UPC · Release
The Complete RCA Album Collection
Peter Serkin
194397138726
412 tracksReleased 2020-01-01RCA Red Seal
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194397138726 is the Universal Product Code (UPC barcode) for the release “The Complete RCA Album Collection” by Peter Serkin, released 2020-01-01 on RCA Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 412 tracks, each with its own ISRC. Tracks include USSM11608694, USSM11608695, USSM11608696.
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Credit Chain
UPCThe Complete RCA Album Collection
ISRC14 recordings
IPI4 songwriters
Track List (412)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 2 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 3 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav. | — | ||
| 8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav | — | ||
| 19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 2-1 | Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile | — | ||
| 2-2 | Piano Sonata no. 18 in G major, D 894: II. Andante | — | ||
| 2-3 | Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio | — | ||
| 2-4 | Piano Sonata no. 18 in G major, D 894: IV. Allegretto | — | ||
| 3-1 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro] | — | ||
| 3-2 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana | — | ||
| 3-3 | Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro | — | ||
| 3-4 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro | — | ||
| 3-5 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio | — | ||
| 3-6 | Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro | — | ||
| 3-7 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro | — | ||
| 3-8 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante | — | ||
| 3-9 | Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro | — | ||
| 3-10 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichelnd hold und liebich klingen” - Presto | — | ||
| 4-1 | Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta | — | ||
| 4-2 | Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato | — | ||
| 4-3 | Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I | — | ||
| 4-4 | Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo | — | ||
| 4-5 | Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia | — | ||
| 5-1 | Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro | — | ||
| 5-2 | Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca | — | ||
| 5-3 | Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto | — | ||
| 5-4 | Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto | — | ||
| 5-5 | Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso | — | ||
| 5-6 | Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace | — | ||
| 6-1 | Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato | — | ||
| 6-2 | Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto | — | ||
| 6-3 | Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio | — | ||
| 6-4 | Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato | — | ||
| 6-5 | Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell | — | ||
| 6-6 | Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft | — | ||
| 6-7 | Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach | — | ||
| 6-8 | Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam | — | ||
| 6-9 | Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell | — | ||
| 6-10 | Waldszenen, op. 82: No. 6: Herberge. Mäßig | — | ||
| 6-11 | Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart | — | ||
| 6-12 | Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig | — | ||
| 6-13 | Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell | — | ||
| 7-1 | Concerto for Piano and Orchestra, op. 42: I. Andante - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-2 | Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-3 | Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] - | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-4 | Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329] | Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa | — | |
| 7-5 | 5 Piano Pieces, op. 23: No. 1: Sehr langsam | Peter Serkin | — | |
| 7-6 | 5 Piano Pieces, op. 23: No. 2: Sehr rasch | Peter Serkin | — | |
| 7-7 | 5 Piano Pieces, op. 23: No. 3: Langsam | Peter Serkin | — | |
| 7-8 | 5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel | Peter Serkin | — | |
| 7-9 | 5 Piano Pieces, op. 23: No. 5: Walzer | Peter Serkin | — | |
| 7-10 | Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso - | Peter Serkin, Arnold Steinhardt | — | |
| 7-11 | Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I | Peter Serkin, Arnold Steinhardt | — | |
| 8-1 | Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I | — | ||
| 8-2 | Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro | — | ||
| 8-3 | Piano Sonata no. 14 in C minor, K. 457: II. Adagio | — | ||
| 8-4 | Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai | — | ||
| 8-5 | Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso | — | ||
| 9-1 | Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533) | — | ||
| 9-2 | Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533) | — | ||
| 9-3 | Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494) | — | ||
| 9-4 | Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I | — | ||
| 9-5 | Rondo in D major, K. 485: Allegro | — | ||
| 9-6 | Rondo in A minor, K. 511: Andante | — | ||
| 10-1 | Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-2 | Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 10-3 | Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro | Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa | — | |
| 11-1 | Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel | — | ||
| 11-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé | — | ||
| 11-3 | Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent | — | ||
| 11-4 | Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour | — | ||
| 11-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré | — | ||
| 11-6 | Visions de l'Amen: VI. Amen du Jugement. Très modéré | — | ||
| 11-7 | Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux | — | ||
| 11-8 | Catalogue d'oiseaux: No. 7 Rousserolle effarvatte | — | ||
| 12-1 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace | — | ||
| 12-2 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino | — | ||
| 12-3 | Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo | — | ||
| 12-4 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro | — | ||
| 12-5 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] | — | ||
| 12-6 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro | — | ||
