | 3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace | — | ||
| 26-4 | Impromptu in A-flat major. op. 29: Allegro assai, quasi Presto | — | ||
| 26-5 | Ballade no. 3 in A-flat major, op. 47: Allegretto | — | ||
| 26-6 | Nocturne in E-flat major, op. 55/2: Lento sostenuto | — | ||
| 26-7 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Andante spianato. Tranquillo | — | ||
| 26-8 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Polonaise. Allegro molto - Meno mosso | — | ||
| 27-1 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig | — | ||
| 27-2 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll | — | ||
| 27-3 | 4 Pieces for Violin and Piano, op. 7: I. Sehr langsam | — | ||
| 27-4 | 4 Pieces for Violin and Piano, op. 7: II. Rasch | — | ||
| 27-5 | 4 Pieces for Violin and Piano, op. 7: III. Sehr langsam | — | ||
| 27-6 | 4 Pieces for Violin and Piano, op. 7: IV. Bewegt | — | ||
| 27-7 | Variations for Piano, op. 27: I. Sehr mäßig | — | ||
| 27-8 | Variations for Piano, op. 27: II. Sehr schnell | — | ||
| 27-9 | Variations for Piano, op. 27: III. Ruhig fließend | — | ||
| 27-10 | 3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel | — | ||
| 27-11 | 3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt | — | ||
| 27-12 | 3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig | — | ||
| 27-13 | Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with | — | ||
| 27-14 | Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation | — | ||
| 27-15 | Uninterrupted Rests: No. 3: A Song of Love | — | ||
| 27-16 | Piano Distance | — | ||
| 27-17 | For Away | — | ||
| 27-18 | Les Yeux clos | — | ||
| 27-19 | Litany: I. Adagio | — | ||
| 27-20 | Litany: II. Lento misterioso | — | ||
| 28-1 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni | — | ||
| 28-2 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Thema scherzoso. Leicht beschwingt - Schwungvoll - Meno Allegro | — | ||
| 28-3 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation I | — | ||
| 28-4 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation II. Langsames Walzertempo | — | ||
| 28-5 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation III. Kräftig bewegt | — | ||
| 28-6 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation IV. Sehr rasch | — | ||
| 28-7 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation V. Tempo I | — | ||
| 28-8 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio | — | ||
| 28-9 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Introduzione. Durchweg frei, im Charakter einer Kadenz vorzutragen | — | ||
| 28-10 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Rondo ritmico | — | ||
| 28-11 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Coda | — | ||
| 28-12 | Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥 = 112) (scherzando) | — | ||
| 28-13 | Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54) | — | ||
| 29-1 | Bagatelles: No. 1: Proclamation | — | ||
| 29-2 | Bagatelles: No. 2: Spontaneous Songs | — | ||
| 29-3 | Bagatelles: No. 3: The Dance | — | ||
| 29-4 | Variations, op. 24 | — | ||
| 29-5 | Piece for Peter | — | ||
| 29-6 | Cycle of Pieces for Piano Solo, op. 50: …in real time I | — | ||
| 29-7 | Fantasy Pieces: No. 1: Breeze of Delight | — | ||
| 29-8 | Fantasy Pieces: No. 2: Dragon's Thunder | — | ||
| 29-9 | Fantasy Pieces: No. 3: Memory's Luminous Wind | — | ||
| 29-10 | 6 Encores: No. 6 Feuerklavier | — | ||
| 29-11 | Interlude | — | ||
| 29-12 | Les Yeux clos II | — | ||
| 29-13 | Garland: [Introduction] | — | ||
| 29-14 | Garland: I | — | ||
| 29-15 | Garland: II | — | ||
| 29-16 | Garland: III | — | ||
| 29-17 | Garland: IV | — | ||
| 29-18 | Garland: V | — | ||
| 29-19 | Garland: VI | — | ||
| 29-20 | Garland: VII | — | ||
| 29-21 | Garland: VIII | — | ||
| 29-22 | Garland: IX | — | ||
| 29-23 | Rain Tree Sketch | — | ||
| 29-24 | Rain Tree Sketch II | — | ||
| 30-1 | Italian Concerto in F major, BWV 971: I. [Allegro] | — | ||
| 30-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 30-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 30-4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 30-5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 30-6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 30-7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 30-8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 30-9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 30-10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone alla Seconda a 1 Clav. | — | ||
| 30-11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 30-12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 30-13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 30-14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 30-15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 30-16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 30-17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 30-18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 30-19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 30-20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 30-21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav. | — | ||