| 13-1 | Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent | — | ||
| 13-2 | Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré | — | ||
| 13-3 | Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré | — | ||
| 13-4 | Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré | — | ||
| 13-5 | Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent | — | ||
| 13-6 | Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif | — | ||
| 13-7 | Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré | — | ||
| 13-8 | Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif | — | ||
| 13-9 | Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré | — | ||
| 13-10 | Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif | — | ||
| 14-1 | Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent | — | ||
| 14-2 | Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif | — | ||
| 14-3 | Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux | — | ||
| 14-4 | Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif | — | ||
| 14-5 | Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme | — | ||
| 14-6 | Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré | — | ||
| 14-7 | Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré | — | ||
| 14-8 | Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré | — | ||
| 14-9 | Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent | — | ||
| 14-10 | Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif | — | ||
| 15-1 | Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux | — | ||
| 15-2 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré | — | ||
| 15-3 | Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste | — | ||
| 15-4 | Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif | — | ||
| 15-5 | Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique | — | ||
| 15-6 | Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant | — | ||
| 15-7 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif | — | ||
| 15-8 | Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique | — | ||
| 16-1 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai | — | ||
| 16-2 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante | — | ||
| 16-3 | Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto | — | ||
| 16-4 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro | — | ||
| 16-5 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante | — | ||
| 16-6 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto | — | ||
| 17-1 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace | — | ||
| 17-2 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante | — | ||
| 17-3 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio | — | ||
| 17-4 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto | — | ||
| 17-5 | Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto | — | ||
| 18-1 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace | — | ||
| 18-2 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto | — | ||
| 18-3 | Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace | — | ||
| 18-4 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro | — | ||
| 18-5 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto | — | ||
| 18-6 | Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai | — | ||
| 19-1 | L'Histoire du soldat: I. Marche du soldat | — | ||
| 19-2 | L'Histoire du soldat: II. Le Violon du soldat | — | ||
| 19-3 | L'Histoire du soldat: III. Petit concert | — | ||
| 19-4 | L'Histoire du soldat: IV. Tango - Valse - Ragtime | — | ||
| 19-5 | L'Histoire du soldat: V. Danse du diable | — | ||
| 19-6 | Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88 | — | ||
| 19-7 | Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60 | — | ||
| 19-8 | Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116 | — | ||
| 19-9 | Pastorale | — | ||
| 19-10 | 3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo | — | ||
| 19-11 | 3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168 | — | ||
| 19-12 | 3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160 | — | ||
| 19-13 | Suite Italienne: I. Introduzione. Allegro moderato | — | ||
| 19-14 | Suite Italienne: II. Serenata. Larghetto | — | ||
| 19-15 | Suite Italienne: III. Aria. Allegro all breve - Largo | — | ||
| 19-16 | Suite Italienne: IV. Tarantella. Vivace | — | ||
| 19-17 | Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace | — | ||
| 20-1 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo | — | ||
| 20-2 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile | — | ||
| 20-3 | Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo | — | ||
| 20-4 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio | — | ||
| 20-5 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio | — | ||
| 20-6 | Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto | — | ||
| 21-1 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro | — | ||
| 21-2 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto | — | ||
| 21-3 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II | — | ||
| 21-4 | Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro | — | ||
| 21-5 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | — | ||
| 21-6 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto | — | ||
| 21-7 | Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto | — | ||
| 22-1 | Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace | — | ||
| 22-2 | Nocturne in F major, op. 15/1: Andante cantabile | — | ||
| 22-3 | Mazurka in C major, op. 56/2: Vivace | — | ||
| 22-4 | Mazurka in A-flat major, op. posth. | — | ||
| 22-5 | Mazurka in B major, op. 41/2: Animato | — | ||
| 22-6 | Mazurka in D major, op. 33/3: Vivace | — | ||
| 22-7 | Mazurka in F minor, op. 68/4: Andantino | — | ||
| 22-8 | Mazurka in B-flat major, op. 7/1: Vivace | — | ||
| 22-9 | Nocturne in E major, op. 62/2: Sostenuto | — | ||
| 22-10 | Waltz in A-flat major, op. 64/3: Moderato | — | ||
| 22-11 | Trois Nouvelles Études: No. 2 in A-flat major: Allegretto | — | ||
| 22-12 | [Prélude] in A-flat major, op. posth.: Presto | — | ||
| 22-13 | Berceuse in D-flat major, op. 57: Andante | — | ||
| 22-14 | Barcarolle in F-sharp major, op. 60: Allegretto | — | ||
| 23-1 | Quatrain II | — | ||
| 23-2 | Water Ways | — | ||
| 23-3 | Waves | — | ||
| 24-1 | Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso | — | ||
| 24-2 | Waltz in F major, op. 34/3: Vivace | — | ||
| 24-3 | Waltz in D-flat major “Minute”, op. 64/1: Molto vivace | — | ||
| 24-4 | Waltz in G-flat major, op. posth. 70/1: Molto vivace | — | ||
| 24-5 | Nocturne in F-sharp major, op. 15/2: Larghetto | — | ||
| 24-6 | Nocturne in F-sharp minor, op. 48/2: Andantino | — | ||
| 24-7 | Nocturne in D-flat major, op. 27/2: Lento sostenuto | — | ||
| 24-8 | Impromptu in G-flat major, op. 51: Vivace | — | ||
| 25-1 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Tema. Vivace | — | ||
| 25-2 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso | — | ||
| 25-3 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro | — | ||
| 25-4 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo | — | ||
| 25-5 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace | — | ||
| 25-6 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace | — | ||
| 25-7 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso | — | ||
| 25-8 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro | — | ||
| 25-9 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace | — | ||
| 25-10 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto | — | ||
| 25-11 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto | — | ||
| 25-12 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto | — | ||
| 25-13 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto | — | ||
| 25-14 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace | — | ||
| 25-15 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso | — | ||
| 25-16 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando | — | ||
| 25-17 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro | — | ||
| 25-18 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 17 | — | ||
| 25-19 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato | — | ||
| 25-20 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto | — | ||
| 25-21 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante | — | ||
| 25-22 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro - Tempo I | — | ||
| 25-23 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart) | — | ||
| 25-24 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai | — | ||
| 25-25 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante | — | ||
| 25-26 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro | — | ||
| 25-27 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 26 | — | ||
| 25-28 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace | — | ||
| 25-29 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro | — | ||
| 25-30 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo | — | ||
| 25-31 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile | — | ||
| 25-32 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo | — | ||
| 25-33 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio | — | ||
| 25-34 | 33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro) | — | ||
| 26-1 | 3 Mazurkas, op. 59: No. 1 in A minor. Moderato | — | ||
| 26-2 | 3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto | — | ||
| 26-3 | 3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace | — | ||
| 26-4 | Impromptu in A-flat major. op. 29: Allegro assai, quasi Presto | — | ||
| 26-5 | Ballade no. 3 in A-flat major, op. 47: Allegretto | — | ||
| 26-6 | Nocturne in E-flat major, op. 55/2: Lento sostenuto | — | ||
| 26-7 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Andante spianato. Tranquillo | — | ||
| 26-8 | Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Polonaise. Allegro molto - Meno mosso | — | ||
| 27-1 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig | — | ||
| 27-2 | Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll | — | ||
| 27-3 | 4 Pieces for Violin and Piano, op. 7: I. Sehr langsam | — | ||
| 27-4 | 4 Pieces for Violin and Piano, op. 7: II. Rasch | — | ||
| 27-5 | 4 Pieces for Violin and Piano, op. 7: III. Sehr langsam | — | ||
| 27-6 | 4 Pieces for Violin and Piano, op. 7: IV. Bewegt | — | ||
| 27-7 | Variations for Piano, op. 27: I. Sehr mäßig | — | ||
| 27-8 | Variations for Piano, op. 27: II. Sehr schnell | — | ||
| 27-9 | Variations for Piano, op. 27: III. Ruhig fließend | — | ||
| 27-10 | 3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel | — | ||
| 27-11 | 3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt | — | ||
| 27-12 | 3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig | — | ||
| 27-13 | Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with | — | ||
| 27-14 | Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation | — | ||
| 27-15 | Uninterrupted Rests: No. 3: A Song of Love | — | ||
| 27-16 | Piano Distance | — | ||
| 27-17 | For Away | — | ||
| 27-18 | Les Yeux clos | — | ||
| 27-19 | Litany: I. Adagio | — | ||
| 27-20 | Litany: II. Lento misterioso | — | ||
| 28-1 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni | — | ||
| 28-2 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Thema scherzoso. Leicht beschwingt - Schwungvoll - Meno Allegro | — | ||
| 28-3 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation I | — | ||
| 28-4 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation II. Langsames Walzertempo | — | ||
| 28-5 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation III. Kräftig bewegt | — | ||
| 28-6 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation IV. Sehr rasch | — | ||
| 28-7 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation V. Tempo I | — | ||
| 28-8 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio | — | ||
| 28-9 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Introduzione. Durchweg frei, im Charakter einer Kadenz vorzutragen | — | ||
| 28-10 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Rondo ritmico | — | ||
| 28-11 | Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Coda | — | ||
| 28-12 | Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥 = 112) (scherzando) | — | ||
| 28-13 | Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54) | — | ||
| 29-1 | Bagatelles: No. 1: Proclamation | — | ||
| 29-2 | Bagatelles: No. 2: Spontaneous Songs | — | ||
| 29-3 | Bagatelles: No. 3: The Dance | — | ||
| 29-4 | Variations, op. 24 | — | ||
| 29-5 | Piece for Peter | — | ||
| 29-6 | Cycle of Pieces for Piano Solo, op. 50: …in real time I | — | ||
| 29-7 | Fantasy Pieces: No. 1: Breeze of Delight | — | ||
| 29-8 | Fantasy Pieces: No. 2: Dragon's Thunder | — | ||
| 29-9 | Fantasy Pieces: No. 3: Memory's Luminous Wind | — | ||
| 29-10 | 6 Encores: No. 6 Feuerklavier | — | ||
| 29-11 | Interlude | — | ||
| 29-12 | Les Yeux clos II | — | ||
| 29-13 | Garland: [Introduction] | — | ||
| 29-14 | Garland: I | — | ||
| 29-15 | Garland: II | — | ||
| 29-16 | Garland: III | — | ||
| 29-17 | Garland: IV | — | ||
| 29-18 | Garland: V | — | ||
| 29-19 | Garland: VI | — | ||
| 29-20 | Garland: VII | — | ||
| 29-21 | Garland: VIII | — | ||
| 29-22 | Garland: IX | — | ||
| 29-23 | Rain Tree Sketch | — | ||