| 30-22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 30-23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 30-24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 30-25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 30-26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 30-27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 30-28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 30-29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 30-30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 30-31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 30-32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30-33 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 30-34 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 30-35 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 31-1 | King Gesar: Part 1: Calling on the Power of Goodness In Men's Hearts: An Invocation to the Imperial Drala, Gesar, King of Ling | — | ||
| 31-2 | King Gesar: Part 2: The Birth of Gesar | — | ||
| 31-3 | King Gesar: Part 3: Gesar in the Desert | — | ||
| 31-4 | King Gesar: Part 4: The Horse Race | — | ||
| 31-5 | King Gesar: Part 5: The Song of Manene | — | ||
| 31-6 | King Gesar: Part 6: The Battle with the Tirthikas | — | ||
| 31-7 | King Gesar: Part 7: Gesar's Song of Completion | — | ||
| 32-1 | 15 Two-Part Inventions: No. 1 in C major, BWV 772 | — | ||
| 32-2 | 15 Two-Part Inventions: No. 2 in C minor, BWV 773 | — | ||
| 32-3 | 15 Two-Part Inventions: No. 3 in D major, BWV 774 | — | ||
| 32-4 | 15 Two-Part Inventions: No. 4 in D minor, BWV 775 | — | ||
| 32-5 | 15 Two-Part Inventions: No. 5 in E-flat major, BWV 776 | — | ||
| 32-6 | 15 Two-Part Inventions: No. 6 in E major, BWV 777 | — | ||
| 32-7 | 15 Two-Part Inventions: No. 7 in E minor, BWV 778 | — | ||
| 32-8 | 15 Two-Part Inventions: No. 8 in F major, BWV 779 | — | ||
| 32-9 | 15 Two-Part Inventions: No. 9 in F minor, BWV 780 | — | ||
| 32-10 | 15 Two-Part Inventions: No. 10 in G major, BWV 781 | — | ||
| 32-11 | 15 Two-Part Inventions: No. 11 in G minor, BWV 782 | — | ||
| 32-12 | 15 Two-Part Inventions: No. 12 in A major, BWV 783 | — | ||
| 32-13 | 15 Two-Part Inventions: No. 13 in A minor, BWV 784 | — | ||
| 32-14 | 15 Two-Part Inventions: No. 14 in B-flat major, BWV 785 | — | ||
| 32-15 | 15 Two-Part Inventions: No. 15 in B minor, BWV 786 | — | ||
| 32-16 | 15 Sinfonias (Three-Part Inventions): No. 1 in C major, BWV 787 | — | ||
| 32-17 | 15 Sinfonias (Three-Part Inventions): No. 2 in C minor, BWV 788 | — | ||
| 32-18 | 15 Sinfonias (Three-Part Inventions): No. 3 in D major, BWV 789 | — | ||
| 32-19 | 15 Sinfonias (Three-Part Inventions): No. 4 in D minor, BWV 790 | — | ||
| 32-20 | 15 Sinfonias (Three-Part Inventions): No. 5 in E-flat major, BWV 791 | — | ||
| 32-21 | 15 Sinfonias (Three-Part Inventions): No. 6 in E major, BWV 792 | — | ||
| 32-22 | 15 Sinfonias (Three-Part Inventions): No. 7 in E minor, BWV 793 | — | ||
| 32-23 | 15 Sinfonias (Three-Part Inventions): No. 8 in F major, BWV 794 | — | ||
| 32-24 | 15 Sinfonias (Three-Part Inventions): No. 9 in F minor, BWV 795 | — | ||
| 32-25 | 15 Sinfonias (Three-Part Inventions): No. 10 in G major, BWV 796 | — | ||
| 32-26 | 15 Sinfonias (Three-Part Inventions): No. 11 in G minor, BWV 797 | — | ||
| 32-27 | 15 Sinfonias (Three-Part Inventions): No. 12 in A major, BWV 798 | — | ||
| 32-28 | 15 Sinfonias (Three-Part Inventions): No. 13 in A minor, BWV 799 | — | ||
| 32-29 | 15 Sinfonias (Three-Part Inventions): No. 14 in B-flat major, BWV 800 | — | ||
| 32-30 | 15 Sinfonias (Three-Part Inventions): No. 15 in B minor, BWV 801 | — | ||
| 32-31 | 4 Duets, Clavier-Übung III: No. 1 in E minor, BWV 802 | — | ||
| 32-32 | 4 Duets, Clavier-Übung III: No. 2 in F major, BWV 803 | — | ||
| 32-33 | 4 Duets, Clavier-Übung III: No. 3 in G major, BWV 804 | — | ||
| 32-34 | 4 Duets, Clavier-Übung III: No. 4 in A minor, BWV 805 | — | ||
| 33-1 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: I. Andante - Allegro - Tempo I - attacca | — | ||
| 33-2 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: II. Allegro molto e vivace - attacca | — | ||
| 33-3 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: III. Adagio con espressione - attacca | — | ||
| 33-4 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto | — | ||
| 33-5 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: I. Adagio sostenuto - attacca | — | ||
| 33-6 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: II. Allegretto - Trio | — | ||
| 33-7 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: III. Presto agitato | — | ||
| 33-8 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: I. Allegro assai | — | ||
| 33-9 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: II. Andante con moto - attacca | — | ||
| 33-10 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: III. Allegro ma non troppo - Presto | — | ||
| 34-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] - attacca | — | ||
| 34-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio / III. Allegro | — | ||
| 34-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | — | ||
| 34-4 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | — | ||
| 34-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 34-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 34-7 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] - attacca | — | ||