| 29-24 | Rain Tree Sketch II | — | ||
| 30-1 | Italian Concerto in F major, BWV 971: I. [Allegro] | — | ||
| 30-2 | Italian Concerto in F major, BWV 971: II. Andante | — | ||
| 30-3 | Italian Concerto in F major, BWV 971: III. Presto | — | ||
| 30-4 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria | — | ||
| 30-5 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav. | — | ||
| 30-6 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav. | — | ||
| 30-7 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav. | — | ||
| 30-8 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav. | — | ||
| 30-9 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav. | — | ||
| 30-10 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone alla Seconda a 1 Clav. | — | ||
| 30-11 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav. | — | ||
| 30-12 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav. | — | ||
| 30-13 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav. | — | ||
| 30-14 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav. | — | ||
| 30-15 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav. | — | ||
| 30-16 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta | — | ||
| 30-17 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav. | — | ||
| 30-18 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav. | — | ||
| 30-19 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante | — | ||
| 30-20 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav. | — | ||
| 30-21 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav. | — | ||
| 30-22 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav. | — | ||
| 30-23 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav. | — | ||
| 30-24 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav. | — | ||
| 30-25 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav. | — | ||
| 30-26 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav. | — | ||
| 30-27 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav. | — | ||
| 30-28 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav. | — | ||
| 30-29 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio | — | ||
| 30-30 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav. | — | ||
| 30-31 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav. | — | ||
| 30-32 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav. | — | ||
| 30-33 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav. | — | ||
| 30-34 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav. | — | ||
| 30-35 | Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo | — | ||
| 31-1 | King Gesar: Part 1: Calling on the Power of Goodness In Men's Hearts: An Invocation to the Imperial Drala, Gesar, King of Ling | — | ||
| 31-2 | King Gesar: Part 2: The Birth of Gesar | — | ||
| 31-3 | King Gesar: Part 3: Gesar in the Desert | — | ||
| 31-4 | King Gesar: Part 4: The Horse Race | — | ||
| 31-5 | King Gesar: Part 5: The Song of Manene | — | ||
| 31-6 | King Gesar: Part 6: The Battle with the Tirthikas | — | ||
| 31-7 | King Gesar: Part 7: Gesar's Song of Completion | — | ||
| 32-1 | 15 Two-Part Inventions: No. 1 in C major, BWV 772 | — | ||
| 32-2 | 15 Two-Part Inventions: No. 2 in C minor, BWV 773 | — | ||
| 32-3 | 15 Two-Part Inventions: No. 3 in D major, BWV 774 | — | ||
| 32-4 | 15 Two-Part Inventions: No. 4 in D minor, BWV 775 | — | ||
| 32-5 | 15 Two-Part Inventions: No. 5 in E-flat major, BWV 776 | — | ||
| 32-6 | 15 Two-Part Inventions: No. 6 in E major, BWV 777 | — | ||
| 32-7 | 15 Two-Part Inventions: No. 7 in E minor, BWV 778 | — | ||
| 32-8 | 15 Two-Part Inventions: No. 8 in F major, BWV 779 | — | ||
| 32-9 | 15 Two-Part Inventions: No. 9 in F minor, BWV 780 | — | ||
| 32-10 | 15 Two-Part Inventions: No. 10 in G major, BWV 781 | — | ||
| 32-11 | 15 Two-Part Inventions: No. 11 in G minor, BWV 782 | — | ||
| 32-12 | 15 Two-Part Inventions: No. 12 in A major, BWV 783 | — | ||
| 32-13 | 15 Two-Part Inventions: No. 13 in A minor, BWV 784 | — | ||
| 32-14 | 15 Two-Part Inventions: No. 14 in B-flat major, BWV 785 | — | ||
| 32-15 | 15 Two-Part Inventions: No. 15 in B minor, BWV 786 | — | ||
| 32-16 | 15 Sinfonias (Three-Part Inventions): No. 1 in C major, BWV 787 | — | ||
| 32-17 | 15 Sinfonias (Three-Part Inventions): No. 2 in C minor, BWV 788 | — | ||
| 32-18 | 15 Sinfonias (Three-Part Inventions): No. 3 in D major, BWV 789 | — | ||
| 32-19 | 15 Sinfonias (Three-Part Inventions): No. 4 in D minor, BWV 790 | — | ||
| 32-20 | 15 Sinfonias (Three-Part Inventions): No. 5 in E-flat major, BWV 791 | — | ||
| 32-21 | 15 Sinfonias (Three-Part Inventions): No. 6 in E major, BWV 792 | — | ||
| 32-22 | 15 Sinfonias (Three-Part Inventions): No. 7 in E minor, BWV 793 | — | ||
| 32-23 | 15 Sinfonias (Three-Part Inventions): No. 8 in F major, BWV 794 | — | ||
| 32-24 | 15 Sinfonias (Three-Part Inventions): No. 9 in F minor, BWV 795 | — | ||
| 32-25 | 15 Sinfonias (Three-Part Inventions): No. 10 in G major, BWV 796 | — | ||
| 32-26 | 15 Sinfonias (Three-Part Inventions): No. 11 in G minor, BWV 797 | — | ||
| 32-27 | 15 Sinfonias (Three-Part Inventions): No. 12 in A major, BWV 798 | — | ||
| 32-28 | 15 Sinfonias (Three-Part Inventions): No. 13 in A minor, BWV 799 | — | ||
| 32-29 | 15 Sinfonias (Three-Part Inventions): No. 14 in B-flat major, BWV 800 | — | ||
| 32-30 | 15 Sinfonias (Three-Part Inventions): No. 15 in B minor, BWV 801 | — | ||
| 32-31 | 4 Duets, Clavier-Übung III: No. 1 in E minor, BWV 802 | — | ||
| 32-32 | 4 Duets, Clavier-Übung III: No. 2 in F major, BWV 803 | — | ||
| 32-33 | 4 Duets, Clavier-Übung III: No. 3 in G major, BWV 804 | — | ||
| 32-34 | 4 Duets, Clavier-Übung III: No. 4 in A minor, BWV 805 | — | ||
| 33-1 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: I. Andante - Allegro - Tempo I - attacca | — | ||
| 33-2 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: II. Allegro molto e vivace - attacca | — | ||
| 33-3 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: III. Adagio con espressione - attacca | — | ||
| 33-4 | Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto | — | ||
| 33-5 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: I. Adagio sostenuto - attacca | — | ||
| 33-6 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: II. Allegretto - Trio | — | ||
| 33-7 | Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: III. Presto agitato | — | ||
| 33-8 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: I. Allegro assai | — | ||
| 33-9 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: II. Andante con moto - attacca | — | ||
| 33-10 | Piano Sonata no. 23 in F minor “Appassionata”, op. 57: III. Allegro ma non troppo - Presto | — | ||
| 34-1 | Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] - attacca | — | ||
| 34-2 | Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio / III. Allegro | — | ||
| 34-3 | Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | — | ||
| 34-4 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | — | ||
| 34-5 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | — | ||
| 34-6 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | — | ||
| 34-7 | Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] - attacca | — | ||
| 34-8 | Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio | — | ||
| 34-9 | Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro | — | ||
| 35-1 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | — | ||
| 35-2 | Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante | — | ||
| 35-3 | Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto | — | ||
| 35-4 | Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro | — | ||
| 35-5 | Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso | — | ||
| 35-6 | Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro | — | ||
| 35-7 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro] | — | ||
| 35-8 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto | — | ||
| 35-9 | Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro | — |
Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone all Seconda a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo
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Piano Sonata no. 18 in G major, D 894: I. Molto moderato e cantabile
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Piano Sonata no. 18 in G major, D 894: II. Andante
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Piano Sonata no. 18 in G major, D 894: III. Menuetto. Allegro moderato - Trio
—
Piano Sonata no. 18 in G major, D 894: IV. Allegretto
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: I. [Allegro]
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: II. Alla Siciliana
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in D minor, BWV 1063: III. Allegro
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: I. Allegro
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: II. Adagio
—
Concerto for 3 Harpsichords, String Orchestra and Continuo in C major, BWV 1064: III. Allegro
—
Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): I. Allegro
—
Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): II. Andante
—
Concerto no. 10 for 2 Pianos and Orchestra in E-flat major, K. 365 (316a): III. Rondeau. Allegro
—
Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno Allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto: “Schmeichelnd hold und liebich klingen” - Presto
—
Fantasia contrappuntistica: Chorale Variations - Fuga I-III - Intermezzo - Varatio I-III - Cadenza - Fuga IV - Corale - Stretta
—
Sonata for Cello and Piano no. 4 in A minor, op. 116: I. Allegro moderato
—
Sonata for Cello and Piano no. 4 in A minor, op. 116: II. Presto - Meno presto - Tempo I
—
Sonata for Cello and Piano no. 4 in A minor, op. 116: III. Largo
—
Sonata for Cello and Piano no. 4 in A minor, op. 116: IV. Allegretto con grazia
—
Concerto for Piano and Orchestra no. 1, Sz. 83: I. Allegro moderato - Allegro
—
Concerto for Piano and Orchestra no. 1, Sz. 83: II. Andante - Allegro - attacca
—
Concerto for Piano and Orchestra no. 1, Sz. 83: III. Allegro molto
—
Concerto for Piano and Orchestra no. 3, Sz. 119: I. Allegretto
—
Concerto for Piano and Orchestra no. 3, Sz. 119: II. Adagio religioso
—
Concerto for Piano and Orchestra no. 3, Sz. 119: III. Allegro vivace
—
Piano Sonata no. 7 in E-flat major, D 568: I. Allegro moderato
—
Piano Sonata no. 7 in E-flat major, D 568: II. Andante molto
—
Piano Sonata no. 7 in E-flat major, D 568: III. Menuetto. Allegretto - Trio
—
Piano Sonata no. 7 in E-flat major, D 568: IV. Allegro moderato
—
Waldszenen, op. 82: No. 1: Eintritt. Nicht zu schnell
—
Waldszenen, op. 82: No. 2: Jäger auf der Lauer. Höchst lebhaft
—
Waldszenen, op. 82: No. 3: Einsame Blumen. Einfach
—
Waldszenen, op. 82: No. 4: Verrufene Stelle. Ziemlich langsam
—
Waldszenen, op. 82: No. 5: Freundliche Landschaft. Schnell
—
Waldszenen, op. 82: No. 6: Herberge. Mäßig
—
Waldszenen, op. 82: No. 7: Vogel als Prophet. Langsam, sehr zart
—
Waldszenen, op. 82: No. 8: Jagdlied. Rasch, kräftig
—
Waldszenen, op. 82: No. 9: Abschied. Nicht zu schnell
—
Concerto for Piano and Orchestra, op. 42: I. Andante -
Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra, op. 42: II. Molto allegro [bar 176] -
Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra, op. 42: III. Adagio [bar 264] -
Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra, op. 42: IV. Giocoso (moderato) [bar 329]
Peter Serkin, Chicago Symphony Orchestra, Seiji Ozawa
—
5 Piano Pieces, op. 23: No. 1: Sehr langsam
Peter Serkin
—
5 Piano Pieces, op. 23: No. 2: Sehr rasch
Peter Serkin
—
5 Piano Pieces, op. 23: No. 3: Langsam
Peter Serkin
—
5 Piano Pieces, op. 23: No. 4: Schwungvoll. Mäßige Viertel
Peter Serkin
—
5 Piano Pieces, op. 23: No. 5: Walzer
Peter Serkin
—
Fantasy for Violin with Piano Accompaniment, op. 47: Grave - Più mosso - Meno mosso - Lento - Grazioso - Tempo I - Più mosso -
Peter Serkin, Arnold Steinhardt
—
Fantasy for Violin with Piano Accompaniment, op. 47: Scherzando - Poco tranquillo - Scherzando - Meno mosso - Tempo I
Peter Serkin, Arnold Steinhardt
—
Fantasia in C minor, K. 475: Adagio - Allegro - Andantino - Più allegro - Tempo I
—
Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro
—
Piano Sonata no. 14 in C minor, K. 457: II. Adagio
—
Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai
—
Prelude (Fantasia) and Fugue in C major, K. 394 (383a): Adagio - Andante - Più adagio - Tempo I - Fuga. Andante maestoso
—
Piano Sonata no. 15 in F major, K. 533 / K. 494: I. Allegro (K. 533)
—
Piano Sonata no. 15 in F major, K. 533 / K. 494: II. Andante (K. 533)
—
Piano Sonata no. 15 in F major, K. 533 / K. 494: III. Rondo. Allegretto (K. 494)
—
Fantasia in D minor, K. 397 (385g): Andante - Adagio - Presto - Tempo I
—
Rondo in D major, K. 485: Allegro
—
Rondo in A minor, K. 511: Andante
—
Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo
Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca
Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa
—
Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro
Peter Serkin, New Philharmonia Orchestra, Seiji Ozawa
—
Visions de l'Amen: I. Amen de la Création. Très lent, mystérieux et solennel
—
Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau/ Modéré, solide et décidé
—
Visions de l'Amen: III. Amen de l'Agonie de Jésus. Très modéré, presque lent