| 34-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 34-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 35-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 35-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 35-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 35-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 35-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 35-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 35-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro] | — | ||
| 35-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 35-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — |
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Identifier Graph
194397138726 is a Universal Product Code (UPC) assigned to The Complete RCA Album Collection by Peter Serkin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 412 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete RCA Album Collection” by Peter Serkin is 194397138726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: RCA Red Seal. This release contains 412 tracks, each with its own ISRC. Tracks include USSM11608694, USSM11608695, USSM11608696.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 2 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 3 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav. | — | ||
| 8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav | — | ||
| 19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 2-1 | Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile | — | ||
| 2-2 | Piano Sonata no. 18 in G major, D 894: II. Andante | — | ||
| 2-3 | Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 2-4 | Piano Sonata no. 18 in G major, D 894: IV. Allegretto | — | ||
| 3-1 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro] | — | ||
| 3-2 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 3-3 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro | — | ||
| 3-4 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro | — | ||
| 3-5 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio | — | ||
| 3-6 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro | — | ||
| 3-7 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro | — | ||
| 3-8 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante | — | ||
| 3-9 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro | — | ||
| 3-10 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichelnd hold und liebich klingen” - Presto | — | ||
| 4-1 | Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta | — | ||
| 4-2 | Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato | — | ||
| 4-3 | Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I | — | ||
| 4-4 | Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo | — | ||
| 4-5 | Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia | — | ||
| 5-1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | — | ||
| 5-2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca | — | ||
| 5-3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | — | ||
| 5-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | — | ||
| 5-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | — | ||
| 5-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | — | ||
| 6-1 | Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato | — | ||
| 6-2 | Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto | — | ||
| 6-3 | Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio | — | ||
| 6-4 | Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato | — | ||
| 6-5 | Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell | — | ||
| 6-6 | Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft | — | ||
| 6-7 | Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach | — | ||
| 6-8 | Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam | — | ||
| 6-9 | Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell | — | ||
| 6-10 | Waldszenen, op. 82: No. 6: Herberge. Mäßig | — | ||
| 6-11 | Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart | — | ||
| 6-12 | Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig | — | ||
| 6-13 | Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell | — | ||
| 7-1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Peter Serkin | — | |
| 7-6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Peter Serkin | — | |
| 7-7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Peter Serkin | — | |
| 7-8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Peter Serkin | — | |
| 7-9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Peter Serkin | — | |
| 7-10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Peter Serkin, Arnold Steinhardt | — | |
| 7-11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Peter Serkin, Arnold Steinhardt | — | |
| 8-1 | Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I | — | ||
| 8-2 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 8-3 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 8-4 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 8-5 | Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso | — | ||
| 9-1 | Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533) | — | ||
| 9-2 | Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533) | — | ||