—
Visions de l'Amen: IV. Amen du Désir. Très lent, avec amour
—
Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux. Très modéré
—
Visions de l'Amen: VI. Amen du Jugement. Très modéré
—
Visions de l'Amen: VII. Amen de la Consommation. Modéré, joyeux
—
Catalogue d'oiseaux: No. 7 Rousserolle effarvatte
—
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: I. Allegro vivace
—
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: II. Andantino
—
Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: III. Allegro ma non troppo
—
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
—
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
—
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
—
Vingt Regards sur l'Enfant-Jésus: I. Regard du Père. Extrêmement lent
—
Vingt Regards sur l'Enfant-Jésus: II. Regard de l'étoile. Modéré
—
Vingt Regards sur l'Enfant-Jésus: III. L'Échange. Bien modéré
—
Vingt Regards sur l'Enfant-Jésus: IV. Regard de lar Vierge. Bien modéré
—
Vingt Regards sur l'Enfant-Jésus: V. Regard du Fils dur le Fils. Très lent
—
Vingt Regards sur l'Enfant-Jésus: VI. Par Lui tout a été fait. Modéré, presque vif
—
Vingt Regards sur l'Enfant-Jésus: VII. Regard de la Croix. Bien modéré
—
Vingt Regards sur l'Enfant-Jésus: VIII. Regard des Hauteurs. Vif
—
Vingt Regards sur l'Enfant-Jésus: IX. Regard du Temps. Modéré
—
Vingt Regards sur l'Enfant-Jésus: X. Regard de l'Esprit de joie. Presque vif
—
Vingt Regards sur l'Enfant-Jésus: XI. Première communion de la Vierge. Très lent
—
Vingt Regards sur l'Enfant-Jésus: XII. La parole toute-puissante. Un peu vif
—
Vingt Regards sur l'Enfant-Jésus: XIII. Noël. Très vif, joyeux
—
Vingt Regards sur l'Enfant-Jésus: XIV. Regard des Anges. Très vif
—
Vingt Regards sur l'Enfant-Jésus: XV. La baiser de l'Enfant-Jésus. Très lent, calme
—
Vingt Regards sur l'Enfant-Jésus: XVI. Regard des Prophètes, des Bergers et des Mages. Modéré
—
Vingt Regards sur l'Enfant-Jésus: XVII. Regard du silence. Très modéré
—
Vingt Regards sur l'Enfant-Jésus: XVIII. Regard de l'Onction terrible. Modéré
—
Vingt Regards sur l'Enfant-Jésus: XIX. Je dors, mais mon cœur veille. Lent
—
Vingt Regards sur l'Enfant-Jésus: XX. Regard de l'Église d'amour. Presque vif
—
Quatuor pour la fin du Temps: I. Liturgie de cristal. Bien modéré, en poudroiement harmonieux
—
Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps. Robuste, modéré - Presque vif, joyeux - Presque lent, impalpable, lointain - Presque vif - Modéré
—
Quatuor pour la fin du Temps: III. Abîme des oiseaux. Lent, expressif et triste - Presque vif, gai, capricieux - Modéré - Lent, expressif et triste
—
Quatuor pour la fin du Temps: IV. Intermède. Décidé, modéré, un peu cif
—
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus. Infiniment lent, extatique
—
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes. Décidé, vigoureux, granitique, un peu vif - Un peu plus vif - Plus vif - Presque lent, terrible et puissant
—
Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps. Rêveur, presque lent - Robuste, modéré, un peu vif
—
Quatuor pour la fin du Temps: VIII. Louange à l'Immortalité de Jésus. Extrêmement lent et tendre, extatique
—
Concerto for Piano and Orchestra no. 16 in D major, K. 451: I. Allegro assai
—
Concerto for Piano and Orchestra no. 16 in D major, K. 451: II. Andante
—
Concerto for Piano and Orchestra no. 16 in D major, K. 451: III. Allegro di molto
—
Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro
—
Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante
—
Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto - Finale. Presto
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: I. Allegro vivace
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: II. Andante
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: III. Scherzo. Presto - Trio
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: IV. Thema. Andantino - Var. I-V - Allegretto
—
Quintet for Piano, Violin, Viola, Cello and Double Bass in A major “The Trout”, D 667: V. Finale. Allegro giusto
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: I. Allegro vivace
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto
—
Concerto for Piano and Orchestra no. 18 in B-flat major, K. 456: III. Allegro vivace
—
Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: I. Allegro
—
Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: II. Allegretto
—
Concerto for Piano and Orchestra no. 19 in F major “2nd Coronation Concerto”, K. 459: III. Allegro assai
—
L'Histoire du soldat: I. Marche du soldat
—
L'Histoire du soldat: II. Le Violon du soldat
—
L'Histoire du soldat: III. Petit concert
—
L'Histoire du soldat: IV. Tango - Valse - Ragtime
—
L'Histoire du soldat: V. Danse du diable
—
Septet (1952/53): I. [Sonata allegro] 𝅘𝅥 = 88
—
Septet (1952/53): II. Passacaglia. 𝅘𝅥 = 60
—
Septet (1952/53): III. Gigue. 𝅘𝅥𝅮. = 112-116
—
Pastorale
—
3 Pieces for Clarinet Solo (1918): I. Sempre piano e molto tranquillo
—
3 Pieces for Clarinet Solo (1918): II. 𝅘𝅥𝅮 = 168
—
3 Pieces for Clarinet Solo (1918): III. 𝅘𝅥𝅮 = 160
—
Suite Italienne: I. Introduzione. Allegro moderato
—
Suite Italienne: II. Serenata. Larghetto
—
Suite Italienne: III. Aria. Allegro all breve - Largo
—
Suite Italienne: IV. Tarantella. Vivace
—
Suite Italienne: V. Minuetto e Finale. Moderato - Molto vivace
—
Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: I. Grave - Allegro, ma non troppo
—
Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: II. Andante cantabile
—
Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E-flat major, op. 16: III. Rondo. Allegro ma non troppo
—
Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro con brio
—
Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio
—
Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema: Pria ch'io l'impegno. Allegretto
—
Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: I. Allegro
—
Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: II. Larghetto
—
Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: III. Menuetto - Trio I - Trio II
—
Quintet for Clarinet, 2 Violins, Viola and Cello in A major, K. 581: IV. Allegretto con Variazioni - Var. I-IV - Adagio - Allegro
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto
—
Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo. Allegretto
—
Variations brillantes on “Je vends des scapulaires” from the Opera Ludovic by F. Hérold and F. Halévyt in B-flat major, op. 12: Introduzione. Allegro maestoso - Thème. Allegro moderato - Scherzo - Lento - Scherzo vivace
—
Nocturne in F major, op. 15/1: Andante cantabile
—
Mazurka in C major, op. 56/2: Vivace
—
Mazurka in A-flat major, op. posth.
—
Mazurka in B major, op. 41/2: Animato
—
Mazurka in D major, op. 33/3: Vivace
—
Mazurka in F minor, op. 68/4: Andantino
—
Mazurka in B-flat major, op. 7/1: Vivace
—
Nocturne in E major, op. 62/2: Sostenuto
—
Waltz in A-flat major, op. 64/3: Moderato
—
Trois Nouvelles Études: No. 2 in A-flat major: Allegretto
—
[Prélude] in A-flat major, op. posth.: Presto
—
Berceuse in D-flat major, op. 57: Andante
—
Barcarolle in F-sharp major, op. 60: Allegretto
—
Quatrain II
—
Water Ways
—
Waves
—
Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso
—
Waltz in F major, op. 34/3: Vivace
—
Waltz in D-flat major “Minute”, op. 64/1: Molto vivace
—
Waltz in G-flat major, op. posth. 70/1: Molto vivace
—
Nocturne in F-sharp major, op. 15/2: Larghetto
—
Nocturne in F-sharp minor, op. 48/2: Andantino
—
Nocturne in D-flat major, op. 27/2: Lento sostenuto
—
Impromptu in G-flat major, op. 51: Vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Tema. Vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 1. Alla marcia maestoso
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 2. Poco allegro
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 3. L'istesso tempo
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 4. Un poco più vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 5. Allegro vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 6. Allegro ma non troppo e serioso
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 7. Un poco più allegro
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 8. Poco vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 9. Allegro pesante e risoluto
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 10. Presto
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 11. Allegretto
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 12. Un poco più moto
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 13. Vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 14. Grave e maestoso
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 15. Presto scherzando
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 16. Allegro
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 17
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 18. Poco moderato
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 19. Presto
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 20. Andante
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 21. Allegro con brio - Meno allegro - Tempo I
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 22. Allegro molto (alla “Notte e giorno faticar” di Mozart)
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 23. Allegro assai
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 24. Fughetta. Andante
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 25. Allegro
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 26
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 27. Vivace
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 28. Allegro
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 29. Adagio ma non troppo
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 30. Andante, sempre cantabile
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 31. Largo, molto espressivo
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 32. Fuga. Allegro - Poco adagio
—
33 Variations on a Waltz by Anton Diabelli, op. 120: Var. 33. Tempo di Menuetto moderato (ma non tirarsi dietro)
—
3 Mazurkas, op. 59: No. 1 in A minor. Moderato
—
3 Mazurkas, op. 59: No. 2 in A-flat major. Allegretto
—
3 Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace
—
Impromptu in A-flat major. op. 29: Allegro assai, quasi Presto
—
Ballade no. 3 in A-flat major, op. 47: Allegretto
—
Nocturne in E-flat major, op. 55/2: Lento sostenuto
—
Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Andante spianato. Tranquillo
—
Andante spianato & Grande Polonaise brillante in G major / E-flat major, op. 22: Polonaise. Allegro molto - Meno mosso
—
Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig
—
Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll
—
4 Pieces for Violin and Piano, op. 7: I. Sehr langsam
—
4 Pieces for Violin and Piano, op. 7: II. Rasch
—
4 Pieces for Violin and Piano, op. 7: III. Sehr langsam
—
4 Pieces for Violin and Piano, op. 7: IV. Bewegt
—
Variations for Piano, op. 27: I. Sehr mäßig
—
Variations for Piano, op. 27: II. Sehr schnell
—
Variations for Piano, op. 27: III. Ruhig fließend
—
3 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel
—
3 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
—
3 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
—
Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with
—
Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation
—
Uninterrupted Rests: No. 3: A Song of Love
—
Piano Distance
—
For Away
—
Les Yeux clos
—
Litany: I. Adagio
—
Litany: II. Lento misterioso
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Thema scherzoso. Leicht beschwingt - Schwungvoll - Meno Allegro
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation I
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation II. Langsames Walzertempo
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation III. Kräftig bewegt
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation IV. Sehr rasch
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con Variazioni: Variation V. Tempo I
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Introduzione. Durchweg frei, im Charakter einer Kadenz vorzutragen
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Rondo ritmico
—
Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con Introduzione: Coda
—
Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥 = 112) (scherzando)
—
Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54)
—
Bagatelles: No. 1: Proclamation
—
Bagatelles: No. 2: Spontaneous Songs
—
Bagatelles: No. 3: The Dance
—
Variations, op. 24
—
Piece for Peter
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Cycle of Pieces for Piano Solo, op. 50: …in real time I
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Fantasy Pieces: No. 1: Breeze of Delight
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Fantasy Pieces: No. 2: Dragon's Thunder
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Fantasy Pieces: No. 3: Memory's Luminous Wind
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6 Encores: No. 6 Feuerklavier
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Interlude
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Les Yeux clos II
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Garland: [Introduction]
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Garland: I
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Garland: II
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Garland: III
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Garland: IV
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Garland: V
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Garland: VI
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Garland: VII
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Garland: VIII
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Garland: IX
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Rain Tree Sketch
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Rain Tree Sketch II
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Italian Concerto in F major, BWV 971: I. [Allegro]
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Italian Concerto in F major, BWV 971: II. Andante
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Italian Concerto in F major, BWV 971: III. Presto
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 1 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 2 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 3. Canone all'Unisono a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 4 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 5 a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 6. Canone alla Seconda a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 7 al tempo di Giga a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 8 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 9. Canone alla Terza a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 10. Fughetta a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 11 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 12. Canone alla Quarta
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 13 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 14 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 15. Canone alla Quinta a 1 Clav. Andante
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 16. Ouverture a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 17 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 18. Canone alla Sesta a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 19 a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 20 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 21. Canone alla Settima a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 22. Alla breve a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 23 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 24. Canone all'Ottava a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 25 a 2 Clav. Adagio
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 26 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 27. Canone alla Nona a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 28 a 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 29 a 1 ovvero 2 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Var. 30. Quodlibet a 1 Clav.