| 9-3 | Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494) | — | ||
| 9-4 | Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I | — | ||
| 9-5 | Rondo in D major, K. 485: Allegro | — | ||
| 9-6 | Rondo in A minor, K. 511: Andante | — | ||
| 10-1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-1 | Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel | — | ||
| 11-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé | — | ||
| 11-3 | Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent | — | ||
| 11-4 | Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour | — | ||
| 11-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré | — | ||
| 11-6 | Visions de l'Amen: VI. Amen du Jugement. Très modéré | — | ||
| 11-7 | Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux | — | ||
| 11-8 | Catalogue d'oiseaux: No. 7 Rousserolle effarvatte | — | ||
| 12-1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace | — | ||
| 12-2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino | — | ||
| 12-3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo | — | ||
| 12-4 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | — | ||
| 12-5 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | — | ||
| 12-6 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | — | ||
| 13-1 | Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent | — | ||
| 13-2 | Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré | — | ||
| 13-3 | Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré | — | ||
| 13-4 | Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré | — | ||
| 13-5 | Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent | — | ||
| 13-6 | Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif | — | ||
| 13-7 | Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré | — | ||
| 13-8 | Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif | — | ||
| 13-9 | Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré | — | ||
| 13-10 | Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif | — | ||
| 14-1 | Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent | — | ||
| 14-2 | Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif | — | ||
| 14-3 | Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux | — | ||
| 14-4 | Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif | — | ||
| 14-5 | Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme | — | ||
| 14-6 | Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré | — | ||
| 14-7 | Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré | — | ||
| 14-8 | Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré | — | ||
| 14-9 | Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent | — | ||
| 14-10 | Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif | — | ||
| 15-1 | Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux | — | ||
| 15-2 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré | — | ||
| 15-3 | Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste | — | ||
| 15-4 | Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif | — | ||
| 15-5 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique | — | ||
| 15-6 | Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant | — | ||
| 15-7 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif | — | ||
| 15-8 | Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique | — | ||
| 16-1 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | — | ||
| 16-2 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | — | ||
| 16-3 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto | — | ||
| 16-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | — | ||
| 16-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | — | ||
| 16-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | — | ||
| 17-1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace | — | ||
| 17-2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante | — | ||
| 17-3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio | — | ||
| 17-4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto | — | ||
| 17-5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro | — | ||
| 18-5 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto | — | ||
| 18-6 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai | — | ||
| 19-1 | L'Histoire du soldat: I. Marche du soldat | — | ||
| 19-2 | L'Histoire du soldat: II. Le Violon du soldat | — | ||
| 19-3 | L'Histoire du soldat: III. Petit concert | — | ||
| 19-4 | L'Histoire du soldat: IV. Tango - Valse - Ragtime | — | ||
| 19-5 | L'Histoire du soldat: V. Danse du diable | — | ||
| 19-6 | Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88 | — | ||
| 19-7 | Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60 | — | ||
| 19-8 | Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116 | — | ||
| 19-9 | Pastorale | — | ||
| 19-10 | 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo | — | ||
| 19-11 | 3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168 | — | ||
| 19-12 | 3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160 | — | ||
| 19-13 | Suite Italienne: I. Introduzione. Allegro moderato | — | ||
| 19-14 | Suite Italienne: II. Serenata. Larghetto | — | ||
| 19-15 | Suite Italienne: III. Aria. Allegro all breve - Largo | — | ||
| 19-16 | Suite Italienne: IV. Tarantella. Vivace | — | ||
| 19-17 | Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio | — | ||
| 20-6 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto | — | ||
| 21-1 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro | — | ||
| 21-2 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto | — | ||
| 21-3 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II | — | ||
| 21-4 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro | — | ||
| 21-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 21-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 21-7 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | — | ||
| 22-1 | Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace | — | ||
| 22-2 | Nocturne in F major, op. 15/1: Andante cantabile | — | ||
| 22-3 | Mazurka in C major, op. 56/2: Vivace | — | ||
| 22-4 | Mazurka in A-flat major, op. posth. | — | ||
| 22-5 | Mazurka in B major, op. 41/2: Animato | — | ||
| 22-6 | Mazurka in D major, op. 33/3: Vivace | — | ||
| 22-7 | Mazurka in F minor, op. 68/4: Andantino | — | ||
| 22-8 | Mazurka in B-flat major, op. 7/1: Vivace | — | ||
| 22-9 | Nocturne in E major, op. 62/2: Sostenuto | — | ||
| 22-10 | Waltz in A-flat major, op. 64/3: Moderato | — | ||
| 22-11 | Trois Nouvelles Études: No. 2 in A-flat major: Allegretto | — | ||
| 22-12 | [Prélude] in A-flat major, op. posth.: Presto | — | ||
| 22-13 | Berceuse in D-flat major, op. 57: Andante | — | ||
| 22-14 | Barcarolle in F-sharp major, op. 60: Allegretto | — | ||
| 23-1 | Quatrain II | — | ||
| 23-2 | Water Ways | — | ||
| 23-3 | Waves | — | ||
| 24-1 | Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso | — | ||
| 24-2 | Waltz in F major, op. 34/3: Vivace | — | ||
| 24-3 | Waltz in D-flat major “Minute”, op. 64/1: Molto vivace | — | ||
| 24-4 | Waltz in G-flat major, op. posth. 70/1: Molto vivace | — | ||
| 24-5 | Nocturne in F-sharp major, op. 15/2: Larghetto | — | ||
| 24-6 | Nocturne in F-sharp minor, op. 48/2: Andantino | — | ||
| 24-7 | Nocturne in D-flat major, op. 27/2: Lento sostenuto | — | ||
| 24-8 | Impromptu in G-flat major, op. 51: Vivace | — | ||
| 25-1 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 25-2 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso | — | ||
| 25-3 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | — | ||
| 25-4 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo | — | ||
| 25-5 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace | — | ||
| 25-6 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | — | ||
| 25-7 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | — | ||
| 25-8 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | — | ||
| 25-9 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | — | ||
| 25-10 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | — | ||
| 25-11 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | — | ||
| 25-12 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | — | ||
| 25-13 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | — | ||
| 25-14 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | — | ||
| 25-15 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | — | ||
| 25-16 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | — | ||
| 25-17 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | — | ||
| 25-18 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 17 | — | ||
| 25-19 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | — | ||
| 25-20 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | — | ||
| 25-21 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | — | ||
| 25-22 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro - Tempo I | — | ||
| 25-23 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 25-24 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | — | ||
| 25-25 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | — | ||
| 25-26 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | — | ||
| 25-27 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 26 | — | ||
| 25-28 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | — | ||
| 25-29 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | — | ||
| 25-30 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | — | ||
| 25-31 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | — | ||
| 25-32 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | — | ||
| 25-33 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio | — | ||
| 25-34 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro) | — | ||
| 26-1 | 3 Mazurkas, op. 59: No. 1 in A minor. Moderato | — | ||
| 26-2 | 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto | — | ||
| 26-3 | 3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace | — | ||
| 26-4 | Impromptu in A-flat major. op. 29: Allegro assai, quasi Presto | — | ||
| 26-5 | Ballade no. 3 in A-flat major, op. 47: Allegretto | — | ||
| 26-6 | Nocturne in E-flat major, op. 55/2: Lento sostenuto | — | ||
| 26-7 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Andante spianato. Tranquillo | — | ||
| 26-8 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Polonaise. Allegro molto - Meno mosso | — | ||
| 27-1 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig | — | ||
| 27-2 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll | — | ||