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Aria with 30 Variations “Goldberg Variations”, BWV 988: Aria da capo
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King Gesar: Part 1: Calling on the Power of Goodness In Men's Hearts: An Invocation to the Imperial Drala, Gesar, King of Ling
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King Gesar: Part 2: The Birth of Gesar
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King Gesar: Part 3: Gesar in the Desert
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King Gesar: Part 4: The Horse Race
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King Gesar: Part 5: The Song of Manene
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King Gesar: Part 6: The Battle with the Tirthikas
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King Gesar: Part 7: Gesar's Song of Completion
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15 Two-Part Inventions: No. 1 in C major, BWV 772
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15 Two-Part Inventions: No. 2 in C minor, BWV 773
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15 Two-Part Inventions: No. 3 in D major, BWV 774
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15 Two-Part Inventions: No. 4 in D minor, BWV 775
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15 Two-Part Inventions: No. 5 in E-flat major, BWV 776
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15 Two-Part Inventions: No. 6 in E major, BWV 777
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15 Two-Part Inventions: No. 7 in E minor, BWV 778
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15 Two-Part Inventions: No. 8 in F major, BWV 779
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15 Two-Part Inventions: No. 9 in F minor, BWV 780
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15 Two-Part Inventions: No. 10 in G major, BWV 781
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15 Two-Part Inventions: No. 11 in G minor, BWV 782
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15 Two-Part Inventions: No. 12 in A major, BWV 783
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15 Two-Part Inventions: No. 13 in A minor, BWV 784
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15 Two-Part Inventions: No. 14 in B-flat major, BWV 785
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15 Two-Part Inventions: No. 15 in B minor, BWV 786
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15 Sinfonias (Three-Part Inventions): No. 1 in C major, BWV 787
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15 Sinfonias (Three-Part Inventions): No. 2 in C minor, BWV 788
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15 Sinfonias (Three-Part Inventions): No. 3 in D major, BWV 789
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15 Sinfonias (Three-Part Inventions): No. 4 in D minor, BWV 790
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15 Sinfonias (Three-Part Inventions): No. 5 in E-flat major, BWV 791
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15 Sinfonias (Three-Part Inventions): No. 6 in E major, BWV 792
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15 Sinfonias (Three-Part Inventions): No. 7 in E minor, BWV 793
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15 Sinfonias (Three-Part Inventions): No. 8 in F major, BWV 794
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15 Sinfonias (Three-Part Inventions): No. 9 in F minor, BWV 795
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15 Sinfonias (Three-Part Inventions): No. 10 in G major, BWV 796
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15 Sinfonias (Three-Part Inventions): No. 11 in G minor, BWV 797
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15 Sinfonias (Three-Part Inventions): No. 12 in A major, BWV 798
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15 Sinfonias (Three-Part Inventions): No. 13 in A minor, BWV 799
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15 Sinfonias (Three-Part Inventions): No. 14 in B-flat major, BWV 800
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15 Sinfonias (Three-Part Inventions): No. 15 in B minor, BWV 801
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4 Duets, Clavier-Übung III: No. 1 in E minor, BWV 802
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4 Duets, Clavier-Übung III: No. 2 in F major, BWV 803
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4 Duets, Clavier-Übung III: No. 3 in G major, BWV 804
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4 Duets, Clavier-Übung III: No. 4 in A minor, BWV 805
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Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: I. Andante - Allegro - Tempo I - attacca
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Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: II. Allegro molto e vivace - attacca
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Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: III. Adagio con espressione - attacca
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Piano Sonata no. 13 in E-flat major, op. 27/1 “Sonata quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto
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Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: I. Adagio sostenuto - attacca
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Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: II. Allegretto - Trio
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Piano Sonata no. 14 in C-sharp minor “Moonlight”, op. 27/2: III. Presto agitato
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Piano Sonata no. 23 in F minor “Appassionata”, op. 57: I. Allegro assai
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Piano Sonata no. 23 in F minor “Appassionata”, op. 57: II. Andante con moto - attacca
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Piano Sonata no. 23 in F minor “Appassionata”, op. 57: III. Allegro ma non troppo - Presto
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Brandenburg Concerto no. 1 in F major, BWV 1046: I. [Allegro] - attacca
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Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio / III. Allegro
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Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II
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Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
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Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
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Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
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Brandenburg Concerto no. 3 in G major, BWV 1048: I. [Allegro] - attacca
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Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
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Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
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Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
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Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
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Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
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Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
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Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
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Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. [Allegro]
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto
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Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
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00000000012042680000000003030214000000003944120X000000005513401500000000551447660000000055196216000000005521295X000000006309546600000000632486370000000071429403
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