| 27-3 | 4 Pieces for Violin and Piano, op. 7: I. Sehr langsam | — | ||
| 27-4 | 4 Pieces for Violin and Piano, op. 7: II. Rasch | — | ||
| 27-5 | 4 Pieces for Violin and Piano, op. 7: III. Sehr langsam | — | ||
| 27-6 | 4 Pieces for Violin and Piano, op. 7: IV. Bewegt | — | ||
| 27-7 | Variations for Piano, op. 27: I. Sehr mäßig | — | ||
| 27-8 | Variations for Piano, op. 27: II. Sehr schnell | — | ||
| 27-9 | Variations for Piano, op. 27: III. Ruhig fließend | — | ||
| 27-10 | 3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel | — | ||
| 27-11 | 3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt | — | ||
| 27-12 | 3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig | — | ||
| 27-13 | Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with | — | ||
| 27-14 | Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation | — | ||
| 27-15 | Uninterrupted Rests: No. 3: A Song of Love | — | ||
| 27-16 | Piano Distance | — | ||
| 27-17 | For Away | — | ||
| 27-18 | Les Yeux clos | — | ||
| 27-19 | Litany: I. Adagio | — | ||
| 27-20 | Litany: II. Lento misterioso | — | ||
| 28-1 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni | — | ||
| 28-2 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Thema scherzoso. Leicht beschwingt - Schwungvoll - Meno Allegro | — | ||
| 28-3 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation I | — | ||
| 28-4 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation II. Langsames Walzertempo | — | ||
| 28-5 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation III. Kräftig bewegt | — | ||
| 28-6 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation IV. Sehr rasch | — | ||
| 28-7 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation V. Tempo I | — | ||
| 28-8 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio | — | ||
| 28-9 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Introduzione. Durchweg frei, im Charakter einer Kadenz vorzutragen | — | ||
| 28-10 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Rondo ritmico | — | ||
| 28-11 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Coda | — | ||
| 28-12 | Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥 = 112) (scherzando) | — | ||
| 28-13 | Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54) | — | ||
| 29-1 | Bagatelles: No. 1: Proclamation | — | ||
| 29-2 | Bagatelles: No. 2: Spontaneous Songs | — | ||
| 29-3 | Bagatelles: No. 3: The Dance | — | ||
| 29-4 | Variations, op. 24 | — | ||
| 29-5 | Piece for Peter | — | ||
| 29-6 | Cycle of Pieces for Piano Solo, op. 50: …in real time I | — | ||
| 29-7 | Fantasy Pieces: No. 1: Breeze of Delight | — | ||
| 29-8 | Fantasy Pieces: No. 2: Dragon's Thunder | — | ||
| 29-9 | Fantasy Pieces: No. 3: Memory's Luminous Wind | — | ||
| 29-10 | 6 Encores: No. 6 Feuerklavier | — | ||
| 29-11 | Interlude | — | ||
| 29-12 | Les Yeux clos II | — | ||
| 29-13 | Garland: [Introduction] | — | ||
| 29-14 | Garland: I | — | ||
| 29-15 | Garland: II | — | ||
| 29-16 | Garland: III | — | ||
| 29-17 | Garland: IV | — | ||
| 29-18 | Garland: V | — | ||
| 29-19 | Garland: VI | — | ||
| 29-20 | Garland: VII | — | ||
| 29-21 | Garland: VIII | — | ||
| 29-22 | Garland: IX | — | ||
| 29-23 | Rain Tree Sketch | — | ||
| 29-24 | Rain Tree Sketch II | — | ||
| 30-1 | Italian Concerto in F major, BWV 971: I. [Allegro] | — | ||
| 30-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 30-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 30-4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 30-5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 30-6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 30-7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 30-8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 30-9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 30-10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone alla Seconda a 1 Clav. | — | ||
| 30-11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 30-12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 30-13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 30-14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 30-15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 30-16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 30-17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 30-18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 30-19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 30-20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 30-21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav. | — | ||
| 30-22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 30-23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 30-24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 30-25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 30-26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 30-27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 30-28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 30-29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 30-30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 30-31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 30-32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30-33 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 30-34 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 30-35 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 31-1 | King Gesar: Part 1: Calling on the Power of Goodness In Men's Hearts: An Invocation to the Imperial Drala, Gesar, King of Ling | — | ||
| 31-2 | King Gesar: Part 2: The Birth of Gesar | — | ||
| 31-3 | King Gesar: Part 3: Gesar in the Desert | — | ||
| 31-4 | King Gesar: Part 4: The Horse Race | — | ||
| 31-5 | King Gesar: Part 5: The Song of Manene | — | ||
| 31-6 | King Gesar: Part 6: The Battle with the Tirthikas | — | ||
| 31-7 | King Gesar: Part 7: Gesar's Song of Completion | — | ||
| 32-1 | 15 Two-Part Inventions: No. 1 in C major, BWV 772 | — | ||
| 32-2 | 15 Two-Part Inventions: No. 2 in C minor, BWV 773 | — | ||
| 32-3 | 15 Two-Part Inventions: No. 3 in D major, BWV 774 | — | ||
| 32-4 | 15 Two-Part Inventions: No. 4 in D minor, BWV 775 | — | ||
| 32-5 | 15 Two-Part Inventions: No. 5 in E-flat major, BWV 776 | — | ||
| 32-6 | 15 Two-Part Inventions: No. 6 in E major, BWV 777 | — | ||
| 32-7 | 15 Two-Part Inventions: No. 7 in E minor, BWV 778 | — | ||
| 32-8 | 15 Two-Part Inventions: No. 8 in F major, BWV 779 | — | ||
| 32-9 | 15 Two-Part Inventions: No. 9 in F minor, BWV 780 | — | ||
| 32-10 | 15 Two-Part Inventions: No. 10 in G major, BWV 781 | — | ||
| 32-11 | 15 Two-Part Inventions: No. 11 in G minor, BWV 782 | — | ||
| 32-12 | 15 Two-Part Inventions: No. 12 in A major, BWV 783 | — | ||
| 32-13 | 15 Two-Part Inventions: No. 13 in A minor, BWV 784 | — | ||
| 32-14 | 15 Two-Part Inventions: No. 14 in B-flat major, BWV 785 | — | ||
| 32-15 | 15 Two-Part Inventions: No. 15 in B minor, BWV 786 | — | ||
| 32-16 | 15 Sinfonias (Three-Part Inventions): No. 1 in C major, BWV 787 | — | ||
| 32-17 | 15 Sinfonias (Three-Part Inventions): No. 2 in C minor, BWV 788 | — | ||
| 32-18 | 15 Sinfonias (Three-Part Inventions): No. 3 in D major, BWV 789 | — | ||
| 32-19 | 15 Sinfonias (Three-Part Inventions): No. 4 in D minor, BWV 790 | — | ||
| 32-20 | 15 Sinfonias (Three-Part Inventions): No. 5 in E-flat major, BWV 791 | — | ||
| 32-21 | 15 Sinfonias (Three-Part Inventions): No. 6 in E major, BWV 792 | — | ||
| 32-22 | 15 Sinfonias (Three-Part Inventions): No. 7 in E minor, BWV 793 | — | ||
| 32-23 | 15 Sinfonias (Three-Part Inventions): No. 8 in F major, BWV 794 | — | ||
| 32-24 | 15 Sinfonias (Three-Part Inventions): No. 9 in F minor, BWV 795 | — | ||
| 32-25 | 15 Sinfonias (Three-Part Inventions): No. 10 in G major, BWV 796 | — | ||
| 32-26 | 15 Sinfonias (Three-Part Inventions): No. 11 in G minor, BWV 797 | — | ||
| 32-27 | 15 Sinfonias (Three-Part Inventions): No. 12 in A major, BWV 798 | — | ||
| 32-28 | 15 Sinfonias (Three-Part Inventions): No. 13 in A minor, BWV 799 | — | ||
| 32-29 | 15 Sinfonias (Three-Part Inventions): No. 14 in B-flat major, BWV 800 | — | ||
| 32-30 | 15 Sinfonias (Three-Part Inventions): No. 15 in B minor, BWV 801 | — | ||
| 32-31 | 4 Duets, Clavier-Übung III: No. 1 in E minor, BWV 802 | — | ||
| 32-32 | 4 Duets, Clavier-Übung III: No. 2 in F major, BWV 803 | — | ||
| 32-33 | 4 Duets, Clavier-Übung III: No. 3 in G major, BWV 804 | — | ||
| 32-34 | 4 Duets, Clavier-Übung III: No. 4 in A minor, BWV 805 | — | ||
| 33-1 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: I. Andante - Allegro - Tempo I - attacca | — | ||
| 33-2 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: II. Allegro molto e vivace - attacca | — | ||
| 33-3 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: III. Adagio con espressione - attacca | — | ||
| 33-4 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto | — | ||
| 33-5 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: I. Adagio sostenuto - attacca | — | ||
| 33-6 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: II. Allegretto - Trio | — | ||
| 33-7 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: III. Presto agitato | — | ||
| 33-8 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: I. Allegro assai | — | ||
| 33-9 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: II. Andante con moto - attacca | — | ||
| 33-10 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: III. Allegro ma non troppo - Presto | — | ||
| 34-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] - attacca | — | ||
| 34-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio / III. Allegro | — | ||
| 34-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | — | ||
| 34-4 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | — | ||
| 34-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 34-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 34-7 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] - attacca | — | ||
| 34-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 34-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 35-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 35-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 35-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 35-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 35-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 35-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 35-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro] | — | ||
| 35-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 35-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — |
